Complete Poems

The Complete Poems of Sir Thomas Moore Collected by Himself with Explanatory Notes

Name: The Complete Poems of Sir Thomas Moore Collected by Himself with Explanatory Notes
Author: Moore, Thomas, 1779-1852; Rossetti, William Michael, 1829-1919 [Commentator]

作者：Moore, Thomas, 1779-1852; Rossetti, William Michael, 1829-1919 [Commentator]
体例：题　章数：1302
字数：1,703,226　来源：Project Gutenberg

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共 1302 题

THE COMPLETE POEMS OF SIR THOMAS MOORE
COLLECTED BY HIMSELF
WITH EXPLANATORY NOTES
WITH A BIOGRAPHICAL SKETCH
BY WILLIAM M. ROSSETTI
THOMAS MOORE
CONTENTS
ODES OF ANACREON
TRANSLATED INTO ENGLISH VERSE.
WITH NOTES.
TO
HIS ROYAL HIGHNESS
THE PRINCE OF WALES.
THOMAS MOORE.
REMARKS ON ANACREON
ODES OF ANACREON
ODE I.[1]
ODE II.
ODE III.[1]
ODE IV.[1]
ODE V.
ODE VI.[1]
ODE VII.
ODE VIII.[1]
ODE IX.
ODE X.[1]
ODE XI.[1]
ODE XII.
ODE XIII.
ODE XIV.[1]
ODE XV.[1]
ODE XVI.[1]
ODE XVII.
ODE XVIII.
ODE XIX.[1]
ODE XX.[1]
ODE XXI.[1]
ODE XXII.
ODE XXIII.
ODE XXIV.
ODE XXV.
ODE XXVI.
ODE XXVII.
ODE XXVIII.
ODE XXIX.
ODE XXX.[1]
ODE XXXI.[1]
ODE XXXII.[1]
ODE XXXIII.
ODE XXXIV.[1]
ODE XXXV.[1]
ODE XXXVI.[1]
ODE XXXVII.
ODE XXXVIII.
ODE XXXIX.
ODE XL.
ODE XLI.
ODE XLII.[1]
ODE XLIII.
ODE XLIV.[1]
ODE XLV.
ODE XLVI.[1]
ODE XLVII.
ODE XLVIII.
ODE XLIX.
ODE L.[1]
ODE LI.
ODE LII.[1]
ODE LIII.
ODE. LIV.[1]
ODE LV.[1]
ODE LVI.
ODE LVII[1]
ODE LVIII.
ODE LIX.
ODE LX.[1]
ODE LXI.[1]
ODE LXII.[1]
ODE LXIII.[1]
ODE LXIV.[1]
ODE LXV.[1]
ODE LXVI.[1]
ODE LXVII.
ODE LXVIII.
ODE LXIX.
ODE LXX.
ODE LXXI.
ODE LXXII.
ODE LXXIII.
ODE LXXIV.
ODE LXXV.
ODE LXXVI.
ODE LXXVII.
ODE LXXVIII.
SONGS FROM THE GREEK ANTHOLOGY.
HERE AT THY TOMB.
BY MELEAGER.
SALE OF CUPID.
BY MELEAGER.
TO WEAVE A GARLAND FOR THE ROSE.
BY PAUL, THE SILENTIARY.
WHY DOES SHE SO LONG DELAY?
BY PAUL, THE SILENTIARY.
TWIN'ST THOU WITH LOFTY WREATH THY BROW?
BY PAUL, THE SILENTIARY.
WHEN THE SAD WORD.
BY PAUL, THE SILENTIARY.
MY MOPSA IS LITTLE.
BY PHILODEMUS.
STILL, LIKE DEW IN SILENCE FALLING.
BY MELEAGER.
UP, SAILOR BOY, 'TIS DAY.
IN MYRTLE WREATHS.
BY ALCAEUS.
JUVENILE POEMS.
TO JOSEPH ATKINSON, ESQ.
MY DEAR SIR,
T. M.
JUVENILE POEMS
FRAGMENTS OF COLLEGE EXERCISES.
VARIETY.
TO A BOY, WITH A WATCH,
WRITTEN FOR A FRIEND
SONG.
TO .......
SONG.
SONG.
REUBEN AND ROSE.
A TALE OF ROMANCE.
DID NOT.
TO .......
TO MRS. .......
ON SOME CALUMNIES AGAINST HER CHARACTER.
ANACREONTIC.
TO .......
TO JULIA.
IN ALLUSION TO SOME ILLIBERAL CRITICISMS.
TO JULIA.
THE SHRINE.
TO .......
TO A LADY,
WITH SOME MANUSCRIPT POEMS,
ON LEAVING THE COUNTRY.
TO JULIA.
TO .......
NATURE'S LABELS.
A FRAGMENT.
LABEL FIRST.
LABEL SECOND.
TO JULIA
ON HER BIRTHDAY.
A REFLECTION AT SEA.
CLORIS AND FANNY.
THE SHIELD.
TO JULIA WEEPING.
DREAMS.
TO ... ....
TO ROSA.
WRITTEN DURING ILLNESS.
SONG.
THE SALE OF LOVES.
TO .... ....
TO .... ....
ON THE DEATH OF A LADY,
INCONSTANCY.
THE NATAL GENIUS.
A DREAM
TO .... ....
THE MORNING OF HER BIRTHDAY.
ELEGIAC STANZAS.
SUPPOSED TO BE WRITTEN BY JULIA,
ON THE DEATH OF HER BROTHER.
TO THE LARGE AND BEAUTIFUL MISS......,
IN ALLUSION TO SOME PARTNERSHIP IN A LOTTERY SHARE
IMPROMPTU.
A DREAM.
TO .......
ANACREONTIC.
TO JULIA.
HYMN OF A VIRGIN OF DELPHI,
AT THE TOMB OF HER MOTHER.
SYMPATHY.
TO JULIA.
THE TEAR.
THE SNAKE.
TO ROSA.
ELEGIAC STANZAS.
LOVE AND MARRIAGE.
ANACREONTIC.
THE SURPRISE.
TO MISS .......
ON HER ASKING THE AUTHOR WHY SHE HAD SLEEPLESS NIGHTS.
THE WONDER.
LYING.
ANACREONTIC.
THE PHILOSOPHER ARISTIPPUS[1]
TO A LAMP WHICH HAD BEEN GIVEN HIM BY LAIS.
