FOOTNOTES:

[1] The _tapissiers sarrasinois_ were apparently the makers of piled

or velvety carpets, and have always been written about in

contradistinction to the _tapissiers de haute lisse_ or _tapissiers

nostrez_, who it appears did not weave piled or velvety material, but

made tapestry-woven hangings and coverings for furniture.

[2] In Hakluyt's _Voyages_ mention is made of directions having been

given to Morgan Hubblethorne, a dyer, to proceed (about 1579) to

Persia to learn the arts of dyeing and of making carpets.

[3] The Royal Factory at Lahore was established by Akbar the Great in

the 16th century.

[4] A wealthy serge-maker of Swiss nationality, who had been settled

for some years in Exeter, and bought up the plant of Parisot's Exeter

works. (See _Bulletin de la societe de l'histoire de l'art francais_,

p. 97, vol. 1875 to 1878.)

CARPET-BAGGER, a political slang term for a person who stands as a

candidate for election in a locality in which he is a stranger. It is

particularly used of such a candidate sent down by the central party

organization. The term was first used in the western states of America

of speculative bankers who were said to have started business with no

other property than what they could carry in a carpet-bag, and absconded

when they failed. The term became of general use in American politics in

the reconstruction period after the Civil War, as a term of contempt for

the northern political adventurers in the South who, by the help of the

negro vote, gained control of the administration.

CARPET-KNIGHT, properly one who has been knighted in time of peace on

the carpet before the king's throne, and not on the field of battle as

an immediate reward for valour. It is used as a term of reproach for a

soldier who stays at home, and avoids active service and its hardships,

with a particular reference to the carpet of a lady's chamber, in which

such a _saineant_ soldier lingers.

CARPI, GIROLAMO DA (1501-1556), Italian historical and portrait painter,

born at Ferrara, was one of Benvenuto Garofalo's best pupils. Becoming

infatuated with the work of Correggio, he quitted Ferrara, and spent

several years in copying that master's paintings at Parma, Modena and

elsewhere, succeeding in aping his mannerisms so well as to be able to

dispose of his own works as originals by Correggio. It is probable that

not a few pictures yet attributed to the great painter are in reality

the work of his parasite. Da Carpi's best paintings are a Descent of the

Holy Spirit, in the church of St Francis at Rovigo; a Madonna, an

Adoration of the Magi, and a St Catharine, at Bologna; and the St George

and the St Jerome, at Ferrara.

CARPI, UGO DA, Italian 15th-century painter, was long held the inventor

of the art of printing in chiaroscuro, afterwards brought to such

perfection by Parmigiano and by Baltasar Peruzzi of Siena. The

researches of Michael Huber (1727-1804) and Johann Gottlob Immanuel

Breitkopf (1719-1794) have proved, however, that this art was known and

practised in Germany by Johann Ulrich Pilgrim (Wachtlin) and Nikolaus

Alexander Mair (1450-c. 1520), at least as early as 1499, while the date

of the oldest of Da Carpi's prints is 1518. Printing in chiaroscuro is

performed by using several blocks. Da Carpi usually employed three--one

for the outline and darker shadows, another for the lighter shadows, and

a third for the half-tint. By means of them he printed engravings after

several pictures and after some of the cartoons of Raphael. Of these a

Sybil, a Descent from the Cross, and a History of Simon the Sorcerer are

the most remarkable.

CARPI, a Dacian tribe established upon the lower Danube from the 1st

century B.C. They rose to considerable power during the 3rd century

A.D., and claiming to be superior to the Goths accordingly demanded that

their incursions into Roman territory likewise should be bought off by

tribute. When this was refused they invaded in force, but were beaten

back by the emperor Philip. After this they joined with the Goths in

their successful inroads until both nations were defeated by Claudius

Gothicus. Later, after repeated defeats under Diocletian and Galerius,

they were taken under Roman protection and the greater part established

in the provinces of Pannonia and Moesia; some were left beyond the

Danube, and they are last heard of as allies of the Huns and Sciri in

the time of Theodosius I. Ptolemy speaks of Harpii and a town Harpis.

This was no doubt the form the name assumed in the mouths of their

Germanic neighbours, Bastarnae and Goths. (E. H. M.)

CARPI, a town and episcopal see of Emilia, Italy, in the province of

Modena, 9 m. N.N.W. by rail from the town of Modena. Pop. (1905) 7118

(town), 27,135 (commune). It is the junction of a branch line to Reggio

nell' Emilia via Correggio, and the centre of a fertile agricultural

district. Carpi contains several Renaissance buildings of interest, the

facade of the old cathedral (an early Romanesque building in origin,

with some early 15th-century frescoes), the new cathedral (after 1513),

perhaps the nave of S. Niccolo and a palace, all being by Baldassare

Peruzzi: while the prince's palace (with a good court and a chapel

containing frescoes by Bernardino Loschi of Parma, 1489-1540) and the

colonnades opposite the theatre are also good. These, and the

fortifications, are all due to Alberto Pio of Carpi, a pupil of Aldus

Manutius, expelled in 1525 by Charles V., the principality being given

to the house of Este.

