THE GAME OF DRAUGHTS.

(_By One who has Played it._)

Assume that I am living in Yokohama Gardens (before the pleasant change

from winter to spring), and that I am conscious of the near approach of

the North Pole. The fires in the grates seem to be lukewarm, and even

the coals are frozen. My servants have told me that the milk had to be

melted before it could adorn the breakfast-table; and as for the butter,

it is as hard as marble. There is only one thing to do, to send for that

worthy creature Mr. LOPSIDE, an individual "who can turn his hand to

anything."

"Well Sir," Mr. LOPSIDE arrives and observes after a few moments spent

in careful consideration of the subject from various points of view, "of

course you feel the cold because there is five-and-twenty degrees of

frost just outside."

I admit that Mr. LOPSIDE'S opinion is reasonable; and call his attention

to the fact that a newspaper which is lying on the floor some five yards

from a closed door is violently agitated.

"I see Sir," says he promptly. "If you will wait a moment I will tell

you more about it."

He takes off his coat, throws down a bag of tools (his chronic

companion), and lies flat on the floor. Then he places his right ear to

the ground and listens intently, pointing the while to the newspaper

that has now ceased to suffer from agitation.

"There you are, Sir!" he exclaims triumphantly. "There's a draught

there. I could feel it distinctly."

He rises from the ground, reassumes his overcoat, and once more

possesses himself of his bag of useful instruments.

"Well, what shall I do?" I ask.

"Well, you see Sir, it's not for the likes of me to advise gentry folk

like you. I wouldn't think of presuming upon such a liberty."

"Not at all, Mr. LOPSIDE," I explain with some anxiety.

"Then Sir--mind you, if it's not taking too much of a liberty--I would,

having draughts, get rid of them. And you have draughts about, now

haven't you?"

I hasten to assure him that I am convinced that my house is a perfect

nest of draughts.

"Don't you be too sure until I have tested them," advises Mr. LOPSIDE.

Then the ingenious creature again divests himself of his overcoat and

workman's bag and commences his labours. He visits every door in the

house and tries it. He assumes all sorts of attitudes. Now he appears

like JESSIE BROWN at Lucknow listening to the distant slogan of the

coming Highlanders. Now like a colleague of GUY FAWKES noting the tread

of Lord MONTEAGLE on the road to the gunpowder cellar beneath the Houses

of Parliament. His attitudes, if not exactly graceful, are full of

character.

"There are draughts everywhere," says Mr. LOPSIDE, having come to the

end of his investigations.

"And what shall I do?" I ask for the second time. Again my worthy

inspector spends a few minutes in self-communing.

"It's not for the likes of a poor man like me, Sir, to give advice; but

if I were you, Sir, I would say antiplutocratic tubing."

"What is antiplutocratic tubing?"

"Well, Sir, it's as good a thing as you can have, under all the

circumstances. But don't have antiplutocratic tubing because I say so. I

may be wrong, Sir."

"No, no, Mr. LOPSIDE," I reply, in a tone of encouragement. "I am sure

you are right. Do you think you could get me some antiplutocratic

tubing, and put it up for me?"

"Why, of course I could, Sir!" returns my worthy helper, in the tone of

a more than usually benevolent Father Christmas. Then he seems to lose

heart and become despondent. "But there, Sir, it's not for the likes of

me to say anything."

However, I persuade Mr. LOPSIDE to take a more cheerful view of his

position, and to undertake the job.

For the next three hours there is much hammering in all parts of the

house. My neighbours must imagine that I have taken violently to

spiritual manifestations. Wherever I wander I find my worthy assistant

hard at work covering the borders of the doors with a material that

looks like elongated eels in a condition of mummification--if I may be

permitted to use such an expression. Now he is standing on a ledge level

with the hall lamp; now he is reclining sideways beside an

entrance-protecting rug; now he is hanging by the bannisters midway

between two landings. The day grows apace. It is soon afternoon, and

rapidly becomes night. When the lights are beginning to appear in the

streets without, Mr. LOPSIDE has done. My house is rescued from the

draughts.

"You won't be troubled much more, Sir," says he, as he glances

contemptuously at a door embedded in antiplutocratic tubing. "Keep those

shut and the draughts won't get near you--at least so I think, although

I may be wrong. Thank you, Sir. Quite correct. Good evening."

And he leaves me, muffled up in his overcoat, and still clinging to his

basket, with its burden of saws, hammers, chisels, and nails of various

dimensions. I enter the dining-room with an air of satisfaction as I

hear his echoing footsteps on the pavement without, and attempt to close

the door. It will do almost everything, but it won't shut. I give up the

dining-room, and enter my study. Again, I try to close the door. But no;

it has caught the infection of its neighbour and also declines to close.

I try the doors of the drawing-room, bedroom, and the dressing-room. But

no, my efforts are in vain. None of them will close. The wind howls, and

the draughts rush in with redoubled fury. They triumph meanly in my

despair.

There is only one thing to do, and I determine to do it. I must send for

Mr. LOPSIDE to take away as soon as possible his antiplutocratic tubing.

After all he was right when he had those, alas! unheeded misgivings. He

said "he might be wrong"--and was!

* * * * *

[Illustration: SO LIKELY!

Punch, or the London Charivari, Vol. 108, March 30th 1895 · 第 11 / 23 题