England; canvas, H. 8 ft. 7 in. × 6 ft. 8 in. St. John in a vision,
supported by two angels. Formerly in Giustiniani Collection; passed
to Delahante in Paris, thence to London, where bought by Mr. Miles
for £1,000; bought in at Leigh Court sale (1884), £735.--Waagen,
Treasures, iii. 182.
By _Murillo_, Leigh Court Collection, Somerset, England; canvas,
H. 5 ft. 9 in. × 3 ft. 11 in. The Saint, full-length, seated in a
reclining posture on a rock, with a pen in right hand and a book in
left, looks up as if he heard a voice from heaven; on his right, an
eagle. Robit sale (1801); Bryan sale (1801), £525, to Henry Hope;
Hope sale (1816), £115 10s. Etched by J. Young in Miles Gallery
Catalogue.--Curtis, 251; Buchanan, Memoirs, ii. 51.
By _Velasquez_, Sir Bartle Frere Collection, London; H. 4 ft. 6 in.
× 3 ft. 4 in. Seated, in white robe and violet drapery, writing the
Apocalypse; an eagle on his right; above, the Virgin in a glory. Same
history as _Conception_ by Velasquez.--Curtis, 12.
[Illustration: Vision of St. John Evangelist, Alonso Cano, Private
Gallery, Paris.]
JOHN EVANGELIST, ST., VISION OF, Alonso _Cano_, private gallery,
Paris; canvas, H. 2 ft. 11 in. × 1 ft. 5 in. One of a series of
subjects from the Apocalypse. St. John is represented in one of his
visions, when one of the seven angels, who were ordered to pour out
the vials of wrath, takes him to a high mountain and shows him the
heavenly Jerusalem which “lieth foursquare” (Rev. xxi. 9–16).
JOHN FREDERICK, Elector of Saxony, portrait, _Titian_, Vienna
Museum; canvas, H. 3 ft. 7½ in. × 3 ft. 1 in. The Elector, clad in
black, seated in an arm-chair; has the scar of the wound received
at Mühlberg on the left cheek. Painted for Charles V. in Augsburg
in 1548. Copy by Teniers at Blenheim; engraved by L. Vorstermann
in Teniers Gallery. Another portrait of John Frederick in armour,
carried to Spain in 1556 by Mary of Hungary, burned in Palace of
Pardo in 1608.--C. & C., Titian, ii. 181; Revue universelle des arts,
iii. 140.
JOHNSON, DAVID, born in New York, May 10, 1827. Landscape painter;
studied for a month with J. F. Cropsey, but otherwise self-taught.
Elected an A.N.A. in 1860, and N.A in 1861. Studio in New York.
Works: Echo Lake (1867); View at Barrytown, N. Y. (1871); Lake
George, Mrs. William H. King, New York; View at Dresden--Lake George
(1874), Courtlandt Palmer, ib.; Scenery on the Housatonic, Brook
Study--Orange County (1876); Housatonic River (1877), L. A. Lanthier,
New York; Sunset on the Walkill River (1879); On the Unadilla at New
Berlin (1881), F. W. Thomas; Study of Oaks (1883); Summer Afternoon,
View on the Weinockie River, Oak Grove (1884).
[Illustration: Bust]
JOHNSON, EASTMAN, born in Lovell, Me., July 29, 1824. Genre painter,
studied in Düsseldorf in 1849–51; later studied and painted in
Italy, Paris, Holland, and four years at The Hague. His most popular
works are those depicting American life, many of which have been
engraved and lithographed. Elected N.A. in 1860. Studio in New
York. Works: _Old_ Kentucky Home (1867), R. L. Stuart, New York;
Chimneysweep, T. R. Butler, ib.; Old Stage-Coach (1871), George
Whitney, Boston; Woodland Bath (1873); Prisoner of State (1874);
Milton dictating to his Daughter (1875); Husking-Bee (1876); Lullaby
(1877); Tender Passion (1859), Spanish Woman (1862), W. T. Walters,
Baltimore; Cranberry Harvest--Island of Nantucket (1880); Funding
Bill--Portraits of two Men (1881); New England Pedler, In Kind Hands
(1884). Portraits: Of a Gentleman (1883), Sir Edward Archibald,
England; Dr. McCosh (Alexander Maitland), Hon. C. J. Folger (1884);
Hon. William M. Evarts (1885).--Sheldon, 166; Tuckerman, 466.
