Mr. PULLMAN. Was that Kathy Kay or Kathy King?

Mr. GRIFFIN. Kathy Kay.

Mr. PULLMAN. A blonde?

Mr. GRIFFIN. I don’t really know.

Mr. PULLMAN. An English girl?

Mr. GRIFFIN. Yes, she’s English.

Mr. PULLMAN. And she was going with an officer?

Mr. GRIFFIN. Did you know him?

Mr. PULLMAN. She was engaged to him; yes, I had seen him up there. He

used to come up there every night to take her home.

Mr. GRIFFIN. What sort of relationship did Jack have with this officer?

Mr. PULLMAN. Very nice--very well--he never had any trouble with him.

He got along very well then with the officers. They would come up there

and he had coffee. He was proud of the fact that he was able to have

them in there.

Mr. GRIFFIN. Do you recall where you were when you learned that

President Kennedy had been shot?

Mr. PULLMAN. Where I was?

Mr. GRIFFIN. Yes.

Mr. PULLMAN. I was in bed. I had just gotten up and turned the TV on

and I saw Jack shooting Oswald as the picture came on, that’s all I saw.

Mr. GRIFFIN. No; I asked you--when President Kennedy was shot, where

were you?

Mr. PULLMAN. Well, we were watching at home--my wife and myself.

Mr. GRIFFIN. Did you have occasion to go out of your house at that time

at all?

Mr. PULLMAN. I didn’t go out for 3 days--I didn’t budge out of the

house for 3 days. I was very much shook up over it.

Mr. GRIFFIN. When was the last time you saw Jack Ruby before the

President was shot?

Mr. PULLMAN. That was at the Texas Product Show, was the last time I

saw him, the first week in November.

Mr. GRIFFIN. You say he had been over to your house?

Mr. PULLMAN. He was over a few times--it was on the twistboard that he

came over the first--well, that was just the last--when I saw him, but

he would come over just to talk to my wife and get some ideas and what

to do about the club, but he would never do it, no matter what you told

him. He wouldn’t do anything, but he was looking for friends--he was

looking for friends. He would come in on a Sunday with sweetrolls and

spend an hour or two, with his dogs, and I never saw anybody so crazy

about animals. I mean, his own dogs, but as a whole, I think that my

own honest opinion of the man--the man has been insane. He was psycho.

I’m not talking about at the time--I’m talking before--I mean, he was

not right, because when you talked to him, you think he is listening

and you would look up and he would say, “I wasn’t listening, what were

you saying?” He was off somewhere--he would hear what he wanted to

hear, unless you asked him a question to get a direct answer.

Mr. GRIFFIN. Now, let’s go back to the H. L. Hunt literature--was H. L.

Hunt distributing food as well as literature?

Mr. PULLMAN. They were giving away samples and they gave away shopping

bags and this stuff was already stuffed into the bags.

Mr. GRIFFIN. So, when you would pick up the literature----

Mr. PULLMAN. It was in there already. That’s what Jack told me when

he come by, he said, “Look what I found in this bag.” He was looking

to see what was in there, and I immediately recognized that Life Line

material.

Mr. GRIFFIN. How did you happen to be familiar with Life Line?

Mr. PULLMAN. Just by accidentally listening on the radio at home. They

had it on the radio around 6 or 7 o’clock on Saturday and we were

listening to--what is the name of that program--you don’t know that

local radio program that’s on every Saturday night?

Mr. GRIFFIN. Is it on the same station that Life Line is on?

Mr. PULLMAN. Yes.

Mr. GRIFFIN. Is it a music program?

Mr. PULLMAN. No, it’s sort of a comment thing.

The REPORTER. Is it “comment”?

Mr. PULLMAN. Yes, comment, I believe that is the name of it. It is

an interview program that comes on right in there somewhere and it’s

news and goes on all the time, but this comes in there somewhere, and

I never want to hear it, but when you do hear it, you sort of get

interested in listening to find out what they are saying.

Mr. GRIFFIN. Did you get the impression that Jack had read this

literature?

Mr. PULLMAN. Oh, he must have read some of it to get so excited. He

must have, and I said, “I’m sure that Kennedy knows all about this, and

Washington knows all about this.”