TO MRS,---.
ON HER BEAUTIFUL TRANSLATION OF VOITURE'S KISS.
RONDEAU.
SONG.
TO ROSA.
TO THE BOOK OF FOLLIES.
TO ROSA.
LIGHT SOUNDS THE HARP.
FROM THE GREEK OF MELEAGER.
SONG.
THE RESEMBLANCE.
FANNY, DEAREST.
THE RING.
TO .... ....
TO THE INVISIBLE GIRL.
THE RING[1]
A TALE
TO .... ....
ON SEEING HER WITH A WHITE VEIL AND A RICH GIRDLE.
WRITTEN IN THE BLANK LEAF OF A LADY'S COMMONPLACE BOOK.
TO MRS. BL----.
WRITTEN IN HER ALBUM.
TO CARA,
AFTER AN INTERVAL OF ABSENCE.
TO CARA,
ON THE DAWNING OF A NEW YEAR'S DAY.
TO ......., 1801.
THE GENIUS OF HARMONY.
AN IRREGULAR ODE.
TO MRS. HENRY TIGHE,
ON READING HER "PSYCHE."
FROM THE HIGH PRIEST OF APOLLO TO A VIRGIN OF DELPHI.[1]
FRAGMENT.
A NIGHT THOUGHT.
THE KISS.
SONG.
THE CATALOGUE.
IMITATION OF CATULLUS.
TO HIMSELF.
NONSENSE.
EPIGRAM.
FROM THE FRENCH.
ON A SQUINTING POETESS.
TO .... ....
TO ROSA.
TO PHILLIS.
TO A LADY.
ON HER SINGING.
SONG.
ON THE BIRTHDAY OF MRS. ----.
WRITTEN IN IRELAND. 1799.
SONG.[1]
MORALITY.
A FAMILIAR EPISTLE.
ADDRESSED TO J. ATKINSON, ESQ. M. R. I. A.
THE TELL-TALE LYRE.
PEACE AND GLORY.
WRITTEN ON THE APPROACH OF WAR.
SONG.
LOVE AND REASON.
ASPASIA.
THE GRECIAN GIRL'S DREAM OF THE BLESSED ISLANDS.[1]
TO HER LOVER.
TO CLOE.
IMITATED FROM MARTIAL.
THE WREATH AND THE CHAIN.
TO .... ....
TO .......'S PICTURE.
FRAGMENT OF A MYTHOLOGICAL HYMN TO LOVE.[1]
THE FALL OF HEBE.
A DITHYRAMBIC ODE.
RINGS AND SEALS.
TO MISS SUSAN BECKFORD.[1]
ON HER SINGING.
IMPROMPTU,
ON LEAVING SOME FRIENDS.
A WARNING.
TO .......
TO .......
WOMAN.
TO .......
A VISION OF PHILOSOPHY.
TO MRS. .......
TO LADY HEATHCOTE,
ON AN OLD RING FOUND AT TUNBRIDGE-WELLS.
THE DEVIL AMONG THE SCHOLARS,
A FRAGMENT.
POEMS RELATING TO AMERICA
TO FRANCIS, EARL OF MOIRA.
MY LORD,
THOMAS MOORE.
PREFACE.[1]
POEMS RELATING TO AMERICA.
TO LORD VISCOUNT STRANGFORD.
ABOARD THE PHAETON FRIGATE, OFF THE AZORES, BY MOONLIGHT.
STANZAS.
TO THE FLYING-FISH.[1]
TO MISS MOORE.
FROM NORFOLK, IN VIRGINIA, NOVEMBER, 1803.
A BALLAD.
THE LAKE OF THE DISMAL SWAMP.
WRITTEN AT NORFOLK, IN VIRGINIA.
TO THE MARCHIONESS DOWAGER OF DONEGALL.
FROM BERMUDA, JANUARY, 1804.
TO GEORGE MORGAN, ESQ. OF NORFOLK, VIRGINIA.
FROM BERMUDA, JANUARY, 1804.
LINES WRITTEN IN A STORM AT SEA.
ODES TO NEA;
WRITTEN AT BERMUDA.
A DREAM OF ANTIQUITY.
THE SNOW SPIRIT.
A STUDY FROM THE ANTIQUE.
TO JOSEPH ATKINSON, ESQ.
FROM BERMUDA.[1]
THE STEERMAN'S SONG,
WRITTEN ABOARD THE BOSTON FRIGATE
28TH APRIL.[1]
TO THE FIRE-FLY.[1]
TO THE LORD VISCOUNT FORBES.
FROM THE CITY OP WASHINGTON.
TO THOMAS HUME, ESQ., M. D.
FROM THE CITY OF WASHINGTON.
LINES WRITTEN ON LEAVING PHILADELPHIA.
LINES WRITTEN AT THE COHOS, OR FALLS OF THE MOHAWK KIVER.[1]
SONG OF THE EVIL SPIRIT OF THE WOODS.[1]
TO THE HONORABLE W. R. SPENCER.
FROM BUFFALO, UPON LAKE ERIE.
BALLAD STANZAS.
A CANADIAN BOAT SONG.
WRITTEN ON THE RIVER ST. LAWRENCE.[1]
TO THE LADY CHARLOTTE RAWDON.
FROM THE BANKS OF THE ST. LAWRENCE.
IMPROMPTU.
AFTER A VISIT TO MRS. ----, OF MONTREAL.
WRITTEN
TO THE BOSTON FRIGATE, ON LEAVING HALIFAX FOR ENGLAND,[1]
OCTOBER, 1804.
IRISH MELODIES
DEDICATION
TO THE MARCHIONESS DOWAGER OF DONEGAL.
THOMAS MOORE.
PREFACE.
IRISH MELODIES
GO WHERE GLORY WAITS THEE.
WAR SONG.
REMEMBER THE GLORIES OF BRIEN THE BRAVE.[1]
ERIN! THE TEAR AND THE SMILE IN THINE EYES.
OH! BREATHE NOT HIS NAME.
WHEN HE, WHO ADORES THEE.
THE HARP THAT ONCE THRO' TARA'S HALLS.
FLY NOT YET.
OH! THINK NOT MY SPIRITS ARE ALWAYS AS LIGHT.
THO' THE LAST GLIMPSE OF ERIN WITH SORROW I SEE.