JOHNSON, FROST, born in New York in 1835. Genre painter, pupil of
the National Academy, New York, under Professor Cummings, in 1859;
studied at the Düsseldorf Academy, in 1861, at the Antwerp Academy,
and in 1863 at the École des Beaux Arts, Paris. Painted under Édouard
Frère, at Écouen in 1865–69, and lived for some time in London.
Studio in New York. Works: First Whiff; Caught at It: Arithmetic
Lesson; Study of an Interior, Les Pommes (1869); Roasted Chestnuts;
La Petite Flaneuse, Alvah Hall, New York; Last and Best; The
Bouquet--Portrait of Lady Helena Blackwood, Gallery of Earl Dufferin;
Neglected Lesson; Love Me, Love Me Not; A Thirsty Party, Good-Night
(1876); Young Ornithologist (1879); After Rain (1880); Moorland
Landscape (1881).
JOHNSTON, ALEXANDER, born in Edinburgh in 1816. History painter;
pupil of Trustees’ Academy, Edinburgh, and of Royal Academy, London;
first exhibited at Royal Academy in 1838. Works: Gentle Shepherd
(1840); Covenanter’s Marriage (1842); Highland Home (1843); Tillotson
administering Sacrament to Lord Russell (1845), National Gallery;
Burial of Charles I. (1847); Trial of Laud (1849); Covenanter’s
Burial (1852); Tyndale translating Bible (1854); Abdication of Mary
Queen of Scots (1855); Bunyan in Bedford Gaol (1861); Press Gang
Sixty Years Ago (1862); Billet-Doux (1868); Il Penseroso, Juliet
(1870); Isaac Watts and his Mother (1871); Turning Point (1873);
Bonnie Lesley (1876); Waif (1877); Preparing for Conquest (1878);
Reginald (1884).--Ottley; Art Journal (1857), 57; Cat. Nat. Gal.
JOLIVARD, ANDRÉ, born at Le Mans, Sept. 15, 1787, died in Paris, Dec.
8, 1851. Landscape painter, pupil of Bertin. Studied law at Paris,
made the campaign of 1813, admitted to the bar in 1816, and then gave
himself up to painting. Medal, 1827; L. of Honour, 1835. Works: A
Torrent (1819); View of St. Leonard-les-Bois (1834); River winding
through a Forest, River Veyre (1839); Torrent in Woods (1844); River
Sarthe (1845); View in Brittany (1846); Autumn Evening (1847);
Ubaldus and Dunois stopped by Nymphs (1850); Works in Museums at
Bordeaux, Lisieux, and Mans.--Bellier, i. 833; Larousse.
JOLLIVET, PIERRE JULES, born in Paris, June 27, 1794, died there,
Sept. 7, 1871. History and genre painter, pupil of Gros and De
Juinne. Medals: 2d class, 1833; 1st class, 1835; L. of Honour,
1851. Works: Bull-Fight at Madrid, Interior of an Alcalde’s House
at Madrid (1831); Gitanos halting in the Mountains of Ronda (1833);
Brigands of Valencia (1833), Valenciennes Museum; Christopher
Columbus discovering America, Quentin Durward (1833); Guerrilla Woman
(1834); Trial of Joan of Arc, Byron’s Lara (1835); Christ and the
Samaritan Woman, Descent from the Cross (1839); Byron’s Corsair,
Crown of Thorns (1840); Spaniards Threshing, Returning from the
Fields (1841); Spanish Gypsy Women Bathing, Massacre of Innocents
(1845), Rouen Museum; Gypsies and Spanish Smugglers, Tomb of Les
Énerves at Jumièges (1847); Perseus rescuing Andromeda (1849); Pietà
(1850); Establishing the Magistracy (1855), bought by State; Virgin
with SS. Joseph and Simon, Greek Woman Bathing (1863); Christ among
the Doctors (1865), Préfecture de la Seine, Paris; Cornelia’s Jewels,
Art in the Time of Pericles (1869); Combat of Hooglide, 1794, do. of
Aicha, 1805 (1836); Louis XII. in Battle of Agnadel, 1509, Taking of
Château de Foix (1837); Godfrey de Bouillon holding the first Assizes
in Jerusalem, 1110 (1839), Louis le Gros capturing the Oriflamme
at St. Denis, Battle of Seminara, Battle of Tourcoing, Portraits
of Philip III. and Marshal Catinat, Versailles Museum; Portraits
of Queen Victoria, Prince Albert, and others.--Bellier, i. 834;
Larousse, ix. 1006; Nou. biog. gen., xxvi. 850.
