Solution:--

27-32 18-15 15-11 11-15 28-32 19-24

28-24 2-28-24 12-16 19-24 27-31 White

23-18 32-28 28-32 32-28 15-19 wins.

3-a-24-28 1-24-20 16-19 24-27 31-26

a. 12-16 same as Var. I. at 5th move.

Var. I.

24-27 18-15 19-16 28-32 8-12 15-11

15-18 b 16-20 18-23 8-12 23-18 White

12-16 15-18 16-11 32-27 12-8 wins.

28-32 24-19 23-19 12-8 18-15

27-24 32-28 11-8 27-23 8-12

b. 24-28 same as Var. II. at 1st move.

Var. II. 12-16, 15-11, 16-19, 32-27, 28-32, 27-31, 32-28, 11-16,

19-23, 16-19. White wins.

Var. III. 24-19, 32-28, c 19-16, 28-24, 16-11, 24-20, 11-8, 18-15.

White wins.

c. 12-16, 28-32, 19-24 or 16-20, same as Var. II. at 5th and 9th moves

respectively. White wins.

Problem No. 2.

BLACK.

+---+---+---+---+---+---+---+---+

| | B | | | | B | | |

+---+---+---+---+---+---+---+---+

| B | | | | B | | B | |

+---+---+---+---+---+---+---+---+

| | | | W | | B | | |

+---+---+---+---+---+---+---+---+

| B | | W | | | | B | |

+---+---+---+---+---+---+---+---+

| | B | | W | | | | B |

+---+---+---+---+---+---+---+---+

| W | | W | | | | W | |

+---+---+---+---+---+---+---+---+

| | | | W | | W | | |

+---+---+---+---+---+---+---+---+

| | | W | | | | W | |

+---+---+---+---+---+---+---+---+

WHITE.

White to move and win.

Problem No. 2 is a fine example of another class of problems, namely,

"strokes." It is formed from the "Paisley" opening, thus:--

11-16 22-17 11-16 26-19 9-13 15-10

24-19 9-13 25-21 4-8 25-22 a 2-7

8-11 17-14 6-9 29-25 7-11

28-24 10-17 23-18 13-17 19-15

16-20 21-14 16-23 31-26 12-16

a. This forms the position on the diagram. The solution is as

follows:--

27-23 7-14 18-9 14-23 26-3

20-27 9-6 5-14 21-7 27-31

14-9 1-10 23-18 3-10 3-7

White wins. Jacques and Campbell.

_Other Varieties._--The forms of draughts practised on the European

continent differ in some respects from the English variety, chiefly in

respect of the power assigned to a man after "crowning." The game of

_Polish Draughts_ is played in France, Holland, Belgium and Poland,

where it has entirely superseded _Le Jeu de dames a la francaise_. It

is played on a board of 100 squares with 20 men a side. The men move

and capture as in English draughts, except that in capturing they move

either forward or backward. A crowned man becomes a queen, and can

move any number of squares along the diagonal. In her capture she

takes any unguarded man or queen in any diagonal she commands, leaping

over the captured man or queen and remaining on any unoccupied square

she chooses of the same diagonal, beyond the piece taken. But if there

is another unguarded man she is bound to choose the diagonal on which

it can be taken. For example (using an English draught-board) place a

queen on square 29 and adverse men at squares 22, 16, 24, 14. The

queen is bound to move from 29 to 11, 20, 27, and having made the

captures to remain at 9 or 5, whichever she prefers. The capturing

queen or man must take all the adverse pieces that are _en prise_, or

that become so by the uncovering of any square from which a piece has

been removed during the capture, e.g. white queen at square 7, black

at squares 10, 18, 19, 22 and 27, the queen captures at 10, 22, 27 and

19, and the piece at 22 being now removed, she must go to 15, take the

man at 18, and stay at 22, 25 or 29. In consequence of the intricacy

of some of these moves, it is customary to remove every captured piece

as it is taken. If a man arrives at a crowning square when taking, and

he can still continue to take, he must do so, and not stay on the

crowning square as at draughts. Passing a crowning square in taking

does not entitle him to be made a queen. In capturing, the player must

choose the direction by which he can take the greatest number of men

or queens, or he may be huffed. Numerical power is the criterion, e.g.

three men must be taken in preference to two queens. If the numbers

are equal and one force comprises more queens than the other, the

player may take whichever lot he chooses. This form of draughts,

played on a board of 144 squares with 30 men a side, is extensively

practised by British soldiers in India.

