As the artist rests his eyes by the spot of neutral gray which he

keeps for the purpose on wall or palette, so brain and eye were

prepared for sleep at the close of this long day, by sitting in our

carriages, safe sheltered from the soft-falling rain, outside the

great gate which divided the splendor from the darkness, for three

quarters of an hour, in an inextricable tangle of carriages, until the

perturbed coachmen and the sorely vexed police could evolve order from

the temporary confusion, and set the hindered procession again on its

homeward way.

Meantime the day was not over for the much-enduring Emperor and his

royal guests. In the famous White Saloon of the Old Schloss an

entertainment was going forward. Blinding coronets and necklaces on

royal ladies made the interior of this ancient palace more brilliant

than its shining exterior on this birth-night. The Empress Augusta,

leaning on the arm of her grandson, Prince William, was attired in a

lace-trimmed robe of pale green, her diamonds a mass of sparkling

light; the Crown Princess was in silver-gray, the wife of the English

Ambassador in pale mauve, the Princess Christian in turquoise blue;

and the Grand Duchess Vladimir of Russia wore a magnificent robe of

pink satin trimmed with sable, with a tiara of diamonds and a

stomacher of diamonds and emeralds. From the neck and forehead of the

Queen of Roumania flashed a thousand prismatic hues; and the Green

Vault of Dresden sent some of its most precious treasures to keep

company with the fair Queen of Saxony in adding brilliance to the

scene.

Our reverie led from this starry point in history back to the time

when, as on this memorable day, the royal salute of Berlin artillery

shook the city, to announce the birth of a prince ninety years ago. A

rapid, almost a chance recall of the years shows us Washington then

living on his estate at Mount Vernon, Lafayette a young man of forty,

Clay a stripling of twenty, Webster a boy of fifteen. The Directory in

France had not yet made way for the First Republic; the younger Pitt

and Canning held England; Metternich and O'Connell were in their

youth, and Robert Peel was a child of nine. Napoleon Bonaparte was in

the flush of youthful success, soon to become the idol of France and

the terror of Europe, before whom the boy, now Kaiser Wilhelm, and

his royal family fled to Königsberg by the Baltic, while the conqueror

held Berlin and reduced Prussia to a second-rate province. To this boy

the flames of burning Moscow were a transient aurora-borealis under

the pole-star; and Nelson and Wellington were unknown to the stories

of his childhood, for as yet their fame was not. Goethe and Schiller

were in the prime of early manhood; Kant and Klopstock elderly, but

with years yet to live; Scott was just laying down his poet's pen and

preparing to take up the immortal quill with which he wrote his first

"Waverley;" Moore was singing his sweet melodies; Wordsworth had yet

to lay the foundations of the "Lake Poetry;" and the fair boy, Byron,

was chanting his early songs, not yet for many a year to die at

Missolonghi.

This wonderful old man of ninety, gayly stooping to kiss the hand of a

lady to-night in his hospitable palace, like the young man that he is,

has a memory stretching from the battle of Austerlitz across the

gigantic struggles of the century to the battle of Sedan,--all of

which he has seen, and a part of which he has been!

IX.

STREETS, PARKS, CEMETERIES, AND PUBLIC BUILDINGS.

For a hundred years the picturesque Brandenburg Gate has guarded the

entrance to Unter den Linden from the Thiergarten. It is a monument of

the reversion of royal taste from the devotion to French style, which

characterized Frederick the Great, to the purely classical. It is

nearly two hundred feet in width, its five openings being guarded by

six massive Doric columns about forty-five feet in height. To

foot-passengers, riders, and ordinary vehicles the two outer spaces on

each side are devoted respectively, while the wide central passage is

traversed only by the royal carriages. The celebrated quadriga with

the figure of Victory, on the entablature, was first placed with the

face toward the Park. When the First Napoleon robbed Berlin, along

with other cities, for the adornment of Paris, he carried off this

masterpiece in bronze and set it up in the Place du Carrousel under

the shadow of the Tuileries. Upon Napoleon's downfall in 1814, this

group was restored to its original place, but was set facing the Unter

den Linden, making of the Brandenburger Thor a triumphal arch marking

the victory of Prussia in the long contest.

