London; canvas, H. about 5 ft. × 7 ft. In centre, four figures,
among them, Joseph, in a scanty white garment, borne by two of his
brethren to the mouth of the pit; on left, three other brothers; at
right, four others and a dog. Bought from Capuchin Convent, Genoa,
for Mr. Buchanan in 1803–6; sold to John Cave, £800; W. Cave sale
(1854), £1,764, to Marquis of Hertford, whence by bequest to Sir R.
Wallace.--Buchanan, Memoirs, ii. 144, 171; Curtis, 121.
[Illustration: Chastity of Joseph, Johan Bilevelt, Uffizi, Florence.]
JOSEPH, CHASTITY OF (Gen. xxxix), Johan _Bilevelt_, Uffizi, Florence;
wood, figures life-size. Potiphar’s wife, seated on the edge of a
bed, endeavours to detain Joseph, who is struggling to free himself
from her grasp. Painted in 1624 by commission from Cardinal Carlo and
Lorenzo de’ Medici.--Rosini, vi. 93; Molini, Gall, di Firenze, v. 1.
By Carlo _Cignani_, Dresden Gallery; canvas, octagonal, 3 ft. 6 in.
diameter. Figures half-length. Joseph flying from the importunities
of Potiphar’s wife. Painted for Contarini, Procurator of S. Marco,
Venice; bought for 600 sequins in 1754 from Casa Contarini, Venice.
Restored by Palmaroli and Renner in 1827. Engraved by Monaco; P.
Tanjé.--Gal. Roy. de Dresde, i. Pl. 46.
[Illustration: Chastity of Joseph, Lionello Spada, Lille Museum.]
By Lionello _Spada_, Lille Museum; canvas, H. 5 ft. 6 in. × 4 ft.
6 in. Potiphar’s wife, sitting upon a couch, endeavours to detain
Joseph, who flees, leaving his mantle in her hands. Formerly in
Modena Gallery.--Landon, Musée, viii. Pl. 47; Filhol, iii. Pl. 152.
JOSEPH, COAT OF, _Velasquez_, Escorial, Spain; six figures,
life-size. Jacob sits on right in the shadow of his house; before him
stand five of his sons, two of them holding Joseph’s coat, the white
lining of which is stained with blood; on left, another son tearing
his hair; at Jacob’s feet, a white dog, barking. Painted by Velasquez
on his first journey to Rome (1629–31) and sent, with the Forge of
Vulcan, to the King. Never engraved.--Curtis, 2.
JOSEPH, HISTORY OF, _Raphael_. See _Raphael’s_ Bible.
JOSEPH AND POTIPHAR’S WIFE, _Rembrandt_, Berlin Museum; canvas, H.
3 ft. 8 in. × 2 ft. 10¾ in. Potiphar’s wife, in a red-silk robe,
sitting beside a bed in a richly furnished apartment, with her
husband standing behind her chair, accuses Joseph, who stands on
the opposite side of the bed with hands and eyes upraised. Formerly
in collection of Lord Willoughby; passed about 1820 to Sir Thomas
Lawrence, after whose decease sold (1830) for 570 guineas to
Joseph Neeld, M.P.; purchased in 1884 for Berlin Museum. Similar
composition, with changes (2 ft. × 1 ft. 9 in.; signed, dated 1657,
engraved by Exshaw), in Hermitage, St. Petersburg.--Smith, vii. 8;
Athenæum, Nov. 8, 1884, 598; Vosmaer, 490.
JOSEPH, ST., AND INFANT CHRIST, _Guido_ Reni, Hermitage, St.
Petersburg. St. Joseph, dressed in a gray linen tunic and yellow
mantle, carries in his arms the Infant, who holds a flower in his
left hand; in background, to right, the Virgin is seen riding on an
ass led by an angel. Bought for 7,900 florins from the gallery of
William II, King of the Netherlands.--Cat. Hermitage.
By _Murillo_, Hermitage, St. Petersburg; canvas, H. 2 ft. 3 in. × 1
ft. 8 in. The Saint, in dark robe and yellow mantle, with lily branch
in right hand, embraces with left the Child, who stands, partly
draped, before him, looking front. Purchased about 1820, probably in
Paris. Engraved by J. G. Navia.--Curtis, 255; Cat. Hermitage.
