XXXVI

A carnival of motor cars kept on whirling to all parts of the town where

Madame Beattie was likely to speak. She spoke in strange places: at

street corners, in a freight station, at the passenger station when the

incoming train had brought a squad of workmen from the bridge repairing

up the track. It was always to workmen, and always they knew, by some

effective communication, where to assemble. The leisure class, too, old

Addingtonians, followed her, as if it were all the best of jokes, and

protested they sometimes understood what she said. But nobody did,

except the foreigners and not one of them would own to knowing. Weedon

Moore made little clipped bits of speeches, sliced off whenever her car

appeared and his audience turned to her in a perfect obedience and

glowing interest. Jeff, speaking for Alston, now got a lukewarm

attention, the courtesy born out of affectionate regard. None of the

roars and wild handclappings were for him. Madame Beattie was eating up

all the enthusiasm in town. Once Jeff, walking along the street, came on

her standing in her car, haranguing a group of workmen, all intent,

eager, warm to her with a perfect sympathy and even a species of

adoration.

He stepped up in the car beside her. He had an irritated sense that, if

he got near enough, he might find himself inside the mystic ring. She

turned to him with a gracious and dramatic courtesy. She even put a hand

on his arm, and he realised, with more exasperation, that he was

supporting her while she talked. The crowd cheered, and, it appeared,

they were cheering him.

"What are you saying?" he asked her, in an irascible undertone. "Talk

English for ten minutes. Play fair."

But she only smiled on him the more sympathetically, and the crowd

cheered them both anew. Jeff stuck by, that night. He stayed with her

until, earlier than usual because she had tired her voice, she told the

man to drive home.

"I am taking you with me to see Esther," she mentioned unconcernedly, as

they went.

"No, you're not," said Jeff. "I'm not going into that house."

"Very well," said Madame Beattie. "Then tell him to stop here a minute,

while we talk."

Jeff hesitated, having no desire to talk, and she herself gave the

order.

"Poor Esther!" said Jeff, when the chauffeur had absented himself to a

sufficient distance, and, according to Madame Beattie's direction, was

walking up and down. "Isn't it enough for you to pester her without

bringing me into it? Why are you so hard on her?"

"I've been quite patient," said Madame Beattie, "with both of you. I've

sat down and waited for you to make up your minds what is going to be

done about my necklace. You're doing nothing. Esther's doing nothing.

The little imp that took it out of Esther's bag is doing nothing. I've

got to be paid, among you. If I am not paid, the little dirty man is

going to have the whole story to publish: how Esther took the necklace,

years ago, how the little imp took it, and how you said you took it, to

save her."

"I have told Weedon Moore," said Jeff succinctly, "in one form or

another that I'll break his neck if he touches the dirty job."

"You have?" said Madame Beattie. She breathed a dramatic breath,

whether of outraged pride or for calculated effect he could not tell.

"Jeff, I can assure you if the little man refuses to do it--and I doubt

whether he will--I'll have it set up myself in leaflets, and I'll go

through the town distributing them from this car. Jeff, I must have

money. I must have it."

He sat back immovable, arms folded, eyes on the distance, and frowningly

thought. What use to blame her who acted after her kind and was no more

to be stirred by appeals than a wild creature red-clawed upon its prey?

"Madame Beattie," said he, "if I had money you should have it. Right or

wrong you should have it if it would buy you out of here. But I haven't

got it."

"It's there you are a fool," she said, moved actually now by his

numbness to his own endowment. "I could beat my head and scream, when I

think how you're throwing things away, your time, in that beastly night

school, your power, your personal charm. Jeff, you've the devil's own

luck. You were born with it. And you simply won't use it."

He had said that himself in a moment of hope not long before: that he

had the devil's own luck. But he wasn't going to accept it from her.

"You talk of luck," he said, "to a man just out of jail."

"You needn't have been in jail," she was hurling at him in an unpleasant

intensity of tone, as if she would have liked to scream it and the quiet

street denied her. "If you hadn't pleaded guilty, if you hadn't handed

over every scrap of evidence, if you had been willing to take advantage

of what that clerk was ready to swear--why, you might have got off and

kept on in business and be a millionaire to-day."

How she managed to know some of the things she did he never fathomed.

He had never seen anybody of the direct and shameless methods of Madame

Beattie, willing to ask the most intimate questions, make the most

unscrupulous demands. He remembered the young clerk who had wanted to

perjure himself for his sake.

"That would have made a difference, I suppose," he said, "young

Williams' testimony. I wonder how he happened to think of it."