The German _Damenspiel_ is Polish draughts played on a board of the

same size and with the same number of men as in the English game. It

is sometimes called Minor Polish draughts, and is practised in Germany

and Russia.

The _Italian game_ differs from the English in two important

particulars--a man may not take a king, and when a player has the

option of capturing pieces in more than one way he must take in the

manner which captures most pieces. There is a difference too in the

placing of the board, the black square in the corner of the board

being at the player's right hand, but until a king is obtained the

differences from the English system are unimportant in practice.

In _Spanish draughts_ the board is set as for the Italian game. The

men move as in English draughts, but, in capturing, the largest

possible number of pieces must be taken, and the king has the same

powers as in the Polish game. The game does not differ essentially

from the English game until a king is obtained, and many games from

Spanish works will be found incorporated in English books. Sometimes

the game is played with 11 men and a king, or 10 men and 2 kings a

side, instead of the regulation 12 men.

_Turkish draughts_ differs widely from all other modern varieties of

the game. It is played on a board of 64 squares, all of which are used

in play. Each player has 16 pieces, which are not placed on the two

back rows of squares, as in chess, but on the second and third back

rows. The pieces do not move diagonally as in other forms of the game,

but straight forward or to the right or left horizontally. The king

has the same command of a horizontal or vertical row of squares that

the queen in Polish draughts has over a diagonal. Capturing is

compulsory, and the greatest possible number of pieces must be taken,

captured pieces being removed one at a time as taken.

AUTHORITIES.--Falkener's _Games Ancient and Oriental_; Lees' _Guide to

the Game of Draughts_; Drummond's _Scottish Draught Players_ (Kear's

reprint); Gould's _Memorable Matches_ and _Book of Problems_, &c. The

_Draughts World_ is the principal magazine devoted to the game. In

Dunne's _Draught Players' Guide and Companion_ a section is devoted to

the non-English varieties. (J. M. M. D.; R. J.)

DRAUPADI, in Hindu legend, the daughter of Drupada, king of Panchala,

and wife of the five Pandava princes. She is an important character in

the _Mahabharata_.

DRAVE, or DRAVA (Ger. _Drau_, Hung. _Drava_, Lat. _Dravus_), one of the

principal right-bank affluents of the Danube, flowing through Austria

and Hungary. It rises below the Innichner Eck, near the Toblacher Feld

in Tirol, at an altitude of a little over 4000 ft., runs eastward, and

forms the longest longitudinal valley of the Alps. The Drave has a total

length of 450 m., while the length of its Alpine valley to Marburg is

150 m., and to its junction with the Mur 250 m. Owing to its great

extent and easy accessibility the valley of the Drave was the principal

road through which the invading peoples of the East, as the Huns, the

Slavs and the Turks, penetrated the Alpine countries. The Drave flows

through Carinthia and Styria, and enters Hungary near Friedau, where up

to its confluence with the Danube, at Almas, 14 m. E. of Esseg, it forms

the boundary between that country and Croatia-Slavonia. At its mouth the

Drave attains a breadth of 1055 ft. and a depth of 20 ft. The Drave is

navigable for rafts only from Villach, and for steamers from Barcs, a

distance of 95 m. The principal affluents of the Drave are: on the left

the Isel, the Gurk, the Lavant, and the largest of all, the Mur; and on

the right the Gail and the Drann.