CARPINI, JOANNES DE PLANO, the first noteworthy European explorer of the

Mongol empire (in the 13th century), and the author of the earliest

important Western work on northern and central Asia, Russian Europe, and

other regions of the Tatar dominion. He appears to have been a native of

Umbria, where a place formerly called Pian del Carpine, but now Piano

della Magione, stands near Perugia, on the road to Cortona. He was one

of the companions and disciples of his countryman St Francis of Assisi,

and from sundry indications can hardly have been younger than the

latter, born in 1182. Joannes bore a high repute in the order, and took

a foremost part in the propagation of its teaching in northern Europe,

holding successively the offices of warden (_custos_) in Saxony, and of

provincial (_minister_) of Germany, and afterwards of Spain, perhaps of

Barbary, and of Cologne. He was in the last post at the time of the

great Mongol invasion of eastern Europe and of the disastrous battle of

Liegnitz (April 9, 1241), which threatened to cast European Christendom

beneath the feet of barbarous hordes. The dread of the Tatars was,

however, still on men's mind four years later, when Pope Innocent IV.

despatched the first formal Catholic mission to the Mongols (1245),

partly to protest against the latter's invasion of Christian lands,

partly to gain trustworthy information regarding the hordes and their

purposes; behind there may have lurked the beginnings of a policy much

developed in after-time--that of opening diplomatic intercourse with a

power whose alliance might be invaluable against Islam.

At the head of this mission the pope placed Friar Joannes, at this time

certainly not far from sixty-five years of age; and to his discretion

nearly everything in the accomplishment of the mission seems to have

been left. The legate started from Lyons, where the pope then resided,

on Easter day (April 16, 1245), accompanied by another friar, one

Stephen of Bohemia, who broke down at Kanev near Kiev, and was left

behind. After seeking counsel of an old friend, Wenceslaus, king of

Bohemia, Carpini was joined at Breslau by another Minorite, Benedict the

Pole, appointed to act as interpreter. The onward journey lay by Kiev;

the Tatar posts were entered at Kanev; and thence the route ran across

the Dnieper (_Neper, Nepere_, in Carpini and Benedict) to the Don and

Volga (_Ethil_ in Benedict; Carpini is the first Western to give us the

modern name). Upon the last-named stood the _Ordu_ or camp of Batu, the

famous conqueror of eastern Europe, and the supreme Mongol commander on

the western frontiers of the empire, as well as one of the most senior

princes of the house of Jenghiz. Here the envoys, with their presents,

had to pass between two fires, before being presented to the prince

(beginning of April 1246). Batu ordered them to proceed onward to the

court of the supreme khan in Mongolia; and on Easter day once more

(April 8, 1246) they started on the second and most formidable part of

their journey--"so ill," writes the legate, "that we could scarcely sit

a horse; and throughout all that Lent our food had been nought but

millet with salt and water, and with only snow melted in a kettle for

drink." Their bodies were tightly bandaged to enable them to endure the

excessive fatigue of this enormous ride, which led them across the

_Jaec_ or Ural river, and north of the Caspian and the Aral to the

Jaxartes or Syr Daria (_quidam fluvius magnus cujus nomen ignoramus_),

and the Mahommedan cities which then stood on its banks; then along the

shores of the Dzungarian lakes; and so forward, till, on the feast of St

Mary Magdalene (July 22), they reached at last the imperial camp called

_Sira Orda_ (i.e. Yellow Pavilion), near Karakorum and the Orkhon

river--this stout-hearted old man having thus ridden something like 3000

m. in 106 days.

Since the death of Okkodai the imperial authority had been in

_interregnum_. Kuyuk, Okkodai's eldest son, had now been designated to

the throne; his formal election in a great _Kurultai_, or diet of the

tribes, took place while the friars were at Sira Orda, along with 3000

to 4000 envoys and deputies from all parts of Asia and eastern Europe,

bearing homage, tribute and presents. They afterwards, on the 24th of

August, witnessed the formal enthronement at another camp in the

vicinity called the Golden Ordu, after which they were presented to the

emperor. It was not till November that they got their dismissal, bearing

a letter to the pope in Mongol, Arabic and Latin, which was little else

than a brief imperious assertion of the khan's office as the scourge of

God. Then commenced their long winter journey homeward; often they had

to lie on the bare snow, or on the ground scraped bare of snow with the

traveller's foot. They reached Kiev on the 9th of June 1247. There, and

on their further journey, the Slavonic Christians welcomed them as risen

from the dead, with festive hospitality. Crossing the Rhine at Cologne,

they found the pope still at Lyons, and there delivered their report and

the khan's letter.

Not long afterwards Friar Joannes was rewarded with the archbishopric

of Antivari in Dalmatia, and was sent as legate to St Louis. The date of

his death may be fixed, with the help of the _Franciscan Martyrology_

and other authorities, as the 1st of August 1252; hence it is clear that

John did not long survive the hardships of his journey.

He recorded the information that he had collected in a work, variously

entitled in the MSS. _Historia Mongalorum quos nos Tartaros appellamus_,

and _Liber Tartarorum_, or _Tatarorum_. This treatise is divided into

eight ample chapters on the country, climate, manners, religion,

character, history, policy and tactics of the Tatars, and on the best

way of opposing them, followed by a single (ninth) chapter on the

regions passed through. The book thus answers to its title. Like some

other famous medieval itineraries it shows an entire absence of a

traveller's or author's egotism, and contains, even in the last chapter,

scarcely any personal narrative. Carpini was not only an old man when he

went cheerfully upon this mission, but was, as we know from accidental

evidence in the annals of his order, a fat and heavy man (_vir gravis et

corpulentus_), insomuch that during his preachings in Germany he was

fain, contrary to Franciscan precedent, to ride a donkey. Yet not a word

approaching more nearly to complaint than those which we have quoted

above appears in his narrative. His book, both as to personal and

geographical detail, is inferior to that written a few years later by a

younger brother of the same Order, Louis IX.'s most noteworthy envoy to

the Mongols, William of Rubrouck or Rubruquis. But in spite of these

defects, due partly to his conception of his task, and in spite of the

credulity with which he incorporates the Oriental tales, sometimes of

childish absurdity, from which Rubruquis is so free, Friar Joannes'