He said, “Maybe they don’t.” He said, “I’m going to send it in.” And I

said, “Well, you do what you want.” And that’s the last I heard about

it.

Mr. GRIFFIN. Did you think that it was unusual for Jack to be sensitive

to that wording?

Mr. PULLMAN. Well, I was a little bit surprised that he would take the

initiative that he did, never thinking that he thought like that. I

didn’t think he had that much intellect.

Mr. GRIFFIN. Did Jack ever campaign for anybody, has he ever been

interested in any sort of politics?

Mr. PULLMAN. No.

Mr. GRIFFIN. Do you know anything about any literature that was found

in his possession endorsing the conservative Democratic slate; did he

ever tell you he was campaigning for anybody?

Mr. PULLMAN. No, he never discussed politics. The only thing he talked

with me about was when he was working for the union back in Chicago

days and how he lost his finger in a fight.

Mr. GRIFFIN. How did he tell you he lost his finger?

Mr. PULLMAN. That it was shot off.

Mr. GRIFFIN. Did you ever hear it was bitten off?

Mr. PULLMAN. Yes, I did hear about that too.

Mr. GRIFFIN. What did Jack tell you--that it was shot off?

Mr. PULLMAN. Shot off.

Mr. GRIFFIN. What did you hear about it being bitten off?

Mr. PULLMAN. Then I heard later--later on somebody made the remark that

it was actually bitten off in a fight and then I didn’t know what to

believe, and knowing the type and coming from the East, I am originally

from New York and I have known lots of fellows like that--there are a

lot of people who were involved with unions and who were always in that

element.

Mr. GRIFFIN. Were there any other things that Jack ever mentioned to

you that he was sensitive about?

Mr. PULLMAN. Yes, he didn’t like any vulgarity in his place. That was

another surprise to me. Of course, he always bragged that he was a very

rough fellow when he had the Silver Spur place on Ervay, I believe it

was.

Mr. GRIFFIN. Did you know him then?

Mr. PULLMAN. No, but he would brag about the fact that he was so rough

people would walk on the other side of the street because they were so

afraid of him at the time.

Mr. GRIFFIN. Now, from the time your wife started to work for him until

you last saw him at the Texas Product Show, about how much time would

you say you spent with him?

Mr. PULLMAN. Oh, practically almost every evening around the club.

Mr. GRIFFIN. For what period of time?

Mr. PULLMAN. I think it was about 2 months--I just can’t remember

exactly--how long it was.

Mr. GRIFFIN. How long would that be each evening, would you be there

the entire evening?

Mr. PULLMAN. Yes, I would spend the whole evening down there and he

trusted everyone. I tried to show him a lot of mistakes that were

going on there but he didn’t care. He just didn’t care. Everyone had

their finger in his till. Everybody went to the cash register, which

was a very unusual thing, knowing what was going on in the other

clubs--everything was accounted for every night.

Mr. GRIFFIN. By that, do you mean people were taking out money for

their own use or something that they used it for down there, or did

anybody and everybody have access to the cash register?

Mr. PULLMAN. They all had access, and he was always short every

night--he was short, and that was another reason why my wife didn’t

want to stay, and I didn’t think she should stay, because of all that

going on.

Mr. GRIFFIN. Did he have his waitresses on a salary?

Mr. PULLMAN. No.

Mr. GRIFFIN. How did he pay them?

Mr. PULLMAN. They worked on tips--they worked on tips--that’s how it

was.

Mr. GRIFFIN. How much money could those girls make in a night?

Mr. PULLMAN. I don’t know--that varied--I never could tell what that

was--that varied.

Mr. GRIFFIN. Did Jack ever tell you about his plans to open a new

nightclub.

Mr. PULLMAN. Yes, he has had plans for other places--sure.

Mr. GRIFFIN. What specifically did he tell you about that?

Mr. PULLMAN. Well, he had one particular location that he kept talking

about, and he wanted to open a real high class place and as a matter of

fact he offered me the proposition to take it over, manage it and host

it, and my wife didn’t want any part of it, knowing the type of person

he was, and I didn’t want to be involved with anything like that.