RICH AND RARE WERE THE GEMS SHE WORE.[1]
AS A BEAM O'ER THE FACE OF THE WATERS MAY GLOW.
THE MEETING OF THE WATERS.[1]
HOW DEAR TO ME THE HOUR.
TAKE BACK THE VIRGIN PAGE.
WRITTEN ON RETURNING A BLANK BOOK.
THE LEGACY.
HOW OFT HAS THE BANSHEE CRIED.
WE MAY ROAM THROUGH THIS WORLD.
EVELEEN'S BOWER.
LET ERIN REMEMBER THE DAYS OF OLD.
THE SONG OF FIONNUALA.[1]
COME, SEND ROUND THE WINE.
SUBLIME WAS THE WARNING.
BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS.
ERIN, OH ERIN.
DRINK TO HER.
OH! BLAME NOT THE BARD.[1]
WHILE GAZING ON THE MOON'S LIGHT.
ILL OMENS.
BEFORE THE BATTLE.
AFTER THE BATTLE.
THE IRISH PEASANT TO HIS MISTRESS.[1]
ON MUSIC.
IT IS NOT THE TEAR AT THIS MOMENT SHED.[1]
THE ORIGIN OF THE HARP.
LOVE'S YOUNG DREAM.
THE PRINCE'S DAY.[1]
WEEP ON, WEEP ON.
LESBIA HATH A BEAMING EYE.
I SAW THY FORM IN YOUTHFUL PRIME.
BY THAT LAKE, WHOSE GLOOMY SHORE.[1]
SHE IS FAR FROM THE LAND.
NAY, TELL ME NOT, DEAR.
AVENGING AND BRIGHT.
WHAT THE BEE IS TO THE FLOWERET.
HE.
SHE.
SHE.
HE.
LOVE AND THE NOVICE.
THIS LIFE IS ALL CHECKERED WITH PLEASURES AND WOES
OH THE SHAMROCK.
AT THE MID HOUR OF NIGHT
ONE BUMPER AT PARTING.
THE YOUNG MAY MOON.
THE MINSTREL-BOY.
THE SONG OF O'RUARK,
PRINCE OF BREFFNI.[1]
OH! HAD WE SOME BRIGHT LITTLE ISLE OF OUR OWN.
FAREWELL!--BUT WHENEVER YOU WELCOME THE HOUR.
OH! DOUBT ME NOT.
YOU REMEMBER ELLEN.
I'D MOURN THE HOPES.
COME O'ER THE SEA.
HAS SORROW THY YOUNG DAYS SHADED.
NO, NOT MORE WELCOME.
WHEN FIRST I MET THEE.
WHILE HISTORY'S MUSE.
THE TIME I'VE LOST IN WOOING.
WHERE IS THE SLAVE.
COME, REST IN THIS BOSOM.
I SAW FROM THE BEACH.
FILL THE BUMPER FAIR.
DEAR HARP OF MY COUNTRY.
MY GENTLE HARP.
IN THE MORNING OF LIFE.
AS SLOW OUR SHIP.
WHEN COLD IN THE EARTH.
REMEMBER THEE.
WREATH THE BOWL.
WHENE'ER I SEE THOSE SMILING EYES.
IF THOU'LT BE MINE.
TO LADIES' EYES.
FORGET NOT THE FIELD.
THEY MAY RAIL AT THIS LIFE.
OH FOR THE SWORDS OF FORMER TIME!
ST. SENANUS AND THE LADY.
ST. SENANUS.[1]
THE LADY.
NE'ER ASK THE HOUR.
SAIL ON, SAIL ON.
THE PARALLEL.
DRINK OF THIS CUP.
THE FORTUNE-TELLER.
OH, YE DEAD!
O'DONOHUE'S MISTRESS.
ECHO.
OH BANQUET NOT.
THEE, THEE, ONLY THEE.
SHALL THE HARP THEN BE SILENT.
OH, THE SIGHT ENTRANCING.
SWEET INNISFALLEN.
FAIREST! PUT ON AWHILE.
QUICK! WE HAVE BUT A SECOND.
AND DOTH NOT A MEETING LIKE THIS.
THE MOUNTAIN SPRITE.
AS VANQUISHED ERIN.
DESMOND'S SONG.[1]
THEY KNOW NOT MY HEART.
I WISH I WAS BY THAT DIM LAKE.
SHE SUNG OF LOVE.
SING--SING--MUSIC WAS GIVEN.
THO' HUMBLE THE BANQUET.
SING, SWEET HARP.
SONG OF THE BATTLE EVE.
TIME--THE NINTH CENTURY.
THE WANDERING BARD.
ALONE IN CROWDS TO WANDER ON.
I'VE A SECRET TO TELL THEE.
SONG OF INNISFAIL.
THE NIGHT DANCE.
THERE ARE SOUNDS OF MIRTH.
OH, ARRANMORE, LOVED ARRANMORE.
LAY HIS SWORD BY HIS SIDE.
OH, COULD WE DO WITH THIS WORLD OF OURS.
THE WINE-CUP IS CIRCLING.
THE DREAM OF THOSE DAYS.
FROM THIS HOUR THE PLEDGE IS GIVEN.
SILENCE IS IN OUR FESTAL HALLS.[1]
NATIONAL AIRS
ADVERTISEMENT.
T.M.
NATIONAL AIRS
A TEMPLE TO FRIENDSHIP.
FLOW ON, THOU SHINING RIVER.
ALL THAT'S BRIGHT MUST FADE.
SO WARMLY WE MET.
THOSE EVENING BELLS.
SHOULD THOSE FOND HOPES.
REASON, FOLLY, AND BEAUTY.
FARE THEE WELL, THOU LOVELY ONE!
DOST THOU REMEMBER.
OH, COME TO ME WHEN DAYLIGHT SETS.
OFT, IN THE STILLY NIGHT.
HARK! THE VESPER HYMN IS STEALING.
LOVE AND HOPE.
THERE COMES A TIME.
MY HARP HAS ONE UNCHANGING THEME.
OH, NO--NOT EVEN WHEN FIRST WE LOVED.
PEACE BE AROUND THEE.
COMMON SENSE AND GENIUS.
THEN, FARE THEE WELL.
GAYLY SOUNDS THE CASTANET.
LOVE IS A HUNTER-BOY.
COME, CHASE THAT STARTING TEAR AWAY.
JOYS OF YOUTH, HOW FLEETING!
