_It will give me great pleasure to be godfather for your son.
Truly, I count it no small honor, and no slight responsibility. I
am very eager to see young John Paxton, and shall be present both
at the christening and at the reception._
_With every good wish for him and for his father and mother, I
am_
_Sincerely yours,_
_William A. Burke._
A WORD OF SPECIAL CAUTION
In answering an invitation never say "will accept." The act of writing
the answer involves either the acceptance or the regret, as the case
may be, and the present tense should be used.
CHAPTER VI
CORRESPONDENCE
TO-DAY AND YESTERDAY
It is customary nowadays to deplore the fact that the art of
letter-writing has fallen into decay, and when we read that the entire
correspondence of an engaged couple recently was carried on for two
years by telephone and telegraph we are inclined to believe it. Yet
such is not the case. It is true that we no longer have--and for this
we should be truly grateful--flowery expressions of rhetorical feeling
interlarded with poetic sentiments selected from a "Home Book of
Verse," or some similar compilation, but we do have letters which are
genuine and wholesome expressions of friendship.
It is a gift to be able to write lovely notes of congratulation,
sympathy and appreciation, and one that has to be cultivated. Writing
of all kinds grows perfect with practice and the large majority of
people have to serve a long apprenticeship before they have mastered
the gentle art of expressing themselves on paper. It is an art worth
mastering even if one never has to write anything but polite social
notes and letters.
THE LETTER YOU WRITE
From Buckingham we have the following little rhyme that does full
justice to the important art of letter-writing:
Of all those arts in which the wise excel,
Nature's chief masterpiece is writing well.
A letter, business or social, is simply talk upon paper. And as a wise
philosopher once said, "Never put on paper what you would not care to
see printed in the newspaper for all to read." As in everything else
connected with the social world, ease is absolutely essential to the
correct letter. The style must not be cramped, stilted, forced. A free
and easy flow of language, simple and understandable, and with just
that acceptable degree of cordiality and heartiness that makes one
enjoy reading, is essential in all correspondence.
And yet, letters should be written _personally_--that is, they should
represent the sender. Be sure, first, that you know exactly what you
want to say, and how you want to say it. Then put it down on paper as
though you were speaking; make no pretense at being so very highly
educated that you must use flowery language and poetical phrases.
Simplicity in form and wording is the most effective and graceful
method. It is a greater mark of learning and intelligence to write a
simple, ably expressed, cordial letter, than to write one that shows an
obvious effort to cover, by extravagant expressions and highly
figurative language, the reserve and dignity that are the foundation of
all good-breeding.
In the following pages it is possible for us only to give the
prescribed principles of correct form, suggesting the forms and
expressions to be avoided. But the true art of letter-writing rests
with you--and your own personality. We would suggest that you read
carefully each letter you receive, noting and remembering those
expressions that most appeal to you. A good appeal is generally
universal; what appeals to you in a letter you receive will appeal to
others. Thus you will find that personal experience in this matter will
help you much more than any book that gives you only the foundation of
form and style.
THE BUSINESS LETTER
It is interesting to find in the midst of the lament that in the
twentieth century people have ceased to find time to write letters or
to be courteous that the Postmaster General has rescinded previous
orders which directed that departmental correspondence should not begin
with the ceremonial form of "My dear Sir," and that the complimentary
close, "Yours sincerely," etc., should not be used. His order is worth
quoting:
"In no part of our work does the demand for the human quality apply
more than in the matter of writing letters. By far the largest
contact of this department with the public is by means of the
letters which are written. Letters can be cold, stereotyped,
following the same routine day by day, appearing more or less
machine made, and the impression which the recipient has upon
reading the letter is that the suggestion, complaint, petition or
application made has been given scant consideration.
"I want every letter that goes out from this department or any of
the Post Offices or other field offices to convince the reader of
the fact, for it must be a fact, that whatever he has written has
been received sympathetically and that an effort has been made to
give the writer the benefit of every possible service which the
department affords.
"To this end I think the writers should endeavor to make their
letters more informal than is now the case generally; that they
should, wherever the exigencies of the case do not require
otherwise, be as explicit as possible, and that reasons for the
position taken by the department should be given. Above all, I do
not want the letters to be stereotyped."
A business letter is written with a purpose. It is a good letter when
it accomplishes that purpose briefly, thoroughly, and courteously.
Women especially should be careful not to be discursive. Business men
have not time to puzzle over bad handwriting or ambiguous sentences.
Whenever it can be done conveniently the business letter should be
written on the typewriter. Tinted stationery is never appropriate, and
ruled stationery should never be used either for business or social
correspondence.
The correct form for the salutation of a business letter includes the
name and address of the person or firm to whom the letter is written as
well as the ceremonial form of salutation. Thus:
Bradford and Munro,
534 Fifth Avenue,
New York City, N.Y.
Gentlemen: (or Dear Sirs or My dear Sirs)
Mrs. H. K. Weatherly,
Secretary of the Citizens' League,
Smithville, Arkansas.
Dear Mrs. Weatherly: (or Dear Madam or My dear Madam)
Except when it is the first word of the salutation, _dear_ should
not begin with a capital letter. The address in the salutation should
be repeated exactly on the envelope and particular care should be taken
to make it legible. The stamp should always be placed in the upper
right-hand corner. It is bad form to put it on obliquely or upside down
or to place it in the left-hand corner or on the back flap of the
envelope. It is a silly practice to do so and causes the postal clerks
a great deal of trouble.
FUNCTION OF THE SOCIAL LETTER
There are, necessarily, several kinds of letters, the three most
important divisions of which are the friendly letter, the business
letter, and the social letter. In its strictest sense, the social
letter is written for a distinct social purpose--usually about, or in
response to, some purely social circumstance. The difference between a
friendly letter and a social letter is relatively the same as the
difference between a strictly formal and a friendly informal visit.
