"I said: 'Her real name is Marie Duval and she used to sew in linings at

Reboux', that's who _she_ is. If she _could_ have trimmed hats you can

bet your life Reboux would have developed her years ago. Reboux has

candles burning in every church in Paris, praying Heaven to send her

apprentices that she can do something with! And if she _can't_ trim hats

you can bet your life old man Harbine is going to lose some money, a lot

of it in one clip, and he and Jimmy Hammond will part company with a

bang.'

"Well, I was over here in Paris when their great opening came off. But I

heard about it. Nothing lacked. They all but served free champagne. But

when I went back only a month later, the talk was already going around

among folks on the ins, that there was something the matter with the

Rellot collection. The women weren't just crazy about the hats and the

modistes wouldn't look at them. Later on, what was left of them were

sent down to South America--Colombia, I think. Women just hatching out

from mantillas will stand for anything with a French label on it! And

that summer Jimmy Hammond decided he'd go in for life-insurance."

When he had talked as long as this I was usually the only person left

listening, the rest having yawned, turned to each other, or melted away.

But I listened, always, open-mouthed with astonishment and wonder.

Before putting on my hats in those days I used to look at them hard,

with respect, almost with alarm, feeling heavy on my head the weight of

their unsuspected significance. Wondering what the great expert's

opinion would be about the plain, everyday hats of ordinary women I

asked him one day: "Tell me, can you descend to small beer? What do you

think of the hats you see, not in those wonderful, silk-hung studios,

but those you see on the heads of the women in the streets, on mine? Is

this hat I have on stylish? I warn you I bought it off a counter for

less than four dollars."

He answered instantly, without giving a glance at my headgear: "You are

a healthy, normal woman and you're wearing it. Of course it's in style.

If it weren't, and you had to wear it, you'd be sick abed."

"You exaggerate, you are always exaggerating," I protested. "You only

know women who _care_ about the styles. I never bother my head about my

hats! I just walk into almost any shop and buy the first hat that

doesn't make me look too queer."

"You don't have to bother yourself about it," he told me, his accent

tinged with weary bitterness. "_We_ do the bothering! Months beforehand.

An army of us, able-bodied men, smart women, pretty young girls, we all

of us give up our lives to fixing things so you can walk into most any

shop and pick up most any hat and find it doesn't make you look too

'queer,' which is your way of saying that it doesn't make you look out

of style."

"There are moments," I told him, in a half-serious indignation, "when I

find you too absurd for words, the victim of the most absurd

hallucinations! All this portentous talk about the world-wide conspiracy

to make people keep up with the style. As if the style had any

importance for sensible people!"

"If you knew more about the capital and brains that are invested in that

conspiracy, you'd take it seriously, all right," he assured me with

melancholy, "and as for not taking the styles seriously, how many

thousand dollars would it take to pay you to go around in the street one

day, just one day, in the big bustle your mother used to be ashamed to

go outdoors without?"

I lost myself in horrified contemplation of the grotesque vision he had

conjured up and forgot to refute him. Perhaps I couldn't.

Towards the end of his stay he was very much troubled by persistent

rumors that the boat on which he was to sail would be torpedoed on the

way to New York. He acknowledged, with the fatigued frankness of his

sixty years past, that he was mortally afraid of the passage and that

his fear would deprive him of sleep all the way over. "No sane man

likes to be killed," he complained, "let alone be blown up and burned to

death and drowned into the bargain! I'm a family man! I want to go on

earning a living for my wife and children!"

The evening before he went away he was so fretful about this and so

outspoken about his dread, that I asked him, "Why don't you wait over a

boat?"

"Oh, what's the use? One boat's as likely to go down as another. And,

anyhow, I've got to get home. And then come over again for the next

season, curse the luck!"

I thought him again a little absurd. "Oh, come, the heavens wouldn't

fall if you missed one or two seasons!"

He turned grave, and after a moment's hesitation, opened a door which I

had thought locked and nailed up, and showed me that the room in his

heart which I had thought was certainly empty and vacant was a queer,

dimly lighted little chapel, with queer, dim little candles burning

before what was recognizably an ideal.