JONAH, _Michelangelo_, Sistine Chapel, Rome; fresco on ceiling.
By _Tintoretto_, Scuola di S. Rocco, Venice; oval, on ceiling of
upper room. The whale, whose mouth is as large as a cavern, has
lifted Jonah out on his tongue, so that it forms a kind of red
cushion for him to kneel on in his submission to the Deity.--Ruskin,
Stones of Venice, iii. 348; Ridolfi, Marav., ii. 198.
JONAS, RUDOLF, born at Goldapp, East-Prussia, in 1822. Landscape
painter, pupil of Königsberg Academy under Behrendsen; went in 1851
to Munich, whence he visited the Bavarian Alps, Tyrol, Switzerland,
and North Italy; taught in Dantzic from 1852 to 1854, when he moved
to Munich. In 1856 made a four months’ journey through Corsica,
and settled in Berlin in 1860. Works: View of Ajaccio; High Plain
on Bay of Ajaccio; Burial Hill in Corsica; View near the Haff;
Oliva Monastery near Dantzic; Deserted Saw Mill; Inn Valley in
Southern Bavaria; Monastery near Elbing; Mountain-Brook; Strait of
Bonifacio.--Müller, 285.
JONES, GEORGE, born in London, Jan. 6, 1786, died there, Sept.
19, 1869. Battle painter, son of John Jones, engraver; student of
Royal Academy in 1801, and an exhibitor in 1803; was an officer
of militia in Peninsular War, and was in Paris in 1815. Painted
battle and subject pieces on return of peace, and became A.R.A. in
1822 and R.A. in 1824; librarian in 1834–40, and keeper in 1840–50.
Works: Battle of Borodino (1829), Town-hall at Utrecht (1829, lent
to Corporation of Oldham), The Fiery Furnace (1832), Lady Godiva
(1833), Relief of Lucknow, Cawnpore--Passage of the Ganges (1869,
last three lent to Corporation of Coventry), National Gallery,
London; View in Rotterdam, Grosvenor House, ib.; Nelson boarding the
San Josef at St. Vincent, Greenwich Hospital; Battle of Waterloo,
Chelsea Hospital; do., National Gallery, Edinburgh; Orléans, Woburn
Abbey; Relief of Lucknow, Cawnpore, Glasgow Gallery; others in South
Kensington Museum; portrait of Sir Charles Napier, National Portrait
Gallery.--Redgrave; Cat. Nat. Gal.; Sandby, ii. 36.
JONES, HUGH BOLTON, born in Baltimore, Md., Oct. 20, 1848. Landscape
painter, studied in Baltimore. In 1877 visited Europe, and studied
there four years, sketching in Spain and Brittany. Elected an A.N.A.
in 1881 and N.A. in 1883. Studio in New York. Works: Ferry Inn,
Summer on the Blue Ridge (1874); Twilight on Bean Creek, J. W. McCoy,
Baltimore; Tangier, W. T. Walters, ib.; Return of the Cows--Brittany,
Heath in Bloom--Brittany (1878); French Landscape (1880); The Kasba
from Moorish Cemetery--Tangier (1881); October, Early Spring (1882);
Near Annisquam--Massachusetts Coast, Landscape--South Orange (1883);
Near Plymouth Meeting--Pa., On Herring Run--Baltimore (1884). Frank
C. Jones, brother of the preceding, occupying the same studio, has
exhibited: Grandmother’s Tales (1881); Left in Charge (1882); Cup of
Cold Water (1883); Lost (1884); Day in March, Afternoon (1885).