Mr. GRIFFIN. Were you ever engaged in any other business with him

besides the twistboard?

Mr. PULLMAN. That was the only thing--that’s all.

Mr. GRIFFIN. You were never involved in the sale of any vitamin pills

or any other products with him?

Mr. PULLMAN. No; the only reason I thought that the twistboard had

merit was because it was a new idea and it fitted in with the new

products show, and I discussed it with the promoters of the show before

I even took it in and they thought it wouldn’t hurt to put it in there

at all.

Mr. GRIFFIN. Did you encourage Jack in the idea that that might be a

profitable venture?

Mr. PULLMAN. Yes; I did, because I thought possibilities, but he had to

know how to go about doing it. He had no market set up for it, but I

felt we may find out what appeal it really had, and which would be the

best way to sell it.

Mr. GRIFFIN. What was his response to the appeal that was demonstrated

at the Texas Products Show?

Mr. PULLMAN. Well, he learned one thing--that you have to demonstrate

it to sell it. If it was just lying on a counter, you couldn’t sell

them. You could probably sell it mail order, where they don’t see

it--you just describe it like any other mail-order product, but to

really sell it, you have to see it. Every time it was demonstrated,

it was sold, and when he would come down, he put on a real pitch with

it too and he could sell it. I didn’t bother selling them--I was just

showing them.

Mr. GRIFFIN. Did Jack get on it and demonstrate it himself?

Mr. PULLMAN. Yes; he got on it and demonstrated it. Took his jacket

off and would stand there and he would be having a ball and eventually

he would sell two or three of them to the crowd standing around seeing

him standing on the board there, you know.

Mr. GRIFFIN. Would he have any music or anything to twist with?

Mr. PULLMAN. No; he would just talk and twist and show it.

Mr. GRIFFIN. It was sort of like a sideshow barker?

Mr. PULLMAN. That’s right--well, he didn’t bark--he just explained

what was happening--all the muscles were working and how it tightened

up their stomach muscles. I came out with one formal effort. I got one

at home and I gave it away--a couple of friends wanted one and the

grandkids got them. So, that one thing, I believe I can honestly say

that down deep he was good natured--a good-natured guy, but he was

always just trying to prove something; I don’t know what, but he was

trying to prove something all the time--that he belonged.

This is another thing I recall--he would tell the MC what jokes to

tell, what stories he should work on, and he would promote them,

because he ran the lights and all from the board and prompted them in

their stories. He would naturally talk loud enough so everybody would

turn around and see who was talking, you see, to get the attention to

himself.

Mr. GRIFFIN. How did the MC react?

Mr. PULLMAN. Oh, he was fine--this was Wally Weston--he didn’t mind.

Have you ever talked to Wally?

Mr. GRIFFIN. No; I haven’t.

Mr. PULLMAN. He could give you an awful lot of testimony on Jack’s

background. He was with Jack for over 2 years and he helped make that

club. Wally Weston was formerly with Abe Weinstein’s Colony Club.

Mr. GRIFFIN. I hand you what I have marked for the purposes of

identification as Edward J. Pullman’s deposition, July 24, 1964,

Exhibit No. 1. This document consists of two pages that are numbered at

the bottom, consecutively numbers 208 and 209, and it purports to be a

copy of an interview report that FBI Agent Jack K. Peden prepared after

talking with you on December 13, 1963. I would like you to read it over

and tell us if the report that you have there accurately reflects what

you said to him on December 13.

Mr. PULLMAN. It’s practically as near as possible the same thing I said.

Mr. GRIFFIN. You don’t have any corrections to make in that, do you?

Mr. PULLMAN. No.

Mr. GRIFFIN. All right, if that is satisfactory, let me ask you to sign

your name to it on the first page and then initial the second page up

near the top.

Mr. PULLMAN. You mean right around here?

Mr. GRIFFIN. Yes.

Mr. PULLMAN (signed and initialed instrument referred to). That’s where

you wanted my initials?

Mr. GRIFFIN. Yes; that’s all right. Thank you very much for coming up.

I have no more questions.

Mr. PULLMAN. I just hope that I was of some help to you anyway.