HEAR ME BUT ONCE.
WHEN LOVE WAS A CHILD
SAY, WHAT SHALL BE OUR SPORT TO-DAY?
BRIGHT BE THY DREAMS.
GO, THEN--'TIS VAIN.
THE CRYSTAL-HUNTERS.
ROW GENTLY HERE.
OH, DAYS OF YOUTH.
WHEN FIRST THAT SMILE.
PEACE TO THE SLUMBERERS!
WHEN THOU SHALT WANDER.
WHO'LL BUY MY LOVE-KNOTS?
SEE, THE DAWN FROM HEAVEN.
NETS AND CAGES.[1]
WHEN THROUGH THE PIAZZETTA.
GO, NOW, AND DREAM.
TAKE HENCE THE BOWL.
FAREWELL, THERESA!
HOW OFT, WHEN WATCHING STARS.
WHEN THE FIRST SUMMER BEE.
THO' 'TIS ALL BUT A DREAM.
WHEN THE WINE-CUP IS SMILING.
WHERE SHALL WE BURY OUR SHAME?
NE'ER TALK OF WISDOM'S GLOOMY SCHOOLS.
HERE SLEEPS THE BARD.
DO NOT SAY THAT LIFE IS WANING.
THE GAZELLE.
NO--LEAVE MY HEART TO REST.
WHERE ARE THE VISIONS.
WIND THY HORN, MY HUNTER BOY.
OH, GUARD OUR AFFECTION.
SLUMBER, OH SLUMBER.
BRING THE BRIGHT GARLANDS HITHER.
IF IN LOVING, SINGING.
THOU LOVEST NO MORE.
WHEN ABROAD IN THE WORLD.
KEEP THOSE EYES STILL PURELY MINE.
HOPE COMES AGAIN.
O SAY, THOU BEST AND BRIGHTEST.
WHEN NIGHT BRINGS THE HOUR.
LIKE ONE WHO, DOOMED.
FEAR NOT THAT, WHILE AROUND THEE.
WHEN LOVE IS KIND.
THE GARLAND I SEND THEE.
HOW SHALL I WOO?
SPRING AND AUTUMN.
LOVE ALONE.
SACRED SONGS
TO
EDWARD TUITE DALTON, ESQ.
THE FIRST NUMBER
OF
SACRED SONGS
IS INSCRIBED,
BY HIS SINCERE AND AFFECTIONATE FRIEND,
THOMAS MOORE.
SACRED SONGS
THOU ART, O GOD.
THE BIRD, LET LOOSE.
FALLEN IS THY THRONE.
WHO IS THE MAID?
ST. JEROME'S LOVE.
THIS WORLD IS ALL A FLEETING SHOW.
OH THOU WHO DRY'ST THE MOURNER'S TEAR.
WEEP NOT FOR THOSE.
THE TURF SHALL BE MY FRAGRANT SHRINE.
SOUND THE LOUD TIMBREL.
MIRIAM'S SONG.
GO, LET ME WEEP.
COME NOT, OH LORD.
WERE NOT THE SINFUL MARY'S TEARS.
AS DOWN IN THE SUNLESS RETREATS.
BUT WHO SHALL SEE.
ALMIGHTY GOD!
CHORUS OF PRIESTS.
OH FAIR! OH PUREST!
SAINT AUGUSTINE TO HIS SISTER.
ANGEL OF CHARITY.
BEHOLD THE SUN.
LORD, WHO SHALL BEAR THAT DAY.
OH, TEACH ME TO LOVE THEE.
WEEP, CHILDREN OF ISRAEL.
LIKE MORNING, WHEN HER EARLY BREEZE.
COME, YE DISCONSOLATE.
AWAKE, ARISE, THY LIGHT IS COME.
THERE IS A BLEAK DESERT.
SINCE FIRST THY WORD.
HARK! 'TIS THE BREEZE.
WHERE IS YOUR DWELLING, YE SAINTED?
HOW LIGHTLY MOUNTS THE MUSE'S WING.
GO FORTH TO THE MOUNT,
IS IT NOT SWEET TO THINK, HEREAFTER.
WAR AGAINST BABYLON.
A MELOLOGUE UPON NATIONAL MUSIC.
ADVERTISEMENT.
T.M.
MELOLOGUE
A SHORT STRAIN OF MUSIC FROM THE ORCHESTRA.
GREEK AIR
FLOURISH OF TRUMPETS.
SWISS AIR.--"RANZ DES VACHES."
SPANISH CHORUS.
SPANISH AIR.--"YA DESPERTO."
SET OF GLEES,
MUSIC BY MOORE.
THE MEETING OF THE SHIPS.
HIP, HIP, HURRA!
HUSH, HUSH!
THE PARTING BEFORE THE BATTLE.
HE.
SHE.
HE.
THE WATCHMAN.
A TRIO.
WATCHMAN.
WATCHMAN.
WATCHMAN.
WATCHMAN.
WATCHMAN.
SAY, WHAT SHALL WE DANCE?
THE EVENING GUN.
LEGENDARY BALLADS.
TO
THE MISS FEILDINGS,
THIS VOLUME
IS INSCRIBED
BY
THEIR FAITHFUL FRIEND AND SERVANT,
THOMAS MOORE.
LEGENDARY BALLADS
THE VOICE.
CUPID AND PSYCHE.
HERO AND LEANDER.
THE LEAF AND THE FOUNTAIN.
CEPHALUS AND PROCRIS.
YOUTH AND AGE.
THE DYING WARRIOR.
THE MAGIC MIRROR.
MORAL.
THE PILGRIM.
THE HIGH-BORN LADYE.
THE INDIAN BOAT.
THE STRANGER.
BALLADS, SONGS, ETC.
TO-DAY, DEAREST! IS OURS.
WHEN ON THE LIP THE SIGH DELAYS.
HERE, TAKE MY HEART.
OH, CALL IT BY SOME BETTER NAME.
POOR WOUNDED HEART
THE EAST INDIAN.
POOR BROKEN FLOWER.
THE PRETTY ROSE-TREE.
SHINE OUT, STARS!
THE YOUNG MULETEERS OF GRENADA.
TELL HER, OH, TELL HER.
NIGHTS OF MUSIC.
OUR FIRST YOUNG LOVE.
BLACK AND BLUE EYES.
DEAR FANNY.
