CHAPTER XXXVIII

The gondola stopped finally at the outlet from the gardens and the park.

The place was picturesque, and the stream lost itself amid antique

rocks, and was no longer navigable. Consuelo had a very short time to

consider the grand, moonlighted landscape. She was yet in the vast area

of the palace grounds; but art here had only striven to preserve nature

in its primitive beauty--the old trees, strewn by chance in the dark

glades, the happy accidents of the landscape, the rugged hills, the

unequal cascades, the herds of bounding and timid stags.

A new person now arrested Consuelo's attention: this was Gottlieb, who

sat idly on a sedan chair, in the attitude of calm and reverie. He

trembled as he recognised his prison friend; but, at a sign from Marcus,

did not speak.

"You then forbid the poor child to shake hands with me?" said Consuelo,

in a half whisper to her guide.

"When you have been initiated, you will be free in all your actions,"

said he. "Now be satisfied with seeing how much Gottlieb's health has

been improved and how his physical power has been revived."

"Can I not, at least, know," said the neophyte, "whether he suffered

persecution on my account, after my escape from Spandau? Excuse my

impatience. This idea has never ceased to torment me, until the day when

I saw him on the grounds of the house I live in."

"He has really suffered," said Marcus, "yet not for a long time. As soon

as he knew you to be rescued, he boasted of having contributed to it;

and his somnambulist revelations had nearly proved fatal to some of us.

They wished to confine him in a madhouse, as much to punish him as to

prevent him from aiding other prisoners to escape. He then fled; and as

we had our eye upon him, he was brought hither, where we have attended

both to his body and mind. We will return him to his country and his

family when we have given him power, and prudence necessary to enable

him to toil in our task, which now has become his own, for he is one of

our purest and most useful adepts. The chair, however, is ready, madame:

will you get into it? I will not leave you, though I confide you to the

faithful arms of Karl and Gottlieb."

Consuelo sat quietly in the sedan, which was closed on every side, and

which received air only from a few openings in the top. She saw, then,

nothing that passed around her. Sometimes she caught a glimpse of the

stars, and therefore thought she was in the open air. At other times she

saw the transparent medium intercepted; she knew not whether by trees or

by solid edifices. The persons who bore her sedan walked rapidly, and in

the most profound silence. She sometimes attempted to discover, as their

footsteps sounded on the sand, whether three or four persons accompanied

her. Often she fancied that she discovered the step of Leverani on the

right of the chair; this, however, might be an illusion, which she

sought to avoid thinking of.

When the sedan paused, Consuelo could not refrain from a sentiment of

terror, when she saw herself under the gateway of an old feudal mansion.

The moon shed a full light on the court, which was surrounded with

crumbling ruins, and filled with persons clad in white, who went and

came, some alone and some clinging together, like fitful spectres. This

dark arcade exhibited a blue, transparent fantastic picture. The

wandering and silent shadows, speaking in a low tone, their noiseless

motion over the grass, the appearance of the ruins, which Consuelo

recognised as those she had seen before, and where she had seen Albert,

made such an impression on her that she felt an almost superstitious

awe. She looked instinctively for Leverani, who was with Marcus; but the

darkness was so great that she could not distinguish which of the two

offered her his hand. On this occasion her heart chilled with a sudden

sadness, an indescribable fear, which rendered her almost senseless.

Her hood was so arranged, and her cloak so put on, that she could see

every one without being recognised. Some one told her in a low voice not

to speak a single word, no matter what she might see. She was then taken

to the extremity of the court, where a strange spectacle met her glance.

A bell with a faint and melancholy sound collected the spectres in the

round chapel, where Consuelo had at one time sought a shelter from the

tempest. This chapel was now lighted with tapers, arranged in systematic

order. The altar seemed to have been, recently built, was covered with a

pall, and strewn with strange symbols. The emblems of Christianity were

mingled with those of Judaism, Egyptian relics, and cabalistic tokens.

In the centre of the choir, the area of which had been reconstructed

with balustrades and symbolic columns, was seen a coffin encircled by

tapers and covered with cross bones, surmounted by a death's head, in

which burned a blood-colored light. Near to this cenotaph a young man

was led. Consuelo could not see his features, as a large _bandeau_

covered half of his face. He seemed crushed by fatigue and emotion, and

he had one arm and one leg bare. His arms were tied behind his back, his

white robe was spotted with blood, and a ligature on his arm seemed to

indicate that he had been bled. Two shadows with burning torches hovered

around him, and on his breast were showers of sparks and clouds of

smoke. Then there began, between him and those who presided over the

ceremony, and who bore various unique insignia, a strange dialogue,

which put Consuelo in mind of those Cagliostro had made her listen to at

Berlin, between Albert and various unknown persons. Then spectres, armed

with swords, whom she heard called the _terrible brothers_ placed the

candidate on the floor, and, putting the points of their swords on his

heart, while many others clashed their weapons, began an angry contest;