To write a friendly letter, one simply writes what one feels, heeding
no very stringent rules regarding letter-writing. But the social
letter-writer finds that there are certain forms that must be carefully
observed, if his or her letters are to be considered entirely correct.
There are two distinct forms of the social letters--the formal and the
informal. The formal social note is used only for invitations,
announcements and their respective acknowledgments. It is always
written in the third person, and always requires an answer. Even though
it is sent to the most intimate friend, the formal note remains formal;
although later a friendly letter may be sent to remove any possible
constraint or "chill." The informal note has no definite formula,
except that it can be generally compared to all the informal trend of
correct social usage. The first person is used in the writing of
informal notes.
Whether formal or informal, the social note always bears the name of
the person to whom it is addressed. To illustrate, when writing
socially to Mrs. Joselyn, one does not use the expression, "Dear
Madam," but "Dear Mrs. Joslyn." In America the form "my dear" is
considered a trifle more formal than just "dear," although in England
the reverse is true. "Dear Madam" and "Dear Sir" are forms reserved
exclusively for use with business letters.
THE ETIQUETTE OF STATIONERY
The well-known proverb may well be changed to read, "A man is known by
the stationery he uses." There is no greater opportunity to show good
taste--or bad--than in the tone, design and type of note paper we use.
It is as effective an index to one's individuality as are the clothes
we wear.
Just as in everything else, there are new fashions in the sizes, forms
and general appearance of social correspondence each season.
Invariably, the new form is an improvement on the older and more
stilted form. However, there are slight changes, and the general rules
of correct correspondence remain unchanged from year to year. A good
stationer is the best authority in regard to the minor modifications
that come each new season.
The _outré_ in everything pertaining to good social usage is offensive
to good taste. Thus, those who are refined and well-bred avoid such
startling color combinations as deep purple paper inscribed with white
ink. Of course, by its very daring, such a letter would gain immediate
attention. But the impression made would be one of poor taste and
eccentricity, rather than the striking personality the writer doubtless
tried to convey. Let us, then, avoid all fads in size and color of
social stationery
LETTER AND NOTE PAPER
Plain, unruled sheets, either white or light gray in color, and folding
once into their envelopes are the approved materials for all social
correspondence. Black ink should always be used--violet, blue or purple
expresses extremely bad taste. There are, of course, many varying
qualities of note paper, depending entirely upon the means and
preferences of the individual. Some manufacturers are to-day issuing
delightful stationery in delicate tones of gray, blue and buff, and it
is necessary to mention here that there can be no objection to note
paper of this kind. It is only bad taste to use paper of vivid red,
yellow or green--so glaring in color that it is conspicuous. Colored
borders on stationery are in poor taste, as are also heavy gilt edges.
Paneled stationery and that with the deckle edge are both very lovely
and in excellent taste, if the color is subdued or pure white. And to
be conspicuous is to be ill-bred.
The complete text of a formal note must appear on the first page only.
Thus, a good size for a woman's social correspondence stationary is
four and a half inches by six inches, although it may be slightly
larger than that for general correspondence. Then there are the very
small sheets used merely for a few words of condolence or
congratulation. The size of stationery for men's social correspondence
varies, but it is usually a trifle larger than a woman's note paper. A
man never uses small sheets of paper, nor may he conduct social
correspondence upon business or office paper. It is only when private
stationery is not easily available, and a letter must be immediately
mailed, that club or hotel paper may be used for social correspondence.
Letter paper and envelopes should be of the same color and of about the
same material. We say "about" for, when the note paper is very thin, a
slightly thicker paper should be used for the envelope. Incidentally,
very thin paper is objectionable for social correspondence when both
sides of the sheet are written upon.
Some women like to use perfumed paper for their social correspondence.
While it is not exactly bad form to use perfumed stationery, a very
strong fragrance is most objectionable. Thus only the most delicate of
perfumes may be used. The use of perfumes for men's stationery is
entirely discountenanced.
CRESTS AND MONOGRAMS
Just as the gaudy frills and furbelows of the dress of Queen
Elizabeth's era have disappeared, so have the elaborate crests, seals
and monograms of earlier social stationery gradually given way to a
more graceful and dignified simplicity. Originality may be the
possession of those who can attain it, but it must always be
accompanied by simplicity of style.
Gorgeous monograms are not desirable. If used at all--and very few even
of our proud and aristocratic families _do_ use them--they should
be decorative without being elaborate. A good stationer should be
consulted before one determines upon a monogram. His taste and
knowledge should direct the ultimate choice.
Monograms and crests should not appear on the envelope, only on the
letter paper. Seals may be stamped wherever one wishes on the back of
the envelope, although the most fashionable place is in the direct
center of the flap. On mourning stationery, black wax is permissible
for the seal; red, blue or any dark color may be used on white or light
gray paper. Care should be taken in dropping the hot wax and pressing
the seal, for nothing is so indicative of poor taste as an untidy seal
on the envelope of a social letter. A seal should not be used unless it
is actually needed. It is bad form to use it in addition to the
mucilage on the flap of the envelope unless the mucilage is of a very
poor quality.
A monogram or crest is placed in the center at the top of the page when
no address is given. It should be omitted entirely when the address
appears at the top of the page. The space occupied by a crest or
monogram should not cover more than the approximate circumference of a
silver dime. A crest is usually stamped in gilt, silver, black, white
or dark green. Vivid colors must be avoided.
When an address is engraved on a sheet of paper the chest or monogram
should be omitted. The stationery of a country house frequently has the
name of the place in the upper right hand corner with the name of the
post office or railroad station opposite. Authors sometimes have their
names reproduced from their own handwriting and engraved across the top
of the paper they use for their business correspondence.