"Oh, it's no time for anybody to lie down on the job," he said offhand.

I did not dream that he was referring to the war. I had become convinced

that his curious, specialized world held no place for the horror and

apprehension which filled the lives of the rest of us. Nor had I ever

seen him give any signs of the shocked pity which most people feel at

the sight of the war-maimed men, the black-clad, white-faced

war-orphans and the widows with blurred eyes. I had thought he saw in

France, only and uniquely, hats. So I asked in genuine ignorance of his

meaning: "How do you mean, this being no time to lie down on the job?

What job?"

He sat back in his chair and looked at the ceiling; thereafter, as he

talked, transferring his gaze to his finger-tips, joined with nicety.

"Well, I guess I mean something about like this. If we humans are to get

on at all, get any further away from having tails and living in trees,

we've got to knock down the partitions and make one big room of the

world, the same way each nation is one big room, with the blacksmith

trading his horseshoes for clothes and not trying to be a tailor

himself. Take farmers. Maybe you can't remember, but _I_ can, when old

farmers in Connecticut raised nearly every single thing they used all

the year around, and were proud of being such idiots. Nowadays the

Connecticut farmer don't waste his time trying to grow corn in a climate

where you're liable to get frosts in early September; he leaves the

farmer in Iowa to do that, and he raises the best apples in the world

and with the money he makes that way, he buys him oranges that a Florida

farmer has raised. It's my opinion that we've got to come to that on a

big, big scale. And if we do come to it there won't be any more wars.

Now, I don't know anything about anything but hats, and so I don't try

to have an opinion about the League of Nations, nor how the trick is

going to be turned by the statesmen--if there are any such--but if it

_is_ going to be turned, it's going to take everybody's shoulder to the

wheel, you can be sure. And I've got a shoulder. What's got to be done

is to get it through everybody's head that every nation ought not to

learn to produce anything but what it can produce best, and that

self-defense ought not to force it to make a botch of trying to do what

another nation could do better. Now, _one_ of the things that France can

produce better than other people (and it happens to be the thing that I

know about) is hats. I don't know whether it's because she's been at the

business of running the styles so long, so much longer than anybody else

so that she's got all her fibers settled together, just right to catch

the note, the way the wood in an old violin trembles all over at sounds

that leave the wood in the leg of a chair perfectly calm. Mind, I don't

say the violin is any more important than a chair. As far as I'm

concerned personally, if I had to choose I'd rather have the chair. What

I'm trying to say is that they are _different_. And we've got to get

used to the idea that _because things are different it doesn't mean one

is better than the other and they ought both to be like the best one_.

Now, maybe it's the other way around, that France has been at this

business of setting styles so long because she's had the gift to begin

with. Anyhow, what's sure is that they do it better, everything along

that line, ribbons, braids, straws, hats, dresses, furniture, houses,

parks--original designs don't come from anywhere but France. But France

is at war and pretty nearly gone under. She's got to make her designs

with one hand and fight for her life with the other."

He paused. "Well, I don't feel just like picking out that time to stop

coming to France to get her designs and to do my part to keep up the

taste for them, at home."

I found no sufficiently admiring comment to make on this, and kept a

respectful silence.

He went on, rubbing his hand back and forth over his gray hair: "But all

that is only my guess at it. What's my guess worth? Nothing. But it's

all I've got to go by, and so I _do_ go by it. I don't _know_ anything

about anything but hats, and I can't but just make a guess at them."

He folded his hands before him and sighed. "There is a lot too much in

hats for any one man to understand."

A HONEYMOON ... VIVE L'AMERIQUE!

I never knew many of the mere facts of their existence; where all their

money came from, nor the extraordinary romance which must have lain back

of them. Nor did I care to. They were too epic a pair for realism to

touch. I find on thinking them over that I never quite came to believe

in their actual existence; and yet, whatever value this slight sketch of

them may have will be due to its literal truthfulness to fact.