The famous Unter den Linden, nearly two hundred feet wide and three

fourths of a mile in length, with a double line of lime-trees

enclosing an area of greensward along the centre, would be accounted

anywhere a handsome street, with the palaces of the Pariser Platz at

one end, the Imperial palaces, the Arsenal, the Academy, and the

University at the other, and brilliant shop-windows lining both sides

of the whole length, while the Brandenburg Gate and the great

equestrian statue of Frederick the Great at either extremity close the

fine vista. Leaving out of view, however, these two noble features

which mark its termini, the street seemed not handsome enough to

justify its fame. Perhaps this was because we found the famous

lime-trees, for which the street is named, quite ordinary young trees,

not to be compared with the magnificent elms which line the streets of

New Haven and the Mall of Boston Common.

The characteristic part of Berlin is, to our view, the great space

east of Unter den Linden, surrounded by the palaces, the royal Guard

House, the Arsenal, the University, and the Academy of Arts and

Sciences. These fine buildings and the ornamented open spaces around

and between them, on a sunny afternoon in midwinter, show a brilliant

and unique scene which has hardly its parallel in Europe. The Champs

Élysées is finer at night; Hyde Park, St. James, the Parliament

buildings, and Westminster Abbey far finer on a sunny morning; but the

third city in Europe has no need to be ashamed of its royal buildings

and the scene before them, in the season when the Court is in Berlin,

and the slant rays of an early afternoon sun light up the gay throng

of soldiers in uniform, State carriages, pedestrians, and vehicles

which surge to and fro without crowding the vast spaces.

The Lustgarten is fine; but of the buildings around it, the Old Museum

alone meets the eye with architectural satisfaction. In all lights

that building is beautiful in design and proportions. The Old Schloss

is impressive mainly by its massiveness and its august dome. A most

picturesque view by moonlight is to be had from the east end of the

Lange or Kürfürsten Brücke, southeast of the old palace. Here the

water-front of the old castle is in full view, with the fortified part

unaltered since the early occupation by the Hohenzollerns. This

mediæval building, shaded by a few ancient trees, with here and there

a light reflected from the upper windows at evening, and with tower

and turret duplicated on the surface of the darkly flowing river at

its foot, shares with one the feeling of ancient times, as no other

place in Berlin can do. In the centre of this bridge is the equestrian

statue of the Great Elector, superior as a work of art to any other of

its date. This grand figure is fabled to descend from his horse and

stalk through the streets on New Year's eve, for the chastisement of

evil-doers.

The Wilhelm Strasse, running from a point near the Pariser Platz south

from Unter den Linden, has many palaces and public buildings; but its

chief interest centres about No. 77, the palace of Prince Bismarck.

The front looks eastward, and is built around three sides of a garden

filled with shrubbery and threaded by walks, and shut off from the

street by great iron gates and a high open iron fence. The study,

where the Chancellor spends much time when in Berlin, looks upon a

garden, and is furnished with the same simplicity which characterizes

the private apartments of General Von Moltke. Among the few pictures

which adorn the study of Bismarck is one of General Grant. Here it was

that the famous Berlin Congress met in 1878 for the settlement of the

Eastern Question.

The palace of Prince Albert of Prussia, now Military Governor of

Brunswick, is situated in a magnificent private park, acres in extent,

in the heart of the city. It opens from the Wilhelm Strasse at the

head of Koch. This palace was built in the early part of the

eighteenth century by a French nobleman, with wealth gained in the

great speculations of the Mississippi Scheme, upon which all France

entered in hope of retrieving the bankruptcy entailed by Louis XIV.

Its fine colonnade, its great park, and its position, adjoining the

park of the War Department, between two great railroad stations and

surrounded by tramways, render it one of the most prominent features

of Central Berlin.