"He thought of it because I went to him," said Madame Beattie. "I said,

'Isn't there anything you could swear to that would help him?' He knew

at once. He turned white as a sheet. 'Yes,' he said, 'and I'll swear to

it.' I told him we'd make it worth his while."

"You did?" said Jeff. "Well, there's another illusion gone. I took a

little comfort in young Williams. I thought he was willing to perjure

himself because he had an affection for me. So you were to make it worth

his while."

She laughed a little, indifferently, with no bitterness, but in

retrospect of a scene where she had been worsted.

"You needn't mourn that lost ideal," she said. "Young Williams showed me

the door. It was in your office, and he actually did show me the door.

He was glad to perjure himself, he said, for you. Not for money. Not for

me."

Jeff laughed out.

"Well," he said, "that's something to the good anyway. We haven't lost

young Williams. He wrote to me, not long ago. When I answer it, I'll

tell him he's something to the good."

But Madame Beattie was not going to waste time on young Williams.

"It ought to be a criminal offence," she said rapidly, "to be such a

fool. You had the world in your hand. You've got it still. You and

Esther could run such a race! think what you've got, both of you, youth,

beauty, charm. You could make your way just by persuasion, persuading

this man to one thing and that man to another. How Esther could help

you! Don't you see she's an asset? What if you don't love her? Love! I

know it from the first letter to the last, and there's nothing in it,

Jeff, nothing. But if you make money you can buy the whole world."

Her eager old face was close to his, the eyes, greedy, ravenous,

glittered into his and struck their base messages deeper and deeper into

his soul. The red of nature had come into her cheeks and fought there

with the overlying hue of art. Jeff, from an instinct of blind courage,

met her gaze and tried to think he was defying it bravely. But he was

overwhelmed with shame for her because she was avowedly what she was.

Often he could laugh at her good-tempered cynicism. Over her now, for he

actually did have a kind of affection for her, he could have cried.

"Don't!" he said involuntarily, and she misunderstood him. His shame for

her disgrace she had taken for yielding and she redoubled the hot

torrent of temperamental persuasion.

"I will," she said fiercely, "until you get on your legs and act like a

man. Go to Esther. Go to her now, this night. Come with me. Make love to

her. She's a pretty woman. Sweep her off her feet. Tell her you're going

to make good and she's going to help you."

Jeff rose and stepped out of the car. The ravenous old hand still

dragged at his arm, but he lifted it quietly and gave it back to her. He

stood there a moment, his hat off, and signalled the chauffeur. Madame

Beattie leaned over to him until her eyes were again glittering into

his.

"Is that it?" she asked. "Are you going to run away?"

"Yes," said Jeff, quietly. "I'm going to run away."

The man came and Jeff stood there, hat still in hand, until the car had

started. He felt like showing her an exaggerated courtesy. Jeff thought

he had never been so sorry for anybody in his life as for Madame

Beattie.

Madame Beattie drew her cloak the closer, sunk her chin in it and

concluded Jeff was done with her. She was briefly sorry though not from

shame. It scarcely disconcerted her to find he liked her even less than

she had thought. Where was his large tolerance, she might have asked,

the moral neutrality of the man of the world?

He had made it incumbent on her merely to take other measures, and next

day, seeing Lydia walk past the house, she went to call on Anne. Her way

was smooth. Anne herself came to the door in the neighbourly Addington

fashion when help was busy, and took her into the library, expressing

regret that her father was not there. The family had gone out on various

errands. This she offered in her gentle way, even with a humorous

ruefulness, Madame Beattie would find her so inadequate. To Anne, Madame

Beattie was exotic as some strange eastern flower, not less impressive

because it was a little wilted and showed the results of brutal usage.

Madame Beattie composedly took off her cloak and put her feet up on the

fender, an attitude which perilously tipped her chair. On this Anne

solicitously volunteered to move the fender and did it, bringing the

high-heeled shoes comfortably near the coals. Then Madame Beattie,

wasting no time in preliminaries, began, with great circumspection and

her lisp, and told Anne the later story of the necklace. To her calm

statement of Esther's thievery Anne paid a polite attention though no

credence. She had not believed it when Lydia told her. Why should she be

the more convinced from these withered lisping lips? But Madame Beattie

went on explicitly, through the picturesque tale of Lydia and the

necklace and the bag. Then Anne looked at her in unaffected horror. She

sat bolt upright, her slender figure tense with expectation, her hands

clasped rigidly. Madame Beattie enjoyed this picture of a sympathetic

attention, a nature played upon by her dramatic mastery. Anne had no

backwardness in believing now, the deed was so exactly Lydia's. She

could see the fierce impulse of its doing, the reckless haste, no pause

for considering whether it were well to do. She could appreciate Lydia's

silence afterward. "Poor darling" she murmured, and though Madame

Beattie interrogated sharply, "What?" she was not to hear. All the

mother in Anne, faithfully and constantly brooding over Lydia, grew into

passion. She could hardly wait to get the little sinner into her arms

and tell her she was eternally befriended by Anne's love. Madame Beattie

was coming to conclusions.