_Historia_ is in many ways the chief literary memorial of European

overland expansion before Marco Polo. It first revealed the Mongol world

to Catholic Christendom; its account of Tatar manners, customs and

history is perhaps the best treatment of the subject by any Christian

writer of the middle ages. We may especially notice, moreover, its four

name-lists:--of the nations conquered by the Mongols; of the nations

which had up to this time (1245-1247) successfully resisted; of the

Mongol princes; and of the witnesses to the truth of his narrative,

including various merchants trading in Kiev whom he had met. All these

catalogues, unrivalled in Western medieval literature, are of the utmost

historical value. To the accuracy of Carpini's statements upon Mongol

life, a modern educated Mongol, Galsang Gomboyev, has borne detailed and

interesting testimony (see _Melanges asiat. tires du Bullet. Hist.

Philol. de l'Acad. Imp. de St Petersbourg_, ii. p. 650, 1856).

The book must have been prepared immediately after the return of the

traveller, for the Friar Salimbeni, who met him in France in the year of

his return (1247), gives us these interesting particulars:--"He was a

clever and conversable man, well lettered, a great discourser, and full

of a diversity of experience.... He wrote a big book about the Tattars

(sic), and about other marvels that he had seen, and whenever he felt

weary of telling about the Tattars, he would cause that book of his to

be read, as I have often heard and seen" ("Chron. Fr. Salimbeni

Parmensis" in _Monum. Histor. ad Prov. et Placent. pertinentia_, Parma,

1857).

For a long time the work was but partially known, and that chiefly

through an abridgment in the vast compilation of Vincent of Beauvais

(_Speculum Historiale_) made in the generation following the traveller's

own, and printed first in 1473. Hakluyt (1598) and Bergeron (1634)

published portions of the original work; but the complete and genuine

text was not printed till 1838, when it was put forth by the late M.

D'Avezac, an editorial masterpiece, embodied (1839) in the 4th volume of

the _Recueil de voyages et de memoires_ of the Geographical Society of

Paris.

Joannes' companion, Benedictus Polonus, also left a brief narrative

taken down from his oral relation. This was first published by M.

D'Avezac in the work just named.

The following four MSS. may be noticed: (1) "Corpus," i.e. Corpus

Christi College, Cambridge, No. 181; (2) "Petau," i.e. Leiden

University, 77 (formerly 104)--both these are certainly earlier than

1300; (3) "Colbert," i.e. Paris, National Library, Fonds Lat. 2477, of

about 1350; (4) "London-Lumley," i.e. London, British Museum, MSS.

Reg. 13 A xiv., of late 13th century. Three other MSS. certainly

exist; yet six more are perhaps to be found, but none of these

possesses the value of those given above. Besides the editions

referred to in the body of the article, we may also mention (1) P.

Girolamo Golubovich, _Biblioteca bio-bibliografica della Terra Santa e

dell' Oriente Francescano_ (1906), vol. i. (1215-1300), pp. 190-213;

(2) _William of Rubruck ... with ... John of Pian de Carpine_, edited

by W.W. Rockhill, Hakluyt Society (1900), especially pp. 1-39; (3) C.

Raymond Beazley, _Dawn of Modern Geography_, ii. (1901), 279-317,

375-380; in. 85, 544, 553; and _Carpini and Rubruquis_, Hakluyt

Society (1903), especially pp. vii.-xviii. 43-144, 249-295.

(H. Y.; C. R. B.)

CARPOCRATES, a Gnostic of the 2nd century, about whose life and opinions

comparatively little is known. He is said to have been a native of

Alexandria and by birth a Jew. His family, however, seem to have been

converted to Christianity. With Epiphanes, his son, he was the leader of

a philosophic school basing its theories mainly upon Platonism, and

striving to amalgamate Plato's _Republic_ with the Christian ideal of

human brotherhood. The image of Jesus was crowned along with those of

Pythagoras, Plato and Aristotle. Carpocrates made especial use of the

doctrines of reminiscence and pre-existence of souls. He regarded the

world as formed by inferior spirits who are out of harmony with the

supreme unity, knowledge of which is the true _Gnosis_. The souls which

remember their pre-existing state can attain to this contemplation of

unity, and thereby rise superior to all the ordinary doctrines of

religion or life. Jesus is but a man in whom this reminiscence is

unusually strong, and who has consequently attained to unusual spiritual

excellence and power. To the Gnostic the things of the world are

worthless; they are to him matters of indifference. From this position

it easily followed that actions, being merely external, were morally

indifferent, and that the true Gnostic should abandon himself to every

lust with perfect indifference. The express declaration of these

antinomian principles is said to have been given by Epiphanes. The

notorious licentiousness of the sect was the carrying out of their

theory into practice.

CARPZOV (Latinized _Carpzovius_), the name of a family, many of whose

members attained distinction in Saxony in the 17th and 18th centuries as

jurists, theologians and statesmen. The family traced its origin to

Simon Carpzov, who was burgomaster of Brandenburg in the middle of the

16th century, and who left two sons, Joachim (d. 1628), master-general

of the ordnance in the service of the king of Denmark, and BENEDIKT

(1565-1624), an eminent jurist.

BENEDIKT CARPZOV was born in Brandenburg on the 22nd of October 1565,

and after studying at Frankfort and Wittenberg, and visiting other

German universities, was made doctor of laws at Wittenberg in 1590. He

was admitted to the faculty of law in 1592, appointed professor of

institutions in 1599, and promoted to the chair _Digesti infortiati et

novi_ in 1601. In 1602 he was summoned by Sophia, widow of the elector

Christian I. of Saxony, to her court at Colditz, as chancellor, and was

at the same time appointed councillor of the court of appeal at Dresden.