My first sight of them was on a very cold day in the second year of the

war when they suddenly filled with their resplendent presence the dreary

room which was known as my "office." For several difficult months,

against all the obstacles which made up everyday life in war-time

France, I had been laboring to organize and get into shape a Braille

printing establishment which would provide books for those most tragic

of war-victims, the blind. Together with a crew of devoted volunteers I

had tugged at the task, struggling like everybody else in France with a

universal shortage of supplies, which began with able-bodied men and ran

down to tacks and cheesecloth. There was also the difficulty of getting

the "Authorization from the Government" before drawing your breath; but

unless you have experienced this potent brake on enterprise, there is no

use trying to describe it to you.

And yet, somehow, we had managed to get along, had added to our two

plaque-making machines a couple of presses (very poor, both of them),

had scrambled together a home-made device for wetting and drying the

paper, had hunted down enough men to run the machines, had trained

enough proof-readers and assembled enough voluntary editors, so that

after a fashion we were really printing. The magazine, liberally bedewed

with our blood and sweat, came out once a month; and although the two

presses broke down with great frequency, we managed, by dint of

incessant repairing, to keep at least one in shape to do tolerable work.

We really had something patched-up, ungainly, but reasonably valid to

show the sightseers who came through on the weekly visiting day, when

all the rest of the institution was open to visitors.

I took my two Olympian guests for the usual idle, visiting-day couple. I

went the rounds with them, pointing out with a weary satisfaction our

various makeshifts. When I found that they listened receptively, I

indulged in considerable self-pity over our difficulties, past and

present. On their part they asked a good many pointed questions about

the business end of our enterprise, about the financial status of the

institution, about the probability of permanence for the venture. They

came back to the "office" with me, the goddess in sables taking the

solitary chair, while her mate sat down on the edge of my little table,

stretching out before him legs clad in cloth of a fineness I had

forgotten could exist. Quite casually, like the diamonds and pearls of

the fairy-tales, amazing words now issued from their lips. "See here,"

said he of the broadcloth overcoat, "this is no way to do business. You

can't get good work done with any such junk as those two presses! Why, I

wouldn't take them as a gift, not for old iron! And turned by

hand-power! Isn't that Europe for you? Why, for twenty-five cents a day

of electric current, you could do ten times the work you are doing now,

and have women run the presses! Go find a modern electric press that a

man can look at and not think he's Benjamin Franklin come to life again,

and let us know how much it costs."

He handed me his card as he spoke.

The goddess quitted my rickety, cane-bottomed chair and from her superb

height dropped down on me, "You know, the kind that opens and shuts its

jaws like a whale; perhaps you've seen them in printing establishments

at home." She tempered her assumption of my ignorance by a smile out of

the loveliest eyes imaginable and added: "My father was a printer out

West. I used to play 'round in his shop. That's how I happen to know."

Gazing up at her fascinated, I noted how deep the little lines of

kindliness were at the corners of her smiling gray eyes, and how, beyond

the usual conventional coating of powder, no effort had been made to

hide the fact that the beautiful face was not in its first youth. The

consequent effect of honesty and good faith was ineffable, and had its

perfect counterpart in the extraordinary simplicity and directness of

her gentle manner. She drew her regal fur up around her long neck and

her husband put his hat back on his thick white hair. "While you're

about it, you'd better get those two plaque-making machines

electrified," he remarked. "Any electrician could do it for you. There's

no sense in having your operators push down that pedal for every letter

they make. Man-power again! Europe!"

I realized that they were moving towards the door and shook myself out

of my entranced silence. "But you _can't_ buy a press of that kind in

Paris!" I called after them, all the bitterness of my past struggles in

my voice. "You can't buy anything in war-time France. There hasn't been

a press or anything else manufactured in France for two years! Don't you

know that all the factories are making munitions?"

Mr. Robert J. Hall--that was the name on the card--came back to me and

said earnestly: "Money can't _do_ everything, but I tell you that it can

buy anything buyable if you've got enough of it. Now we'll give you

money enough to buy that press. It's up to you to find it." From the

doorway his wife smiled to mitigate his intense seriousness and said

again, "It's the kind that opens and shuts its jaws, you know." The door

swung shut behind them to a last call-to-arms, "Go to it!" from Mr.

