CHAPTER II

THE ARGUMENT A PRIORI

It will first be proper to consider whether, regarding the subject _à

priori_, that is, looking at the habits and manners of those among

whom the symbolical system originated, if it originated anywhere, we

have reason to think them at all likely to induce that system. Now, as

matter of fact, we know that the train of thought, the every-day

observances, above all, the religious rites of the early Christians,

were in the highest degree figurative. The rite of Baptism gave the

most forcible of all sanctions to such a system; and while it

sanctioned, it also suggested, some of the earliest specimens of

Christian symbolism. Hence, when that rite was found to be, so to

speak, connected with the word formed by the initial letters of our

Blessed Saviour's name and titles, arose the Mystic Fish: hence, as we

shall see, the octagonal baptistery and font. Indeed, almost every

great doctrine had been symbolised at a very early period of

Christianity. The Resurrection was set forth in the Phoenix, rising

immortal from its ashes: the meritorious Passion of our Saviour, by

the Pelican, feeding its young with its own blood: the Sacrament of

the Holy Eucharist, by grapes and wheatears, or again by the blood

flowing from the heart and feet of the Wounded Lamb into a chalice

beneath: the Christian's renewal of strength {xxxvii} thereby in the

Eagle, which descending grey and aged into the ocean, rises thence

with renewed strength and vigour: the Church, by the Ark, and the

vessel [Footnote 9] in which our Lord slept: the Christian's purity

and innocence by the Dove: [Footnote 10] again, by the same symbol

the souls [Footnote 11] of those who suffered for the Truth: again,

though perhaps not so early, the Holy Spirit: the Apostles were also

set forth as twelve Doves: [Footnote 12] the Ascension of our

Saviour by the Flying Bird; concerning which S. Gregory [Footnote

13] teaches, 'rightly is our Redeemer called a Bird, Whose Body

ascended freely into heaven': Martyrs also by birds let loose; for so

Tertullian, [Footnote 14] 'There is one kind of flesh of fishes, that

is of those who be regenerate by Holy Baptism; but another of birds,

that is of martyrs.'

[Footnote 9: Naviculum quippe ecclesiam cogitate,--turbulentum mare

hoc seculum.----_S. Aug. de Verb Dom_.]

[Footnote 10:

Quaeque super signum resident coeleste Columbae,

Simplicibus produnt regna patere Dei.

_S. Paulin. ep. 12, ad Sever_.]

[Footnote 11: Cum nollet idolis sacrificare (sc. S. Reparata) ecce,

gladio percutitur: cujus anima in Columbae specie de corpore egredi,

coelumque conscendere visa est.--_Martyrol. Rom. viii. Id. Oct._

Emicat inde Columba repens,

Martyris os nive candidior

Visa relinquere, et astra sequi:

Spiritus hic erat Eulaliae

Lacteolus, celer, innocuus.

_Pruden. Perist. Hymn. 9._

Compare also the Passion of S. Potitus,--Act. SS. Bollandi, 13 Jan.

So, in the cemetery of S. Calistus, a piece of glass was found by

Boldetti, on which S. Agnes was represented between two doves, the

symbols of her Virginity and Martyrdom.]

[Footnote 12:

Crucem corona lucido cingit globo

Cui coronas sunt corona Apostoli,

Quorum figura est in columbarum choro.

(S. Paulin. Epp.)]

[Footnote 13: In Evang. 29.]

[Footnote 14: De Resurrect. 52.]

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The caged bird is symbolical of the contrary; this has been found upon

the phial containing the blood of a martyr. Of this, Boldetti says,

'It is represented on the mosaic of the ancient Tribune of S. Mary

beyond Tiber; one being seen at the side of Isaiah the Prophet, the

other at that of the Prophet Jeremiah.' In the same way, partridges

and peacocks, each with its own meaning are represented. So, again,

lions, tigers, horses, oxen, strange fishes, and marine monsters,

represent the fearful martyrdoms to which God's servants were exposed:

a point which the reader will do well to bear in mind, because in

treating of Norman mouldings we shall have occasion again to refer to

this matter. So, again, the extended hand symbolised Providence. We

have also the seven stars, the moon, and many other symbols of a

similar kind. Nor must we forget the _Agnus Dei_, by which our Blessed

Lord Himself was represented; nor the _Pastor Bonus_, in which His own

parable was still further parabolised. The Christian gems found in the

Catacombs are all charged with some symbolical device. Upon these is

the ship for the Church, the palm for the martyr, and the instrument

of torture: as well as the sacred monogram expressing our Saviour's

name. The same symbol blazed on the _labarum_ of the first Christian

Emperor; and the very coins symbolically showed that the Church had

subdued the kingdoms of this world. That fearful heresy, Gnosticism,

which arose from an over-symbolising, shows, nevertheless how deeply

the principle, within due limits, belonged to the Church. The Gnostic

gems exhibit the most monstrous perversions of symbolical

representations: the medals of Dioclesian bear a lying symbol of a

crushed and expiring Christianity. Later still, new symbols were

adopted: mosaics, illuminations, ornaments, all bore some holy

emblems. The monogram _ihs_ found in every church in Western

Christendom: the corresponding symbol stamps the Eucharistic wafers of

the East. [Footnote 15]

[Footnote 15: See on this subject the Cambridge Camden Society's

'Argument for the Greek Origin of the Monogram IHS.']