The most fashionable stationery to-day does not bear crests or
monograms or seals, but the address engraved in Gothic or Roman
lettering in the upper center of note and letter sheets, also on the
reverse side of the envelope. Black ink, of course, is used.
USE OF THE TYPEWRITER
Having invaded and conquered the business world, the typewriter has now
become a social necessity. Personal typewriters, made in portable
sizes, are now being used for social correspondence, although many
conservative people prefer to remain loyal to the use of the old pen
and ink method. Yet, when the best handwriting is often illegible and
hard to read, a modern invention so necessary as the typewriter should
be hailed with delight and used with enthusiasm.
There still may be a few "extremists" and etiquette fanatics who insist
that typewritten letters are for business purposes only, and that they
are an insult when used socially. Prevalent custom to-day permits
typewritten correspondence for nearly every occasion, and the
well-typed social letter reflects better taste upon the sender than a
hand-written letter that is difficult to read--and yet took a much
greater length of time to write.
Social letters, whether hand or typewritten should not be on ordinary
commercial paper. The letter written on the machine should have a wide
margin at the top, bottom and sides. Signatures to a typewritten
letter, social or business, should be made personally, in ink.
REGARDING THE SALUTATION
It is only in cases of extreme formality that the expression "Dear
Madam" or "Dear Sir" is used. For ordinary social correspondence, the
salutation is either "Dear Mr. (Mrs.) Roberts" or "My dear Mr. (Mrs.)
Roberts." The use of "My dear" is considered more formal than merely
"Dear," except in England where the first form is considered the more
intimate.
The form "Dear Miss" or "Dear Friend" may be used on no condition
whatever. It is either "Dear Miss Wimberly" or "Dear Madam." It is
considered presumptuous, in good society, for a man to address a lady
as "Dear Mrs. Brown" until she has first dropped the formal "my" in her
correspondence with him.
The strictly formal method for addressing a letter to a man by a woman
who is a total stranger to him, is:
"Mr. John D. Brown,
"Dear Sir."
If he is a distant relative, addressed for the first time, or the
friend of a very intimate friend, the salutation may read, "My dear Mr.
Brown."
CLOSING THE LETTER
The endings "Very truly yours" or "Yours truly" express a certain
formality. Friendly letters are closed with such expressions as, "Yours
most sincerely," "Cordially yours," "Very affectionately yours,"
"Lovingly yours." The latter two expressions are confined largely to
intimate friends and relatives, while the others are used when letters
are written to new acquaintances or casual friends. The pronoun _yours_
should never be omitted, as it leaves the phrase unfinished and is not
complimentary to the person addressed. Thus, closings, such as "Very
truly" or "Sincerely" are in bad form.
Always remember in social letter-writing, to make a "graceful exit." An
awkward sentence in closing often mars what would otherwise be a
perfect letter. Forget certain strained expressions that remain in the
mind and demand to be used as closings, merely because they have been
used by so many people, over and over again. Make the farewell in your
social letters as cordial and graceful as your farewell would be if you
were talking to the person, instead of writing. Such kind expressions
as "With kindest personal regards" or "Hoping to have the pleasure of
seeing you soon" or "With best wishes to your dear mother and sisters"
always add a note of warmth and cordiality to the social letter. These
should be followed by "I am." It is not considered good form to end a
letter,
_Hoping to hear from you soon,
Yours sincerely,_
but it should be
_Hoping to hear from you soon, I am
Yours sincerely,_
No comma is used after "am."
It is not good taste to use only the initials, the surnames or given
names alone, or diminutives, when signing notes or letters except when
they are addressed to one's most intimate friends. A married woman
signs her self Ellen Scott, not Mrs. Guy Scott, in social
correspondence. Often, in business letters, when the recipient would be
in doubt as to whether or not the lady were to be addressed as Mrs. or
Miss, the conclusion to the letter should be in this form:
_Yours truly,
Ellen Scott
(Mrs. Guy Scott)_
An unmarried woman signs her letters "Margaret Scott," unless it is a
business communication and she is liable to be mistaken for a widow. In
this case, she precedes her name by the word Miss in parentheses.
The first and last names of the man writing the letter must be given in
full, and if there is a middle name, either the initial or full
spelling may be given. But such a signature as J. Ferrin Robins is bad
form.
It is both undignified and confusing to sign a letter with one's
Christian name only, unless one is a relative or very intimate friend.
A woman never signs her Christian name alone in a letter to a man
unless he is a relative or her _fiancé_ or a very old friend of the
family.
ADDRESSING THE ENVELOPE
Although there is a distinction in England regarding the use of "Mr."
and "Esq.," both forms are optional here in America. Either one may be
used in good form. But to omit both, and address a man just as "Walter
J. Smith" is exceedingly rude and bad taste. Neither should "Esq." and
"Jr." be used together in this manner, "Walter J. Smith, Esq., Jr." The
correct form would be "Walter J. Smith, Jr." A servant would be
addressed merely as Walter J. Smith, without any title.
"Mrs." or "Miss" must invariably precede the name of a woman on an
envelope unless she is a professional woman with some such title as
"Dr." A woman does not assume her husband's honorary title; thus, it is
not good form to address an envelope in this manner: "Mrs. Captain
Smith" or "Mrs. Judge Andrews."
A practicing woman physician is addressed in this fashion, when the
communication is professional: "Dr. Ellen R. Blank." This form is not
used in social correspondence, except in the case of a very famous,
elderly physician who is entitled to the honorary title at all times.
Otherwise this form is used when the communication is social: "Miss
Ellen R. Blank" or "Mrs. John T. Blank."