By _Murillo_, Hermitage; canvas, H. 2 ft. 3 in. × 1 ft. 8 in. The
Saint, with lily branch in left hand, leads Jesus with right; above,
two angels; background, landscape. Presented to Emperor by Mr.
Coesvelt.--Curtis, 255; Cat. Hermitage.
By _Murillo_, Seville Museum; canvas, H. 7 ft. 5 in. × 4 ft. 1 in.
St. Joseph, standing on right, embraces Jesus, who stands, draped,
on a pedestal, with a lily branch in left hand; both look front;
background, landscape. Painted about 1676 for high altar of Church of
Capuchin Convent, Seville. Companion to St. _John_ Baptist (Seville
Museum). Engraved by A. Lurat.--Curtis, 252.
By _Murillo_, Mrs. Lyne Stephens, Lynford Hall, Brandon, Norfolk;
canvas, H. 3 ft. 1 in. × 2 ft. 8 in. St. Joseph, seen to knees,
seated front, with Jesus, standing, on his left; his right hand holds
the Child’s left, the two holding a lily branch, which rests on
Joseph’s right shoulder. Louis Philippe sale (1853), £440. Engraved
by Lemoine; Cottin; lithographed by Geoffroy (2), E. Lasalle (2), M.
Lavigne, L. Maurin, Llanta (3), and others. Repetitions: Sir John
Leslie, Bart., London; Francis Cook, Richmond Hill; D. Roberto Kith y
Somera, Seville.--Curtis, 253.
By _Murillo_, Earl of Strafford, Wrotham Park, Herts; canvas, H. 7
ft. 2 in. × 5 ft. 2 in. The Saint, in violet robe and brown mantle,
holding a lily branch, bends towards the Child, whom he holds with
right hand; they walk to left looking at each other; background,
landscape. Repetitions: Pourtalès sale (1865), 15,000 francs; D.
Antonio Zulueta, Cadiz.--Curtis, 253.
[Illustration: Joseph in Prison, Spagnoletto, Escorial, Spain.]
JOSEPH IN PRISON (Gen., xl.), _Spagnoletto_, Escorial, Spain. Joseph,
when in prison, interpreting the dreams of the chief baker and the
chief butler of Pharaoh’s household. Engraved by Bannerman.--Réveil,
ii. 105.
[Illustration: Coronation of Josephine, Louis David, Versailles
Museum.]
JOSEPHINE, CORONATION OF, Louis _David_, Versailles Museum; canvas,
H. 20 ft. 2 in. × 33 ft. Ceremony in Notre Dame, Paris, Dec. 6, 1804.
Originally entitled the Coronation, and though intended to recall
the crowning of Napoleon, the scene represented is the coronation
of Josephine by Napoleon himself. The Emperor, descending from the
altar, holds aloft the crown which he is about to place on the
head of the Empress, who is kneeling. Behind Napoleon is the Pope,
and near him several cardinals and bishops; further back are the
ambassadors, and in front, at right, are Princes Lebrun, Cambacérés,
Berthier, and Talleyrand-Perigord. Behind the Empress is Joachim
Murat, and near him Marshals Serrurier, Moncey, Bessières, and
General d’Harville; to the left sits the Archbishop of Paris, and
near him General Junot, the Queens of Naples and of Holland, and the
Emperor’s brothers; behind them are Marshals Lefebvre, Kellerman,
Perignon, and General Duroc. In the lower gallery sits the Emperor’s
mother, with other ladies; in the upper gallery stands David himself,
sketching. Salon, 1808. Engraved by Frilley.--Réveil, viii. 557; Gal.
de Versailles, iv. 743.
JOUETT, MATTHEW HARRIS, born in Mercer County, Ky., April 22, 1788,
died at Lexington, Ky., Aug. 10, 1827. Portrait painter; educated a
lawyer, served in war of 1812–14, and at its close opened a studio
in Lexington; in 1816 studied four months in Boston under Gilbert
Stuart. He painted during his short career more than 300 portraits,
including among his sitters many distinguished persons. His
full-length portrait of Lafayette is in the capitol at Frankfort, and
a bust portrait of same is owned by Mrs. Pauline Rodes, Richmond, Ky.