[Illustration: Signatures]
JONGE (Jonghe), LUDOLF DE, born at Overschie, South Holland, in
1616, died at Hillegersberg in 1697. Dutch school; portrait, genre,
and landscape painter, pupil of Saftleven, Stevens, and Bylert.
Resided seven years in France, where he met with success, as he
also did on his return, at Rotterdam. Painted portraits and archery
pieces in style of Van der Helst, also battles, hunts, pastures with
cattle, pleasing and warm in colour. Works: Female portrait (1660),
Haarlem Museum; Portraits of Vice-Admiral van Nes (1666), and Wife
(1668), Amsterdam Museum; Portrait of Lady (1653), Dresden Gallery;
Mythological Subject, Berlin Museum; Huntsmen in Peasant’s Cottage,
Leuchtenberg Gallery, St. Petersburg.--Bode, Studien, 168; Burger,
Musées, i. 170; ii. 222; Immerzeel, ii. 87; Kramm, iii. 816.
JONGHE, GUSTAVE DE, born at Courtray, Feb. 4, 1828. Genre painter,
son of Jan Baptist, pupil in Brussels of Navez. Has successively
painted portraits and sacred history, historical genre, and family
scenes. Gold medals in Amsterdam (1862) and Paris (1863). Works:
Notre Dame de Bon Secours (1854); Orphans and their Grandmother
(1862); Piety (1864); Convalescent (1869); Birthday Congratulations;
Lady before Mirror; Declaration of Love (1884); Giving Alms, Ghent
Museum.--Art Journal (1866), 301; Illus. London News, 1869.
[Illustration: Bust]
JONGHE, JAN BAPTIST DE, born at Courtray, Jan. 8, 1785, died in
Brussels in Oct., 1844. Landscape painter, pupil of Ommeganck and of
Courtray Academy; won first prize in Ghent in 1812, gold medal at
Courtray, and silver medals at Douay, Brussels, and Bruges; visited
Holland, France, and England, and was professor at Courtray Academy
(1826) and at Antwerp Academy (1840). Works: Travellers Resting; Farm
in Flanders; Interior of Farm; View of Château d’Auderme; Market Day
at Courtray (1828), Amsterdam Museum; Environs of Tournay, Brussels
Museum; View near Courtray, Stream with Cattle, Ghent Museum; Flock
of Sheep, Tournay Museum.--Biog. nat. de Belgique, v. 211; Cotta’s
Kunstbl. (1844), 436; Immerzeel, ii. 89; Larousse, ix. 1013; Sunaert,
107.
JONGKIND, JOHAN BARTHOLD, born at Latrop, Holland, in 1822. Marine
and landscape painter, pupil in Paris of Isabey; lives in Brussels.
Medal, 3d class, Paris, 1852. Works: Harbour of Harfleur (1850);
Tréport (1852); Course of the Seine, Souvenir of Havre (1853); Notre
Dame from Pont de la Tournelle, Quai d’Orsay, Moonrise in Paris
(1855); Dutch Landscape; Dutch Canal near Rotterdam by Moonlight; The
Maas near Dordrecht by Moonlight.--Bellier, i. 837; Larousse, ix.
1013; Müller, 286.
JOPLING, JOSEPH MIDDLETON, born in London in 1831. Figure, fruit,
and flower painter, self-taught; spent three winters in Rome in
studying old masters. Studio in London. Works: Tea Rose; Joan of Arc
at her Trial; Fair Florist; In the Conservatory, Artist and Model,
Wallflowers (1877); Raspberries, Strawberries, Chrysanthemums (1878);
Lady Hildred, Azalea (1879); Spring (1880); Yellow Jessamine, Sweet
Peas (1881); Almond Blossoms (1882); Daughter of Eve, Interrupted
(1883); Maréchal Niel Rose, York and Lancaster Roses, Lost Chord
(1884).