some pretending to prevent the admission of a new brother, treating him

as perverse, unworthy, and a traitor; while others pretended to fight

for him, in the name of truth and right. This strange scene had the

effect of a painful dream on Consuelo. This contest, these menaces, this

magic worship, the sobs of the young men as they hung around the coffin,

were so well feigned, that a spectator who had not been initiated would

have been terrified. When the sponsors of the candidate had triumphed in

the argument and the combat, he was lifted up and a dagger placed in his

hand. He was ordered to advance and strike at any one who should oppose

his entry into the temple.

Consuelo saw no more. At the moment when the candidate, with an uplifted

arm, and in a kind of delirium, went towards a low door, the two guards

who had not loosed Consuelo, now bore her rapidly away from so terrible

a spectacle, and placing the hood over her head, took her through a

multitude of windings and detours, to a place where all was silent as

possible. There she was restored to light, and she saw herself in the

octagonal room where she had overheard the conversation of Trenck and

Albert. Every opening now was carefully veiled and shut; the walls and

floor were hung with black, and tapers burned in a fashion and

arrangement different from that in the chapel. An altar like Mount

Calvary, surmounted with three crosses, marked the great fireplace. A

tomb on which was placed a hammer and nails, a lance and crown of

thorns, was in the centre of the room. Persons clad in black and in

masks, knelt or sat on a carpet covered with silver tears. They neither

wept nor sighed. Their attitude was that of austere meditation, or mute

and silent grief.

The guides of Consuelo made her come to the very side of the coffin, and

the men who guarded it having risen and stood at the foot, one of them

said--

"Consuelo, you are come to witness the ceremony of a masonic initiation.

You have seen an unknown worship, mysterious emblems, funereal images,

initiating pontiffs, and a coffin. What do you learn from this

scene--from the terrible tests to which the candidate has been

subjected, from what has been said to him, and from the manifestations

of respect and love around an illustrious tomb?"

"I do not know whether I understood correctly or not," said Consuelo.

"This scene troubled me and seemed barbarous. I pitied the recipient,

whose courage and virtue were subjected to practical proofs, as if

physical courage was a guarantee for moral fortitude. I condemn what I

have seen, and deplore the cruel sports of dark fanaticism, or the

puerile experiences of an idolatrous creed. I heard obscure enigmas

proposed, and the explanations given to the candidate seemed gathered

from a gross or distrustful catechism. Yet this bloody tomb, this

immolated victim--this ancient myth of Hiram, the divine architect, who

was assassinated by his envious and covetous workmen--this sacred word,

lost for centuries, and promised to the candidate as the magic key to

open the temple to him--all this seems a symbol without grandeur and

interest. Why is the fable so badly constructed and so doubtful in its

application?"

"What mean you by that? Have you heard the story you speak of, as a

fable?"

"I have heard it--long before I read the books I was directed to study

during my seclusion--in this manner. Hiram, master-workman of Solomon's

Temple, divided his workmen into classes. They had different duties and

rewards. Three of the lower grade resolved to obtain the reward reserved

to the higher class, and to wrest from Hiram the pass-word, the secret

sign which enabled him to distinguish master-workmen from journeymen at

pay-day. They watched for him while in the temple alone: and each

posting himself at an outlet of the holy place, menaced, struck, and

cruelly murdered him, without having been able to discover the sign

which was to make them equal to him and his associates--the faithful

adepts of the Temple. The friends of Hiram wept over his unhappy lot,

and paid almost divine honors to his memory."

"And now, how do you explain that myth?"

"I thought of it before I came hither, and I understand it thus:--Hiram

represents the cold intelligence and governmental skill of the old

societies, the basis of which were the inequalities of condition and the

influence of caste. This Egyptian fable suited the mysterious religion

of the Hierophants well enough. The three ambitious men were

Indignation, Revolt, and Vengeance. These are, probably, the three

inferior grades of the sacerdotal order, who attempted to assume their

rights by violence. The murder of Hiram conveys the idea of Despotism

powerless and impotent. He died bearing in his breast the secret of

subduing man by blindness and superstition."

"Is this the way you really interpret this myth?"

"I have learned from your books, that this was brought from the East by

the Templars, and that they used it in their initiations. They must

therefore have interpreted it nearly thus. But when they baptised Hiram,

Theocracy--and the assassins, Impiety, Anarchy, and Ferocity--the

Templars who wished to subject society to a kind of monastic despotism,

deplored over Impotence, as represented by the murder of Hiram. The word

of their empire--which was lost, and has since been found--was that of

_association_, or cunning, like the ancient city or temple of Osiris.