Other good examples of his work are in possession of Landon Thomas,
Frankfort; John Mason Brown, Henry Pindell, W. C. Humphrey, Henry
Sanders, Blanton Duncan, Shelby Todd, R. J. Menefee, Louisville; Mrs.
Margaret Preston, Mrs. Judge Woodward, Mrs. Benjamin Gratz, Miss Mary
Bullock, Robert Peter, Mrs. Oliver Frazer, Mrs. George W. Norton,
Lexington; Robert J. Breckenridge, Danville; A. J. Alexander. Spring
Station, Ky.
JOURDAIN, ROGER JOSEPH, born at Louviers (Eure), in Dec., 1845. Genre
and landscape painter, pupil of Cabanel and Pils. Medals: 3d class,
1879; 2d class, 1881. Works: The Customer (1879); Towing (1881);
Departure of the Fishermen, Carpet Bazaar in Cairo, Venice; Baby’s
Sleep (1884); Lime-Kiln, A Cloud (1885).
JOURDAN, ADOLPHE, born at Nîmes, Aug. 4, 1825. Genre painter, pupil
of Jalabert; skilful in painting flesh. Medals: 1864, 1866, and 1869.
Works: Leda (1864); Cupid’s Secrets (1866); Venus and Cupid (1869);
Meditation, Young Italian Mother, Pursuit (1874); Little Girl (1875);
Parting, Three Friends (1876); Breakfast at St. Honorat (1877); On
the Banks of the Gardon (1878); Venus, Nurse (1879); Mother and
Child (1880); The First Step (1881); Girl with a Shell (1882);
Woman Charming a Bird (1883); First Smiles, Study (1884); Une Loge,
Brindisi (1885); The Betrothed, Wm. Astor, New York.--Bellier, i. 841.
JOURDAN, THÉODORE, born at Salon (Bouches du Rhône), July 29, 1833.
Genre painter, pupil in Paris of Loubon; professor of design in the
Marseilles School of Art. Works: Winding Cocoons near Arles, Melon
Market in Cavaillon (1865); Little Thieves (1866); Girl with a Frog
(1868); Brotherly Help (1869); Collecting Cocoons in Salon (1870);
Departure of a Herd to the Mountains (1872); Returning to the Farm
(1873); Grandmother (1875); Walk by the Sea in Provence (1876);
Faithful Guardian (1877); Infant and Lamb (1879); Herd in Provence
(1880); Sheep at the Drinking Place (1882); Corner of the Fold, Sheep
on the Mountain (1883).
JOURDY, PAUL, born in Dijon, Dec. 15, 1805, died in Paris, Oct. 28,
1856. History painter, pupil of Lethière and Ingres; won grand prix
de Rome in 1834, and became a painter of merit. Medals: 2d class,
1842; 1st class, 1847; from 1851 till his death he was president of
the central committee of artists in Paris. Works: Homer chanting his
Verses (1834); Eve Tempted (1836); Girl fastening her Earring (1839),
King of Holland; Prometheus Chained (1842), Dijon Museum; Christ with
the Doctors (1843), Public School, Bourges; Baptism of Christ (1846),
Church of the White Friars, Paris; Good Samaritan (1847), bought by
State; Seven Sacraments (1850, fresco), Church of St. Elizabeth,
Paris; Woman Bathing (1852); Joys of Peace (1857); Achilles and
Scamander, Theseus recognized by his Father, Dijon Museum; Portrait
of Nicolas Malebranche, Versailles Museum.--Bellier, i. 841.