JOPLING, LOUISE, born in Manchester, Nov., 1843. Born Louise Goode;
married Mr. Romer (died 1872), Secretary to Baron Nathaniel de
Rothschild, Paris, where she studied art under Charles Chaplin in
1867–68; returned in 1868 to England and married second in 1874
Mr. Joseph Middleton Jopling. Exhibited her first picture at Royal
Academy, Bud and Bloom, in 1871. Works: Five O’clock Tea (1874);
Elaine, Modern Cinderella (1875); Five Sisters of York (1876);
Weary Waiting, It might have Been (1877); Pity Akin to Love (1878);
Fair Rosamond, Children in the Wood (1881); Phyllis, Ellen Terry as
Portia (1882); Daisy, Phyllis, Summer Snow, Saturday Night (1883);
Christabel, From my Gondola, Fair Venetian (1884); Little Bo-Peep
(1885).
JORDAENS, HANS, the younger, surnamed de lange Jordaens, born in
Antwerp about 1595, died there after July 14, 1643. Flemish school;
history painter, probably son and pupil of Hans Jordaens, the
elder, who entered the guild at Antwerp in 1582, and by whom there
is a Banquet Scene in the Dresden Gallery; master of the guild in
1620. Not to be confounded with the different Jordaens of Delft.
Works: Crossing the Red Sea, Antwerp Museum; do., Hague Museum;
do., Oldenburg Gallery; do. (2, one dated 1624), Berlin Museum;
do., Hermitage, St. Petersburg; do., Hampton Court Gallery; do.,
Pinacoteca, Turin; Art-Cabinet, Vienna Museum.--Meyer, Gemälde d.
Köngl. Mus., 223; Riegel, Beiträge, ii. 293; Rooses (Reber), 352.
[Illustration: Bust]
[Illustration: Signatures]
JORDAENS, JAKOB, born in Antwerp, May 19, 1593, died there, Oct. 18,
1678. Flemish school; history painter, scholar of Adam van Noort,
whose daughter he married; received as master in the painters’ guild
in 1615, and in the following year married Katherine, his master’s
daughter. Instead of going to Italy, he studied the pictures of the
great Italian masters, especially Titian, at home, and becoming
intimate with Rubens, assisted him in preparing cartoons for the
tapestries of the king of Spain. With a fine feeling for colour and
chiaroscuro, great facility and skill in composition, Jordaens wants
taste and elevation of style, is often but a vulgar Rubens. In 1641
he built a fine house at Antwerp, where he spent the greater part
of his life. Works: Judgment of Solomon, Marriage of St. Catherine,
Christ and St John, Meleager and Atalanta, Holocaust to Pomona,
Diana’s Bath, Family Scene in a Garden, Wandering Musicians, Madrid
Museum; _Christ_ driving out the Money Changers, Last Judgment
(1653), The Four Evangelists, Infancy of Jupiter, Twelfth Night,
As the Old sing so the Young Twitter, Portrait of Admiral Ruyter,
Louvre, Paris; Christ and the Pharisees, Distress of the Prodigal,
The Apostles, Twelfth Night, Susanna and the Elders, Lille Museum;
Visitation, Nativity, Lyons Museum; Miraculous Draught of Fishes,
Marseilles Museum; Christ and the Woman taken in Adultery, Rennes
Museum; Christ with Martha and Mary, An Elder, Rouen Museum; Last
Supper, Sisters of Charity, Entombment, Adoration of the Shepherds,
Pegasus, Commerce and Industry protecting the Arts, Human Law based
on Divine Law, Lady’s Portrait, Museum, Antwerp; Martyrdom of St.
Apollonia, Augustine’s, ib.; St. Charles Borromeo interceding for the
Plague-stricken at Milan, St. James’s, ib.; Christ on the Cross, St.