"The amount of the matter is," she said, "I must be paid for the

necklace."

"But," Anne said, with the utmost courtesy, "I understand you have the

necklace."

"That isn't the point," said Madame Beattie. "I have been given a great

deal of annoyance, and I must be compensated for that. What use is a

necklace that I can neither sell nor even pawn? I am in honour bound

"--and then she went on with her story of the Royal Personage, to which

Anne listened humbly enough now, since it seemed to touch Lydia. Madame

Beattie came to her alternative: if nobody paid her money to ensure her

silence, she would go to Weedon Moore and give him the story of

Esther's thievery and of Lydia's. Anne rose from her chair.

"You have come to me," she said, "to ask a thing like that? To ask for

money--"

"You are to influence Jeff," Madame Beattie lisped. "Jeff can do almost

anything he likes if he doesn't waste himself muddling round with

turnips and evening schools. You are to tell him his wife and the imp

are going to be shown up. He wouldn't believe me. He thinks he can

thrash Moore and there'll be an end of it. But it won't be an end of it,

my dear, for there are plenty of channels besides Weedon Moore. You tell

him. If he doesn't care for Esther he may for the little imp. He thinks

she's very nice."

Madame Beattie here, in establishing an understanding, leered a little

in the way of indicating a man's pliability when he thought a woman

"very nice", and this finished the utter revolt of Anne, who stood, her

hand on a chair back, gazing at her.

"I never," said Anne, in a choked way, "I never heard such horrible

things in my life." Then, to her own amazement, for she hardly knew the

sensation and never with such intensity as overwhelmed her now, Anne

felt very angry. "Why," she said, in a tone that sounded like wonder,

"you are a dreadful woman. Do you know what a dreadful woman you are?

Oh, you must go away, Madame Beattie. You must go out of this house at

once. I can't have you here."

Madame Beattie looked up at her in a pleasant indifference, as if it

rather amused her to see the grey dove bristling for its young. Anne

even shook the chair she held, as if she were shaking Madame Beattie.

"I mean it," she said. "I can't have you stay here. My father might

come in and be civil to you, and I won't have anybody civil to you in

this house. Lydia might come in, and Lydia likes you. Why, Madame

Beattie, can you bear to think Lydia likes you, when you're willing to

say the things you do?"

Madame Beattie was still not moved except by mild amusement. Anne left

the chair and took a step nearer.

"Madame Beattie," she said, "you don't believe a word I say. But I mean

it. You've got to go out of this house, or I shall put you out of it

with my hands. With my hands, Madame Beattie--and I'm very strong."

Madame Beattie was no coward, but she was not young and she had a sense

of physical inadequacy. About Anne there was playing the very spirit of

tragic anger, none of it for effect, not in the least gauged by any idea

of its efficiency. Those slender hands, gripping each other until the

knuckles blanched, were ready for their act. The girl's white face was

lighted with eyes of fire. Madame Beattie rose and slowly assumed her

cloak.

"You're a silly child," she said. "When you're as old as I am you'll

have more common-sense. You'd rather risk a scandal than tell Jeff he

has a debt to pay. By to-morrow you'll see it as I do. Come to me in the

morning, and we'll talk it over. I won't act before then."

She walked composedly to the door and Anne scrupulously held it for her.

They went through the hall, Anne following and ready to open the last

door also. But she closed it without saying good-bye, in answer to

Madame Beattie's oblique nod over her shoulder and the farewell wave of

her hand. For an instant Anne felt like slipping the bolt lest her

adversary should return, but she reflected, with a grimness new to her

gentle nature, that if Madame Beattie did return her own two hands were

ready. She stood a moment, listening, and when the carriage wheels

rolled away down the drive, she went to the big closet under the stairs

and caught at her own coat and hat. She was going, as fast as her feet

would carry her, to see Alston Choate.

The Prisoner · 第 44 / 53 题