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The symbols of the Evangelists were also of very early date, though

not, in all cases, appropriated as now: for the angel and the lion

fluctuated between S. Matthew and S. Mark. Numbers, too, were fruitful

of allegorical meaning; and the most ingenious combinations were used

to elicit an esoteric meaning from them. By _one_, the Unity of the

Deity was understood: by _two_, the divine and human Natures of the

Saviour: by _three_, of course, the doctrine of the Most Holy Trinity:

by _four_, the doctrine of the Four Evangelists: by _six_, the

Attributes of the Deity: _seven_ represented the sevenfold graces of

the Holy Spirit: _eight_ (for a reason hereafter to be noticed),

Regeneration: _twelve_, the glorious company, the Apostles, and,

tropologically, the whole Church. And when a straightforward reference

to any of these failed, they were added or combined, till the required

meaning was obtained. A single instance may suffice:--S. Augustine,

writing on that passage of S. Paul's, 'What? know ye not that the

saints shall judge the world?' after explaining (_Expos. super Psalm_.

lxxxvi) the twelve thrones, which our Saviour mentions, of the whole

Church, as founded by and represented in the Apostles, finds a further

meaning. 'The parts of the world be four; the east, the west, the

north, and the south:' and (adds the Father) 'they are constantly

named in Holy Writ. From these four winds, saith the Lord in the

Gospel, shall the elect be gathered together: whence the Church is

called from these four parts. Called, and how? By the Trinity. It is

not called, except by Baptism, in the name of the Father, and of the

Son, and of the Holy Ghost. So four, multiplied by three, make

twelve.' In accidental numbers, too, a meaning was often found. No

wonder that some beheld, in the three hundred and eighteen trained

servants wherewith Abraham, the Father of the Faithful, routed the

combined kings, a type of the three hundred and eighteen Fathers of

Nicaea, by whom the Faithful rose triumphant over the Arian heresy.

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Again, types and emblems without number were seen in the language of

the Psalmist, occurring so continuously in the services of the Church.

'His faithfulness shall be thy buckler,' gives rise to a fine allegory

of S. Bernard's, drawn from the triangular shape of the buckler used

at the time when that Father wrote; even as we still see it, in the

effigies of early knights. It protects the upper part of the body

completely: the feet are less completely shielded. And so, remarks the

saint, does God's providence guard His people from spiritual dangers,

imaged by those weapons which attack the upper, or more vital parts of

the body: but from temporal adversities He hath neither promised, nor

will give so complete protection.

To mention the symbolism which attached itself to the worship of the

early Church, would be to go through all its rites. Confirmation and

Matrimony, and, above all, Baptism, were attended by ceremonies in the

highest degree symbolical. But it is needless to dwell on them; enough

has been said to prove the attachment which the Catholic Church has

ever evinced to symbolism.

But the Sign of the Cross is that which gave the greatest scope to

symbolism.--Our readers will probably remember the passage of

Tertullian in which he says, 'we cross ourselves when we go out, and

when we come in; when we lie down, and when we rise up,' etc. Indeed,

as in everything they used, so in everything they saw, the Sign of the

Cross. The following lines from Donne are much to the purpose:

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Since Christ embraced the Cross itself, dare I

His Image, th' Image of His Cross, deny?

Would I have profit by the Sacrifice,

And dare the chosen Altar to despise?

It bore all other sins, but is it fit

That it should bear the sin of scorning it?

Who from the picture would avert his eye,

How should he fly His pains, Who there did die?

From me no pulpit, nor misgrounded law.

Nor scandal taken, shall this Cross withdraw:

It shall not--nor it cannot--for the loss

Of this Cross were to me another Cross:

Better were worse: for no affliction.

No cross were so extreme, as to have none.

Who can blot out the Cross, which th' instrument

Of God dewed on him in the Sacrament?

Who can deny me power and liberty

'To stretch mine arms, and mine own Cross to be?

Swim--and at every stroke thou art thy Cross:

The mast and yard are theirs whom seas do toss.

Look down, thou seest our crosses in small things,

Look up, thou seest birds fly on crossed wings.

We will mention but one symbolical feature more in the trains of

thought which were common among the early Christians. We refer to the

esoteric meaning which was supposed to exist in the writings of

heathen authors: as for example, when the Pollio of Virgil was

imagined to point to the Saviour, and the Fortunate Isles of Pindar to

Paradise. It were easy but needless to dwell on this subject. The few

instances we have given are already amply sufficient to prove to some,

to remind others, how symbolical was the religion of the early Church,

and (we think) to establish our case _à priori_.

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The Symbolism of Churches and Church Ornaments A Translation of the First Book of the Rationale Divinorum Officiorum · 第 2 / 14 章