LETTERS OF CONDOLENCE
Letters of condolence should never be written, unless the writer has
been genuinely moved to sympathy. For that reason, they are usually
forthcoming only from relatives and intimate friends of the bereaved
family. A letter of sympathy should be brief and cordial. Those
pretentious letters that are filled with poetic quotations and
sentimental expressions are not genuinely sympathetic, and those that
refer constantly to the deceased are unkind. A few well-chosen words of
sympathy are all that is necessary. Following are two model letters of
condolence, that may be used as basic forms for other letters:
_New York, August 24th._
_Dear Miss Curtis:_
_I hasten to offer you my most profound sympathy for the great
grief that has fallen upon you and your house-hold. If there is
anything I can do, I hope you will not hesitate to call upon
me._
_Cordially yours,_
_Harriet B. Wainwright._
_Philadelphia, May 5th._
_My dear Mrs. Andrews:_
_Knowing as I do from my own experience how deep your grief must
be I also know that there is little that anyone can say or do to
make your sorrow any the less. Yet I cannot refrain from offering
my sincerest sympathy, and along with it the hope that Time, which
softens all things, will make even this easier to bear._
_Believe me, most sincerely yours,_
_Lillian M. Roberts._
ACKNOWLEDGING A LETTER OF CONDOLENCE
Mourning or white paper is always used when answering a letter of
condolence, except when the engraved cards of acknowledgment are sent.
These are severely plain, and the message is always brief. Often they
are sent in the name of the entire family, as:
_Mr. and Mrs. John Hall Hammond
gratefully acknowledge your expression of
sympathy upon the death of their daughter.
June 6, 1921._
This is certainly the easiest way for the bereaved to express their
gratitude, though simple notes of thanks may be sent instead of the
more formal card.
ETIQUETTE OF THE FRIENDLY LETTER
It is often a moot question among friends as to who shall write the
first letter. Generally speaking, it is the one who has gone away
rather than the one who remains behind who writes first, though among
good friends there is no more necessity to count letters than there is
to count visits. The writer knew a college girl who, when she came
home, decided to wait before writing and see how many of her friends
cared enough for her to write to her. She was rather gratified by the
result but if each girl who came away from the school had arrived at
the same decision the situation would have been a very queer one, to
say the least of it.
A young lady who has gone away may send a card or write a brief note to
a gentleman but if he is the one who has departed she should not write
to him until she has received a letter from him.
Some people may feel that a discourse on friendly letters has no place
in a book on social intercourse. But we feel that social success is
just as largely dependent upon one's simple friendships as it is upon
highly extravagant social activities, and therefore it is necessary to
know something about the friendly letter.
The salutation in a friendly letter should always be "Dear Mary" or
"Dear Miss Jones." The text of the letter should be written with ease,
and instead of a long list of questions (as some letter-writers delight
in using), bits of choice news of the day, interesting personal
experiences, and the like should be disclosed. As Elizabeth Myers in
her book "The Social Letter," says: "The friendly letter is our proxy
for a little _tête-à-tête_, telling of the personal news of the day,
and should be as extemporaneous as daily speech. Such letters are given
free scope and it would be as bootless to dictate rules as it would be
to commit a monologue to memory prior to a friendly visit."
Unless you are very intimate with a friend, and your letter contains
"identifying" news, do not sign yourself merely with your Christian
name. There are many Marys, and Johns and Harolds; and a letter signed
with the full name is as cordial as one which gives only the baptismal
name.
There is an old Latin proverb, "_Litera scripta manet_," meaning "The
written letter remains." A very pretty sentiment is attached to this
one short sentence. It means not only that the letter itself remains,
but that the thoughts contained in that letter, the kind, unselfish,
pretty thoughts of friendship, remain forever in heart and mind of the
person for whom it was intended. When you write to your friends, make
your letters so beautiful in form and text, that they will be read,
re-read, and cherished a long time after as a fond memory. It will be a
big step on the road to social perfection. Another point to be kept in
mind is that nothing should be written in a letter that one would not
be willing for almost anyone to see. Letters sometimes travel far, and
one can never be altogether sure into what hands they may fall.
THE CHILD'S LETTER
The sooner the child is taught to take care of his or her own personal
correspondence, the sooner he or she will become perfect in the art of
letter-writing. The little ones should be taught early the significance
of the correct letter, the importance of correct social correspondence.
Their duties at first may be light, and guided entirely by mother's
suggestions; but the youngsters will soon find keen pleasure and
enjoyment in creating letters themselves.
Here are a few letters that might have been written by children between
the ages of seven and twelve. They are not offered as model letters,
for children have a great deal more personality than grown-ups, and
they must get that personality into what they write; otherwise the
letter will be strained and unnatural. Do not be too critical of their
first efforts. Pass over mistakes, and let the letter sound as if the
child and not you had written it. At the same time teach them to be
careful. With a very small bit of diplomacy the child can be brought to
take great pride in a letter which he wrote "with his own hand." And
don't make the children say things that they do not want to. Protect
them from the petty insincerities of social life as long as possible.
_Dear Aunt May:_
_Thank you ever so much for the pretty doll. I have named her
May. Mother thinks she is very pretty but Tom does not. Tom does
not like dolls. He plays with the dog and his tops and marbles
nearly all the time. The dog's name is Mike. He is black. I like
him lots. We are going to have strawberry ice cream Sunday. I wish
you could be here. I would give you a big plate full._
_Please come to see me soon._
_Your loving niece,_
_Helen._
_Dear Uncle Frank,_
_I have a box of paints. I painted a dog and a soldier this
morning. The soldier has on a red coat. The dog is a pointer. My
dog is a rat terrier named Jack. He caught a big rat this morning
in the barn. Mother says she thinks he has been eating the
chickens. School will be out in a week. I will be glad. Mother says
she will not. I know how to swim. There is a creek near here. The
water is over my head in one place. I am going fishing one day next
week. I caught two perch last time I went._
_Your nephew,_
_John._
_Dear Grandma:_
_I wish you a very happy birthday, and I hope that you will like
the present I sent you. Mother says that she will take me to see
you soon. I wish she could take me to-day._
_Your loving grandchild,_
_Mabel._
LETTERS TO PERSONS OF TITLE
A certain set of definite rules is prescribed for all communication
with titled people. The general rules given for ordinary social
correspondence are not the same for persons of title, and as each
executive, dignitary and man or woman of royal blood requires special
address, it will be necessary to incorporate them into a compact scale
that can be easily referred to. At the end of this volume is a scale
giving the opening, closing and address, formal and informal, for every
person of title.