After the death of the electress in 1623 he returned to Wittenberg, and

died there on the 26th of November 1624, leaving five sons. He published

a collection of writings entitled _Disputationes juridicae_.

BENEDIKT CARPZOV (1595-1666), second of the name, was the second son of

the preceding, and like him was a great lawyer. He was born at

Wittenberg on the 27th of May 1595, was at first a professor at Leipzig,

obtained an honourable post at Dresden in 1639, became ordinary of the

faculty of jurists at Leipzig in 1645, and was named privy councillor at

Dresden in 1653. Among his works which had a very extensive influence on

the administration of justice, even beyond the limits of Saxony, are

_Definitiones forenses_ (1638), _Practica nova Imperialis Saxonica rerum

criminalium_ (1635), _Opus decisionum illustrium Saxoniae_ (1646),

_Processus juris Saxonici_ (1657), and others. He did much, both by his

writings and by his official work, to systematize the body of German

jurisprudence which had resulted from the intersection of the common law

of Saxony with the Roman and Canon laws. His last years were spent at

Leipzig, and his time was entirely devoted to sacred studies. He read

the Bible through fifty-three times, studying also the comments of

Osiander and Cramer, and making voluminous notes. These have been

allowed to remain in manuscript. He died at Leipzig on the 30th of

August 1666.

JOHANN BENEDIKT CARPZOV (1607-1657), fourth son of the first Benedikt,

was born at Rochlitz in 1607. He became professor of theology at Leipzig

in 1643, made himself chiefly known by his _Isagoge in Libros

Ecclesiarum Lutheranarum Symbolicos_ (published in 1665), and died at

Leipzig on the 22nd of October 1657, leaving five sons, all of whom

attained some literary eminence.

AUGUST CARPZOV (1612-1683), fifth son of the first Benedikt,

distinguished himself as a diplomatist. Born at Colditz on the 4th of

June 1612, he studied at the universities of Wittenberg, Leipzig and

Jena, and in 1637 was appointed advocate of the court of justice

(_Hofgericht_) at Wittenberg. Entering the service of Frederick William

II., duke of Saxe-Altenburg, he took part in the negotiations which led

to the peace of Westphalia in 1648, and was appointed chancellor by the

duke in 1649. From 1672 to 1680 he was chief minister of Ernest I. and

Frederick I., dukes of Saxe-Coburg-Gotha, and died at Coburg on the 19th

of November 1683. August, who was a man of earnest piety, wrote _Der

gekreuzigte Jesus_ (1679) and some treatises on jurisprudence.

JOHANN GOTTLOB CARPZOV (1670-1767), grandson of Johann Benedikt, was

born at Dresden in 1679. He was educated at Wittenberg, Leipzig and

Altdorf, became a learned theologian, and in 1719 was appointed

professor of Oriental languages at Leipzig. In 1730 he was made

superintendent and first pastor at Lubeck. His most important works were

the _Introductio in libros canonicos bibliorum Veteris Testamenti_

(1721), _Critica sacra V.T._ (1728), and _Apparatus Historico-criticus

Antiquitatum V. Test._ (1748). He died at Lubeck on the 7th of April

1767.

JOHANN BENEDIKT CARPZOV (1720-1803), great-grandson of the first Johann

Benedikt, was born at Leipzig, became professor of philosophy there in

1747, and in the following year removed to Helmstadt as professor of

poetry and Greek. In 1749 he was named also professor of theology. He

was author of various philological works, wrote a dissertation on

Mencius, and published an edition of Musaeus. He died on the 28th of

April 1803.

On the family of Carpzov, see Dreyhaupt, _Beschreibung des

Saalkreises_, Beilagen zu Theil 2. S. 26.

CARRANZA, BARTOLOME (1503-1576), Spanish theologian, sometimes called de

Miranda or de Carranza y Miranda, younger son of Pedro Carranza, a man

of noble family, was born at Miranda d'Arga, Navarre, in 1503. He

studied (1515-1520) at Alcala, where Sancho Carranza, his uncle, was

professor; entering (1520) the Dominican order, and then (1521-1525) at

Salamanca and at Valladolid, where from 1527 he was teacher of theology.

No Spaniard save Melchior Canus rivalled him in learning; students from

all parts of Spain flocked to hear him. In 1530 he was denounced to the

Inquisition as limiting the papal power and leaning to opinions of

Erasmus, but the process failed; he was made professor of philosophy and

(1533-1539) regent in theology. In 1539, as representative to the

chapter-general of his order he visited Rome; here he was made doctor of

theology, and while he mixed with the liberal circle associated with

Juan de Valdes, he had also the confidence of Paul III. Returning to

Valladolid, he acted as censor (_cualificador_) of books (including

versions of the Bible) for the Inquisition. In 1540 he was nominated to

the sees of Canaria and of Cusco, Peru, but declined both. Charles V.

chose him as envoy to the council of Trent (1546). He insisted on the

imperative duty of bishops and clergy to reside in their benefices,

publishing at Venice (1547) his discourse to the council _De necessaria

residentia personali_, which he treated as _juris divini_. His Lenten

sermon to the council, on justification, caused much remark. He was made

provincial of his order for Castile. Charles sent him to England (1554)

with his son Philip on occasion of the marriage with Mary. He became

Mary's confessor, and laboured earnestly for the re-establishment of the

old religion, especially in Oxford. In 1557 Philip appointed him to the

archbishopric of Toledo; he accepted with reluctance, and was

consecrated at Brussels on the 27th of February 1558. He was at the

deathbed of Charles V. (21st of September) and gave him extreme unction;

then raised a curious controversy as to whether Charles, in his last

moments, had been infected with Lutheranism. The same year he was again

denounced to the Inquisition, on the ground of his _Comentarios sobre el

Catechismo_ (Antwerp, 1558), which in 1563, however, was approved by a

commission of the council of Trent. He had evidently lost favour with

Philip, by whose order he was arrested at Tordelaguna (1559) and

imprisoned for nearly eight years, and the book was placed on the Index.

