Felicia was leaving Paris. She was trying to escape the horrible

melancholy, the ominous heart-sickness in which Mora's death had plunged

her. What a terrible blow for the haughty girl! Ennui, spite had driven

her into that man's arms; pride, modesty, she had given all to him, and

now he had carried it all away, leaving her withered for life, a widow

without tears, without mourning, without dignity. Two or three visits to

Saint-James, a few evenings in the back of a box at some small theatre,

behind the grating where forbidden, shamefaced pleasure conceals

itself,--those were the only memories bequeathed to her by that liaison

of two weeks, that loveless sin, wherein not even her pride had

succeeded in satisfying itself by the notoriety of a scandal in high

life. The fruitless, ineffaceable stain, the senseless fall into the

gutter of a woman who cannot walk, and upon whom the ironical pity of

the passers-by weighs heavily when she tries to rise.

For a moment she contemplated suicide, but was deterred by the thought

that it might be attributed to despairing love. She saw in anticipation

the sentimental emotion of the salons, the absurd figure that her

supposed passion would cut amid the duke's innumerable conquests, and

upon her grave, dug so near the other, the Parma violets, stripped of

their petals by the dandified Moessards of journalism. There remained

the resource of travel, one of those journeys to countries so distant

that they expatriate even the thoughts. Unluckily, she lacked money.

Thereupon she remembered that, on the day following her success at the

Salon, old Brahim Bey had come to see her, to make magnificent proposals

to her in his master's name for divers great works to be executed at

Tunis. She had said no at the moment, refusing to be tempted by Oriental

prices, by a munificent hospitality, by the promise of the finest

courtyard on the Bardo for a studio, surrounded by arches carved like

exquisite lace. But now she was willing to accept. She had but to make a

sign, the bargain was concluded at once, and after an exchange of

despatches, a hasty packing-up, and closing the house, she started for

the railway-station as if she were going away for a week, surprised

herself by her prompt decision, pleased in all the adventurous and

artistic portions of her nature by the prospect of a new life in a

strange land.

The bey's pleasure yacht was to await her at Genoa; and, closing her

eyes in the cab, she saw in anticipation the white stones of an Italian

harbor enclosing an iridescent sea, where the sunlight had a gleam of

the Orient, where everything sang joyously, even to the swelling sails

upon the deep. It so happened that on that day Paris was muddy and

murky, drowned by one of those continuous downpours of rain which seem

to have been made for it alone, to have ascended in clouds from its

river, its steam, its monster breath, only to descend again in streams

from its roofs, its gutters, the innumerable windows of its attics.

Felicia was in haste to escape from that depressing Paris, and her

feverish impatience vented itself upon the driver for not driving

faster, upon the horses,--two genuine broken-down cab-horses,--and upon

an inexplicable multitude of carriages and omnibuses jammed together at

the approaches to Pont de la Concorde.

"Go on, driver, go on."

"I can't, Madame,--it's the funeral."

She put her head out of the window and instantly withdrew it, in dismay.

A double line of soldiers marching with guns reversed, a wilderness of

helmets, of heads uncovered while an interminable procession passed. It

was Mora's funeral procession.

"Don't stay here. Drive around some other way," she cried to the driver.

The vehicle turned painfully, tearing itself away with regret from that

superb spectacle for which Paris had been waiting four days, rolled back

up the avenue, into Rue Montaigne, and down Boulevard Malesherbes, at an

unwilling, crawling trot, to the Madeleine. There the crowd was greater,

more compact. In the heavy mist, the brightly lighted windows of the

church, the muffled strains of the funeral chants behind the black

hangings, which were in such profusion that they concealed even the

shape of the Greek temple, filled the whole square with reminders of the

service then in progress, while the greater part of the huge procession

still crowded Rue Royale as far as the bridges,--a long black line

connecting the defunct statesman with the iron fence of the Corps

Legislatif through which he had so often passed. Beyond the Madeleine

the roadway of the boulevard was entirely empty, kept clear by two lines

of soldiers, who forced the spectators back to the sidewalks, black with

people; all the stores closed, and the balconies, despite the rain,

overflowing with bodies leaning far forward in the direction of the

church, as if to watch the passage of a herd of fat cattle, or the

return of victorious troops. Paris, greedy of spectacles, makes a

spectacle of everything indifferently, of civil war or of the burial of

a statesman.