Mr. GRIFFIN. I think you have been, and we appreciate it very much, you

taking out this time to come up.

Mr. PULLMAN. I didn’t mind doing that. My grandkids will have a nice

letter there. That’s something they will have--a memento from getting a

letter from Washington.

Mr. GRIFFIN. All right, thank you very much.

Mr. PULLMAN. All right.

TESTIMONY OF HERBERT B. KRAVITZ

The testimony of Herbert B. Kravitz was taken at 7:45 p.m., on July

24th, 3964, in the office of the U.S. attorney, 301 Post Office

Building, Bryan and Ervay Streets, Dallas, Tex., by Mr. Burt W.

Griffin, assistant counsel of the President’s Commission.

Mr. GRIFFIN. Mr. Kravitz, my name is Burt Griffin. I am a member of

the general counsel’s staff of the President’s Commission on the

Assassination of President Kennedy. We have a few preliminary matters

that we always go through with the witnesses to explain to them a

little bit about the Commission and what we are doing. The Commission

was set up pursuant to an Executive order of President Johnson and a

joint resolution of Congress. Under that Executive order and the joint

resolution, the Commission has been directed to investigate into and

evaluate and report back to President Johnson upon all the facts that

relate to the assassination of President Kennedy and the death of Lee

Harvey Oswald. We have asked you to come here tonight in particular

because you have been acquainted with Jack Ruby, and particularly

because you saw him shortly before President Kennedy was assassinated.

Now, the Commission has a set of rules and regulations which are

promulgated and under those rules and regulations I have been

specifically designated to take your testimony. There is a provision

in the rules that a witness is entitled to have 3 days’ written notice

before he appears before the Commission and I will ask you at this

point if you have received a letter from us and when you received it?

Mr. KRAVITZ. Yes; I did.

Mr. GRIFFIN. Was it 3 days ago or more?

Mr. KRAVITZ. I’ll tell you in this case that I have just moved

recently, and the letter was lost in the mail and I just got the letter

yesterday, but I was notified by telephone, which I think was more than

3 days ago.

Mr. GRIFFIN. And you have no objection to going forward at this point?

Mr. KRAVITZ. No.

Mr. GRIFFIN. Do you have any particular questions you want to ask

before I start to question you?

Mr. KRAVITZ. No; none whatsoever.

Mr. GRIFFIN. All right. If you would raise your right hand and be

sworn. Do you solemnly swear that the testimony you are about to give

will be the truth, the whole truth, and nothing but the truth, so help

you God?

Mr. KRAVITZ. I do.

Mr. GRIFFIN. Will you state your name for the record?

Mr. KRAVITZ. Herbert B. Kravitz.

Mr. GRIFFIN. How do you spell your last name?

Mr. KRAVITZ. K-r-a-v-i-t-z [spelling].

Mr. GRIFFIN. Where do you live now?

Mr. KRAVITZ. In Dallas.

Mr. GRIFFIN. Whereabouts in Dallas?

Mr. KRAVITZ. Bachman Boulevard; 2631.

Mr. GRIFFIN. When were you born?

Mr. KRAVITZ. On March 12, 1938.

Mr. GRIFFIN. And are you employed?

Mr. KRAVITZ. Self-employed.

Mr. GRIFFIN. What do you do?

Mr. KRAVITZ. Publishing business; I am with 20th Century Publishers,

Inc.

Mr. GRIFFIN. What sort of publication do you have?

Mr. KRAVITZ. Well, our first book will be out the end of August. It’s a

fairly new enterprise--it’s approximately 4 months old.

Mr. GRIFFIN. What did you do before that?

Mr. KRAVITZ. I was on the road with a clothing outfit and traveled part

of the country. That’s how I first got to Dallas.

Mr. GRIFFIN. You know Jack Ruby, don’t you?

Mr. KRAVITZ. Yes.

Mr. GRIFFIN. When did you first happen to meet him?

Mr. KRAVITZ. I was with an entertainer friend of mine--I really can’t

give you specific dates, but the entertainer was a comedian, Fred

Barber, [spelling] B-a-r-b-e-r.

Mr. GRIFFIN. That’s Barber?