DRAVIDIAN (Sanskrit _Dravida_), the name given to a collection of Indian

peoples, and their family of languages[1] comprising all the principal

forms of speech of Southern India. Their territory, which also includes

the northern half of Ceylon, extends northwards up to an irregular line

drawn from a point on the Arabian Sea about 100 m. below Goa along the

Western Ghats as far as Kolhapur, thence north-east through Hyderabad,

and farther eastwards to the Bay of Bengal. Farther to the north we find

Dravidian dialects spoken by small tribes in the Central Provinces and

Chota Nagpur, and even up to the banks of the Ganges in the Rajmahal

hills. A Dravidian dialect is, finally, spoken by the Br[=a]h[=u][=i]s

of Baluchistan in the far north-west. The various Dravidian languages,

with the number of speakers returned at the census of 1901, are as

follows:--

Tamil 17,494,901

Malay[=a]lam 6,022,131

Kanarese 10,368,515

Tulu 535,210

Kodagu 39,191

Toda 805

K[=o]ta 1,300

Kuru[chi] 609,721

Malto 60,777

G[=o]nd[=i] 1,125,479

Kui 494,099

Telugu 20,697,264

Br[=a]h[=u][=i] 48,589

----------

Total 57,497,982

Of these Tamil and Malay[=a]lam can be considered as two dialects of one

and the same language, which is, in its turn, closely related to

Kanarese. Tulu, Kodagu, Toda and K[=o]ta can be described as lying

between Tamil-Malay[=a]lam and Kanarese, though they are more nearly

related to the latter than to the former. The same is the case with

Kuru[chi] and Malto, while Kui and G[=o]nd[=i] gradually approach

Telugu, which latter language seems to have branched off from the common

stock at an early date. Finally, the Br[=a]h[=u][=i] dialect of

Baluchistan has been so much influenced by other languages that it is no

longer a pure Dravidian form of speech.

The Dravidian languages have for ages been restricted to the territory

they occupy at the present day. Moreover, they are gradually losing

ground in the north, where they meet with Aryan forms of speech. If we

compare the caste tables and the language tables in the Indian census of

1901 we find that only 1,125,479 out of the 2,286,913 G[=o]nds returned

were stated to speak the Dravidian G[=o]nd[=i]. Similarly only 1505 out

of 17,187 K[=o]l[=a]ms entered their language as K[=o]l[=a]m[=i]. Such

tribes are gradually becoming Hinduized. Their language adopts an

ever-increasing Aryan element till it is quite superseded by Aryan

speech. In the north-eastern part of the Dravidian territory, to the

east of Chanda and Bhandara, the usual state of affairs is that

Dravidian dialects are spoken in the hills while Aryan forms of speech

prevail in the plains. The Dravidian Kui thus stands out as an isolated

island in the sea of Aryan speech.

This process has been going on from time immemorial. The Dravidians were

already settled in India when the Aryans arrived from the north-west.

The fair Aryans were at once struck by their dark hue, and named them

accordingly _krisna tvac_, the black skin. In the course of time,

however, the two races began to mix, and it is still possible to trace a

Dravidian element in the Aryan languages of North India.

The teaching of anthropology is to the same effect. Most speakers of

Dravidian languages belong to a distinct anthropological type which is

known as the Dravidian. "The Dravidian race," says Sir H. Risley, "the

most primitive of the Indian types, occupies the oldest geological

formation in India, the medley of forest-clad ranges, terraced plateaus,

and undulating plains which stretches, roughly speaking, from the

Vindhyas to Cape Comorin. On the east and west of the peninsular area

the domain of the Dravidian is conterminous with the Ghats, while

farther north it reaches on one side to the Aravallis and on the other

to the Rajmahal hills."

This territory is the proper home of the race. A strong Dravidian

element can, however, also be traced in the population of northern

India. In Kashmir and Punjab, where the Aryans had already settled in

those prehistoric times when the Vedic hymns were composed, the

prevailing type is the Aryan one. The same is the case in Rajputana.

From the eastern frontier of the Punjab, on the other hand, and

eastwards, a Dravidian element can be traced. This is the case in the

valleys of the Ganges and the Jumna, where the Aryans only settled at a

later period. Anthropologists also state that there is a Dravidian

element in the population of western India, from Gujarat to Coorg.

It is thus probable that Dravidian languages have once been spoken in

many tracts which are now occupied by Aryan forms of speech. The

existence of a Dravidian dialect in Baluchistan seems to show that

Dravidian settlers have once lived in those parts. The tribe in

question, the Br[=a]h[=u][=i]s, are, however, now Eranians and not

Dravidians by race, and it is not probable that there has ever been a

numerous Dravidian population in Baluchistan. The Br[=a]h[=u][=i]s are

most likely the descendants of settlers from the south.

There is no indication that the Dravidians have entered India from

outside or superseded an older population. For all practical purposes

they can accordingly be considered as the aborigines of the Deccan,

whence they appear to have spread over part of northern India. Their

languages form an isolated group, and it has not been possible to prove

a connexion with any other family of languages. Such attempts have been

made with reference to the Munda family, the Tibeto-Burman languages,

and the dialects spoken by the aborigines of the Australian continent.