The small and elaborately laid-out square of the Wilhelm Strasse,

known as the Wilhelms Platz, with its pretty fountains, shrubs, and

flowers, has bronze statues of six generals of Frederick the

Great,--heroes of the Seven Years' War. Here it is easy to sit and

dream of the olden time, in reverie which not even the Kaiserhof

diplomats nor the Wilhelm-Street autocrats, within a stone's-throw on

either side, nor the throng and glitter of the Berlin of to-day, can

disturb. Here, surrounded by the figures and the faces of the men with

whom Carlyle has made us acquainted, we recall the wonderful story

which he, as none other, has written. How masterly is the way in which

he has portrayed for us this Prussian history whose memorials stand

around us! With feeling how deep and true for the real and the eternal

as against the false, the seeming, and the transient! What a picture

is the history! What a poem is the picture!

At the northeast corner of the Wilhelms Platz is the palace of Prince

Friedrich Karl, one of the leaders of the Franco-Prussian War. It was

once the temple of the Order of the Knights of Malta, but its

sumptuous interior has now for many years been devoted to residence on

the upper floor, and to the famous art and _bric-à-brac_ collections

of the late prince, on the ground floor. It is not difficult to gain,

from the steward, the requisite permission to visit this interesting

palace.

Many private houses, interesting for their associations, might be

found by the sojourner in Berlin who cares to search them out; but

intelligent residents only, and not the guide-books, can facilitate

this search. In the Margrafen Strasse, near the Royal Library, is the

house where Neander lived and studied and wrote. Near the

Dreifaltische Kirche, behind the Kaiserhof, is the old-fashioned

parsonage which was the home of Schleiermacher, and in the

Oranienburger Strasse is the house in which lived Alexander von

Humboldt.

Of the many beautiful parks, the Thiergarten overshadows all the rest,

both because of its commanding location, close to Unter den Linden and

other busy streets, and its great extent. A combination of park and

wild forest, with streams, ponds, bridges, and miles of shaded avenues

and riding-paths in perfect condition, its six hundred acres form one

of the largest, most beautiful and useful parks in Europe. The

elaborate and towering monument to commemorate the victories of recent

Prussian and German wars is the centre of a system of grand avenues in

the northeastern part. This monument was originally intended to

commemorate the Schleswig-Holstein conquest; later, the victories over

Austria in 1866 were to be included; and when the Franco-Prussian War

was happily ended, it was decided to make of it also a fitting

memorial of united Germany. On the third anniversary of the

Capitulation of Sedan, Emperor William I. unveiled the colossal statue

of Victory on the summit of the monument, which commemorates the chief

events of his august reign.

Immense bas-reliefs on the pedestal represent, on one side, events in

the Danish campaign; on another is shown the Decoration of the Crown

Prince by the Emperor on the field of Sadowa, with Prince Friedrich

Karl, Von Moltke, and Bismarck standing by; the third side shows the

French General Reille, handing Louis Napoleon's letter of capitulation

at Sedan; and the fourth, the triumphal entry of German soldiers into

Paris through the Arc de Triomphe. There is also a representation of

the scene, on that day when all Berlin went wild with joy and

exultation over the return of the Kaiser and his troops from Paris, of

their reception at the Brandenburg Gate.

Within the open colonnade of the substructure, a vast mosaic shows, in

symbols, the history of the Franco-Prussian War, closing with a

representation of Bavaria offering the German Crown to Prussia, and

the proclamation of the Kaiser at Versailles. It was King William

himself who refused to have his own image placed here as the Victor,

and who substituted in the design of the artist the female figure of

Borussia with the features of his mother, Queen Louise. The shaft,

rising eighty-five feet above the substructure, has three divisions,

with twenty perpendicular grooves in each. These grooves are filled

with thrice twenty upright cannon, captured from the Danes, the

Austrians, and the French, bound to the shaft by gilded wreaths of

laurel. The Prussian Eagles surmount the column, forming a capital

upwards of one hundred and fifty feet above the pavement; and the

great statue soars nearly fifty feet still higher.