Paul’s, ib.; St. Martin expelling an Evil Spirit (1630), Allegory on
Fertility, Satyr and Peasant, Triumph of Prince Frederik Hendrik of
Nassau, Allegory on Vanity, Eliezer and Rebekah, Museum, Brussels;
As the Old Sing so the Young Twitter, Arenberg Gallery, ib.; St.
Ambrose, Reconciliation, Christ and the Woman taken in Adultery,
Ghent Museum; Calvary, Tournay Museum; Satyr and Peasant, Amsterdam
Museum; Faun and Nymph, Venus in a Grotto (copy after Rubens),
Museum, Hague; Triumph of Prince Frederik Hendrik of Nassau, Huis
in’t Bosch, ib.; Adoration of the Magi, Christ bearing the Cross,
Rotterdam Museum; Convocation of the Four Fathers of the Church,
Basle Museum; Feast of the Bean (sketch to painting in Munich
Pinakothek), Berne Museum; As the Old sing so the Young Twitter,
Berlin Museum; Adoration of the Shepherds, Holy Family, Christ at
Emmaus, Feast of the Bean, Democritus and Heraclitus, Male Head,
Brunswick Museum; Moses striking the Rock, Carlsruhe Gallery; Pan
and the Peasant (2), Artist’s Family, Bacchus with Bacchantes, The
Pap-Eater, Education of Bacchus, Twelfth Night, Merchant and Moor,
Cassel Gallery; Prometheus, Neptune, Cologne Museum; Naiads changing
the Horn of Achelous (1642 or 1649?), Christ and the Children,
Susanna at the Bath (1653), Copenhagen Gallery; Allegory on Virtue,
Solomon’s Judgment, Darmstadt Museum; Ariadne, Silenus, Diogenes
seeking an Honest Man, Visit to the Sepulchre, Presentation in the
Temple, As the Old sing so the Young Twitter, Satyr and Young Girl,
Male Portrait, Hercules with Bacchantes and Satyrs (after Rubens),
Dresden Museum; Merry-Making, Düsseldorf Gallery; Cupid assisting
at Toilet of Venus, Gotha Museum; Abraham and Isaac, Kunsthalle,
Hamburg; Nymphs and Satyrs in the Woods, Provinzial Museum, Hanover;
Faun, Königsberg Museum; Christ among the Doctors, Last Supper,
Mentz Museum; _Satyr_ and Peasant, Feast of the Bean, Christ among
the Doctors, Old Pinakothek, Munich; St. Jerome, Diana and Nymphs
Bathing, Miracle of St. Dominik, Oldenburg Gallery; St. Jerome, Holy
Family, Schleissheim Gallery; Nocturnal Apparition, Schwerin Gallery;
Vertumnus and Pomona, Dædalus and Icarus, Stuttgart Museum; _Twelfth_
Night, Vienna Museum; Meleager and Atalanta, Wiesbaden Gallery; St.
Paul and Barnabas at Lystra, St. Peter, Madonna, Diana and Nymphs
disturbed by Satyrs, Mercury and Argus, Satyr and Peasant, Artist’s
Family, Family Group in a Garden, Artist’s Portrait, Portrait-Heads
(4), Hermitage, St. Petersburg; Ammon and Thamar, Incident in Life of
Paris, Academy, ib.; Venus in a Mirror, Neptune, Uffizi, Florence;
Abraham’s Sacrifice, Milan Academy; Resurrection, Dutch Burgomaster,
Pinacoteca, Turin; Prince Frederik Hendrik of Orange and Consort,
Devonshire House, London; Holy Family, Theology, National Gallery,
Dublin; Artist’s Portrait, National Gallery, Edinburgh; Fruit
Seller, Glasgow Gallery; Triumph of Bacchus, Visit of St. John to
Infant Christ, Sketch from Sacred History, New York Museum.--L’Art
(1882), iv. 241; (1883), i. 41; Ch. Blanc, École flamande; Cat. du
Musée d’Anvers (1874), 217; Engerth, Belvedere Galerie, ii. 217;
Fétis, Cat. du Mus. Royal, 350; Génard, Notice sur J. J. (Ghent,
1852); Immerzeel, ii. 91; Kramm, iii. 821; Kugler (Crowe), ii. 310;
Michiels, vii. 360; Riegel, Beiträge, ii. 100; Rooses (Reber), 352;
Schaefer, iii. 1165, 1170, 1183, 1196, 1204, 1206, 1248; Van den
Branden, 814; Wauters, Peinture flamande, 245.