FROM LIFE WITHOUT FREEDOM.
HERE'S THE BOWER.
I SAW THE MOON RISE CLEAR.
A FINLAND LOVE SONG.
LOVE AND THE SUN-DIAL.
LOVE AND TIME.
LOVE'S LIGHT SUMMER-CLOUD.
LOVE, WANDERING THRO' THE GOLDEN MAZE.
MERRILY EVERY BOSOM BOUNDETH.
REMEMBER THE TIME.
OH, SOON RETURN.
LOVE THEE?
ONE DEAR SMILE.
YES, YES, WHEN THE BLOOM.
THE DAY OF LOVE.
LUSITANIAN WAR-SONG.
THE YOUNG ROSE.
WHEN MIDST THE GAY I MEET.
WHEN TWILIGHT DEWS.
YOUNG JESSICA.
HOW HAPPY, ONCE.
I LOVE BUT THEE.
LET JOY ALONE BE REMEMBERED NOW.
LOVE THEE, DEAREST? LOVE THEE?
MY HEART AND LUTE.
PEACE, PEACE TO HIM THAT'S GONE!
ROSE OF THE DESERT
THE SONG OF THE OLDEN TIME.
WAKE THEE, MY DEAR.
THE BOY OF THE ALPS.
FOR THEE ALONE.
HER LAST WORDS, AT PARTING.
LET'S TAKE THIS WORLD AS SOME WIDE SCENE.
LOVE'S VICTORY.
SONG OF HERCULES TO HIS DAUGHTER.[1]
THE DREAM OF HOME.
THEY TELL ME THOU'RT THE FAVORED GUEST.
THE YOUNG INDIAN MAID.
THE HOMEWARD MARCH.
WAKE UP, SWEET MELODY.
CALM BE THY SLEEP.
THE EXILE.
THE FANCY FAIR.
IF THOU WOULDST HAVE ME SING AND PLAY.
STILL WHEN DAYLIGHT.
THE SUMMER WEBS.
MIND NOT THO' DAYLIGHT.
THEY MET BUT ONCE.
WITH MOONLIGHT BEAMING.
CHILD'S SONG.
FROM A MASQUE.
THE HALCYON HANGS O'ER OCEAN.
THE WORLD WAS HUSHT.
THE TWO LOVES.
THE LEGEND OF PUCK THE FAIRY.
BEAUTY AND SONG.
WHEN THOU ART NIGH.
SONG OF A HYPERBOREAN.
THOU BIDST ME SING.
CUPID ARMED.
ROUND THE WORLD GOES.
OH, DO NOT LOOK SO BRIGHT AND BLEST.
THE MUSICAL BOX.
WHEN TO SAD MUSIC SILENT YOU LISTEN.
THE LANGUAGE OF FLOWERS.
THE DAWN IS BREAKING O'ER US.
UNPUBLISHED SONGS.
ETC.
ASK NOT IF STILL I LOVE.
DEAR? YES.
UNBIND THEE, LOVE.
THERE'S SOMETHING STRANGE.
A BUFFALO SONG.
NOT FROM THEE.
GUESS, GUESS.
WHEN LOVE, WHO RULED.
STILL THOU FLIEST.
THEN FIRST FROM LOVE.
HUSH, SWEET LUTE.
BRIGHT MOON.
LONG YEARS HAVE PAST.
DREAMING FOR EVER.
THO' LIGHTLY SOUNDS THE SONG I SING.
A SONG OF THE ALPS.
THE RUSSIAN LOVER.
A SELECTION FROM THE SONGS IN
M. P.; OR, THE BLUE-STOCKING:
A COMIC OPERA IN THREE ACTS.
BOAT GLEE.
CUPID'S LOTTERY.
MISCELLANEOUS POEMS.
OCCASIONAL EPILOGUE.
EXTRACT.
THE SYLPH'S BALL.
REMONSTRANCE.
MY BIRTH-DAY.
FANCY.
SONG.
FANNY, DEAREST.
TRANSLATIONS FROM CATULLUS.
CARM. 70.
TO LESBIA.
CARM. II.
CARM. 29.
TIBULLUS TO SULPICIA.
IMITATION.
FROM THE FRENCH.
INVITATION TO DINNER.
ADDRESSED TO LORD LANSDOWNE.
VERSES TO THE POET CRABBE'S INKSTAND.[1]
TO CAROLINE, VISCOUNTESS VALLETORT.
WRITTEN AT LACOCK ABBEY, JANUARY, 1832.
A SPECULATION.
TO MY MOTHER.
WRITTEN IN A POCKET BOOK, 1822.
LOVE AND HYMEN.
LINES ON THE ENTRY OF THE AUSTRIANS INTO NAPLES, 1821.
SCEPTICISM.
A JOKE VERSIFIED.
ON THE DEATH OF A FRIEND.
TO JAMES CORRY, ESQ.
ON HIS MAKING ME A PRESENT OF A WINE STRAINER.
BRIGHTON, JUNE, 1825.
FRAGMENT OF A CHARACTER.
WHAT SHALL I SING THEE?
TO ----.
COUNTRY DANCE AND QUADRILLE.
GAZEL.
LINES ON THE DEATH OF JOSEPH ATKINSON, ESQ., OF DUBLIN.
GENIUS AND CRITICISM.
TO LADY JERSEY.
ON BEING ASKED TO WRITE SOMETHING IN HER ALBUM.
TO THE SAME.
ON LOOKING THROUGH HER ALBUM.
AT NIGHT.[1]
TO LADY HOLLAND.
ON NAPOLEON'S LEGACY OP A SNUFF-BOX.
EPILOGUE.
WRITTEN FOR LADY DACRE'S TRAGEDY OF INA.
THE DAY-DREAM.[1]
SONG.
SONG OF THE POCO-CURANTE SOCIETY.
ANNE BOLEYN.
TRANSLATION FROM THE METRICAL
THE DREAM OF THE TWO SISTERS.
FROM DANTE.
SOVEREIGN WOMAN.
A BALLAD.
COME, PLAY ME THAT SIMPLE AIR AGAIN.
A BALLAD.
POEMS FROM THE EPICUREAN
THE VALLEY OF THE NILE.
SONG OF THE TWO CUPBEARERS.
FIRST CUPBEARER.
SECOND CUPBEARER.
SONG OF THE NUBIAN GIRL.
THE SUMMER FÊTE.