In the southeastern portion of the Thiergarten is a colossal statue

of Goethe, which shows at its best in the twilight of an early summer

evening, framed in the tender greens and browns of the bursting

foliage behind it. Not far away are the statues of Queen Louise and

King Frederick William III., parents of Emperor William I., surrounded

by beautiful flowers, pools, and fountains; and the famous "Lion

Group" marks the intersection of much-frequented avenues in the same

neighborhood. A wide central avenue traversing the whole length of the

Thiergarten from east to west allows space for the tramway to the

imposing edifice of the Institute of Technology and to the Zoölogical

Gardens, where is one of the largest and best collections of birds and

animals in the world, each species with habitations suited to it,

several built in showy Oriental style, amid concert-gardens where

beautiful music may be heard every day.

A favorite walk of ours on sunny winter mornings was in the West End

of Berlin, where are many of the finer aristocratic residences. No

city can show, so far as we know, a handsomer residence quarter than

portions of that which stretches between the Thiergarten on the north,

the Zoölogical Gardens on the west, and the Botanical Garden on the

south. The collections of the latter, like those of the Zoölogical

Gardens, rank among the first of their kind. The great glass house

which shelters the _Victoria Regia_ is attractive chiefly in the

summer, when the plants are in blossom, but the cacti and the palm

houses are interesting the year round. The palm-house is a Crystal

Palace on a small scale. Entering, one finds a tropical atmosphere,

hot and moist. All the larger palms and some of the smaller have each

a furnace to themselves, from four to six feet in diameter and the

same in height. Over this furnace the great tub is set which contains

the roots of the tree, over which water is frequently sprinkled. The

arrangement of the trees is graceful and beautiful. There are

galleries and seats everywhere; and little imagination is required to

transport one's self to Oriental and Biblical scenes, with these

palm-trees towering overhead. A short walk east of these gardens is

the Matthai Cemetery, where repose the brothers Grimm.

The Schiller Platz, so named from the statue before the

Schauspielhaus, is fortunate--if not in the life-size statue of the

poet--in the fine pedestal, with its allegorical figures of Poetry,

History, and Philosophy, which were originally designed to adorn a

fountain. In a still more crowded part of Berlin the Donhof Platz has

recently been transformed, from a barren square surrounding the statue

of that great Prussian, Baron von Stein, into a lovely garden-spot,

with flowers and trees and birds for the cheer of the hurrying

multitudes.

The old Halle Gate, where several streets converge to the southern

extremity of the Friedrich Strasse, is reached through ornamental

grounds known as the Belle-Alliance Platz, in the centre of which is a

column erected to commemorate the peace which followed the wars of the

First Napoleon. Not far to the southwest is the Kreuzberg, the only

mountain in this part of Brandenburg,--a modest eminence about two

hundred feet above the sea-level. It is crowned by an iron obelisk

which affords a good view of the city.

Berlin has no cemetery comparable in extent or beauty to many in the

environs of American cities. Three small burial-grounds, separate but

adjoining, at the southern edge of the city contain the graves of

Neander, with the memorable inscription,--his favorite motto,--"Pectus

est quod theologum facit;" of Felix Mendelssohn-Bartholdy, his

parents and his sister Fanny; of Schleiermacher, and of our

countryman, the Rev. Dr. J.P. Thompson, long-beloved pastor of the

Broadway Tabernacle Church, New York. Here, also, Bayard Taylor was

for a time laid to rest, before being finally removed to his native

land. Decorations are not so ostentatious as in Catholic countries;

and quiet ivy, simple greensward, and the shadow of trees in which

birds may sing, make the quaint Berlin cemeteries attractive places.