CHAPTER VII
PARENTS AND CHILDREN
THE HOME
The home is the unit of our social life, and just as the whole can be
no greater than the sum of its parts so the standard of behavior in a
community can be no higher than the sum of the standards in the homes
that make up that community. If in the home one observes strictly the
rules of politeness, which means kindness, one will have very little
trouble with the rules of etiquette, which is simply the way politeness
finds expression in our intercourse with each other. Minor canons of
etiquette change from time to time but good manners are always the
same, and never out of fashion.
APPEARANCE OF THE HOUSE
Obviously a book on etiquette cannot go into the problems of interior
decoration; yet a word or two will not be out of place. The influence
of one's surroundings on one's temper is enormous though the person may
be unconscious of the fact. A disordered room gives a feeling of
depression and hopelessness to the one who enters it while one that is
tidy tends to impart a feeling of restfulness. If in addition to its
neatness it is furnished in harmonious colors--and one cannot be too
careful of the colors that are used in the home--in subdued tones it
will contribute much more to the peace and happiness of the home than
even those who live there realize. It will not eliminate bad tempers or
do away with disagreeable moments but it will certainly help to reduce
them to a minimum.
DRESS
In another volume in the chapter on funerals we have spoken of the
influence of dress, especially of the influence of the constant
presence of black on young children. This is only one small phase of a
very big subject.
In the home the chief requisite of one's dress is neatness. A man will
find it much easier to accord the little courtesies of well-bred
society to his wife if she is neatly and becomingly dressed, however
simple the gown may be, than if she is slatternly and untidy. The
children also will find it much easier to love, honor and obey if their
parents give a reasonable amount of time to taking care of their
personal appearance. It is not the most important thing in life but it
is one of the little things "that of large life make the whole" and one
that has much to do with making it pleasant or unpleasant.
In one of O. Henry's stories a little girl down on Chrystie Street asks
her father, "a red-haired, unshaven, untidy man sitting shoeless by the
window" to play a game of checkers with her. He refuses and the child
goes out into the street to play with the other children "in the
corridors of the house of sin." The story is not a pretty one. Six or
seven years later there is a dance, a murder and a plunge into the East
River. And then the great short story writer says that he dreamed the
rest of the story. He thought he was in the next world and "Liz," for
that was the girl's name, was being tried for murder and
self-destruction. There was no doubt but that she had committed the
crimes ascribed to her, but the verdict of the officer in the celestial
court was, "Discharged." And he added, "The guilty party you've got to
look for in this case is a red-haired, unshaven, untidy man, sitting by
the window reading, in his stocking feet, while his children play in
the streets." It is not so much that dress in itself is important but
that it is an index to so much else, and while it is not an infallible
one it is about as near right as any we have.
DRESS FOR CHILDREN
There can be nothing quite so humiliating to a child as to be dressed
in an outlandish fashion that renders him conspicuous. Some mothers,
delighting in the attractive clothes that they buy for their children,
do not realize what havoc they are causing to the tastes of the child.
A little boy should be dressed like a little boy, and he should be
allowed to develop his own tastes in the selection of his suits and
blouses. A little girl should by all means be allowed to make her
choice of the clothes she is to wear, guided by mother's superior
knowledge and experience. But to force a child to wear a garment
against which its very soul revolts, is to crush whatever natural
instincts the child may have for the beautiful and artistic.
It is sad to see a child fretting uncomfortably in a suit that is too
tight, or a huge sailor hat that laps down over the eyes. Simple,
comfortable clothes are the best for children, but they should be
excellent material. Rather give the child one dress of excellent
material and workmanship, than two that are faulty and inferior. Teach
her to appreciate material and she will always prefer quality to
gaudiness.
CHILDREN AND DEVELOPMENT
It is not enough to give children the material things of life. There
are some things that money cannot buy, and this thing we call "culture"
is one of them. It is a part of the heavy responsibility of parents to
lead the children in their charge into the paths of right thinking and
right living and the task should be a joyous one. For every child born
into the world has infinite possibilities and at its very worst the
task is illumined by the ray of hope. Even the ugly duckling became a
swan.
KNOW YOUR CHILDREN!
Make that your first commandment in your plan of child-nature. Know
your children! And by "knowing" we do not mean their faults, their
likes and dislikes, their habits. Know their ambitions, their little
hopes, their fears and joys and sorrows. Be not only their advisors and
parents, but their _friends_.
In his book, "Making the Most of Children," La Rue says: "We may say
there are four kinds of parents,--spades, clubs, diamonds and hearts."
The spade parent, he explains, is buried in his work, eager only to
clothe attractively the body of the child, but willing that the soul
go naked. The club parent is engrossed in social activities; the
father with his clubs and sports, the mother with her dinners and
entertainments. The diamond parents love glitter and ostentation. They
must seem wealthy and prosperous at all cost. They devote their time
and thoughts to their home and outward appearance--they never think
about _knowing_ their children.
But the heart parent, La Rue tells us, is the man or woman who is
essentially a home maker. He provides a library for the child, a cozy
room, an environment that is truly _home_. And he spends time with
him, learning all about his hopes and ambitions, encouraging him,
teaching him. He knows the child; and the child knows that he has a
friend upon whom to depend not only for material comforts but for
spiritual advice and guidance.
