Sec. 2

Roused thus by these earliest sounds of the city's wakening life, I

slide open my little Japanese paper window to look out upon the morning

over a soft green cloud of spring foliage rising from the river-bounded

garden below. Before me, tremulously mirroring everything upon its

farther side, glimmers the broad glassy mouth of the Ohashigawa, opening

into the grand Shinji Lake, which spreads out broadly to the right in

a dim grey frame of peaks. Just opposite to me, across the stream, the

blue-pointed Japanese dwellings have their to [1] all closed; they are

still shut up like boxes, for it is not yet sunrise, although it is day.

But oh, the charm of the vision--those first ghostly love-colours of

a morning steeped in mist soft as sleep itself resolved into a visible

exhalation! Long reaches of faintly-tinted vapour cloud the far lake

verge--long nebulous bands, such as you may have seen in old Japanese

picture-books, and must have deemed only artistic whimsicalities unless

you had previously looked upon the real phenomena. All the bases of the

mountains are veiled by them, and they stretch athwart the loftier peaks

at different heights like immeasurable lengths of gauze (this singular

appearance the Japanese term 'shelving'), [2] so that the lake appears

incomparably larger than it really is, and not an actual lake, but a

beautiful spectral sea of the same tint as the dawn-sky and mixing with

it, while peak-tips rise like islands from the brume, and visionary

strips of hill-ranges figure as league-long causeways stretching out

of sight--an exquisite chaos, ever-changing aspect as the delicate fogs

rise, slowly, very slowly. As the sun's yellow rim comes into sight,

fine thin lines of warmer tone--spectral violets and opalines--shoot

across the flood, treetops take tender fire, and the unpainted façades

of high edifices across the water change their wood-colour to vapoury

gold through the delicious haze.

Looking sunward, up the long Ohashigawa, beyond the many-pillared wooden

bridge, one high-pooped junk, just hoisting sail, seems to me the most

fantastically beautiful craft I ever saw--a dream of Orient seas, so

idealised by the vapour is it; the ghost of a junk, but a ghost

that catches the light as clouds do; a shape of gold mist, seemingly

semi-diaphanous, and suspended in pale blue light.

Glimpses of Unfamiliar Japan: First Series · 第 76 / 222 题