This was to us especially true of the ancient cemetery connected with

the Sophien Kirche and the old Dorotheen-Stadt cemetery, in the

northern part of the city, where we went to look upon the graves of

Fichte and Hegel, and of several artists famous in Berlin annals. In

the Sophien Kirchof lies the philosopher, Moses Mendelssohn; and in

that of the Garrison Church, De la Motte Fouqué, the author of

"Undine."

One of the most conspicuous public buildings is the Rath-haus, or Town

Hall, erected at a cost of nearly two million dollars. Its lofty

clock-tower with illuminated dial tells the time to all Berlin by

night, and adds a charm to the group of royal palaces and museums on

which it looks down. The ancient town-houses of North Germany most

truly express the spirit of the old Hanse League; and the Rath-haus of

Berlin, while keeping the spirit, adds the grand proportions and

embellishments characteristic of the modern city. The interior

apartments, including the Festival Hall, the Town Council-Room, and

the Magistrates' Chamber, are elaborately adorned with historical

frescos and statues, and the grand staircase has a finely vaulted

ceiling and windows of stained glass filled with Prussian heraldry. A

visit to this edifice by daylight gives one the fine view from the

clock-tower; but to see the famous Raths-Keller underneath, with

characteristic accompaniments, one must go after dark. One evening,

after the adjournment, in an upper hall, of that rare thing in Berlin,

a temperance meeting, a friend led our party through the elegant

apartments of this place of popular refreshment. In the basement of

this costly municipal building is a gilded saloon, upwards of three

hundred feet long, divided into apartments. In some of these whole

families were partaking of their evening "refreshments;" others were

manifestly the appointed trysting-places of friends, while here and

there, in sheltered nooks, the solitary ones sipped their wine or

beer. Everything, so far as we could see, was orderly and quiet, and

we were told that the place was one of eminent respectability. It is

only after witnessing the habits of the people, in their homes and

places of popular resort, that one is prepared to appreciate the

enormous consumption of beer, averaging four glasses per day to every

man, woman, and child in the kingdom, at an average annual cost to

families greater than their house-rent.

The Exchange, or Börse, on the east bank of the river, is a most

imposing building. The excitements of this money-centre may be seen in

a visit here any week-day at noon. There are galleries for visitors,

over the Great Hall, which accommodates five thousand persons.

The Imperial Bank, like the Imperial Mint, is under State control; and

both occupy buildings themselves worthy to be called Imperial.

The great City Prison, on a modern plan, is in Moabit, a northwestern

suburb. This region received its name, "Pays de Moab," from French

immigrants on account of its sterile soil; but a part of it is

becoming an attractive and beautiful residence quarter. To the north

of this is a model state-prison, accommodating twelve hundred

prisoners.

The Insane Asylum is said also to be a model institution. It has

accommodations for fifteen hundred patients; and its buildings are

near Dalldorf, a short distance east of the route to the northwestern

suburb of Tegel. The Medical Department of the University has large

buildings in different parts of the city. Connected with these is the

great Carité Hospital, founded a hundred years ago, and richly endowed

by public and private funds. In its many wards more than fifteen

hundred patients are constantly under treatment. Another interesting

hospital is the Städtische Krankenhaus, completed about fifteen years

ago, on the "pavilion" plan, with the best modern appliances. This is

situated in the beautiful park known as the Friedrichshain, in the

northeastern part of the city. The Bethanien, in the southeastern

quarter, is a large institution for the training of nurses, admirably

managed, under the care of the deaconesses, or Protestant Sisters.

X.

PALACES.

The palaces lately occupied by Emperor William I. and Crown Prince

Frederick were formerly shown to the public during the absence of the

occupants at their country residences; but as this was usually in the

summer, when comparatively few strangers are in Berlin, they were not

commonly included in a sight-seeing programme. They are pleasant

homes, without great magnificence, but containing many interesting

memorials of the lives of their Imperial masters. The palace of the

Crown Prince was not used by him after he became Emperor Frederick

III. The hundred days of pain which remained to him of life were spent

at Charlottenburg and in the Castle of Friedrichskron at Potsdam.

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