The process dragged on. Carranza appealed to Rome, was taken thither in

December 1566, and confined for ten years in the castle of St Angelo.

The final judgment found no proof of heresy, but compelled him to abjure

sixteen errors, rather extorted than extracted from his writings,

suspended him from his see for five years, and secluded him to the

Dominican cloister of Sta Maria sopra Minerva. Seven days after his

abjuration he died, on the 2nd of May 1576. He was succeeded in his see

by the inquisitor-general, Gaspar Quiroga. Yet the Spanish people

honoured him as a saint; Gregory XIII. placed a laudatory inscription on

his tomb in the church of Sta Maria. His real crime was not heresy but

reform. His _Summa Conciliorum et Pontificum_ (Venice, 1546) has been

often reprinted (as late as 1821), and has permanent value.

See P. Salazar de Miranda, _Vida_ (1788); H. Laugwitz, _Bartholomaus

Carranza_ (1870); J.A. Llorente, _Hist. Inquisition in Spain_ (English

abridgment, 1826); Hefele in I. Goschler's _Dict. encyclopedique de la

theol. cath._ (1858). (A. Go.*)

CARRARA, or CARRARESI, a powerful family of Longobard origin which ruled

Padua in the 14th century. They take their name from the village of

Carrara near Padua, and the first recorded member of the house is

Gamberto (d. before 970). In the wars between Guelphs and Ghibellines

the Carraresi at first took the latter side, but they subsequently went

over to the Guelphs. This brought them into conflict with Ezzelino da

Romano; Jacopo da Carrara was besieged by Ezzelino in his castle of

Agna, and while trying to escape was drowned. Another Jacopo led the

Paduans in 1312 against Cangrande della Scala, lord of Verona, and

though taken prisoner managed to negotiate a peace in 1318. To put an

end to the perpetual civil strife the Paduans elected him their lord,

and he seems to have governed well, leaving the city at his death (1324)

to his nephew Marsiglio a man famed for his cunning. But Cangrande was

bent on acquiring Padua, and Marsiglio, unable to resist, gave it over

to him and was appointed its governor. Cangrande died in 1319, being

succeeded by his nephew Martino, and Marsiglio soon began to meditate

treachery; he negotiated with the Venetians in 1336, and in the

following year he secretly introduced Venetian troops into Padua,

arrested Alberto della Scala, Martino's brother, then in charge of the

town, and thus regained the lordship. He died in 1338, and was succeeded

by his relative Ubertino, a typical medieval tyrant, who earned an

unenviable notoriety for his murders and acts of treachery, but was also

a patron of the arts; he built the Palazzo dei Principi, the castle of

Este, constructed a number of roads and canals, and protected commerce.

He died in 1345. His distant kinsman Marsiglietto da Carrara succeeded

to him, but was immediately assassinated by Jacopo da Carrara, a prince

famed as the friend of Petrarch. In 1350 Jacopo was murdered by

Guglielmo da Carrara, and his brother Jacopino succeeded, reigning

together with his nephew Francesco.

In 1355 Francesco (il Vecchio) rose against his uncle and imprisoned

him. Francesco changed the traditional policy of his house by

quarrelling with the Venetians, in the hope of obtaining more advantages

from the Visconti of Milan. When the former were at war with Hungary

over Dalmatia in 1356 and asked Carrara to help them, he refused. Their

resentment was all the more bitter when at the instance of the pope he

mediated between them and Hungary and brought about peace on terms

unfavourable to the republic. He received Feltre, Belluno and Cividale

from the Hungarian king, but in 1369 a frontier dispute led to war

between him and Venice. After some defeats, Venice was victorious and

dictated peace; Carrara had to pay a huge indemnity and ask the

republic's pardon (1373). In 1378 he joined the league against Venice

formed by Genoa, Hungary and the Scala, and took part in the siege of

Chioggia. But the Venetians were victorious, and by the peace of Turin

Carrara found himself in the _status quo ante_, but he bought Treviso

from Austria, to whom Venice had given it in the day of her trouble. In

1385 the Venetians set the Scala against Carrara, who thereupon allied

himself with the treacherous Gian Galeazzo Visconti. The Scala were

expelled from Verona, but Carrara and Visconti quarrelled over the

division of the spoils. Visconti was determined to capture Padua as well

as Verona, and made an alliance with Venice and the house of Este for

the purpose. Francesco, seeing that the situation was hopeless,

surrendered to Visconti, in whose hands he remained a prisoner until his

death in 1392.