[Illustration: Signatures]
JOUVENET, JEAN, born at Rouen, April, 1644, died in Paris, April
5, 1717. French school; history painter, son and pupil of Laurent
Jouvenet (1609–81), completed his education in Paris, where he was
sent at seventeen, and took Poussin for his model. His picture of
Moses striking the Rock won for him the favour and good offices of
Lebrun. He became a member of the Academy in 1675, professor in
1681, director in 1705, and rector in 1707. In his old age, having
lost the use of his right arm by palsy, he painted the _Magnificat_,
now in Notre Dame, with his left hand. Many of his works have been
engraved. Works: Christ healing a Paralytic (1673), Visitation
(called Magnificat), Notre Dame; Esther swooning before Ahasuerus
(1675), painted for Academy; Christ with Mary and Martha, Christ
healing the Sick (1689), Miraculous Draught of Fishes (1706), Raising
of _Lazarus_ (1706), Christ driving out the Money Changers (replicas
in Lyons Museum and Schwerin Gallery) (1706), Descent from the Cross
(1697), Ascension (1711), Pilgrims of Emmaus, Feast in House of
Simon, Extreme Unction, View of High Altar in Notre Dame at Paris,
Portrait of Fagon--Physician of Louis XIV., Louvre, Paris; Pentecost,
Versailles Chapel; Twelve Apostles, Invalides; Isaac blessing Jacob
(1692), Presentation (1692), Vision of St. Theresa, St. Cecilia,
Death of St. Francis, Apotheosis of St. Luke, Apotheosis of St. John,
Annunciation (1685), Ascension (1716), and others, Rouen Museum;
others in Grenoble, Nancy, Toulouse, Caen, Nîmes, Mans, Lille, Reims,
Rennes, Orléans, and other provincial galleries; St. Peter healing
the Sick, Basle Museum; Apollo appearing to Priestess, The Virgin
bending over the sleeping Infant Christ, Darmstadt Museum; Portraits
of Priests (2), Old Pinakothek, Munich; St. Ann and the Virgin,
Uffizi, Florence; Visitation of St. Isabel, Madrid Museum.--Bellier,
i. 843; Ch. Blanc, École française; Jal, 709; Revue des Beaux Arts
(1859), 357; Larousse; Mémoires inédits, ii. 23.
JOUY, JOSEPH NICOLAS, born in Paris, Sept. 11, 1809. History and
battle painter, pupil of Devéria, Lethière, and Ingres. First painted
portraits and then several battle pieces for Versailles; has also
treated religious subjects. Medals: 3d class, 1834; 2d class, 1835;
1st class, 1839. Works: Portrait of a Young Greek (1833); Combat of
Heilsberg (1838), Versailles Museum; Grandier’s Apology (1839),
Bordeaux Museum; Adoration of the Magi (1843), Préfecture de la
Seine, Paris; Captain Tronçon du Coudray, Battle of Rocroy, Siege of
Landau, Battle of Pozzolo, Skirmish of Tirlemont, Capture of Furnes,
Assault of Sierk, Surrender of Dunkirk, Versailles Museum; The Crib
(1852); Holy Family (1859); Beethoven with Peasants, Prayer (1865);
Inspiration (1868); Isaac and Rebekah (1869); Holy Family (1870);
Mozart in the Sistine Chapel, Debrey Mill on Montmartre (1879);
Virgin and Child (1880).--Bellier, i. 845; Larousse.
JOVER, FRANCISCO; contemporary. History painter, studied in Madrid
and Rome; devoted himself specially to fresco painting, which he
revived in Spain. Works: Columbus as a Prisoner on board his Ship
(1862); Philip II. blessing his Children (1864); Cardinal Ximenes
delivering Christians in Oran (1871); Treaty of Cambray; Papal Court
and Capuchin Saint.
JOYANT, JULES ROMAIN, born in Paris, Aug. 16, 1803, died there,
July 6, 1854. Landscape and architecture painter, pupil of Bidauld,
Lethière, and of the architect Huyot. His pictures are well composed
and correctly drawn, and the colouring is rich and agreeable. His
masterly pen-and-ink sketches are much sought after. Medals: 2d
class, 1835; Brussels, 1845; L. of Honour, 1852. Works: Palace of the
Doges in Venice (1835); View of S. M. della Salute in Venice (1835),
Nantes Museum; Ponte Rialto (1841), Amiens Museum; Campo Vaccino in
Rome (1843), Dijon Museum; Riva dei Schiavoni (1844); Old Palace of
the Popes at Avignon (1845); Square of S. Marco in Venice.--Bellier,
i. 845; Larousse.