TO THE HONORABLE MRS. NORTON.
THOMAS MOORE.
THE SUMMER FÊTE
SONG.
SONG.
TRIO.
SONG.
WALTZ DUET.
SONG.
SONG AND TRIO.
SONG.
SONG.
SONG AND TRIO.
THE LEVÉE AND COUCHÉE.
SONG.
EVENINGS IN GREECE
T.M.
EVENINGS IN GREECE.
FIRST EVENING.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SECOND EVENING.
SONG.
SONG.
CHORUS.
CHORUS.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
SONG.
ALCIPHRON: A FRAGMENT.
LETTER I.
FROM ALCIPHRON AT ALEXANDRIA TO CLEON AT ATHENS.
LETTER II.
FROM THE SAME TO THE SAME.
LETTER III.
FROM THE SAME TO THE SAME.
LETTER IV.
LALLA ROOKH
TO
SAMUEL ROGERS, ESQ.
THIS EASTERN ROMANCE
IS INSCRIBED
BY
HIS VERY GRATEFUL AND AFFECTIONATE FRIEND,
THOMAS MOORE.
LALLA ROOKH
THE VEILED PROPHET OF KHORASSAN.[24]
PARADISE AND THE PERI.
THE FIRE-WORSHIPPERS.
THE LIGHT OF THE HARAM.
THE LOVES OF THE ANGELS.
PREFACE.
THE LOVES OF THE ANGELS
FIRST ANGEL'S STORY.
SECOND ANGEL'S STORY.
THIRD ANGEL'S STORY.
RHYMES ON THE ROAD.
RHYMES ON THE ROAD
INTRODUCTORY RHYMES.
EXTRACT I.
EXTRACT II.
FATE OF GENEVA IN THE YEAR 1782.
A FRAGMENT.
EXTRACT III.
EXTRACT IV.
EXTRACT V.
EXTRACT VI.
EXTRACT VII.
EXTRACT VIII.
EXTRACT IX.
EXTRACT X.
EXTRACT XI.
EXTRACT XII.
EXTRACT XIII.
EXTRACT XIV.
EXTRACT XV.
EXTRACT XVI.
CORRUPTION,
AND
INTOLERANCE.
TWO POEMS.
ADDRESSED TO AN ENGLISHMAN BY AN IRISHMAN.
PREFACE.
CORRUPTION,
AN EPISTLE.
INTOLERANCE,
A SATIRE.
THE SCEPTIC,
A PHILOSOPHICAL SATIRE.
PREFACE.
THE SCEPTIC
TWOPENNY POST-BAG,
BY
THOMAS BROWN, THE YOUNGER.
DEDICATION.
TO
STEPHEN WOOLRICHE, ESQ.
MY DEAR WOOLRICHE,--
THE AUTHOR.
PREFACE.
INTERCEPTED LETTERS, ETC.
LETTER I.
CHARLOTTE.
LETTER II.
FROM COLONEL M'MAHON TO GOULD FRANCIS LECKIE, ESQ.
POSTSCRIPT.
LETTER III.
LETTER IV.
P. D.
LETTER V.
FROM THE COUNTESS DOWAGER OF CORK TO LADY---.
POSTSCRIPT.
LETTER VI.
FROM ABDALLAH,[1] IN LONDON, TO MOHASSAN, IN ISPAHAN.
GAZEL.
LETTER VII.
FROM MESSRS. LACKINGTON AND CO. TO THOMAS MOORE, ESQ.
LETTER VIII.
FROM COLONEL THOMAS TO ---- SKEFFINGTON, ESQ.
APPENDIX.
LETTER IV. PAGE 584.
LETTER VII. PAGE 588.
SATIRICAL AND HUMOROUS POEMS.
THE INSURRECTION OF THE PAPERS.
A DREAM.
PARODY OF A CELEBRATED LETTER.[1]
ANACREONTIC
TO A PLUMASSIER.
EXTRACTS
FROM THE DIARY OF A POLITICIAN.
EPIGRAM.
KING CRACK[1] AND HIS IDOLS.
WRITTEN AFTER THE LATE NEGOTIATION FOR A NEW MINISTRY.
WHAT'S MY THOUGHT LIKE?
EPIGRAM.
WREATHS FOR THE MINISTERS.
AN ANACREONTIC.
EPIGRAM.
HORACE, ODE XI. LIB. II.
FREELY TRANSLATED BY THE PRINCE REGENT.[1]
HORACE, ODE XXII. LIB. I.
FREELY TRANSLATED BY LORD ELDON.
THE NEW COSTUME OF THE MINISTERS.
CORRESPONDENCE BETWEEN A LADY AND GENTLEMAN,
UPON THE ADVANTAGE OF (WHAT IS CALLED) "HAVING LAW[1] ON ONE'S SIDE."
OCCASIONAL ADDRESS
FOR THE OPENING OF THE NEW THEATRE OF ST. STEPHEN,
THE SALE OF THE TOOLS.
LITTLE MAN AND LITTLE SOUL.
A BALLAD.
DEDICATED TO THE RT. HON. CHARLES ABBOT.
REINFORCEMENTS FOR LORD WELLINGTON.
HORACE, ODE I. LIB. III.
A FRAGMENT.
HORACE, ODE XXXVIII. LIB. I.
A FRAGMENT.
IMPROMPTU.
LORD WELLINGTON AND THE MINISTERS.
TO SIR HUDSON LOWE.
AMATORY COLLOQUY BETWEEN BANK AND GOVERNMENT.
BANK.
GOVERNMENT.
DIALOGUE BETWEEN A SOVEREIGN AND A ONE POUND NOTE.
AN EXPOSTULATION TO LORD KING.
THE SINKING FUND CRIED.
ODE TO THE GODDESS CERES.
BY SIR THOMAS LETHBRIDGE.
A HYMN OF WELCOME AFTER THE RECESS.
MEMORABILIA OF LAST WEEK.
MONDAY, MARCH 13, 1826.
TUESDAY.
WEDNESDAY.
ALL IN THE FAMILY WAY.
A NEW PASTORAL BALLAD.
BALLAD FOR THE CAMBRIDGE ELECTION.
MR. ROGER DODSWORTH.
TO THE EDITOR OF THE TIMES.
COPY OF AN INTERCEPTED DESPATCH.
THE MILLENNIUM.
