Neal and Stevens carried the box across the platform to the wagon and

pushed it under the seat. Then Neal climbed up beside the driver.

The driver flicked the reins and the horse started forward. Stevens,

who had climbed over the tailboard, remained standing. Just as the

wagon began to move, the locomotive backed up suddenly with a clank

of couplings. Its piston rods reversed, a jet of steam shot from the

cylinders, and the train started off in the direction of Weymouth,

Hingham, and the South Shore.

The shadow of the wagon moved diagonally across Railroad Avenue

toward the Hampton House, a mansard-roofed structure, four stories

high, that had been built in the seventies for a trunk factory.

It now housed the Slater & Morrill offices as well as the cutting

rooms of the upper factory—Slater & Morrill’s lower factory was some

distance away on Pearl Street. On the ground floor of the Hampton

House, to the left of the center entrance, was the express company’s

office. The gilt sign over its door, unchanged from an earlier day,

read _New York & Boston Despatch Express Co._

Its clapboarding flaked and blistered, the gray building lay full

in the slanting sunlight that burnished its windows. A narrow grass

border divided the avenue from an indented strip of pavement in front

of the porticoed Slater & Morrill entrance. Six or seven cars were

parked along the outside of the border. Neal recognized them. It was

still possible to know all the cars in town at sight. “A lot of autos

here this morning,” he remarked to the driver. There was one auto

parked by the granite curb near the central entrance that Neal had

never seen before: a touring car, dark and shiny as if it had just

been polished. The top was up, the rear side curtains were fastened

in place, and the motor was running. Neal’s driver had to turn out

sharply to avoid scraping its fender. A man slumped down in the

driver’s seat did not turn or look at them. He wore a felt hat, and

his shoulders were hunched so that all Neal could see was the back of

his neck, and his right hand on the steering wheel. Then, standing in

the doorway under the portico, Neal noticed a second man, thin and

fair-haired, with a pale sunken face. He had on a brown coat like an

old army overcoat and he wore a gray hat pulled over his forehead.

Neal did not like his looks.

The driver backed the wagon into the space in front of the express

office, and Neal and Stevens carried the box inside. After the

outside chill the office was warmly pleasant, smelling of floor oil

and cigars. Neal took the key from the envelope and opened the box.

Inside were the payrolls for the two companies, each in a brown

canvas bag stamped National Shawmut Bank. He took out the Slater

& Morrill bag and put the box containing the Walker and Kneeland

money in the safe. Then he closed the safe door, pressed down the

nickel-plated handle, and spun the dial.

With the bag tucked under his arm Neal motioned to Stevens and they

started out the door toward the building’s center entrance. Neal now

noticed another strange car. This one was parked across the avenue,

facing south. He could not tell what kind it was. It was streaked

with mud. He heard its driver call out “All right!” to the man in the

first car. The pale man was still standing under the portico leaning

against the door post. His hands were thrust into his overcoat

pockets, and he held his head low, but as Neal and Stevens passed he

stared up at them, moving his eyes without lifting his head. Neal

felt for the reassurance of the Colt in his pocket. The man did not

move. He had blue bulging eyes, the whites muddied, and his skin was

yellowish, sickly, as if he were tubercular.

There was something queer about him, about his being there, Neal felt

as he trudged up to the second floor. “Some funny-looking people

round here today,” he told the girl at the desk. Margaret Mahoney,

the paymistress, was at her desk by the water cooler. Neal had known

Margaret Mahoney for years. The payroll bag was heavy for her so he

walked across the office and put it in the safe himself. She gave him

the receipt for it, and he and Stevens started downstairs.

From the top of the landing Neal could see the pale man still

standing in the doorway but when he was about halfway down the man

took his hands out of his pockets, walked over to the touring car,

opened the rear door, and got in. Neal kept his hand on his Colt.

By the time he reached the doorway the car had started up and swung

round the corner of Holbrook Avenue. The mud-streaked car had already

disappeared.

* * * * *

South Braintree Square was empty at half-past ten when Harry

Dolbeare, a piano tuner, finished a cup of coffee at Torrey’s

Drugstore on the corner and started up Washington Street to Cuff’s

Music Store. Cuff had called him the day before to see about the

felts on a secondhand upright, and Dolbeare told him he would have

a look at it. As he reached Gregor’s Restaurant he noticed a black

touring car turning left from Holbrook Avenue to Washington Street.