JUAN DE AUSTRIA, DON, _Velasquez_, Madrid Museum; canvas, H. 6
ft. 7 in. × 4 ft. A buffoon, called Don Juan de Austria, or the
Artillerist, standing, looking front; dress, black jacket, red
stockings, and black hat with red feather; ground strewn with weapons
and armour; through a doorway, the sea and a burning ship. Latest
manner. Engraved by Fosseyeux; Allais; E. Lingée (as portrait of F.
Cortes). Etched by F. Goya; B. Maura; Rajon.--Curtis, 32; Gaz. des B.
Arts (1880); xxi. 126; Madrazo, 628.
JUAN DE BARBALONGA. See _Vermeyen_.
JUAN DE DIOS, SAN, _Murillo_, Hospital de la Caridad, Seville;
canvas, H. 11 ft. 7 in. × 8 ft. 10 in. The Saint, sinking to his
knees under the weight of a half-naked pauper whom he bears on his
back, beholds with awe an angel who assists him to rise. Companion
to St. _Elizabeth_ of Hungary. Painted for La Caridad in 1674,
and still in original position. Copy by Dauzats in Louis Philippe
sale.--Curtis, 251; Stirling, ii. 855; Davies, Murillo, 81, 94.
JUAN, SHIPWRECK OF DON (Naufrage de Don Juan), Eugène _Delacroix_,
Louvre, Paris; canvas, H. 4 ft. 3 in. × 6 ft. 4 in.; signed, dated
1840. Illustration of Byron’s “Don Juan” (Ch. ii. 74–75). Don Juan
and his companions in an open boat at sea. Presented to State in 1883
by Mme. Adolphe Moreau, who was once offered 300,000 francs for it.
Salon, 1841; Exposition Universelle, 1855. Lithographed by Français;
engraved by Desmadryl in l’Artiste.--Robaut, Delacroix, 190.
JUBILEO DE LA PORCIUNCULA. See _Francis_ of Assisi, St.
JUDAS, KISS OF, Ernest _Hébert_, Luxembourg Museum, Paris; canvas,
H. 8 ft. 4 in. × 6 ft. 1 in. Christ, in the Garden of Gethsemane,
surrounded by soldiers, one of whom is ready to seize him, whilst
another holds up his lantern so that the light falls directly on the
face which the false disciple is about to kiss, all the surroundings
being wrapped in mysterious shadows. Salon of 1853.
[Illustration: Payment of Judas, Fra Angelico, Florence Academy.]
JUDAS, PAYMENT OF, Fra _Angelico_, Florence Academy. One of the
series of eight panels, containing thirty-five subjects from the life
of Christ, formerly on the presses in SS. Annunziata, Florence. Judas
receives the money from the high-priest in foreground; in background,
six other figures. Kugler (Eastlake), i. 182; Réveil, xiii. 901.
JUDGMENT, LAST. See _Last_ Judgment.
JUDGMENT OF PARIS. See _Paris_.
JUDGMENT OF SOLOMON. See _Solomon_.
[Illustration: Judith, Cristofano Allori, Palazzo Pitti, Florence.]
JUDITH, Cristofano _Allori_, Palazzo Pitti, Florence; canvas, H. 4
ft. 7 in. × 3 ft. 8 in. Scene from apocryphal book of Judith. Judith,
with the head of Holofernes in one hand and a sword in the other;
behind her a servant. Judith is said to represent La Mazzafirra, a
beautiful Florentine courtesan who had deserted Allori for a richer
lover, the servant, her mother, and the severed head the painter,
who thus sought to revenge himself. Allori’s masterpiece. Painted
for Cardinal Alessandro Orsino. Carried to Paris in 1799; returned
in 1815. Several repetitions, best in the Hermitage, St. Petersburg;
another in Vienna Museum; study for head of Judith in Rath Museum,
Geneva. Engraved by Tardieu; M. Gandolfi; Gio. Cantini; L. A.