For that reason I am surprised at yet seeing this fable used in your

initiations to the work of universal deliverance. I should consider it

as only a test of mind and courage."

"Well, we, who did not invent the form of masonry, and who really use

them as mere ordeals--we, who are more than masters and companions in

this symbolical science, since, having passed through all the masonic

grades, we have reached the point where we are no longer masons, as the

vulgar understand the order--we adjure you to explain the myth of Hiram,

as you understand it, that in relation to your zeal and intellect we may

form an opinion which will either stop you here at the door of the true

temple, or which will open the door of the sanctuary to you."

"You ask me for _Hiram's word_, the last word. That will not open the

gates of the temple to me, for its translation is Tyranny and Falsehood.

But I know the true words, the names of the three gates of the divine

edifice, through which Hiram's murderers entered, for the purpose of

forcing the chief to bury himself beneath the wrecks of his own

work--they are _Liberty, Fraternity, Equality._"

"Consuelo, your interpretation, whether correct or not, reveals to us

all your heart. You are, then, excused from the necessity of ever

kneeling before Hiram's tomb; neither will you pass through the grade

where the neophyte prostrates himself before the tomb of Jacques Molay,

the Grand Master and victim of the temple, of the military works and

prelate soldiers of the middle ages. You will triumph in this second

test as you did in the first. You will discern the false traces of

fanatical barbarity, which are now needed as a guarantee to minds which

are imbued with the principles of inequality. Remember that in

free-masonry, the first grades only aspire to the construction of a

profane temple, an association protected by caste. You know better, and

you are about to go directly to the universal temple, intended to

receive all men associated in one worship and love. Here you must make

your last station; you must worship Christ, and recognise him as the

only true God."

"You say this to try me." said Consuelo firmly. "You have, however,

deigned to open my eyes to lofty truths, by teaching me to read your

secret books. Christ is a divine man, whom we revere as the greatest

philosopher and saint of antiquity. We adore him as much as it is

permitted us to adore the greatest of the masters and martyrs. We may

well call him the saviour of men, because he taught those of his day

truths they did not comprehend, but which introduced man into a new

phase of light and holiness. We may kneel over his ashes to thank God

for having created such a prophet--such an example. We however adore God

in him, and commit no idolatry. We distinguish between the divinity of

revelation and revelation itself. I consent to pay to the emblem of a

punishment for ever sublime and illustrious, the homage of pious

gratitude and filial enthusiasm. I do not think, however, the last word

of revelation was understood and proclaimed by men in Jesus' time, for

it has never yet been officially made known on earth. I expect, from the

wisdom and faith of his disciples, from the continuation of his work for

seventeen centuries, a more practical truth, a more complete application

of holy writ to the doctrines of fraternity. I wait for the development

of the gospel. I expect something more than equality before God. I wait

for and expect it before men."

"Your words are bold, and your doctrines full. Have you thought of them

while alone? Have you foreseen the evils your new faith has piled upon

your head? Do you know that we are as one to a hundred in the most

civilised countries in Europe? Do you know that at the time we live,

between those who pay to Jesus, the sublime revealer, an insulting and

base veneration, and those almost as numerous who deny even his mission,

between these idolaters and atheists, we have no place under the sun,

except amid persecutions and jests, the hatred and contempt of the human

race? Do you know that in France, at the present moment, Rousseau and

Voltaire are almost equally proscribed; yet one is decidedly religious

and the other a skeptic? Do you know--and this is far more

terrible--that while in exile they mutually proscribe each other? Do you

know you are about to return to a world, where all will conspire to

shake your faith and break your ideas? Know that you will have to

exercise your mission amid suffering, danger, doubt, and deception?"

"I am resolved," said Consuelo, looking down, and placing her hand on

her heart. "May God aid me!"

"Well, daughter," said Marcus, who yet held Consuelo's hand, "you are

about to be subjected by us to moral sufferings--not to test your truth,

for we are satisfied with it, but to fortify it. Not in the calm of

repose--not amid the pleasures of the world, but amid grief and tears

does faith expand. Have you courage to hear painful emotions, and

perhaps to withstand great terror?"

"If it be needful, and if my soul profit by it, I will submit to your

pleasure," said Consuelo, with some distress.

"The Invisibles at once began to move the pall and lights from the

coffin, which was moved into one of the deep embrasures of the window,

and several adepts with iron bars lifted up a round stone in the centre

of the pavement of the hall. Consuelo then saw a circular opening large

enough to permit one person to pass. The sides, which were of granite,

blackened and stained by time, proved that it was as old as any portion

of the architecture of the tower. Marcus then, leading Consuelo to the

brink, asked her thrice, in a solemn tone, if she was bold enough to

descend into the passages of the feudal tower."