Francesco Novello, his son, resisted bravely, but was compelled to

surrender owing to dissensions in Padua itself. He was forced to

renounce his dominions, and received a castle near Asti, but he escaped

to France, and after a series of romantic adventures succeeded in making

peace with Venice, who was becoming alarmed at the restless ambition and

treachery of Visconti; in 1390 he raised a small armed force and seized

Padua, where he was enthusiastically welcomed by the citizens, and for

several years reigned there in peace. But in 1399 Visconti recommenced

his wars of conquest, which were to have included Padua had not death

cut short his schemes in 1402. Carrara then allied himself with

Guglielmo Scala, seized Verona, and tried to capture Vicenza. But the

Vicentini had always hated the Carraresi, and after a short siege gave

themselves over to Venice. This led to a war between that republic and

Padua, for now that Visconti was dead the Venetians had no longer any

reason to protect Carrara. Padua and Verona were besieged; the latter,

defended by Novello's son Jacopo, was soon captured. Novello himself,

besieged in his capital, although repeatedly offered favourable terms,

held out for some months hoping for help from Florence and also from

certain Venetian nobles with whom he was intriguing. Hunger, plague, the

treachery of his captains and internal discontent at last forced him to

surrender (November 1405). He and his sons Francesco III. and Jacopo

were conveyed to Venice, and at first treated with consideration; but

when their intrigues with Venetian traitors for the overthrow of the

republic came to light, they were tried, condemned, and strangled in

prison (1406). Novello's other son Marsiglio made a desperate attempt to

recover Padua in 1435, but was discovered and killed. With him the house

of Carrara ceased from troubling.

BIBLIOGRAPHY.--G. Gattaro, "Istoria Padovana," in _Muratori's Rer. It.

Script._ xvii., a very full account; P.P. Vergerius, _Vitae

Carrarensium, ibid._ xii., untrustworthy; Verci, _Storia della Marca

Trivigiana_ (Venice, 1789); P. Litta, _Le Famiglie celebri italiane_,

vol. iii. (Milan, 1831); W. Lenel, _Studien zur Geschichte Paduas und

Veronas im XIII. Jahrh._ (Strassburg, 1893); G. Cittadella, _Storia

della Dominazione Carrarese in Padova_ (Padua, 1842); and Horatio

Brown's brilliant essay on "The Carraresi" in his _Studies in Venetian

History_ (London, 1907). (L. V.*)

CARRARA, a town of Tuscany, Italy, in the province of Massa e Carrara,

390 ft. above sea-level, 3 m. by rail N.N.E. of Avenza, which is 16 m.

E.S.E. of Spezia. Pop. (1881) 26,325; (1905) town, 38,100; commune,

48,493. The cathedral (1272-1385) is a fine Gothic building dating from

the period of Pisan supremacy; the other churches, and indeed all the

principal buildings of the town, are constructed of the local marble, to

which the place owes its importance. The Accademia di Belle Arti

contains several Roman antiquities found in the quarries, and some

modern works by local sculptors. A large theatre was inaugurated in

1892. Some of the quarries were worked in Roman times (see LUNA), but

were abandoned after the downfall of the western empire, until the

growth of Pisan architecture and sculpture in the 12th and 13th

centuries created a demand for it. The quarries now extend over almost

the whole of the Apuan Alps, and some 600 of them are being worked, of

which 345, with 4400 workmen, are at Carrara itself, and 50 (700 men)

at Massa. The amount exported in 1899 was 180,000 tons. The quarries are

served by a separate railway, with several branch lines.

CARREL, JEAN BAPTISTE NICOLAS ARMAND (1800-1836), French publicist, was

born at Rouen on the 8th of May 1800. His father was a merchant in good

circumstances, and he received a liberal education at the college of

Rouen, afterwards attending the military school at St Cyr. He had an

intense admiration for the great generals of Napoleon, and his

uncompromising spirit, bold uprightness and independent views marked him

as a man to be suspected. Entering the army as sub-lieutenant he took a

secret but active part in the unsuccessful conspiracy of Belfort. On the

outbreak of war with Spain in 1823, Carrel, whose sympathies were

altogether with the liberal cause, sent in his resignation, and

succeeded in effecting his escape to Barcelona. He enrolled himself in

the foreign legion and fought gallantly against his former comrades.

Near Figuieres the legion was compelled to surrender, and Carrel became

the prisoner of his old general, Damas. There was considerable

difficulty about the terms of capitulation, and one council of war

condemned Carrel to death. Fortunately some informality prevented the

sentence being executed, and he was soon afterwards acquitted and set at

liberty. His career as a soldier being then finally closed, Carrel

resolved to devote himself to literature. He came to Paris and began as

secretary to Augustin Thierry, the historian. His services were found to

be of great value, and he not only obtained admirable training in habits

of composition, but was led to investigate for himself some of the most

interesting portions of English history. His first work of importance

(he had already written one or two historical abstracts) was the

_History of the Counter-Revolution in England_, an exceedingly able

political study of the events which culminated in the Revolution of

1688. He gradually became known as a skilful writer in various

periodicals; but it was not till he formed his connexion with the

_National_ that he became a power in France. The _National_ was at first

conducted by Thiers, Mignet and Carrel in conjunction; but after the

revolution of July, Thiers and Mignet assumed office, and the whole

management fell into the hands of Carrel. Under his direction this

journal became the first political organ in Paris. His judgment was

unusually clear, his principles solid and well founded, his sincerity

and honesty beyond question; and to these qualities he united an

admirable style, lucid, precise and well balanced. As the defender of

democracy he had frequently to face serious dangers. He was once in Ste

Pelagie, and several times before the tribunal to answer for his

journal. Nor was he in less danger from private enmities. Before his

last fatal encounter he was twice engaged in duels with editors of rival

papers. The dispute which led to the duel with Emile de Girardin was one

of small moment, and might have been amicably arranged had it not been

for some slight obstinacy on Carrel's part. The meeting took place on

the morning of the 22nd of July 1836. De Girardin was wounded in the

thigh, Carrel in the groin. The wound was at once seen to be dangerous,

and Carrel was conveyed to the house of a friend, where he died after

two days' suffering.

His works, with biographical notice by Littre, were published in five

volumes (Paris, 1858), A fine estimate of his character will be found

in Mill's _Dissertations_, vol. i.