Once more the cab must retrace its steps, make another detour, and we

can fancy the ill-humor of the driver and his beasts, Parisians all

three at heart, and furious at being deprived of such a fine show.

Thereupon, through the silent deserted streets, all the life of Paris

having betaken itself to the great artery of the boulevard, began a

capricious, aimless journey, the senseless loitering of a cab hired by

the hour, reaching the extreme limits of Faubourg Saint-Martin, Faubourg

Saint-Denis, returning toward the centre, and always finding at the end

of every circuit, every stratagem, the same obstacle lying in wait, the

same crowd, some off-shoot of the black procession seen vaguely at the

end of a street, defiling slowly in the rain to the sound of muffled

drums, a dull heavy sound like that made by earth falling bit by bit

into a hole.

What torture for Felicia! It was her sin, her remorse passing through

the streets of Paris in all that solemn pomp, that funereal

magnificence, that public mourning reflected even in the clouds; and the

proud girl rebelled against the affront that circumstances put upon her,

fled from it to the depths of the carriage, where she remained with

closed eyes, overwhelmed, while old Crenmitz, believing that it was her

grief which so affected her nerves, strove to comfort her, wept herself

over their separation, and withdrawing into the other corner, left the

cab-window in full possession of the great Algerian _slougui_, his

delicate nostrils sniffing the air and his forepaws resting despotically

on the sill with heraldic rigidity.

At last, after a thousand interminable detours, the cab suddenly

stopped, moved slowly forward again amid shouts and insults, was then

pushed this way and that, lifted from the ground, its equilibrium

threatened by the trunks on its roof, and finally halted for good and

all, as if anchored.

"_Bon Dieu!_ What a crowd!" murmured La Crenmitz in terror.

Felicia emerged from her torpor.

"Where in heaven's name are we?"

Beneath a colorless, smoky sky, with a fine network of rain drawn like

gauze over the reality of things, lay a great square, filled with a

human ocean flowing in from all the adjoining streets, immobilized

around a lofty column which towered above that sea of heads like the

gigantic mast of a sinking ship. Cavalry in troops, with drawn sabres,

artillery in batteries lined the sides of an open pathway, a complete

warlike host awaiting him who was soon to pass,--perhaps to try to

rescue him, to carry him off by force from the redoubtable foe in whose

power he was. Alas! cavalry charges, cannonades were of no avail. The

prisoner was firmly bound, protected by a threefold wall of solid wood,

of metal and of velvet, inaccessible to shot and shell, and not at the

hands of those soldiers could he hope for deliverance.

"Drive on. I do not wish to remain here," said Felicia frantically,

pulling the driver's dripping cape, seized with a mad fear at the

thought of the nightmare that pursued her, of what she could hear

approaching with a ghastly rolling of drums, still distant but drawing

nearer momentarily. But, at the first movement of the wheels, the shouts

and hooting began anew. Thinking that they would allow him to cross the

square, the driver had with great difficulty forced his way to the front

rank of the crowd, which had closed in behind him and refused to allow

him to turn back. It was impossible to advance or retreat She must

remain there, endure those alcoholic breaths, those inquisitive glances,

kindled in anticipation of an exceptionally fine spectacle, and eyeing

with interest the fair traveller who was decamping "with such a pile o'

trunks as that!" and a cur of that size to protect her. La Crenmitz was

horribly frightened; Felicia, for her part, had but one thought, that he

was about to pass, that she would be in the front rank to see him.

Suddenly there was a loud shout: "Here he comes!" then a great silence

fell upon the square, which had shaken off the burden of three weary

hours of waiting.

He was coming!

Felicia's first impulse was to lower the curtain on her side, the side

on which the procession was to pass. But, when she heard the drums

close at hand, seized with a nervous frenzy at her inability to escape

that obsession, or, it may be, infected by the unhealthy curiosity that

encompassed her, she raised the curtain with a jerk, and her pale,

ardent little face appeared, resting on both hands, at the window.