"Hear me, my fathers or brothers, for I know not how to speak to you,"

said Consuelo.

"Call them brothers," said Marcus. "You are here among the

Invisibles--your equals, if you persevere for an hour. You will now bid

them adieu, to meet them at the expiration of that time, in the presence

of the supreme chiefs--of those whose voice is never heard, whose face

is never seen, and whom you will call fathers. They are the sovereign

pontiffs, the spiritual chiefs and temporal lords of our sanctuary. We

will appear before them and you with bare faces, if you have decided to

rejoin us at the gate of the sanctuary, having passed that dark and

terrible path opening beneath your feet, down which you must walk alone,

without any guide but your courage and perseverance."

"I will do so," said the trembling neophyte, "if you desire it. But is

this test, which you declare so trying, inevitable? Oh, my brothers, you

certainly do not wish to sport with the reason of a woman, already too

severely tried, from mere affectation and vanity. To-day you have

subjected me to a long fast; and though emotion for several hours

relieves us from hunger, I feel myself physically weakened. I know not

whether or not I shall succumb to the labors to which you subject me. I

care not, I protest to you, if my body suffers and becomes feeble; but

would you not fancy mere physical weakness to be cowardice? Tell me you

will pardon me for being endowed with a woman's nerve, if, when I regain

my consciousness, I show that I have the heart of a man?"

"Poor child," said Marcus, "I would rather hear you own your weakness

than seek to dazzle us by intemperate boldness. We will, if you choose,

give you a single guide to aid and assist you in your pilgrimage.

Brother," said he to Leverani, who had stood at the door during this

conversation, with his eyes fixed on Consuelo, "take your sister's hand,

and lead her to the general rendezvous."

"And will not you, brother," said Consuelo, "also go with me?"

"That is impossible. You can have but one guide; and the one I have

pointed out is the only one I am permitted to give you?"

"I shall have courage enough," said Consuelo wrapping herself in her

cloak. "I will go alone."

"Do you refuse the aid of a brother and a friend?"

"I refuse neither his sympathy nor his friendship; but I will go alone."

"Go then, my noble girl, and do not be afraid. She who descended alone

the Fountain of Tears--who braved so much danger to discover the secret

cavern of Schreckenstein, will be able to pass easily through the

recesses of our pyramid. Go, then, as the heroes of antiquity went to

seek for initiation amid sacred mysteries. Brothers, give her the

cup--that precious relic a descendant of Ziska gave us, in which we

consecrate the august sacrament of fraternal communion."

Leverani took from the altar a rudely carved cup of wood, and having

filled it, gave it to Consuelo with a piece of bread.

"Sister," said Marcus, "not only pure and generous wine, with white

bread, do we offer you to restore your power, but the body and blood of

the divine man as he understood it himself; that is to say, the

celestial and also earthly sign of fraternal equality. Our fathers, the

martyrs of the Taborite church, fancied that the intervention of impious

and sacrilegious priests were not so effective as the pure hands of a

woman or a child in the consecration of the sacrament. Commune then with

us here until you sit at the banquet of the temple, where the great

mystery of the supper will be more explicitly revealed to you. Take this

cup, and first drink of it. If, when you do so, you have faith, a few

drops will be a mighty tonic to your body, and your fervent soul will

support you through your trial on its wings of flame. Consuelo having

first drank of the cup, returned it to Leverani, who, after tasting it,

handed it around to the other brethren. Marcus having swallowed the last

drops, blessed Consuelo, and requested the assembly to pray for her. He

then presented the neophyte with a silver lamp, and assisted her in

placing her feet on the bars of a ladder.

"I need not," said he, "tell you that no danger menaces your life; but

remember that you will never reach the door of the temple if you look

but once behind as you proceed. You will have several pauses to make at

different places, when you must examine all that terrifies you--but do

not pause long. As a door opens before you, pass it, and you will never

return. This is, as you know, the rigid requirement of the old

initiations. You must also, in obedience to the rules of the old rites,

diligently nurse the flame of your lamp. Go, my child, and may this idea

give you superhuman power, that what you now are condemned to suffer is

necessary to the development of your heart and mind in virtue and true

faith."

When Marcus had ceased speaking, Consuelo carefully descended the

stairs. When she was at the foot, the ladder was withdrawn, and she

heard the heavy stones close over the entrance above her.

The Countess of Rudolstadt A Sequel to "Consuelo" · 第 38 / 42 章