SUGGESTED BY THE LATE WORK OF THE REVEREND MR. IRVING "ON PROPHECY."
THE THREE DOCTORS.
EPITAPH ON A TUFT-HUNTER.
ODE TO A HAT.
NEWS FOR COUNTRY COUSINS.
A VISION.
BY THE AUTHOR OF "CHRISTABEL."
THE PETITION OF THE ORANGEMEN OF IRELAND.
COTTON AND CORN.
A DIALOGUE.
THE CANONIZATION OF SAINT BUTTERWORTH.
AN INCANTATION.
SUNG BY THE BUBBLE SPIRIT.
A DREAM OF TURTLE.
BY SIR W. CURTIS.
THE DONKEY AND HIS PANNIERS.
A FABLE.
ODE TO THE SUBLIME PORTE.
CORN AND CATHOLICS.
A CASE OF LIBEL.
LITERARY ADVERTISEMENT.
THE IRISH SLAVE.[1]
ODE TO FERDINAND.
HAT _VERSUS_ WIG.
THE PERIWINKLES AND THE LOCUSTS.
A SALMAGUNDIAN HYMN.
NEW CREATION OF PEERS.
BATCH THE FIRST.
SPEECH ON THE UMBRELLA QUESTION.[1]
BY LORD ELDON.
A PASTORAL BALLAD.
BY JOHN BULL.
A LATE SCENE AT SWANAGE.[1]
WO! WO![1]
TOUT POUR LA TRIPE.
ENIGMA.
DOG-DAY REFLECTIONS.
BY A DANDY KEPT IN TOWN.
THE "LIVING DOG" AND "THE DEAD LION."
T. PIDCOCK
ODE TO DON MIGUEL.
THOUGHTS ON THE PRESENT GOVERNMENT OF IRELAND.
THE LIMBO OF LOST REPUTATIONS.
A DREAM.
HOW TO WRITE BY PROXY.
IMITATION OF THE INFERNO OF DANTE.
LAMENT FOR THE LOSS OF LORD BATHURST'S TAIL.[1]
THE CHERRIES.
A PARABLE.[1]
STANZAS WRITTEN IN ANTICIPATION OF DEFEAT.[1]
ODE TO THE WOODS AND FORESTS.
BY ONE OF THE BOARD.
STANZAS FROM THE BANKS OF THE SHANNON.[1]
THE ANNUAL PILL.
WRITE ON, WRITE ON.
A BALLAD.
SONG OF THE DEPARTING SPIRIT OF TITHE.
THE EUTHANASIA OF VAN.
TO THE REVEREND ----.
ONE OF THE SIXTEEN REQUISITIONISTS OF NOTTINGHAM.
IRISH ANTIQUITIES.
A CURIOUS FACT.
NEW-FASHIONED ECHOES.
Sir,--
INCANTATION.
FROM THE NEW TRAGEDY OF "THE BRUNSWICKERS."
HOW TO MAKE A GOOD POLITICIAN.
EPISTLE OF CONDOLENCE.
FROM A SLAVE-LORD, TO A COTTON-LORD.
THE GHOST OF MILTIADES.
ALARMING INTELLIGENCE!
REVOLUTION IN THE DICTIONARY--ONE _GALT_ AT THE HEAD OF IT.
RESOLUTIONS
PASSED AT A LATE MEETING OF REVERENDS AND RIGHT REVERENDS.
SIR ANDREW'S DREAM.
A BLUE LOVE SONG.
TO MISS-----.
Air-"_Come live with me and be my love_."
SUNDAY ETHICS.
A SCOTCH ODE.
AWFUL EVENT.
THE NUMBERING OF THE CLERGY.
A SAD CASE.
A DREAM OF HINDOSTAN.
THE BRUNSWICK CLUB.
PROPOSALS FOR A GYNAECOCRACY.
ADDRESSED TO A LATE RADICAL MEETING.
TO THE EDITOR OF THE * * *.
P. P.
LORD HENLEY AND ST. CECILIA
ADVERTISEMENT.[1]
MISSING.
THE DANCE OF BISHOPS;
OR, THE EPISCOPAL QUADRILLE.[1]
A DREAM.
DICK * * * *
A CHARACTER.
A CORRECTED REPORT OF SOME LATE SPEECHES.
MORAL POSITIONS.
A DREAM.
THE MAD TORY AND THE COMET.
FOUNDED ON A LATE DISTRESSING INCIDENT.
FROM THE HON. HENRY ----, TO LADY EMMA ----.
HENRY.
TRIUMPH OF BIGOTRY.
TRANSLATION FROM THE GULL LANGUAGE.
NOTIONS ON REFORM.
BY A MODERN REFORMER.
TORY PLEDGES.
ST. JEROME ON EARTH.
FIRST VISIT.
ST. JEROME ON EARTH.
SECOND VISIT.
THOUGHTS ON TAR BARRELS.
THE CONSULTATION.[1]
TO THE REV. CHARLES OVERTON,
CURATE OF ROMALDKIRK.
AUTHOR OF THE POETICAL PORTRAITURE OF THE CHURCH.
SCENE FROM A PLAY, ACTED AT OXFORD, CALLED "MATRICULATION."[1]
LATE TITHE CASE.
FOOLS' PARADISE.
DREAM THE FIRST.
THE RECTOR AND HIS CURATE;
OR, ONE POUND TWO.
PADDY'S METAMORPHOSIS.
MORAL.
COCKER, ON CHURCH REFORM.
FOUNDED UPON SOME LATE CALCULATIONS.
LES HOMMES AUTOMATES.
HOW TO MAKE ONE'S SELF A PEER.
ACCORDING TO THE NEWEST RECEIPT AS DISCLOSED IN A LATE HERALDIC WORK,[1]
THE DUKE IS THE LAD.
EPISTLE
FROM ERASMUS ON EARTH TO CICERO IN THE SHADES.
TO THE SHIP IN WHICH LORD CASTLEREAGH SAILED FOR THE CONTINENT.
SKETCH OF THE FIRST ACT OF A NEW ROMANTIC DRAMA.
ANIMAL MAGNETISM.
THE SONG OF THE BOX.
ANNOUNCEMENT OF A NEW THALABA.
ADDRESSED TO ROBERT SOUTHEY, ESQ.
RIVAL TOPICS.[1]
AN EXTRAVAGANZA.
THE BOY STATESMAN.
BY A TORY.