[Illustration: Bust]
JORDAN, RUDOLF, born in Berlin, May 4, 1810. Genre painter, studied
first from nature on the isle of Rügen, then at the Düsseldorf
Academy under Schadow and Karl Sohn; has repeatedly visited Holland,
Belgium, France, and Italy. Member of Berlin, Dresden, Amsterdam,
and Brussels Academies. Medals: Berlin, 1866, 1878; Vienna, 1873;
Philadelphia, 1876. Works: Fisherman’s Family (1832); Proposal of
Marriage in Helgoland (1834), Windlass in Normandy (1843), Death of
the Pilot (1856), Old Sailor’s Home on Dutch Coast (1866), Widow’s
Comfort (1866), National Gallery, Berlin; Forgotten Boots, Evening in
Helgoland, Return of the Pilots (1835); Pilot’s Alarm-Bell (1838–39);
Pilot’s Examination (1842); Scene on the Downs after Storm (1844);
Women calling Men to the Rescue of Ship (1845); Saved from Shipwreck
(1848), Dresden Gallery; First Lie (1849); Burial of Youngest Child,
Provinzial Museum, Hanover; Women praying in the Storm (1852);
Helgoland Pilot Family burying Child (1857), Ravené Gallery, Berlin;
Return of the Fisherman; Morning after Wedding (1861), Leipsic
Museum; Soup for the Sick (1862), Expectation, Düsseldorf Gallery;
Soup-Day in French Convent (1868), Cologne Museum; Coast-Watch,
Frauenhuys in Amsterdam, Burial of Old Sailor, Shipwrecked People in
Tavern on Coast (1872); Waiting-House near Scheveningen; Happiness
and Labour; Missing Boat (1876); Tavern on Dutch Coast (1884).--D.
Kunstbl. (1858), 287; Dioskuren, 1866–69; Jordan (1885), ii. 109;
Müller, 307; Wolfgang Müller, Düsseldf. K., 215; Rosenberg, Berliner
Malerschule, 45; Wiegmann, 287.
JORIS, PIO, born in Rome in June, 1843. Genre and landscape painter,
pupil of Academy of San Luca and of Fortuny; visited Venice, Munich,
and Paris in 1869, London in 1870, and Spain in 1871–72. President
of Società d’acquerellisti in Rome, honorary member of Société beige
des aquarellistes, member of several Art-Unions; Italian Crown
Order, Bavarian Order of St. Michael; Gold medal, Munich, 1869;
twelve medals in 1878–81. Works: Roman Peasant Girl and Shepherd
(1866); Greeting of the Virgin Mary (1867); Wedding in Palombara,
Sabina, Hasty Meal, Concert in Genazzano (1868); Sunday Morning
before the Porta del Popolo (1869); Via Flaminia in the Rain (1870);
Saladad, Spanish Dance (1872); Art Amateurs, Beggar in Toledo
(1872), Reitlinger Gallery, Paris; Return to Convent (1873); Young
Greek Woman, Poet after Festival in Villa d’Este (1874); Parson as
Antiquary (1875); Return of Orphans, Baptism in Roma Priora (1876);
After Vespers, Forio d’Ischia (1877); Baptism in Ischia (1878):
Replica, Neapolitan Head (1879); Pastime in Last Century, At the
Antiquary’s (1880); Arch of Titus in Rome, Woman of Sonnino, Woman
of Jerusalem, Cardinal going to Consistory (1881); Odalisque (1882);
Flight of Pope Eugenius IV. (1883), National Gallery, Rome; Poor
Soldier as Ballad Singer (1883).--L’Illustr. italiana (1875–77);
Meyer, Conv. Lex., xviii. 531, 629; xix. 574; xxi. 549, 564.