DAN RICE'S ONE-HORSE SHOW

Dan had formerly been "featured" as one of their attractions; but, some

trouble arising, he had left them and started in business on his own

account. He experienced the usual ups and downs of a showman's life,

finally "went broke," and was at last cleaned out to what he boldly

announced as "Dan Rice's One-Horse Show." With this little affair he

courageously fought his former associates and did a large business.

During the performances he was in the habit of singing a song entitled

My One-Horse Show, which took the popular fancy and materially helped

him. In this song he told how the opposition had placed false buoys in

the river, thereby misleading his pilots and throwing him on sand bars

where his craft stuck for days.

For the information of those unacquainted with river travel I will say

that buoys are placed by the government in dangerous parts of the river

to point out the only safe channel. Now, whether or not the opposition

was really guilty of this trick, Dan's verses gained him the sympathy

of the people, and with that sympathy came their dollars. In fact, to

such an extent did Dan work upon the sympathies of the people that, at

many points, they actually refused to allow the opposition boats to

land. At some of these places the opposition had themselves incurred

the displeasure of the people by touching at the landing only long

enough to receive their audiences, and then going into the middle of

the river to give their performances, thus avoiding the payment of the

license fee.

This lasted through the winter, and when summer came both shows took to

their tents and traveled toward New York State. There Dan's enemies

succeeded on some charge or other in getting him in jail. While in his

cell he composed the song "Blue Eagle Jail," in which he described the

jailer, whom he disliked, as "Dot-and-Go-One," from the fact of his

having a wooden leg. This song made the one-legged jailer notorious all

over the country.

One thing I must say for Dan Rice: He was the only original clown I

ever heard--with the single exception of Dilly Fay. The latter was an

erratic individual who actually became a clown that he might save money

to complete his studies in Paris. Fay was educated and original, but

lacked the physical power and deep voice of Rice. I never heard of Fay

after he started for Paris, but presume he never reentered the ring.

Sawdust & Spangles: Stories & Secrets of the Circus · 第 120 / 142 题