He could see two men in front and, although the rear side curtains

were up, three more men in the back seat. One of the men in back was

leaning forward talking to the driver. Dolbeare had never seen any of

them before, or the car either. They looked to him like foreigners,

maybe some of that Dago bunch from the Fore River shipyards. Tough

tickets, the lot of them, he thought to himself after the car had

passed him.

At 11:15 Lola Hassam, a hard-faced woman in her forties, got off the

train from Quincy with Julia Campbell, the old woman who rented one

of her two rooms in the Alhambra Block there. Lola now called herself

Lola Andrews, her name before her divorce, although some people said

she had never been married. At various times she had been a waitress,

a cleaning woman, and a practical nurse. Men often used to come to

her room in the Alhambra. Since things were slack in Quincy, she and

Julia had decided to come to South Braintree and look for work in one

of the shoe factories.

They crossed the tracks by the gate-tender’s shack at the end of

Railroad Avenue, walked down Pearl Street past the double pipe fence

in front of Rice & Hutchins, and continued another twenty-five yards

to the lower Slater & Morrill factory. Julia Campbell was developing

cataracts, and she took the younger woman’s arm going downhill.

About thirty feet from the factory they passed a black touring

car parked at the side of the road. A dark stocky man with high

cheekbones was bending over the raised hood adjusting the motor.

Lola Andrews saw another man sitting in the back of the car, a pale,

sick-looking sort of fellow in a khaki overcoat.

The men paid no attention to them and the women walked up the steps

of Slater & Morrill. Once inside they could not locate the employment

office. As they stood there undecided, a middle-aged man in a

business suit came down the corridor and asked them what they wanted.

“We want work, mister,” Lola Andrews said. The man said that three

months ago he could have given them both jobs. Now they were not

taking on any new help. She was not to be put off so easily,

insisting she had heard in Quincy that the factory needed people. He

told her she had heard wrong. “Isn’t this Rice and Hutchins?” she

asked him finally.

No, he told her, Rice & Hutchins was up the road.

When the women again passed the touring car, the pale man in the

overcoat was standing behind it and the dark man had crawled

underneath and was working on the motor from below, his head and

shoulders just visible through the spokes of the front wheel. Lola

had almost to step over his feet to get by. He had a screwdriver in

his hand, and just as she was opposite him he glanced up at her.

“Pardon me,” she said, “could you tell me how to get to the factory

office?”

He crawled out from under the car, stood up, and asked her what

factory she wanted. When she told him Rice & Hutchins, he pointed

out the brick building and told her to take the driveway to the left;

that was the office up there.

Lola and old Julia went down the gravel walk along the side of the

brick building, up the stairs, and through the double folding doors.

They could see the Employment Office sign there plainly enough.

Whenever William Tracey drove to the square on an errand, as he did

two or three times a day, he liked to drive by his building, the

wooden three-decker he had built in 1907 at the corner of Hancock and

Pearl. Torrey’s Drugstore occupied the ground floor. That Thursday

morning as he parked on Pearl to pick up his wife’s groceries at

Dyer & Sullivan’s, just across from the drugstore, he noticed two

strangers standing with their backs to Torrey’s window where the big

glass vase of red water hung from its chains. The men were swarthy,

about medium height, one just a little taller than the other. If it

had been twelve o’clock the streets would have been full of factory

hands and he probably would not have noticed them, but it was still

half an hour before the noon whistle and the square was empty. He

could not help but notice them.

After Tracey reached home with the groceries he found he had

forgotten bread, so he drove back again, past his building and left

to Schrout’s Bakery on Pearl Street. The strange men were still

leaning against the window as he went in. When he came out they were

gone.

Not quite an hour later William Heron, a railroad detective, noticed

the same two men in the station. They were sitting on a bench by

the gents’ toilet smoking cigarettes and talking in some foreign

language. Dagos, he thought they were. He had come down on the 12:27

from Boston, and he was scarcely off the train before he spotted a

fresh kid who had climbed on top of the Union News stand and was

trying to tip it over. Eleven or twelve years old he was, one of that

gang that hung around the station afternoons. Heron grabbed him by

the collar and ran him into the operator’s room. The Dagos didn’t

even look up as he went by.