The arguments adduced have not, however, proved to be sufficient, and

only the Australian hypothesis can still lay claim to some probability.

Till it has been more closely tested we must therefore consider the

Dravidian family as an isolated group of languages, with several

characteristic features of its own.

The pronunciation is described as soft and mellifluous. Abruptness and

hard combinations of sounds are avoided. There is, for example, a

distinct tendency to avoid pronouncing a short consonant at the end of

a word, a very short vowel being often added after it. Thus the

pronoun of the third person singular, which is _avan_, "he," in Tamil,

is pronounced _avanu_ in Kanarese; the Sanskrit word _v[=a]k_,

"speech," is borrowed in the form _v[=a]ku_ in Tamil; the word

_gurram_, "horse," is commonly pronounced _gurramu_ in Telugu, and so

on. Combinations of consonants are further avoided in many cases where

speakers of other languages do not experience any difficulty in

pronouncing them. This tendency is well illustrated by the changes

undergone by some borrowed words. Thus the Sanskrit word

_br[=a]hmana_, "a Brahmin," becomes _bar[=a]mana_ in Kanarese and

_pir[=a]mana_ in Tamil; the Sanskrit _Dramida_, "Dravidian," is

borrowed by Tamil under the form _Tir[=a]mida_. _Dramida_, which also

occurs as _Dravida_, is in its turn developed from an older _Damila_,

which is identical with the word _Tamir_, Tamil.

The forms _pir[=a]mana_ and _Tir[=a]mida_ in Tamil illustrate another

feature of Dravidian enunciation. There is a tendency in all of them,

and in Tamil and Malay[=a]lam it has become a law, against any word

being permitted to begin with a stopped voiced consonant (g, j, [d.],

d, b), the corresponding voiceless sounds (k, c, t, [t.], p,

respectively) being substituted. In the middle of a word or compound,

on the other hand, every consonant must be voiced. Thus the Sanskrit

word _danta_, "tooth," has been borrowed by Tamil in the form

_tandam_, and the Telugu _anna_, "elder brother," _tammulu_, "younger

brother," become when compounded _annadammulu_, "elder and younger

brothers."

There is no strongly marked accent on any one syllable, though there

is a slight stress upon the first one. In some dialects this

equilibrium between the different parts of a word is accompanied by a

tendency to approach to each other the sound of vowels in consecutive

syllables. This tendency, which has been called the "law of harmonic

sequence," is most apparent in Telugu, where the short _u_ of certain

suffixes is replaced by _i_ when the preceding syllable contains one

of the vowels _i_ (short and long) and _ei_. Compare the dative suffix

_ku_, _ki_, in _gurramu-ku_, "to a horse"; but _tammuni-ki_, "to a

younger brother." This tendency does not, however, play a prominent

role in the Dravidian languages.

Words are formed from roots and bases by means of suffixed formative

additions. The root itself generally remains unchanged throughout.

Thus from the Tamil base _per_, "great," we can form adjectives such

as _per-iya_ and _per-um_, "great"; verbs such as _per-u-gu_, "to

become increased"; _per-u-kku_, "to cause to increase," and so on.

Many bases can be used at will as nouns, as adjectives, and as verbs.

Thus the Tamil _kadu_ can mean "sharpness," "sharp," and "to be

sharp." Other bases are of course more restricted in their respective

spheres.

The inflection of words is effected by agglutination, i.e. various

additions are suffixed to the base in order to form what we would call

cases and tenses. Such additions have probably once been separate

words. Most of them are, however, now only used as suffixes. Thus from

the Tamil base _k[=o]n_, "king," we can form an accusative

_k[=o]n-ei_, a verb _k[=o]n-en_, "I am king," and so on.

Dravidian nouns are divided into two classes, which Tamil grammarians

called high-caste and casteless respectively. The former includes

those nouns which denote beings endowed with reason, the latter all

others. Gender is only distinguished in the former class, while all

casteless nouns are neuter. The gender of animals (which are

irrational) must accordingly be distinguished by using different words

for the male and the female, or else by adding words meaning male,

female, respectively, to the name of the animal--processes which do

not, strictly speaking, fall under the head of grammar.