You must know your children, before you can attempt to make them
well-mannered and well-bred.
IMITATION
The strongest force that enters into the molding of children's
character and deportment is the character and deportment of their own
parents. Youngsters cannot find the beautiful gift of good manners in
some unknown place; whatever they do and say is in imitation of
something they heard their elders do and say. The whole life of a man
or woman is colored by the environment and atmosphere of his or her
early childhood.
Children should not be taught "party manners." If they are to be
well-bred at all, they must be so at all times; and ill-bred parents
can no more have well-bred children than an oak tree can have pine
needles. And the chief beauty of perfect manners is that they are so
habitual as to be perfectly unconscious.
Of great importance, therefore, is the law of teaching by example. Show
the children that you yourself follow the laws of good conduct and
courtesy. Whether guests are present or not, let your table etiquette
be faultless. Address everyone, and especially the children themselves,
with studied courtesy and thoughtfulness. A well-bred child is known
immediately by his or her speech; and when courtesy and gentle, polite
conversation is the rule in the home, it will follow as the night the
day that it will be the rule elsewhere.
Parents invariably feel embarrassment at the ill-manners and lack of
courtesy on the part of their children. They would often be able to
avoid this embarrassment if they realized that it was simply their
manners and lack of courtesy in the home, an indication that they
themselves neglect the tenets of good breeding.
THE CHILD'S SPEECH
It is a very grave mistake to repress constantly the speech of
children. But it is necessary that they should be taught early the true
value of conversation, instead of being permitted to prattle nonsense.
An excellent training is to converse with the child when you are alone
with him, drawing out his ideas, giving him "food for thought," telling
him interesting stories and watching his reactions.
In addressing elders the child should know exactly the correct forms to
use. For instance, it is no longer considered good form for anyone
except servants or tradespeople to use the expressions "Yes, ma'am,"
and "Yes, sir." Still there is some deference due parents and elders,
and the correct method of address is, "Yes, mother," or "No, father,"
or "Thank you, Mr. Gray." The manner of the child is just as important
as the form of expression; a courteous, respectful manner should always
be used towards elders.
Contradictions are unbecoming in children. Yet the young girl or boy
must be entitled to his or her own opinion. If something is said with
which he does not agree, and if he is taking part in the conversation,
he may say, "I beg your pardon, but...." or, "I really think you are
making a mistake. I think that...."
AT THE TABLE
The final test of good manners comes at the table. Remembering this the
parents should lay special stress on this part of a child's training,
so as to make his manner of eating as natural as his manner of
breathing. And one is almost as important as the other. There are no
particular rules for children beyond those which older people should
follow and these are given further on in this volume. Children are
really little men and women and their training is all for the purpose
of equipping them to live the lives of men and women in the happiest
and most useful way possible.
A child should never seat himself until those older than he are in
place though even this should not be ostentatious. As soon as the
mother or whoever is presiding at the table indicates that it is time
for them to be seated they all should take their places almost
simultaneously.
Disparaging comments on the food are ill-bred. Unpleasant incidents
should be passed over lightly whether they take place in the intimacy
of the home circle or in a more formal gathering.
The conversation should be agreeable. Quarreling, nagging, gossiping,
scandal-mongering, and fretting are absolutely taboo.
PLAYMATES
We have already said that children catch their manners from the people
about them. This is as true of their playmates as of their parents and
when the child is in school nearly all day and playing out somewhere
the rest of the time except during the evening when he is at home
studying it is perhaps even more so. The most rigid discipline and the
most loving care will not prevail against the example of Tom, Dick, or
Harry, if these three have been allowed "to run wild." There is a
glamor about lawlessness even among children. This should be kept in
mind by their parents, and while they should be placed, insofar as it
is possible, among desirable playmates, there should not be too stern
repression. For this may stifle development, it may breed sullenness,
or it may engender rebellion.
There are too many parents to-day who try to bring up their children
"by the rule." There is no rule. Each child is a law unto himself and
the best way the mother or father can learn to take care of him is to
study the youngster himself.
Instead of the swaggering playmate or one that is otherwise undesirable
the parent should offer something better. Of course, he should be his
child's friend and counselor as well as his parent, but the wisest and
most lovable parent that ever lived could not satisfy all the longings
and desires of the child's heart. He needs companionship of his own
age. The constant friction among playmates is the best way in the world
to rub away sharp corners and rough places.
Games, books, music, toys, friends--carefully chosen, these are the
most important elements which enter into the molding of the child's
life and are therefore the ones to which greatest attention should be
given.
CHILDREN'S PARTIES
A party is something that the average child looks back upon with
pleasure for a long, long time. There is no more pleasant way of
inculcating a feeling of genuine hospitality or of bringing about an
easy manner in the drawing-room than through allowing children to have
parties and giving them a large share of the responsibility for making
them successful. The mother should superintend everything but she
should consult and advise the child about favors, refreshments, etc.
The most attractive invitations are those which the youngster himself
writes. Charming designs may be had from the stationers with blank
spaces to be filled in by the person sending them. This makes the
child's task delightful as well as simple.
Until he is old enough to write, his mother pens his invitations.
Rarely are engraved invitations used for a children's affair. The
invitation may be addressed to the child or to its mother and since
parties for little people are usually very informal the invitation
should be informal also. The following shows a form which is sometimes
used:
_Dear Mrs. Grant,_
_I am having a little party for some of Julian's friends Thursday
afternoon and am so anxious for Mary to come. If you will send her
about four o'clock I will see that she gets back home around
six._
_Cordially yours,_
_Agnes K. Marshall_
If the invitation is addressed to the child it might be worded
something like this:
_Dear Mary,_
_Julian is planning to have a little party Thursday afternoon and
he wants you to come about four o'clock. Tell your mother that we
will see that you get home about six. We both want you very
much._
_Cordially your friend,_
_Agnes K. Marshall._
Birthday parties are usually held in the afternoon between three and
six. Older children, those of the Sweet Sixteen age, may have parties
from four to seven, or eight o'clock. Hallowe'en, New Year and St.