McNamara was the kid’s name. The operator said his old man was all

right, worked for the railroad, so Heron told the kid what he’d do to

him if he ever caught him hanging round the station again, and let

him go. He was not in the operator’s room more than five minutes, but

when he stepped out again the Dagos had left. Somehow they stuck in

his mind, and he wondered where they had gone to.

By trade Ralph DeForest was a shoemaker, though he had been

unemployed for two months now. When he had nothing else to do, and

that was most of the time, he wandered around South Braintree Square

or sometimes dropped in at Magazu’s poolroom on Pearl Street. At 2:20

he was talking with Officer Shea on the corner next to Torrey’s when

he spotted two men in front of the jewelry store. In the last two

months he had seen everyone in town, but he had never seen those two

before. Shea left to go up to the town hall and DeForest walked down

by the fruit store past the jeweler’s. The two men looked him over

as if they wanted to make something of it. Dark men they were, tough

babies. He wasn’t going to let them think he was scared of them,

though. Deliberately he turned round and walked past them again. They

stared at him, and he stared at them, and finally he said: “I don’t

think I owe you fellows anything.”

Without answering him they started off down Pearl Street, one about

five feet ahead of the other. DeForest decided he would follow them.

At the crossing they turned left toward the station. Just in front of

the station a pinch-faced man in a brown coat was tinkering with the

engine of a black touring car. The other two paused on the platform

and DeForest brushed right by them and through the station into the

toilet. When he came out the car and men had disappeared.

At ten minutes to three Jenny Novelli, a nurse, was on her way down

Pearl Street to call on her friend Mrs. Knipps, who lived on Colbert

Avenue, a dead-end dirt road just beyond Rice & Hutchins on the left.

As she passed Schrout’s Bakery she noticed a large curtained touring

car abreast of her and going in the same direction scarcely faster

than she was walking. The car kept level with her until she reached

the cobbler’s shop on the corner. At first she thought the man next

to the driver was a friend of hers, William Mooney, but at second

glance she realized she was mistaken. The pale driver she scarcely

noticed.

For sixteen years Lewis Wade had been working in the sole-leather

room at Slater & Morrill. Then, late in 1919, the boss had put him in

charge of the shed and gasoline pump in front of the lower factory.

Any time the company cars needed gas he went out to take care of

them. Every afternoon at the same time Hans Behrsin, Mr. Slater’s

chauffeur, would come round to fill up Slater’s Marmon sedan, and

Wade was always ready for him with the shed door open and the pump

unlocked.

On this April 15 just before three o’clock, Behrsin dropped by as

usual and said he was on his way to the garage and that he would be

back in ten minutes. A couple of minutes after three, as Wade was

hitching the hose onto the pump, he happened to see a touring car

below the factory in front of the little wooden house that belonged

to the carpenter at Rice & Hutchins. A man was bending over the hood

of the car fixing something.

Behrsin pulled up alongside the shed with the gray Marmon and

Wade put in about eight gallons of gas. While he was cranking he

kept watching the black car until before he knew it the tank had

overflowed. Behrsin and he wiped up the overflow, then Behrsin drove

off up Pearl Street toward the station.

As he passed Rice & Hutchins he saw two men sitting on the pipe fence

near the end of the building, their feet on the lower bar. He knew

they were strangers, but that was all he noticed about them.

From the time Shelley Neal brought in the payroll money, Margaret

Mahoney had been dividing it to make up the envelopes for the lower

factory. There were almost five hundred separate envelopes to be

filled, and dividing the $15,776.51 took her right up to three

o’clock, with only about ten minutes off for lunch. After she had

sealed the envelopes she packed them in two wooden cases that went

inside steel cashboxes with Yale locks. Hardly had she got the locks

fastened before Mr. Parmenter and his guard Berardelli, the one

everyone called the detective, stood there waiting for them.