"Very good! you will have it so; I am looking at you."

It was the most magnificent funeral one can imagine, the last honors

paid in all their vain pomp, as sonorous and as hollow as the rhythmic

accompaniment upon asses' skins draped in crape. First, the white

surplices of the clergy indistinctly seen amid the black trappings of

the first five carriages; then, drawn by six black horses, veritable

horses of Erebus, as black, as slow, as sluggish as its flood, came the

funeral car, all bedecked with plumes and fringe, embroidered with

silver, with heavy tears, with heraldic coronets surmounting gigantic

M's, a prophetic initial which seemed to be that of Death (_Mort_)

itself, of the Duchess Death decorated with eight _fleurons_. Such a

mass of canopies and heavy draperies concealed the ignoble framework of

the hearse that it shivered and swayed from top to bottom at every step,

as if oppressed by the majesty of its dead. On the casket lay the sword,

the coat, the embroidered hat, garments of state which had never been

used, resplendent with gold and pearl in the dark chapel formed by the

hangings, amid the beautiful display of fresh flowers which told that

the season was spring despite the sulkiness of the sky. Ten paces

behind came the people of the duke's household; and then, in solitary

majesty, an official in a cloak carrying the decorations, a veritable

show-case of all the orders in the known world, crosses, ribbons of all

hues, which more than covered the black velvet cushion fringed with

silver.

The master of ceremonies came next, at the head of the committee of the

Corps Legislatif, a dozen or more deputies chosen by lot, in their midst

the tall figure of the Nabob, dressed for the first time in his official

costume, as if satirical fortune had chosen to give the representative

on trial a foretaste of all the joys of parliamentary life. The friends

of the deceased, who came next in line, formed a very limited

contingent, exceedingly well chosen to lay bare the superficiality and

emptiness of the existence of that great personage, reduced to the

companionship of a theatrical manager thrice insolvent, a picture-dealer

enriched by usury, a nobleman of unsavory reputation and a few

high-livers and boulevard idlers unknown to fame. Thus far everybody was

on foot and bareheaded; in the parliamentary committee a few black silk

skull caps had been timidly donned as they approached the populous

quarters. After the friends came the carriages.

At the obsequies of a great warrior, it is customary to include in the

funeral procession the hero's favorite horse, his battle-horse,

compelled to adapt to the snail-like pace of the cortege the prancing

gait which survives the smell of gunpowder and the waving of standards.

On this occasion Mora's great coupe, the "eight-spring" affair which

carried him to social or political gatherings, occupied the place of

that companion in victory, its panels draped in black, its lanterns

enveloped in long, light streamers of crepe, which floated to the ground

with an indescribable undulatory feminine grace. That was a new idea for

funerals, those veiled lanterns, the supreme manifestation of _chic_ in

mourning; and it was most fitting for that dandy to give one last lesson

in style to the Parisians who flocked to his funeral as to a Longchamps

of death.

Three more masters of ceremonies, then came the impassive official

display, always the same for marriages, deaths, baptisms, openings of

Parliament, receptions by the sovereign,--the interminable procession of

state carriages, with gleaming panels, great mirrors, gaudy,

gold-bespangled liveries, which passed amid the dazzled throngs,

reminding them of fairy tales, the equipages of Cinderella, and arousing

the same _Ohs_! of admiration that ascend and burst with the bombs at

displays of fireworks. And in the crowd there was always an obliging

police officer, of an erudite petty bourgeois with nothing to do, on the

watch for public ceremonials, to name aloud all the people in the

carriages as they passed with their proper escorts of dragoons,

cuirassiers or _gardes de Paris_.

First the representatives of the Emperor, the Empress, all the imperial

family; then, in hierarchical order, scientifically worked out, the

slightest departure from which might have caused a serious conflict

between the various bodies of the government, the members of the Privy

Council, the marshals, the admirals, the grand chancellor of the Legion

of Honor, the Senate, the Corps Legislatif, the Council of State, the

whole of the judicial and educational departments, whose costumes,

furred robes and wigs carried you back to the days of old Paris; they

seemed pompous, superannuated, out of place in the sceptical era of the

blouse and the black coat.

