XVI

All this is so ... but only the transitory is beautiful, Shakspeare has

said; and Nature herself, in the unceasing play of her rising and

vanishing forms, does not shun beauty. Is it not she who sedulously

adorns the most momentary of her offspring--the petals of the flowers,

the wings of the butterfly--with such charming colours? Is it not she

who imparts to them such exquisite outlines? It is not necessary for

beauty to live forever in order to be immortal--one moment is sufficient

for it. That is so; that is just, I grant you--but only in cases where

there is no personality, where man is not, liberty is not: the faded

wing of the butterfly comes back again, and a thousand years later, with

the selfsame wing of the selfsame butterfly, necessity sternly and

regularly and impartially fulfils its round ... but man does not repeat

himself like the butterfly, and the work of his hands, his art, his free

creation once destroyed, is annihilated forever.... To him alone is it

given to “create” ... but it is strange and terrible to articulate: “We

are creators ... for an hour,”--as there once was, they say, a caliph

for an hour.--Therein lies our supremacy--and our curse: each one of

these “creators” in himself--precisely he, not any one else, precisely

that ego--seems to have been created with deliberate intent, on a plan

previously designed; each one more or less dimly understands his

significance, feels that he is akin to something higher, something

eternal--and he lives, he is bound to live in the moment and for the

moment.[33] Sit in the mud, my dear fellow, and strive toward

heaven!--The greatest among us are precisely those who are the most

profoundly conscious of all of that fundamental contradiction; but in

that case the question arises,--are the words “greatest, great”

appropriate?

First love, and other stories · 第 83 / 89 题