LETTER
FROM LARRY O'BRANIGAN TO THE REV. MURTHAGH O'MULLIGAN.
MUSINGS OF AN UNREFORMED PEER.
THE REVEREND PAMPHLETEER.
A ROMANTIC BALLAD.
RECENT DIALOGUE.
THE WELLINGTON SPA.
A CHARACTERLESS
A GHOST STORY.
To THE AIR OF "UNFORTUNATE MISS BAILEY."
THOUGHTS ON THE LATE DESTRUCTIVE PROPOSITIONS OF THE TORIES.[1]
BY A COMMON-COUNCILMAN.
ANTICIPATED MEETING OF THE BRITISH ASSOCIATION IN THE YEAR 1836.
SONG OF THE CHURCH.
LEAVE ME ALONE.
A PASTORAL BALLAD.
EPISTLE FROM HENRY OF EXETER TO JOHN OF TUAM.
SONG OF OLD PUCK.
POLICE REPORTS.
CASE OF IMPOSTURE.
REFLECTIONS.
NEW GRAND EXHIBITION OF MODELS OF THE TWO HOUSES OF PARLIAMENT.
SOME ACCOUNT OF THE LATE DINNER TO DAN.
NEW HOSPITAL FOR SICK LITERATI.
RELIGION AND TRADE.
MUSINGS.
SUGGESTED BY THE LATE PROMOTION OF MRS. NETHERCOAT.
INTENDED TRIBUTE
GRAND DINNER OF TYPE AND CO.
A POOR POET'S DREAM.[1]
CHURCH EXTENSION.
TO THE EDITOR OF THE MORNING CHRONICLE.
I am, Sir, yours, etc.
EPHESIAN GAZETTE.
LATEST ACCOUNTS FROM OLYMPUS.
THE TRIUMPHS OF FARCE.
THOUGHTS ON PATRONS, PUFFS, AND OTHER MATTERS.
IN AN EPISTLE FROM THOMAS MOORE TO SAMUEL ROGERS.
THOUGHTS ON MISCHIEF.
BY LORD STANLEY.
EPISTLE FROM CAPTAIN ROCK TO LORD LYNDHURST.
CAPTAIN ROCK IN LONDON.
LETTER FROM THE CAPTAIN TO TERRY ALT, ESQ.[1]
POLITICAL AND SATIRICAL POEMS.
LINES ON THE DEATH OF MR. PERCEVAL.
TO THE EDITOR OF "THE MORNING CHRONICLE."
FUM AND HUM, THE TWO BIRDS OF ROYALTY.
LINES ON THE DEATH OF SHERIDAN.
EPISTLE FROM TOM CRIB TO BIG BEN.[1]
CONCERNING SOME FOUL PLAY IN A LATE TRANSACTION.[2]
FABLES FOR THE HOLY ALLIANCE.
DEDICATION.
TO LORD BYRON.
T. B.
PREFACE.
THOMAS BROWN.
FABLES FOR THE HOLY ALLIANCE.
FABLE I.
THE DISSOLUTION OF THE HOLY ALLIANCE.
A DREAM.
FABLE II.
THE LOOKING-GLASSES.
PROEM.
FABLE.
FABLE III.
THE TORCH OF LIBERTY.
FABLE IV.
THE FLY AND THE BULLOCK.
PROEM.
FABLE
FABLE V.
CHURCH AND STATE.
PROEM
FABLE.
FABLE VI.
THE LITTLE GRAND LAMA.
PROEM.
FABLE.
FABLE VII.
THE EXTINGUISHERS.
PROEM.
FABLE.
MORAL.
FABLE VIII.
LOUIS FOURTEENTH'S WIG.
THE FUDGE FAMILY IN PARIS.
PREFACE.
THOMAS BROWN THE YOUNGER.
THE FUDGE FAMILY IN PARIS
LETTER I.
B. F.
P. S.
LETTER II.
FROM PHIL. FUDGE, ESQ., TO THE LORD VISCOUNT CASTLEREAGH.
LETTER III.
FROM MR. BOB FUDGE TO RICHARD ----, ESQ.
LETTER IV.
FROM PHELIM CONNOR TO ----
LETTER V.
FROM MISS BIDDY FUDGE TO MISS DOROTHY ----.
LETTER VI.
LETTER VII.
FROM PHELIM CONNOR TO--.
LETTER VIII.
FROM MR. BOB FUDGE TO RICHARD ----, ESQ.
R. F.
LETTER IX.
LETTER X.
FROM MISS BIDDY FUDGE TO MISS DOROTHY ----.
B. F.
LETTER XI.
FROM PHELIM CONNOR TO ----.
LETTER XII.
FROM MISS BIDDY FUDGE TO MISS DOROTHY ----.
B.F.
THE FUDGES IN ENGLAND
BEING A SEQUEL TO THE
PREFACE.
THE FUDGES IN ENGLAND
LETTER I.
LETTER II.
FROM MISS BIDDY FUDGE TO MRS. ELIZABETH ----.
P. S.
P. S.
EXTRACTS FROM MY DIARY.
LETTER III.
FROM MISS FANNY FUDGE, TO HER COUSIN, MISS KITTY ----.
STANZAS ENCLOSED.
TO MY SHADOW; OR, WHY?--WHAT?--HOW?
LETTER IV.
FROM PATRICK MAGAN, ESQ., TO THE REV. RICHARD ----.
LETTER V.
FROM LARRY O'BRANIGAN, IN ENGLAND, TO HIS WIFE JUDY, AT MULLINAFAD.
LARRY O'BRANIGAN.
LETTER VI.
FROM MISS BIDDY FUDGE, TO MRS. ELIZABETH ----.
EXTRACTS FROM MY DIARY.
N. B.
LETTER VII.
FROM MISS FANNY FUDGE, TO HER COUSIN, MISS KITTY ----.
IRREGULAR ODE.
FROM THE "MORNING POST."
ANECDOTE--FROM THE "COURT JOURNAL."
LETTER VIII.
FROM BOB FUDGE, ESQ., TO THE REV. MORTIMER O'MULLIGAN.
LETTER IX.
FROM LARRY O'BRANIGAN, TO HIS WIFE JUDY.
LETTER X.
FROM THE REV. MORTIMER O'MULLIGAN, TO THE REV. ----.
LETTER XI.
P.S.
EXTRACT FROM LETTER ENCLOSED.