* * * * *

Felicia, to avoid thought, fixed her eyes persistently on that

monotonous procession, of exasperating length, and gradually a sort of

torpor stole over her, as if on a rainy day she were turning the leaves

of an album with colored plates lying on the table of a dreary salon, a

history of state costumes from the earliest times to our own day. All

those people, seen in profile, sitting erect and motionless behind the

wide glass panels, bore a close resemblance to the faces of people in

the colored fashion-plates displayed as near as possible to the

sidewalk, so that we may lose nothing of their gold embroidery, their

palm-leaves, their gold lace and braid; manikins intended to gratify the

curiosity of the vulgar and exposing themselves with an air of heedless

indifference.

Indifference! That was the most marked characteristic of that funeral.

You felt it everywhere, on the faces and in the hearts of the mourners,

not only among all those functionaries, most of whom had known the duke

by sight only, but in the ranks of those on foot between his hearse and

his coupe, his closest friends and those who were in daily attendance

upon him. Indifferent, yes, cheerful, was the corpulent minister,

vice-president of the Council, who grasped the cords of the pall firmly

in his powerful hand, accustomed to pound the desk of the tribune, and

seemed to be drawing it forward, in greater haste than the horses and

the hearse to consign to his six feet of earth his enemy of twenty

years' standing, his constant rival, the obstacle to all his ambitions.

The other three dignitaries did not press forward with so much of the

vigor of a led horse, but the long streamers were held listlessly in

their wearied or distraught hands, significantly nerveless. Indifferent

the priests by profession. Indifferent the servants, whom he never

called anything else than "What's-your-name,"[4] and whom he treated

like things. Indifferent, too, was M. Louis, whose last day of servitude

it was--an enfranchised slave rich enough to pay his ransom. Even among

his intimates that freezing coldness had made its way. And yet some of

them were much attached to him. But Cardailhac was too much occupied in

superintending the order and progress of the ceremonial to give way to

the slightest emotion, which was quite foreign to his nature moreover.

Old Monpavon, although he was struck to the heart, would have considered

the slightest crease in his linen breastplate, the slightest bending of

his tall figure, as lamentably bad form, altogether unworthy his

illustrious friend. His eyes remained dry, as sparkling as ever, for the

Funeral Pageant furnishes the tears for state mourning, embroidered in

silver on black cloth. Some one was weeping, however, among the members

of the committee, but that some one was shedding ingenuous tears on his

own account. Poor Nabob, melted by the music and the display, it seemed

to him that he was burying all his fortune, all his ambition for dignity

and renown. And even that was one variety of indifference.

FOOTNOTES:

[4] _Chose_--literally _thing._

In the public the gratification of a gorgeous spectacle, the joy of

making a Sunday of a weekday, dominated every other feeling. As the

procession passed along the boulevards, the spectators on the balconies

almost applauded; here, in the populous quarters, irreverence manifested

itself even more frankly. Coarse chaff, vulgar comments on the dead man

and his doings, with which all Paris was familiar, laughter called forth

by the broad-brimmed hats of the rabbis and the solemn "mugs" of the

council of wise men, filled the air between two drum-beats. With feet in

the water, dressed in blouses and cotton caps, the head uncovered from

habit, poverty, forced labor, idleness and strikes watched with a sneer

the passing of that dweller in another sphere, that brilliant duke now

shorn of all his honors, who never in his life perhaps had visited that

extremity of the city. But here he is! To reach the spot to which

everybody goes, one must follow the road that everybody follows:

Faubourg Saint-Antoine, Rue de la Roquette, to that mammoth toll-gate

open so wide into the infinite. And _dame_! it is pleasant to see that

noblemen like Mora, dukes and ministers, all take the same road to the

same destination. That equality in death consoles one for many unjust

things in life. To-morrow the bread will seem not so dear, the wine

better, the tools less heavy, when one can say to oneself on rising:

"Well, that old Mora had to come to it like everybody else."