Mr. KRAVITZ. Yes; and Fred and I were in a Chinese

restaurant--Yee’s--and Jack Ruby, I presume, saw Fred’s act and came

over to the table and introduced himself to Fred and myself. I did not

know him prior to that and asked Fred and myself to come to his club,

which we did the next evening.

Mr. GRIFFIN. How long was that before the President was assassinated?

Mr. KRAVITZ. Oh, that was quite some time.

Mr. GRIFFIN. Several months?

Mr. KRAVITZ. Oh, I really can’t say--it was just 4 or 5 or 6 months, I

suppose, and then I saw Mr. Ruby. After that I went to his club a few

times. I saw Mr. Ruby approximately a week before the assassination.

Mr. GRIFFIN. Now, when you talked with two FBI agents, Joseph Peggs

and Alvin Zimmerman, you indicated that the last time you saw Ruby at

the Carousel Club was on November 20; that would be 2 days before the

assassination?

Mr. KRAVITZ. It’s very possible.

Mr. GRIFFIN. Would your memory have been more accurate at that time

than it is now?

Mr. KRAVITZ. I said a week--it could have been 2 or 3 days. It was very

near to the assassination of the President.

Mr. GRIFFIN. What time did you arrive at the club that night?

Mr. KRAVITZ. I had a date, so I would say it was in the evening, I’m

not sure, but about 9 o’clock or after.

Mr. GRIFFIN. And how much time did you spend with Ruby that night?

Mr. KRAVITZ. Well, he came over to the table and talked with my date

and myself--I didn’t spend a lot of time with him, really, I didn’t

spend a lot of time with him--Jack knew me and we were acquaintances.

We weren’t what you would call close friends.

Mr. GRIFFIN. Did he mention anything at that time about President

Kennedy?

Mr. KRAVITZ. No; nothing at all. I never discussed politics, I never

got into anything with Mr. Ruby about politics, and probably I said

something about the time of day and how are you and so forth and so on.

Mr. GRIFFIN. What did you discuss with him, though, aside from the time

of day--what seemed to be Ruby’s particular interest?

Mr. KRAVITZ. Well, I never discussed much with Mr. Ruby. At one

time--when all this happened, it was in the Jewish holidays, and one

incident I had with Mr. Ruby, he called me up once and wanted me to go

with him to the synagogue, but I didn’t know Mr. Ruby well and I didn’t

really want to go to the synagogue with Mr. Ruby--he is a character and

so on and so forth, and I think he got a little aggravated with me, and

I didn’t see him after that until the night which you are talking about.

Mr. GRIFFIN. How long was this telephone request before you saw him?

Mr. KRAVITZ. Oh, God, I would say months--I didn’t go back to that

place until this young lady I was out with that night wanted to go

there, and I said to her, “Well, I really don’t want to go there,” and

said that I had had words with Jack Ruby, and I don’t know how she

interpreted that, but anyway, I did go back and I shook hands with him

that night.

Mr. GRIFFIN. Did he call you in connection with any high holiday?

Mr. KRAVITZ. Yes; there was one of the high holidays--it was either,

if you are familiar with them, it was either Rosh Hashanah, or Yom

Kippur--it was one of those; but I can’t be sure which.

Mr. GRIFFIN. How did he happen to call you?

Mr. KRAVITZ. That’s a good question; I don’t know. The night that we

were out with Freddie Barber, we talked until 3, 4, or 5 o’clock in the

morning--Freddie Barber and myself--we went out after, for breakfast,

and I think he might have been impressed with me: I don’t know.

Mr. GRIFFIN. Did he know what business you were in at that time?

Mr. KRAVITZ. No.

Mr. GRIFFIN. Were you in the clothing business at that time?

Mr. KRAVITZ. Yes.

Mr. GRIFFIN. Did he have any reason to think that you might have had a

connection with Barber that he wanted to use?

Mr. KRAVITZ. There is a possibility, I don’t know, he might have

thought that I was Freddie’s agent, or something, but I don’t think

that came up.

Mr. GRIFFIN. Had he talked to you about his religious beliefs?

Mr. KRAVITZ. No.