CARRERA, JOSE MIGUEL (1785-1821), the principal leader in the early

fighting for the independence of Chile, was born at Santiago on the 15th

of October 1785. Sent to Spain for a military career, he served in the

Spanish army in the Napoleonic war, but returned to Chile in July 1811,

where his vigorous character and military experience enabled him by

means of a series of coup d'etats to place himself at the head of the

nationalist government. Though at first he laboured patriotically to

establish a stable administration, to promote education, and to organize

the Chilean forces, his selfish arrogant spirit produced dissensions

between himself and other patriots, and it was his rivalry with Bernardo

O'Higgins that led to the defeat of the nationalist forces at Rancagua

in 1814. In the expedition of 1817, led by Jose de San Martin and

Bernardo O'Higgins, which resulted in the liberation of Chile, Carrera

had no share, owing to his hostility to the leaders, but he attempted to

procure in the United States materials for a fresh enterprise of his

own. The Argentine government, however, suspicious of his intentions,

would not allow him to go to Chile, and Carrera, enraged by this

treatment and by the execution of his brothers at Mendoza by the San

Martin party, proceeded to organize rebellion in Argentina, but was

eventually captured and shot at Mendoza on the 4th of September 1821.

See A. Valdes, _Revolucion Chilena y Campanas de la Independencia_

(Santiago, 1888), which is practically a vindication of Carrera's

career; also P.B. Figueroa, _Diccionario biografico de Chile,

1550-1887_ (Santiago, 1888), and J.B. Suarez, _Rasgos biograficos de

hombres notables de Chile_ (Valparaiso, 1886), both giving

biographical sketches of prominent characters in Chilean history.

CARRIAGE, a term which in its widest signification is used, as its

derivation permits, for any form of "carrying"; thus, a person's

"carriage" is still spoken of in the sense of the way he bears himself.

But it is more specifically the general term for all vehicular

structures employed for the purposes of transport of merchandise and

movable goods and of human beings. Such vehicles are generally mounted

on wheels, but the sledge and the litter are types of the exception to

this rule. Within this definition a vast variety of forms is included,

ranging from the coster's barrow and rude farm-cart up to the

luxuriously appointed sleeping-cars of railways and the state carriages

of royal personages. A narrower application, however, limits the term to

such vehicles as are used for the conveyance of persons and are drawn by

horses, and it is with carriages in this restricted sense that we are

here concerned. Tramcars, railway carriages and motor-cars are dealt

with in other articles.

_History_.--A wheeled carriage appears to have been in very general use

in Egypt at an early period, called a car or chariot (q.v.); in the

Bible the word is usually translated "chariot." The bodies of these

chariots were small, usually containing only two persons standing

upright. They were very light, and could be driven at great speed. They

were narrow, and therefore suitable to Eastern cities, in which the

streets were very narrow, and to mountainous roads, which were often

only 4 ft. wide. From Egypt the use of chariots spread into other

countries, and they were used in war in large numbers on the great

plains of Asia. We read of the 900 chariots of Jabin, king of Canaan;

how David took 700 chariots from the kings of Syria and 1000 from the

king of Zobah. Solomon had 1400 chariots, and his merchants supplied

northern Syria and the surrounding countries with chariots brought out

of Egypt at 600 shekels (about L50) apiece. From the ancient sculptures

preserved from Nineveh and Babylon, some of which are in the British

Museum, we observe the use of chariots continued for the purpose of

hunting as well as for war. Homer describes the chief warriors on both

sides at the siege of Troy as going into battle and fighting from their

chariots. The Roman nation as it increased in power adopted the car,

though chiefly for purposes of show and state. A beautiful marble model

of one of these still exists at the Vatican in Rome: a copy of it and

the horses drawing it is in the museum at South Kensington. The war

chariots used by the Persians were larger; the idea seems to have been

to form a sort of turret upon the car, from which several warriors might

shoot or throw their spears. These chariots were provided with curved

blades projecting from the axle-trees. Alexander the Great, king of

Macedon, invading Asia was met upon the banks of the river Indus by King

Porus, in whose army were a number of elephants and also several

thousand chariots. On Alexander's return from India towards Persia, he

travelled in a chariot drawn by eight horses, followed by an innumerable

number of others covered with rich carpets and purple coverlets. After

Alexander's death a funeral car was prepared to convey his body from

Babylon to Alexandria in Egypt, and this car has perhaps never been

excelled in the annals of coach-building. It was designed by the

celebrated architect Hieronymus, and took two years to build. It was 18

ft. long and 12 ft. wide, on four massive wheels, and drawn by

sixty-four mules, eight abreast. The car was composed of a platform,

with a lofty roof, supported by eighteen columns, and was profusely

adorned with drapery, gold and jewels; round the edge of the roof was a

row of golden bells; in the centre was a throne, and before it the

coffin; around were placed the weapons of war and the armour that

Alexander had used.

The Romans established the use of carriages as a private means of

conveyance, and with them carriages attained great variety of form as

well as richness of ornamentation. In all times the employment of

carriages depended greatly on the condition of the roads over which they

had to be driven, and the establishment of good roads, such as the

Appian Way, constructed 331 B.C., and others, greatly facilitated the

development of carriage travelling among the Romans. In Rome itself, and

probably also in other large towns, it was necessary to restrict

travelling in carriages to a few persons of high rank, owing to the

narrowness and crowded state of the streets. For the same reason the

transport of goods along the streets was forbidden between sunrise and

sunset. For long journeys and to convey large parties the _reda_ and

_carruca_ appear to have been mostly used, but what their construction

and arrangements were is not known. During the empire the carriage which

appears in representations of public ceremonials is the _carpentum_. It

is very slight, with two wheels, sometimes covered, and generally drawn

by two horses. If a carriage had four horses they were yoked abreast,

among the Greeks and Romans, not in two pairs as now. From the _carruca_

are traced the modern European names,--the English _carriage_, the

French _carrosse_ and the Italian _carrozza_. The _sirpea_ was a very

ancient form of vehicle, the body of which was of osier basket-work. It

originated with the Gauls, by whom it was named _lenna_, and by them it

was employed for the conveyance of persons and goods in time of peace,

and baggage during war. With its name are connected the modern French

_banne, banneton, vannerie_ and _panier_,--all indicating basket-work.