Frederick Parmenter was in his middle forties, a full-faced man with

a short mustache. The solidness of his body, his slightly sagging

features and thinning brown hair made him seem older. Margaret

Mahoney and the other girls in the office looked forward to his

weekly visits. He liked to joke and pretend to make dates with them,

though it was only in fun, for he had been married for years and

did not play around. He was always very careful of his dress. That

day he wore a white shirt with black and pink stripes and a new

brown felt hat. Before he left he kidded a bit with the bookkeepers,

Frances Devlin and Mary Splaine. He said he would take his pay now

while there was still some money, and Margaret Gabney, the assistant

bookkeeper, told him he had better, for there might not be any

tomorrow. Then he took one of the cashboxes by the handle, and the

detective took the other. The detective was just another Italian who

never said anything.

Margaret Mahoney remembered afterward how Parmenter stood for a

moment in the doorway and then how the stairs creaked as he and the

detective walked down. It was a few minutes past three.

Outside the main entrance of the Hampton House, Parmenter, with

Berardelli behind him, met Albert Frantello from the lower factory.

Frantello said he was on his way to the office to get some cardboard

tags. The paymaster and his guard walked on out of the shadow of the

Hampton House.

Frances Devlin and Mary Splaine watched them for some minutes from

their window on the second floor. Parmenter, without an overcoat,

kept to the outside of the gravel walk and the detective, his

overcoat buttoned up, walked a little way behind him. Just before

they reached the crossing Parmenter shifted the cashbox from his left

to his right hand. Fifteen feet beyond him the gate-tender was out

washing a window of his shack.

From the cutting room on the third floor, Mark Carrigan, also looking

out a window, kept his eye on the paymaster and the detective with

their boxes as they passed the cobbler’s shop on the corner and went

on toward the railroad-crossing sign. Just beyond the crossing, they

stopped to talk with a man coming uphill from the other direction.

Then they went on down, behind the high board fence by the water

tower.

The first-floor windows of the lower Slater & Morrill factory were

open, and Minnie Kennedy and Louise Hayes at their workbench noticed

a touring car parked by the side of the street only about ten feet

from them. A slight fair-haired man in a blue suit was fussing with

the motor, lifting one side of the hood and then the other. Finally

he stood by the front mudguard and lit a cigarette. A sickly young

man he seemed, but not bad-looking. While he was standing there with

a screwdriver in his hand, Thomas Treacy drove up with a wagonload

of coal for Slater & Morrill, noticed the man’s light hair, and

remembered that he had seen the same car with another man in front of

the railroad station early that morning.

After a while the two girls watched the fair-haired man get into the

car, drive down Pearl Street toward the swamp, turn round, and start

back again.

Roy Gould had invented an oil-and-pumice paste for sharpening safety

razor blades. All you needed to do was smear a little on the edge

of a blade, run the blade a couple of times around the inside rim

of a glass tumbler, and it was as good as new. He used to go to the

different South Shore factories on paydays and sell his paste at the

gates as the men came out. On April 15 he arrived at South Braintree

on the 2:59 train. There was a young fellow standing on the platform

and Gould asked him if he knew where and how they paid off at the

shoe factories. The other pointed to two men walking down the street

to the railroad crossing. “There goes the paymaster now,” he told

him. “Just follow him.”

Gould started off toward the gateman’s shack. He could see the

paymaster stop briefly at the crossing to talk with someone, then

disappear behind the board fence the other side of the tracks.

Jimmy Bostock, the bandy-legged machine repairman, hurrying up Pearl

Street from the lower factory to get the 3:15 trolley to Brockton,

was near the water tower when he saw Parmenter and Berardelli coming

down the street. He crossed over to meet them.

“Bostock,” Parmenter said as he came up, “there’s a pulley off one of

the motors up at Number One.”

“I can’t look at it, not today,” Bostock told him. “I got to get this

quarter-past-three trolley to Brockton to do a job there.”

“Well,” said Parmenter amiably, “they just told me to tell you if I

saw you. That’s all.” While they were talking, Behrsin drove by in

the Marmon sedan, honking and waving as he passed. Bostock said he

would have to leg it to catch his trolley. “Don’t let me keep you,”

Parmenter told him. He and his guard continued down the gravel walk.

Parmenter shifted the cashbox from his right to his left hand. The

afternoon sun was warm on his back. To his right was the garage with

the tin roof, and beyond it the tower of Rice & Hutchins. The lilac

bush on the little dirt triangle in front of the factory was just

coming into bud. A flock of pigeons circled over the tower, then

headed back to their loft in Cain’s livery stable. Across the street,

beyond a pile of bricks, some Italians were digging the cellar for

a new restaurant. A loaded truck had just started up out of the

excavation. Jim McGlone’s dump cart was pulled up to the curb beside

a couple of little carts into which the Italians were shoveling dirt.