Hall.

Five minutes later a proof-reader coming found me still standing,

staring at their card.

"What's the matter?" she asked.

I took her by the arm. "Look here," I said, "did I just show two

visitors around the place?"

"Do you mean that awfully good-looking man with the white hair and the

royal-princess-effect in sables and eyes like Trilby's?"

I nodded, reassured. I had not dreamed them!

* * * * *

Of course I went to it. Of course I found the press. After such a

galvanic shock, I could have found, if that had been my need, a

featherbed on the Arc de l'Etoile. I have too many other things to tell

you about the Halls to describe the hunt after the press, although in

its way that was epic, too. Enough to say that after three weeks of

impassioned concentration on the subject during which I ate, drank,

slept, and lived printing-press, it was located, a second-hand one in

excellent condition, in a loft in the remotest corner of a remote

industrial region of Paris. It was quite exactly what we needed, a

thousand times better than anything we had dreamed of having. I felt

almost a reverent admiration to see it opening and shutting its great

jaw, and spewing out perfect raised-type pages, at least twelve times

faster than our wretched hand press; doing in one day the work of two

weeks!

But the price! Like all war prices it was five times what it was worth

when new. I hadn't the least idea that my extraordinary visitors would

buy it for us. Why in the world should they? In fact, by that time I

had gone back to thinking that I had dreamed them.

However, I betook myself to their hotel, into their private

sitting-room, bright with chintz and copper and flowers. I found Mrs.

Hall without her hat even lovelier than before, a little gray in her

thick soft hair as honestly shown as the faint, fine lines of simple

kindness in her clear skin. She wore a dark-blue satin dress richly

embroidered, evidently a creation from one of the great Paris houses.

She assured me cordially that she was awfully glad to see me.

Sitting on the edge of the Beauvais tapestry chair like the poor

relation on a begging expedition which I felt myself to be, I timidly

told of my search, trying to be amusing about it. Now that I was there I

dared not mention the price. Finally, however, having run out of

expedients to put off that dangerous moment, I brought out haltingly the

sum needed, and began to say, excusingly, that I thought I might get

_part_ of that from....

Mr. Robert J. Hall moved to the writing-table and took out a check-book.

"I'll tack another thousand francs on to that," he said over his

shoulder as he wrote, "I haven't been able to sleep nights for thinking

of those operators punching down the pedals by main strength and

awkwardness."

There was a silence as he wrote. Mrs. Robert J. Hall examined her

glistening nails, looked out of the window, and, with a tact for which I

was grateful, did not once glance at my face. I fancy that my

expression, instead of gratitude, must have been stupefaction. Mr. Hall

blotted his check, detached it, and handed it to me--the little bit of

blue paper through which I saw as in a vision hundreds of the terribly

needed raised-type books put into those terribly empty hands. I could

find no words at all. "It's ... it's just like a miracle!" I was

stammering, when some one knocked at the door, a timid, hesitating

knock, such as mine had been.

The sound seemed to alarm the Halls. "Good Lord, I bet it's the abbe!"

said Mr. Hall.

"You don't happen to speak French, do you?" asked his wife hastily. "Oh,

you do? It's all right then. It's the cure of a town in the war-zone and

we want to help him with some war-orphans, but we have the most awful

time trying to make him understand about business details. It's

perfectly terrible, not speaking the languages."

We turned to meet a short, elderly, double-chinned ecclesiastic who

carried his bulky body with the impersonal professional dignity of his

calling, but was not otherwise in the least impressive. The conversation

began.

It consisted of an attempt on the part of Mr. Hall to get the cure to

"come to the point," as he expressed it, and name a sum, and of

terror-stricken evasions on the part of the cure to do any such thing

for fear of losing their interest. This fencing centered about a large

house which the cure needed to fit up for the reception of a number of

war-orphans. "How much will it cost?" asked Mr. Hall patiently, over

and over, evidently seeing no reason for his not receiving a direct

answer. Upon my pressing the abbe hard, he finally brought out the sum,

miserably, in a faltering voice which made me want to shake his hand. I

knew how he felt.