The ancient Britons used a car for warlike purposes which was evidently

new to the Romans. It was open in front, instead of at the back as in

their cars; and the pole, which went straight out between the horses,

was broad, so that the driver could walk along, and if needful drive

from the end. Above all, it possessed a seat, and was called _essedum_

from this peculiarity. For war purposes this car was provided with

scythes projecting from the ends of the axle-trees. Cicero, writing to a

friend in Britain, remarks "that there appeared to be very little worth

bringing away from Britain except the chariots, of which he wished his

friend to bring him one as a pattern."

The Roman vehicles were sometimes very splendidly ornamented with gold

and precious stones; and covered carriages seem more and more to have

become appendages of Roman pomp and magnificence. Sumptuary laws were

enacted on account of the public extravagance, but they were little

regarded, and were altogether abrogated by the emperor Alexander

Severus. Suetonius states that Nero took with him on his travels no less

than a thousand carriages.

On the introduction of the feudal system the use of carriages was for

some time prohibited, as tending to render the vassals less fit for

military service. Men of all grades and professions rode on horses or

mules, and sometimes the monks and women on she-asses. Horseback was the

general mode of travelling; and hence the members of the council, who at

the diet and on other occasions were employed as ambassadors, were

called _Rittmeister_. In this manner also great lords made their public

entry into cities.

Covered carriages (see COACH) were known in the beginning of the 15th

century, but their use was confined to ladies of the first rank; and as

it was accounted a reproach for men to ride in them, the electors and

princes sometimes excused their non-attendance at meetings of the state

by the plea that their health would not permit them to ride on

horseback. Covered carriages were for a long time forbidden even to

women; but about the end of the 15th century they began to be employed

by the emperor, kings and princes in journeys, and afterwards on state

occasions. In 1474 the emperor Frederick III. visited Frankfort in a

close carriage, and again in the following year in a very magnificent

covered carriage. Shortly afterwards carriages began to be splendidly

decorated; that, for instance, of the electress of Brandenburg at the

tournament held at Ruppin in 1509 was gilded all over, and that of the

duchess of Mecklenburg was hung with red satin. When Cardinal

Dietrichstein made his entrance into Vienna in 1611, forty carriages

went to meet him; and in the same year the consort of the emperor

Matthias made her public entrance on her marriage in a carriage covered

with perfumed leather. The wedding carriage of the first wife of the

emperor Leopold, who was a Spanish princess, cost, together with the

harness, 38,000 florins. Those of the emperor are thus described: "In

the imperial coaches no great magnificence was to be seen; they were

covered over with red cloth and black nails. The harness was black, and

in the whole work there was no gold. The panels were of glass, and on

this account they were called the imperial glass coaches. On festivals

the harness was ornamented with red silk fringes. The imperial coaches

were distinguished only by their having leather traces; but the ladies

in the imperial suite were obliged to be contented with carriages the

traces of which were made of ropes." At the magnificent court of Duke

Ernest Augustus at Hanover, in 1681, there were fifty gilt coaches with

six horses each. The first time that ambassadors appeared in coaches on

a public solemnity was at the imperial commission held at Erfurt in

1613. Soon after this time coaches became common all over Germany,

notwithstanding various orders and admonitions to deter vassals from

using them. These vehicles appear to have been of very rude

construction. Beckmann describes a view he had seen of Bremen, painted

by John Landwehr in 1661, in which was represented a long quadrangular

carriage, apparently not suspended by straps, and covered with a canopy

supported by four pillars, but without curtains. In the side was a small

door, and in front a low seat or box; the coachman sat upon the horses;

and the dress of the persons within proved them to be burgomasters. At

Paris in the 14th, 15th and even 16th centuries, the French monarchs

rode commonly on horses, the servants of the court on mules, and the

princesses and principal ladies sometimes on asses. Persons even of the

highest rank sometimes sat behind their equerry on the same horse.

Carriages, however, were used at a very early period in France; for

there is still extant an ordinance of Philip the Fair, issued in 1294,

by which citizens' wives are prohibited from using them. It appears,

however, that about 1550 there were only three carriages at Paris,--one

belonging to the queen, another to Diana of Poitiers, and the third to

Rene de Laval, a very corpulent nobleman who was unable to ride on

horseback. The coaches used in the time of Henry IV. were not suspended

by straps (an improvement referred to the time of Louis XIV.), though

they were provided with a canopy supported by four ornamental pillars,

and with curtains of stuff or leather.

Occasional allusion is made to the use of some kinds of vehicles in

England during the middle ages. In _The Squyr of Low Degree_, a poem of

a period anterior to Chaucer, a description of a sumptuous carriage

occurs:

"To-morrow ye shall on hunting fare

And ride, my daughter, in a chare.

It shall be cover'd with velvet red,

And cloth of fine gold all about your head,

With damask white and azure blue

Well diaper'd with lilies new."

Encyclopaedia Britannica, 11th Edition, "Carnegie Andrew" to "Casus Belli" Volume 5, Slice 4 · 第 19 / 43 题