PLATE IV.

[Illustration: FIG. 8.--FINE CUT PILE LAHORE CARPET (c. 1664)

BELONGING TO GIRDLERS' COMPANY IN LONDON. OF PERSIAN DESIGN.]

[Illustration: FIG. 9.--CORNER OF A CUT PILE CARPET OF PERSIAN

MANUFACTURE, 16TH CENTURY.]

[Illustration: FIG. 10.--CUT PILE CARPET OF SPANISH MANUFACTURE, EARLY

16TH CENTURY.]

BIBLIOGRAPHY.--(1) _An Account of the New Manufactory of Tapestry

after the manner of that at the Gobelins; and of Carpets after the

manner of that at Chaillot, &c., now undertaken at Fulham, by Mr Peter

Parisot_ (London, Dodsley, 1753, 8vo). This is probably the only

account of carpet-making in England during the 18th century; it is of

peculiar interest in that respect, and as containing a statement that

"the Manufacture of Chaillot is altogether of wool, and worked in the

manner of Velvet. All sorts of Figures of Men and Animals may be

imitated in this work; but Fruits and Flowers answer better; and the

properest employment for this Art is to make Carpets and all sorts of

Skreens." (2) _Essai sur l'histoire et la situation actuelle de

l'industrie des tapisseries et tapis_, by W. Chocqueel (Paris, 1863).

(3) Vol. xi. of _Reports on the Paris Universal Exhibition of 1867_,

containing "Report on Carpets, Tapestry and other stuffs for

Furniture," by Matthew Digby Wyatt, F.S.A. (1868). In reviewing the

modern products shown at the exhibition, Sir Digby Wyatt discusses at

some length the aesthetics of carpet design. (4) _British

Manufacturing Industries_, edited by G. Phillips Bevan, "Carpets," by

Christopher Fresser (London, 1876). (5) _Altorientalische

Teppichmuster nach Bildern und Originalen des xv.-xvi. Jahrhunderts_,

by Julius Lessing (Berlin, 1877). Numerous references are made in this

illustrated work to the carpet designs that occur in paintings by

Italian and Flemish masters. (6) _Eastern Carpets_, by Vincent J.

Robinson, with water-colour drawings by E. Julia Robinson (London,

1882, large 4to). In this publication, which precedes by nine or

ten years the more learned works by Riegl and Bode, there are two

examples, one ascribed to the manufactory at Alcaraz in La Mancha, and

one to the supposed manufactory of the 17th century at Warsaw. By the

light of later and more complete investigations Mr Robinson's

ascriptions are scarcely borne out. (7) _Oriental Carpets_, by Herbert

Coxon (London, 1884, 8vo). (8) _Altorientalische Teppiche_, by Alois

Riegl (Leipzig, 1891); a useful book of reference (containing

thirty-six illustrations) of manufacturing, archaeological and

artistic interest. (9) _Jahrbuch der kunsthistorischen Sammlungen des

Allerhochsten Kaiserhauses_, vol. xiii. (Wien, 1892). Containing an

important and finely illustrated article, "Altere orientalische

Teppiche aus dem Besitze des Allerhochsten Kaiserhauses," by Alois

Riegl, in the course of which comparisons are made between the designs

in Persian MS. illustrations, in engraved metal work and those of

carpets. (10) _Oriental Carpets_, published by the Austrian Commercial

Museum (English edition by C. Purdon Clarke) (Vienna, 1892-1896). This

contains a series of monographs by I.M. Stockel, Smyrna; Dr William

Bode, Berlin; Vincent Robinson, London; M. Gerspach, Paris; T.A.

Churchill, Tehran; Sir George Birdwood, London; C. Purdon Clarke,

London; and Alois Riegl, Vienna, and a preface by A. von Scala,

Vienna, (n) _Ancient Oriental Carpets_, a supplement to the above,

four parts containing twenty-five plates with text (Leipzig, 1906,

large folio). (12) _Vorderasiatische Knupfteppiche aus alterer Zeit_,

by Wilhelm Bode (Leipzig, 1901). This learned treatise gives _inter

alia_ suggestive notes upon the production of the so-called Polish

carpets and of Spanish carpets. (13) _Ein orientalischer Teppich vom

Jahre 1202 und die altesten orientalischen Teppiche_, by Alois Riegl

(Berlin, 1895). A coloured illustration is given of a pile curtain

with a triple niche design and an Armenian inscription that it was

made by "Gorzi the Artist" to the glory of the church of St

Hripsime--an Armenian martyr. The date 651 appears in the inscription,

but Riegl adduces valid reasons for reading it as the equivalent of

A.D. 1202. Another pile carpet of conventional garden design, probably

not of earlier manufacture than 14th century, is also illustrated and

carefully discussed, especially in connexion with the appearance in it

of well-authenticated Sassanid devices--streams with fishes and birds,

&c. (14) _Report on Carpets at the Paris Exhibition of 1900_, by

Ferdinand Leborgne (1901, 8vo). (15) _Oriental Rugs_, by John Kimberly

Mumford (London, 1901), contains twenty-four colour-plate and autotype

reproductions of rugs and eight photo-engravings of phases of the rug

industry--amongst which latter are: "A Nomad Studio," "Kurdish Girls

at the Loom," "Boy Weavers of Tabriz," and a "Rug Market in Iran."

(16) _Rugs, Oriental and Occidental_, by Rosa Belle Holt (Chicago,

1901), well illustrated, with colour-plate reproductions of various

types of rugs, including less known Chinese and Navajo specimens. (17)

_The Art Workers' Quarterly_, vol. iii. No. II, July 1904; article on

the pile carpet belonging to the Worshipful Company of Girdlers of the

City of London, by A.F. Kendrick, with a colour-plate of this

remarkable carpet, made to the order of the master of the company in

1634 at Lahore. (18) _Journal of Indian Art and Industry: Indian

Carpets and Rugs_ (parts 87 to 94) (London, 1905 and 1906). Upwards of

ninety-nine illustrations of many varieties of Indian and Persian

carpets are given in this publication, a large number showing debased

versions of fine designs, e.g. some from the Punjab, Warangal,

Mirzapur and Elura; those from Yarkand exhibit Tatar and Chinese

influences. (19) _A History of Oriental Carpets before 1800_, by F.R.

Martin, published by the State Printing Office in Vienna (Bernard

Quaritch, London, 1906). This contains a series of excellent

reproductions in colours of Oriental carpets, many of which, being

presents to kings of Sweden by the shah of Persia in the 17th century,

are to be seen in the castles of Stockholm and Copenhagen--others are

in the Imperial Museum at Constantinople or belong to private owners.

(A. S. C.)

Encyclopaedia Britannica, 11th Edition, "Carnegie Andrew" to "Casus Belli" Volume 5, Slice 4 · 第 18 / 43 题