Mr. GRIFFIN. Or his synagogue attendance before that?

Mr. KRAVITZ. No; not really. I knew he was Jewish. He mentioned to me

going to the rabbi, not the synagogue, but at other times, that he went

to the rabbi for counsel or something like that, but we never got into

any discussions on religion.

Mr. GRIFFIN. Was Barber Jewish?

Mr. KRAVITZ. Yes.

Mr. GRIFFIN. Would Jack have realized that?

Mr. KRAVITZ. I think so; but our religion per se.

Mr. GRIFFIN. Had he ever suggested to you that he would like you to

work for him or anything like that?

Mr. KRAVITZ. No; that evening, he suggested the possibility of our

rooming together. This is the first time we met and I just, you know,

laughed; I didn’t say anything. I had no intention of ever rooming with

Mr. Ruby.

Mr. GRIFFIN. How did he happen to mention that?

Mr. KRAVITZ. I really don’t know; that’s the first time I was with

him--this was the evening that Freddie and I were together with him and

the first time I ever met the man and I guess that he was interested

in moving into an apartment. In fact, he was interested in moving into

this Spa, this new building over here, and was looking for a roommate.

Mr. GRIFFIN. Is that the one on Turtle Creek?

Mr. KRAVITZ. Yes.

Mr. GRIFFIN. Did he indicate to you that he had made any application to

move in there?

Mr. KRAVITZ. The building wasn’t completed; I think he possibly

had checked into it, but I really don’t know about filling out an

application for it.

Mr. GRIFFIN. Would that have been back in the summer of 1963?

Mr. KRAVITZ. If we could find when Freddie Barber played in Dallas, I

could tell you exactly; he’s a friend of mine and he plays for 2 weeks

at Club Village, which is a club here in town. It possibly could have

been last summer.

Mr. GRIFFIN. Do you think there was any homosexual interest on Jack’s

part?

Mr. KRAVITZ. No; that question was raised to me before. I really have

no idea as to Jack’s sexual prowess, I certainly don’t think the man

was homosexual, but then, I don’t know.

Mr. GRIFFIN. This must have been a rather lengthy conversation you had

with him?

Mr. KRAVITZ. Yes; his club closed at 12 or 1 o’clock, and Freddie and

myself and Jack and George Senator, his roommate went to a restaurant,

and we sat and talked until--it must have been 4 o’clock in the morning.

Mr. GRIFFIN. Did you have occasion to see George Senator at any time

after Oswald was shot?

Mr. KRAVITZ. No.

Mr. GRIFFIN. Have you had occasion to see any of the people who are

associated with the Carousel Club since Oswald was shot?

Mr. KRAVITZ. No.

Mr. GRIFFIN. The night that you saw Ruby shortly before the

assassination, did you notice anything unusual about his behavior?

Mr. KRAVITZ. No.

Mr. GRIFFIN. Did Jack ever tell you anything about any interest he had

in Cuba?

Mr. KRAVITZ. No.

Mr. GRIFFIN. Can you think of anything else that might be of interest

to us we haven’t covered?

Mr. KRAVITZ. Not to my knowledge; now.

Mr. GRIFFIN. All right, I am going to mark for identification what

is a one-page document prepared by FBI Agents Peggs and Zimmerman

as a result of an interview they had with you on November 27, 1963.

I’m going to mark this exhibit as Herbert B. Kravitz, July 24, 1963,

Exhibit 1, and I will hand it to you and ask you to look at it and tell

me if that is an accurate report of what you said to Zimmerman and

Peggs on November 27?

Mr. KRAVITZ. Well, this is an error here; Parker--that name is

wrong--it should be Fred Barber, otherwise that’s pretty accurate.

Mr. GRIFFIN. All right, let me ask you to sign it in a conspicuous spot

not far from where it has been marked.

(Mr. Kravitz signed instrument referred to.)

Mr. GRIFFIN. All right; thank you very much. I have no more questions.

I appreciate your coming here tonight.

Mr. KRAVITZ. All right; I was glad to come.

TESTIMONY OF JOSEPH ROSSI

Warren Commission (15 of 26): Hearings Vol. XV (of 15) · 第 33 / 118 段