Parmenter passed the telephone pole with the red fire-alarm box on

it. Two strangers were standing by the fence in front of Rice &

Hutchins, dark squat men, their hands in their pockets. One wore a

cap, the other a felt hat. He kept on past them, one step, two steps,

three....

As his guard, still following, reached the telephone pole, the

strangers whipped their hands from their pockets, and the man in

the cap lunged forward, pinning Berardelli by the shoulder with his

left hand while his right brought up a pistol. Berardelli tried to

grapple with him, but before he could get a grip the man fired into

him three times. Parmenter turned like a cat to find the same man

now facing him, pistol in hand, and Berardelli just behind, his

knees buckling. Then the gun muzzle flashed and a bullet struck him

in the chest. He flinched, took a few steps sideways, and the man

fired again. This time the bullet struck him in the back, and as he

staggered across the street his legs began to go limp. Berardelli lay

in the gutter, his arms twitching, the second cashbox just beyond the

reach of his right hand. The man in the felt hat snatched up the box,

then darted out toward the box Parmenter had dropped.

The man in the cap, who had followed Parmenter halfway across the

street, now signaled with his pistol and fired again. As he did so

the dark touring car that had been parked below Slater & Morrill

seventy-five yards away started jerkily uphill with a grinding of

gears.

The staccato sound of the shots echoed from the factory walls.

From the loft of the livery stable the pigeons swirled up into the

sunshine, then wheeled over the Hampton House. At the end of the

wooden fence, almost at the crossing, Jimmy Bostock turned to see

Berardelli doubling up and the gunman firing. Parmenter was walking

jerkily across the street, and Bostock did not realize the paymaster

had been hit until he began to sag. Seeing him fall, Bostock took a

few steps toward him, but as he did so the man in the cap froze him

by the fence with two shots.

The touring car churned along the street, sputtering and skipping,

the driver furiously working the spark lever on the steering wheel.

Berardelli had managed to get to his hands and knees. Before the

car stopped a man, crouched on the running board, sprang off near

the brick pile. He had an automatic in his hand. Stepping to the

swaying Berardelli, he fired point-blank. Berardelli collapsed in the

gravel. The first two bandits had piled into the back seat with the

cashboxes. After firing several shots at the upper factory windows,

the third bandit climbed in the back seat after them. As the car

whined toward the crossing he crawled over into the front seat,

leaning out, pistol in hand.

Wade was just snapping the lock on the gas pump when he heard the

noise and looked up the street, thinking the Italians had started

a fight. He saw Parmenter drop behind the cart and then watched a

wavy-haired man shoot at Berardelli.

Along the front of each floor of Rice & Hutchins were nine rows of

frosted-glass windows. Even if the sash of the middle cutting-room

window on the first floor had not been jammed several inches above

the sill, the cutters at their benches might still have heard the

shots above the noise of the machinery. The jammed window made

this certain. At the sound William Brenner leaned forward from his

cutting board to peer through the slit, as did Louis Pelser on his

right. As they looked down they saw Berardelli writhing in the

gutter almost directly below them and a man with a pistol standing

over him. Afterward they found it difficult to remember just what

or how much they had seen in that one glimpse. As Pelser later

testified, “We seen a glance of the whole thing.” From behind them

Peter McCullum sprang on top of the bench, kicking the cutting boards

aside and throwing the window up to the sash. What he saw was a dark

man pushing a box in a car with his right hand. The sunshine was

flickering on a whitish pistol in his left hand.

“Duck!” McCullum yelled, “There’s shooting going on!” Another shot

echoed, and there was a tinkle of broken glass. McCullum, Brenner,

Pelser, and the rest of the cutters threw themselves on the floor

under the benches. A few seconds later a cutter at the other end of

the room shouted that the automobile was crossing the tracks. They

crawled out from under the benches, and Pelser pushed down to the

end of the room where someone had opened the last window. He managed

to see only the rear of the car jolting over the tracks but he could

still make out the license plate. Going back to his cutting board he

wrote down the number: 49783.

Tragedy in Dedham · 第 3 / 48 段