Patrick's Day parties for little tots, are invariably in the afternoon.
Mother should arrange for sufficient interesting games to keep the
youngsters amused and entertained; and it always adds greatly to the
fun, if a little prize is offered for the winner of each game.
Parties and ice-cream, of course, go hand in hand. Sweets, cakes and
fruit usually accompany the ice-cream. Sometimes hot chocolate and
wafers are served to the youngsters. At the birthday party, the
inevitable birthday cake is usually cut and served by the young host or
hostess. Mother must not forget the candles, "one for each year and one
for good measure." The refreshments at young folks' parties are usually
served at or about four o'clock.
It is most essential to have a sufficient number of amusements planned
to keep the children entertained every minute of the time. They cannot
be trusted to take care of themselves especially if the party is a
mixed one. The hostess must also be careful not to have the games so
active as to tire the youngsters out and she must be sure that the
refreshments are wholesome. It is no very small undertaking to give a
successful children's party but the reward is great enough to make it
worth while.
PLANNING SURPRISES
The two important rules of children's parties may be analyzed briefly
as: simplicity and a surprise combined with suspense. Suspense is
especially important; children have impatient little souls and when
they are promised some strange and vague surprise, they are delighted
beyond measure, and spend the time awaiting it with keen delight and
expectation.
The surprise may consist of a huge Jack Horner pie, filled with pretty
souvenirs. It may be a Brownie party, with cunning little Brownie hoods
and caps previously prepared for the young visitors. It may be any one
of a thousand gay, simple, childhood games that youngsters delight in.
To offer a prize for the winner always arouses keen interest in the
game.
RECEIVING THE YOUNG GUESTS
At children's parties, the hostess stands in the background cordially
seconding the welcomes extended by her little son or daughter. When
everyone has arrived, the young host or hostess leads the way into the
dining-room and the dinner.
After the dinner there will be games until it is time to leave. The
wise hostess will see that all fragile bric-à-brac and expensive
furniture is well out of the way before the children come. And she will
see that as soon as a game is becoming too boisterous, or too tiresome,
another is suggested. There must be variety to the entertainment for
children grow weary very quickly.
ABOUT THE BIRTHDAY PARTY
If the party is in honor of a child's birthday, an effort should be
made to make it as festive as possible. The birthday flower, whatever
it happens to be, should be given prominence. The table should have an
attractive floral centerpiece, and must be as well-laid as the
correctly formal dinner-table of the older folks.
It is customary for the guests to bring a gift for the child, but
lately it has been forbidden by some parents. There is no reason to
forbid it, however, as the custom is a pretty one and the gifts are
usually trifling. And it is as amusing as it is pleasing to watch how
proudly and importantly the young visitor bestows his gifts upon his
comrade.
The birthday cake holds the place of honor on the table. Around the
edge of it, in small tin holders, are candles--one for each year the
child has thus far celebrated. One candle is blown out by each little
guest, and with it goes a secret wish of happiness for the boy or girl
whose birthday it is. Some parents do not wish to run the risk of
accidents caused by burning candles. In this case, it is pretty to have
the icing on cake represent the face of a clock, with the hour hand
pointing to the hour which indicates the child's age. Very often when
the slices of birthday cake are distributed, tiny gifts are presented
with them.
WHEN THE YOUNG GUESTS LEAVE
A problem which the hostess of children's parties invariably meets, is
how to get the children home safely. Undoubtedly, the parents of the
young children should provide some means of having them escorted home
safely after the party; the duty should not be allowed to devolve upon
the hostess. If the children are older, of high-school age, the young
boys may be trusted to escort the girls to their homes. When children
are very young they have no idea when to leave. The hostess may say,
"Let us have one more game before you start for home, children," and
immediately proceed to explain what the game shall be, impressing it
upon them that they are expected to leave for home as soon as it is
over. Or she may suggest a final grand march which the youngsters will
no doubt enter into whole-heartedly--and the march may lead into the
room where their wraps are waiting.
There is nothing quite as beautiful and gratifying as a group of
laughing, happy children; and the hostess who has attained this may
indeed feel repaid for her trouble. Children are easy to please, too.
Something absurd, something the least bit out of the ordinary,
something queer or grotesque, is bound to win their immediate applause
no matter how simple and inexpensive it may be. And strangely enough,
the hostess who manages to bring the sunshine and merriment into the
hearts of her young guests, feels young and childish herself for the
time being--and the feeling is one of such utter delight and happiness
that it is well worth the effort.
CHILDREN'S ENTERTAINMENTS AWAY FROM HOME
There are many delightful ways of entertaining children away from home,
and out-of-door parties are especially wholesome. Motion pictures
parties for children that are old enough are very pleasing if the
picture is a good one. This is a point that should be carefully
attended to beforehand. It is no time to "take a chance." At the party
out in the woods or down by the bank of the creek refreshments should
consist of picnic fare. The motion picture party or the matinée party
might be followed by ice-cream or by a simple dinner. But however many
of these entertainments one may give one must remember that there is
after all not a great deal of art in amusing people when the amusements
are furnished by someone else, and also that the art of entertaining
charmingly at home is perhaps the greatest art of them all.
CHILDREN AND DANCING
The dancing school teaches the youngster a great deal more than merely
a few dancing steps. From no other source is it possible for the young
boy or girl to acquire the grace, the poise, the charm of manner that
the dancing school imparts.
