TAN-BARK ORATORY AND HARLEQUIN PLUCK

Once when I was with Dan Rice on the river circus we showed at Memphis.

At this place a certain fellow was loud in his denunciation of Dan and

the show. He was a source of great annoyance to the showman and had

also made himself very unpopular by declaiming against slavery. In

retaliation Dan entered the ring and returned the compliment in kind.

He capped the climax by singing a song in which he described his enemy

as playing cards with a negro on a log, and so boldly was this done

that the people believed it and the fellow became so exasperated that

he threatened to shoot Dan. The clown, however, defied him, and

continued ridiculing him until the man was actually obliged to leave

the city in a hurry.

Dan also had trouble at Yazoo City, Mississippi. He had, it appears, on

a former visit, flogged a prominent man there, and the latter had sworn

to shoot him on sight. One night when Dan was clowning in the ring the

prominent citizen entered and drew his revolver to kill. A plucky

bystander, however, knocked the iron from his hand and prevented

bloodshed. The scene that followed I shall never forget. Dan stood

undaunted in the ring, called the man a coward and dared him to shoot.

His audience went into ecstacies over such an exhibition of bravery and

applauded to the echo. Whereupon Dan, stimulated to further efforts,

poured forth a torrent of the most stinging denunciation of cowards

that ever fell from mortal lips. I have often wondered where Dan picked

up such a command of language.

[Illustration: "A SPECTATOR JUMPED INTO THE RING AND TRIED TO SHOOT THE

CLOWN."]

At that time he was not an educated man, although years after, when

visiting him at his magnificent house at Girard, Pa., I found that he

had a well-stocked private library, and he had certainly become an

exceedingly well-read man.

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