UNION OF SOUTH AFRICA: A SELF-PORTRAIT

The Boers of South Africa are presented, especially in Paton’s novels,

as a simple and stern people who are also good fighters and good

haters. Subduing part of a continent and making it their own, they

regard themselves as the elect among the children of men quite as much

as do the Slavophiles. Yet these Afrikaners suffer from a curious case

of schizophrenia. Singled out by the Almighty, they are nonetheless so

fearful of the colored population that they repress them as harshly as

any European nation ever did its colonial peoples. Early in _Too Late

the Phalarope_ Paton epitomizes this national group:

they had trekked from the British Government with its officials and

its missionaries and its laws that made a black man as good as his

master, and had trekked into a continent, dangerous and trackless,

where wild beasts and savage men, and grim waterless plains, had

given way before their fierce will to be separate and survive.

Then out of the harsh world of rock and stone they had come to the

grass country, all green and smiling, and had given to it the names

of peace and thankfulness. They had built their homes and their

churches; and as God had chosen them for a people, so did they

choose him for their God, cherishing their separateness that was

now his Will. They set their conquered enemies apart, ruling them

with unsmiling justice, declaring “no equality in Church or State,”

and making the iron law that no white man might touch a black

woman, nor might any white woman be touched by a black man.

This is a patriarchal society, ruled by men such as Jakob Van

Vlaanderen, a political leader who privately calls the members of

Parliament “his span of oxen.” Fiercely nationalistic, they hate the

British, and as they fought them so they fight any force, even a

sociological one, which threatens their hard-won supremacy. In the

Union of South Africa there are willing British subjects and British

sympathizers, but they have not been represented by a group of novels

as fine as these of Paton’s. This is perhaps due to the fact that they

do not form so homogeneous a cultural and ethnic group as do the Boers

and their descendants. For another thing, the political star of the

Boers has been in the ascendant in the past few decades, while that of

the pro-British has seemed about to set as it did in India.

The political novel · 第 39 / 51 题