The Halls consulted each other with a look of intimate understanding.

"All right," said the husband, "all right, _on condition_ that he can

get the funds from his diocese to keep the thing going if we set it on

foot." To me, he added: "The more we see of this sort of thing, the more

we see you've got to go slow at times. These Europeans are so

impractical that first thing you know they've used the money you give

them to get themselves into some fool scheme, without half seeing their

way through. We make it a rule not to give anything to a concern which

isn't on a good, sound, business basis. What's the use?"

I turned to the waiting priest, who had been wildly trying to guess from

our faces what we were saying, and translated Mr. Hall's philosophy of

philanthropy. I found a little difficulty in hitting on the exact French

phrase to express "a good, sound, business basis" but evidently I made

myself understood, because the old man's lips began to tremble eagerly.

"Oh yes, yes, madame, tell them that I can bring a letter to-morrow from

my bishop guaranteeing the support ... if only the house can be secured

and fitted up."

Mr. Hall sent back through me: "Well, you tell him that the minute he

shows me that letter from his bishop, I'll give him a check for the

house, and some over for extras."

I translated this exactly as it was said.

For an instant the cure kept a solemn silence, his eyes looking through

us and beyond. I knew what he was seeing, a big sheltering house with

happy, rescued children playing in the garden. The graceless, stout old

man looked very touching to me.

Then he came back to a sense of the inherent probabilities of things,

and appealed to me in a trembling voice, as to one who at least spoke

his language and to this degree was more of the real world than these

amazing strangers: "Are you sure you told them correctly? It is such a

great sum! And nobody else has been willing to ... Madame, do you ...

_do you really think they will do it_?"

I showed him the check still in my hand. "They have just given me this

for the war-blind," I said. I found my own voice not entirely steady.

Then it was my turn to look out of the window while he took his agitated

departure. I tried not to listen, but I could not help hearing that he

gave them his blessing. I wondered how he managed it, being but half

their height.

I was still at the window when he emerged from the hotel entrance into

the open square below. He stood looking up and down wildly, forgetting

to put his broad-brimmed, flat-crowned hat on his head although it was

raining. Then, as though at random, he crossed the wet asphalt and

vanished down a side street. He staggered a little as he walked. I knew

just how he felt.

When I turned back from the window, the Halls asked, offhand and as

though it would be doing them a favor, to accompany them on an

automobile trip out to the front, near St. Quentin. (I had been trying

vainly for three months to get a _sauf-conduit_ which would let me get

to the front.) "We want to take some money out to the villages the

Germans blew up when they retreated last month; and seeing how quick we

got the cure fixed up with somebody to talk French, we thought it would

be nice if you could go with us." This from Mrs. Hall. Her husband

continued, as if in explanation of a slightly eccentric taste: "You see,

we like to dodge the committee-and-report effect in war-relief. It takes

so long for those big shebangs to get into action, don't you think?

"And we like to manage so that the spending of the money we give isn't

in the hands of one of these self-satisfied young women in uniform who

know all about Elmira, New York, but do they about the Department of the

Aisne? It's unscientific, I know, but in such cases as these people who

have been cleaned out by the Germans, we like to put the money right in

the fists of the people who need it; and then go away and leave them to

spend it the way they want to. If my house burned down, I don't believe

I'd enjoy having a foreigner tell me how to build it over, and you

needn't tell me they like our ideas any better."

I was by this time in the state of silent stupor which was the effect

not infrequently produced on me by the Halls. I found no words to tell

them how precisely their invitation fell in with my wishes, and they

took my momentary hesitation for doubt. "We've got a _very_ comfortable

car," urged Mrs. Hall. "I don't think it would tire you much!"

And Mr. Hall added: "Honestly, it would make me a lot more satisfied if

you would. You haven't any idea what a fool you feel just to poke money

under people's noses and not be able to say anything to them!"

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