Claessens; J. Carter; Jazet; J. L. Leronge, and others.--Gal. du Pal.
Pitti, i. Pl. 3; Ch. Blanc, École florentine; Filhol, v. Pl. 319;
Lasinio, i. Pl. 56; Landon, Musée, vi. Pl. 59; Meyer, Künst. Lex., i.
509; Larousse, ix. 1071.
[Illustration: Judith, Philip van Dyck, Hague Museum.]
By Philip van _Dyck_, Hague Museum; wood, H. 11 in. × 12 in.; signed,
dated 1726. Figures half-length. Judith, leaning with her right hand
on the sword with which she has slain Holofernes, is about to put his
head, held in her left hand, into a sack presented by her attendant,
an old woman, at left. Passed from Palace of Leeuwarden to cabinet of
William V.; carried to Paris by the French. Engraved by C. Normand;
H. Guttenberg, in Musée Napoléon.--Landon, Musée, viii. 14.
By Andrea _Mantegna_, Berlin Museum; wood, H. 16 in. × 11 in.;
tempera, dated 1488. Judith, standing, followed by her servant
bearing head of Holofernes in a charger upon her head. Formerly in
Giustiniani Gallery. Another Judith by Mantegna in Collection of
Earl of Pembroke.--Larousse, ix. 1071.
By _Palma_ Vecchio, Uffizi, Florence; canvas, life-size, half-length.
With a scimetar in right hand and head of Holofernes in left. Much
injured by restoration.--C. & C., N. Italy, ii. 476.
By Girolamo _Romanino_, Berlin Museum; wood, H. 2 ft. 9 in. × 2 ft.
3 in. Judith, half-length, with the head of Holofernes in a charger;
her maid looking on, and a soldier in armour asleep. Painted about
1510(?). From Solly Collection.--C. & C., N. Italy, ii. 370.
By Paolo _Veronese_, Vienna Museum; canvas, H. 3 ft. 6 in. × 3 ft. 1
in. Judith, figure to knees, giving the head of Holofernes to Abra,
her black servant, who holds a bag to receive it; in background, tent
of Holofernes. Engraved by Passini.--Gal. de Vienne, i. Pl. 42.
[Illustration: Judith and Holofernes, Artemesia Gentileschi, Palazzo
Pitti.]
JUDITH AND HOLOFERNES (apocryphal book of Judith), Artemisia
_Gentileschi_, Palazzo Pitti, Florence; canvas, H. 3 ft. 3 in. × 2
ft. 7 in. Judith, aided by her servant, is cutting off with a sword
the head of Holofernes, who lies upon a couch in his tent.--Rosini,
vi. 128.
By _Michelangelo_, Sistine Chapel, Rome; fresco on ceiling.
By Henri _Regnault_, Marseilles Museum. Judith, on the point of
striking Holofernes, who lies in a drunken sleep upon his bed,
the upper part of his body nude. Painted in Rome in 1869. Salon,
1869.--Gaz. des B. Arts (1881), xxiv. 94; Moniteur, Aug., 1869;
Chaumelin, Art contemporain, 347; Larousse, ix. 1071.
By _Tintoretto_, Madrid Museum. Three pictures: 1. Judith, sword in
hand, raising the covering of the bed on which Holofernes is lying;
behind her, the servant with a sack. 2. Judith handing the head to
the servant. 3. Judith replacing the bed-cover while the servant puts
the head into the sack.--Madrazo; Larousse, ix. 1071.
By Horace _Vernet_, Louvre, Paris; canvas, H. 9 ft. 9 in. × 6 ft.