The procession dragged along, even more tiresome than lugubrious. Now it

was the choral societies, deputations from the Army and Navy, officers

of all arms of the service, herded together in front of a long line of

empty carriages, mourning carriages, gentlemen's carriages, parading in

compliance with etiquette; then came the troops in their turn, and Rue

de la Roquette, that long street running through the filthy faubourg,

already swarming with people as far as the eye could see, swallowed up a

whole army, infantry, dragoons, lancers, carabineers, heavy guns with

muzzles in the air, all ready to bark, shaking pavements and

window-panes, but unable to drown the rolling of the drums, a sinister,

barbarous sound, which transported Felicia's imagination to the

obsequies of African monarchs, where thousands of immolated victims

attend the soul of a prince so that it may not enter the kingdom of

spirits alone, and made her think that perhaps that ostentatious,

interminable procession was about to descend and disappear in a

supernatural grave vast enough to hold it all.

"Now, and in the hour of our death. Amen!" murmured La Crenmitz, while

the cab rattled across the empty square, where Liberty, in solid gold,

seemed to be taking a magic flight in space; and the old dancer's prayer

was perhaps the only sincere note of true emotion uttered throughout the

vast space covered by the funeral.

* * * * *

All the discourses are at an end, three long discourses as cold as the

cavern into which the dead man has descended, three official harangues

which have afforded the orators an opportunity to proclaim in very loud

tones their devotion to the interests of the dynasty. Fifteen times the

cannon have awakened the numerous echoes of the cemetery, shaken the

wreaths of jet and immortelles, the light _ex-votos_ hanging at the

corners of burial lots, and while a reddish cloud floats upward and

revolves amid the odor of powder across the city of the dead, mingling

gradually with the smoke from the factories of the plebeian quarter, the

countless multitude also disperses, scattering through the sloping

streets, the long stairways gleaming white among the verdure, with a

confused murmur as of waves beating against the rocks. Purple robes,

black robes, blue and green coats, gold ornaments, slender swords which

their wearers adjust while marching, return hastily to the carriages.

Dignified salutations, meaning smiles are exchanged, while the mourning

equipages rumble along the paths at a gallop, displaying lines of

black-coated drivers, with rounded backs, hats _en bataille_, capes

floating in the wind caused by their swift pace.

The general feeling is one of relief at the close of a long and

fatiguing exhibition, a legitimate eagerness to lay aside the

administrative harness, the ceremonious costumes, to loosen the belts,

the high collars and the stocks, to relax the features which, no less

than the bodies, have been wearing fetters.

Short and stout, dragging his bloated legs with difficulty, Hemerlingue

hurried toward the exit, declining the offers that were made him of a

seat in various carriages, knowing well that only his own was adapted to

the weight of his dropsical body.

"Baron, baron, this way. There's a seat for you."

"No, thanks. I am walking the numbness out of my legs."

And, in order to avoid these proposals, which at length annoyed him, he

took a cross-path that was almost deserted, too deserted in fact, for he

had hardly entered it when he regretted having done so. Ever since he

had entered the cemetery, he had had but one absorbing thought, the fear

of coming face to face with Jansoulet, whose violent temper he knew

well, and who might forget the majesty of the spot and repeat the

scandalous scene of Rue Royale in Pere-Lachaise. Two or three times

during the ceremony he had seen his former partner's great head emerge

from the mass of colorless types of which the attendant throng was

largely composed, and move toward him, evidently seeking him, actuated

by a desire for a meeting. In the main avenue yonder there would be

people at hand in case of accident, while here--_Brr!_ It was that

anxiety which caused him to force his short steps, his panting breath;

but in vain. As he turned in his fear of being followed, the Nabob's

tall form and broad shoulders appeared at the entrance of the path. It

was impossible for the bulky creature to walk in the narrow space

between the tombs, which were packed so closely that there was hardly

room to kneel. The rich, rain-soaked earth slipped and gave way under

his feet. He adopted the plan of walking on with an indifferent air,

hoping that the other would not recognize him. But a hoarse, powerful

voice behind him called:

"Lazare!"

The capitalist's name was Lazare. He made no reply but tried to overtake

a group of officers who were walking a long way in front of him.

"Lazare! O Lazare!"

The Nabob, Vol. 2 (of 2) · 第 8 / 18 段