There are two numbers, the singular and the plural. The latter is

formed by adding suffixes. It, however, often remains unmarked in the

case of casteless nouns.

Cases are formed by adding postpositions and suffixes, usually to a

modified form of the noun which is commonly called the oblique base.

Thus we have the Tamil _maram_, "tree"; _maratt-[=a]l_, "from a tree";

_maratt-u-kku_, "to a tree"; _v[=i]du_, "a house"; _v[=i]t[t.]-[=a]l_,

"from a house." The case terminations are the same in the singular and

in the plural. The genitive, which precedes the governing noun, is

often identical with the oblique base, or else it is formed by adding

suffixes.

The numeral system is decimal and higher numbers are counted in tens;

thus Tamil _pattu_, "ten"; _iru-badu_, "two tens," "twenty."

The personal pronoun of the first person in most dialects has a double

form in the plural, one including and the other excluding the person

addressed. Thus, Tamil _n[=a]m_, "we," i.e. I and you; _n[=a]ngal_,

"we," i.e. I and they.

There is no relative pronoun. Relative clauses are effected by using

relative participles. Thus in Telugu the sentence "the book which you

gave to me" must be translated _m[=i]ru n[=a]ku iccina pus-takamu_,

i.e. "you me-to given book." There are several such participles in

use. Thus from the Telugu verb _kot[t.]a_, "to strike," are formed

_kot[t.]-ut-unna_, "that strikes," _kot[t.]-i-na_, "that struck,"

_kot[t.][=e]_, "that would strike," "that usually strikes." By adding

pronouns, or the terminations of pronouns, to such forms, nouns are

derived which denote the person who performs the action. Thus from

Telugu _kot[t.][=e]_ and _v[=a]du_, "he," is formed

_kot[t.][=e]-v[=a]du_, "one who usually strikes." Such forms are used

as ordinary verbs, and the usual verbal forms of Dravidian languages

can broadly be described as such nouns of agency. Thus, the Telugu,

_kot[t.]in[=a]du_, "he struck," can be translated literally "a striker

in the past."

Verbal tenses distinguish the person and number of the subject by

adding abbreviated forms of the personal pronouns. Thus in Kanarese we

have _m[=a]did-enu_, "I did"; _m[=a]did-i_, "thou didst";

_m[=a]did-evu_, "we did"; _m[=a]did-aru_, "they did."

One of the most characteristic features of the Dravidian verb is the

existence of a separate negative conjugation. It usually has only one

tense and is formed by adding the personal terminations to a negative

base. Thus, Kanarese _m[=a]d-enu_, "I did not"; _m[=a]d-evu_, "we did

not"; _m[=a]d-aru_, "they did not."

The vocabulary has adopted numerous Aryan loan-words. This was a

necessary consequence of the early connexion with the superior Aryan

civilization.

The oldest Dravidian literature is largely indebted to the Aryans

though it goes back to a very early date. Tamil, Malay[=a]lam,

Kanarese and Telugu are the principal literary languages. The language

of literature in all of them differs considerably from the colloquial.

The oldest known specimen of a Dravidian language occurs in a Greek

play which is preserved in a papyrus of the 2nd century A.D. The exact

period to which the indigenous literature can be traced back, on the

other hand, has not been fixed with certainty.

BIBLIOGRAPHY.--Bishop R. Caldwell, _A Comparative Grammar of the

Dravidian or South-Indian Family of Languages_ (London, 1856; 2nd

edition, 1875); Dr Friedrich Muller, _Reise der usterreichischen

Fregatte Novara um die Erde in den Jahren 1857, 1858, 1859, unter den

Befehlen des Commodore B. von Wullerstorff-Urbair: Linguistischer

Theil._ (Wien, 1867, pp. 73 and ff.); Dr Friedrich Muller, _Grundriss

der Sprachwissenschaft_, vol. iii. (Wien, 1884), pp. 106 and ff.; G.

A. Grierson, _Linguistic Survey of India_, vol. iv. "Munda and

Dravidian Languages" (Calcutta, 1906), pp. 277 and ff. by Sten Konow.

(S. K.)

Encyclopaedia Britannica, 11th Edition, "Drama" to "Dublin" Volume 8, Slice 7 · 第 13 / 28 题