5 in.; signed, dated Rome, 1830. Judith, standing near the bed of
Holofernes, is about to strike off his head. Salon, 1831. Collection
of Louis Philippe. Formerly in Luxembourg. Study for head of Judith,
J. H. Stebbins, New York.--Larousse, ix. 1071.
JUEL, JENS, born at Gamborg, Fünen, May 12, 1745, died in Copenhagen,
Dec. 27, 1802. Portrait, landscape, and genre painter, pupil in
Hamburg of Gehrmann, then of Copenhagen Academy; won first prize
in 1771, went to Rome in 1772, to Paris in 1776, and to Geneva in
1777. Became court-painter in 1783; member of Copenhagen Academy in
1782, its director in 1795–98 and 1800–1. Works: Anointing of David
(1771), Portraits of the Engraver Clemens (1776), of Artist and Wife
(1791), of the Dwarf Bajocco, of Admiral Risbrick, of Abildgaard’s
Mother, six other portraits, Painter at Work, Fruits in a Niche,
Approaching Storm, Copenhagen Gallery; Landscape, Young Seamstress,
Schwerin Gallery; Male Portrait, National Gallery, Christiania;
Portraits of Karl Bonet, King Christian VII. and his Queen, the Poet
Klopstock; The Daughters of Consul-General Pingel (1792–94); Family
of Raben-Levetzau (1796).--Weilbach, 239.
JUGELET, (JEAN MARIE) AUGUSTE, born at Brest, Aug. 25, 1805, died
at Rouen, Oct. 22, 1874. Marine painter, pupil of Gudin; has made
many voyages and gained distinction by his marine views. Medals:
3d class, 1836; L. of Honour, 1847. Works: Sunrise at Sea, Bay of
Dinan (1831); Environs of Brest (1833); Port of Havre, Honfleur,
Mont St. Michel, Cliffs of Étretat (1835); A Fog, Harbour of Conquet
(1836); Port of Toulon, Vera Cruz, Saint Jean d’Ulloa (1840); Christ
stilling the Tempest (1845); View of Noli, Environs of Dieppe, Dieppe
Fishing-Boats (1847); A Storm, Island of Grand Bé, Port of Genoa
(1847), bought by State; View of Cannes, Alassio near Nice (1852);
Lookout at Koatven, Jetty at Dieppe, Entrance to Portsmouth (1859);
Sorceresses, Harvest Festival, Wreck of English Brig Lord Gough at
Dieppe, Wreck of Sloop Goole (1861); Environs of Finale (1863);
Marine, Study of a Tree (1864); Tidal Wave at Caudebec, Desert
(1865); Cannes, Storm on Channel Coast (1868); Entrance to Brest,
Environs of Plougastel (1869); Fight of the Arethusa with the Belle
Poule, Versailles Museum; Port of Havre, Sea View (1870).--Bellier,
i. 846; Larousse.
JUGLARIS, TOMMASO, born at Moncalieri, Piedmont, in 1845. Genre and
portrait painter; pupil of Turin Academy under Morgari, then in
Paris, whither he went in 1871, of Couture; accepted, in 1879, the
position as artistic director offered him by Prang & Co., in Boston,
but resigned it after six months to practise his art independently,
and in 1882 was made professor at the Boston Academy. Works: Offering
to the Lares (1878); Promenade in Venice in 16th Century (1879); The
Invasion--prehistoric scene (1880).--Gazetta del Popolo (1885), iii.
12.
JUILLERAT, CLOTILDE (née Gérard), born in Lyons, Nov. 14, 1806.
Genre and portrait painter, pupil of P. Delaroche. Has painted many
highly successful portraits. Medals: 3d class, 1834; 2d class,
1836; 1st class, 1841. Works: Beggar and Sleeping Child (1836);
St. Elizabeth of Hungary picking up a Little Beggar (1841); Anne
of Austria dressing St. Theresa d’Avila, The Widow Scarron, Child
Dreaming (1846); Portraits of Marquise de Castel-Bajac, Duc de la
Rochefoucald, and others.--Bellier, i. 847; Larousse.
JULIAN THE APOSTATE, Edward _Armitage_, Liverpool Art Gallery;
canvas. The emperor, presiding at a conference of sectarians, is
seated at the end of a table, surrounded by his pagan courtiers,
listening with an attentive and judicial air to the disputes of
the eager Christians before him. Royal Academy, 1874; purchased
for £1,500 by A. W. Bennett, who presented it to Art Gallery.--Art
Journal (1875), 250, 373.
[Illustration: Hospitality of St. Julian, Cristofano Allori, Palazzo
Pitti, Florence.]