The writer knows a very lovely young miss of twelve years, who has so
charming a manner that one delights to be with her. Yet, her parents
confide, that two years ago she was so nervous and fidgety that they
were ashamed to take her anywhere. They attribute her present grace and
ease to her lessons at dancing school.
There is no reason why boys should not also be registered at the
dancing school. A young man who, in childhood learned the little
formalities of the dancing school, will not be likely to feel ill at
ease in the formal drawing-room, or at the elaborate dinner. He will
know how to conduct himself without embarrassment or
self-consciousness.
In training our children's manners and speech, we must not forget that
their physical development is most important. Etiquette requires that
the child know, not only how to act at the table, how to greet visitors
and how to be well-behaved and mannerly, but also how to _appear_
polite and polished. Dancing gives them just the right foundation for
grace and courtesy of manner.
A WORD TO PARENTS
In your hands has been placed the destiny of a child, or of children,
to be molded, developed and formed into a perfect being. Do not make
the mistake that so many parents make--the mistake of thinking that the
child is a miniature of yourself, a pocket edition of yourself as it
were. You have certain tastes, habits, hopes and desires cultivated
through years of experience and education. The child has a young mind
to be expanded and developed, a young body to be molded into lines of
grace and charm, a young life to be made fine and beautiful.
It is not an easy task, this leading a child through the correct
channels of early life. The young minds are so sensitive, the young
memory is so retentive; evil influences are so easily made, and become
so readily a part of the boy's or girl's life. Someone once said,
"Motherhood is made up of denial." All parenthood is made up of
denial--for from the time the youngster first opens its eyes in its
cradle, the parents must deny themselves everything that is necessary
to make that child a perfect man or woman.
They must give up much of their social duties to attend to the
development of the child's mind. They must spend hours with the
youngster in his own or her play, so that there will be woven in with
that play, a subtle teaching. They must deny themselves material and
spiritual comforts so that those whose destiny is in their hands, will
be correctly prepared to meet life.
There are several chapters to the book of childhood. It is the complete
volume that counts--not just one page. Follow your child through all
his chapters of childhood, enter into his play and study and ambitions.
There are so many little incidents that remain in the memory and
permanently change the behavior. It is one thing to be just a parent,
quite another to be parent and friend. Let your child see that you are
interested in _all_ his activities, and your influence will have a
great deal to do in the shaping of his future manners.
AMUSEMENTS
"Be as careful of the books you read as of the company you keep; for
your habits and character will be as much influenced by the former as
by the latter." This bit of wisdom from the pen of Paxton Hood reveals
one great duty which confronts every parent. The child must have its
own library, and one that will correctly develop its mind and manners.
Even if it is only one shelf of books in the nursery, it should belong
to the child itself. The pride of personal ownership increases the
value of the books.
Books should be chosen with care, but there should be sufficient
variety to enable the young boy or girl to select the subject that he
or she is most interested in. Fiction should be of the better kind,
"Robinson Crusoe," "Little Lord Fauntleroy," the "Jungle Books,"
"Grimm's or Andersen's Fairy Tales," "Alice in Wonderland," etc. Boys
will like "Plain Tales from the Hills," "Bob, Son of Battle," "Treasure
Island," "The Sea Wolf," "Huckleberry Finn," "Twenty Thousand Leagues
Under the Sea," etc.
There should be special attention given to the classics. It is
unfortunate that so much of the time devoted to them should be spent
altogether in the schoolroom for books that one has to read are rarely
the ones that one likes best. Dickens, Thackeray, Shakespeare, George
Eliot, and a mighty host of others are waiting for the child who is old
enough to understand them. The parent should watch the tendencies of
the mind of his child and should keep him supplied with books that will
develop and expand the little intellect in accordance with its natural
preferences. The best way to teach a child to care for books is to keep
him surrounded with them and to read to him or tell him stories from
time to time and to be patient if he is slow in manifesting a desire to
use the key that unlocks the treasure that lies between the covers of
books.
Music is one of the best means of developing the child's emotional
nature and of subduing wayward impulses and of bringing about harmony
in the home circle. The writer knows of one family--and there are many
others--which sometimes in the evening finds itself all at sixes and
sevens. Nobody agrees with anybody else; the whole group is hopelessly
tangled. The mother goes to the piano and begins playing a song that
they all know. One by one the members of the family join in and it is
not long before they are all gathered around the piano singing song
after song and the petty disagreements and the unpleasant feeling of
discord have vanished into thin air.
Much is to be said in favor of the gramophones. Through them the best
music is accessible to almost everyone. But it is not wise to depend on
them altogether, for children have talent to be developed, and there is
a charm about music in the family that is like, to use a crude
comparison--home-cooking. It cannot be duplicated elsewhere.
LET THE CHILD BE NATURAL
After all, the greatest charm of childhood is natural, spontaneous
simplicity. Stilted, party-mannered children are bores. They are
unnatural. And that which is not natural, cannot be well-bred.
The cause of shy, bashful, self-conscious youngsters is wrong training.
They are repressed instead of developed. Their natural tendencies are
held down by constant reminders and scoldings and warnings. Instead,
they should be _brought out_ by proper encouragement, by kind,
sympathetic understanding. Some children have the idea, in their
extreme youth, that parents are made only to forbid things, to repress
them and make them do things against which their natures revolt. The
bond that should exist between parent and child is a certain
understanding friendliness--an implicit faith on the part of the child,
and a wise guidance on the part of the parent.
Remember that a child is like a flower. If the flower is not permitted
to struggle upward towards the sun, and to gather in the tiny dewdrops,
it will wither and die. If the child is not allowed to develop
naturally, its tastes and ideals will be warped and shallow.
Teach your child to be well-mannered and polite, but do not disguise
him with unnatural manners and speech.
THE YOUNG GIRL
There are two kinds of young girls--those who face life as some great
opportunity, who consider it a splendid gift to be made the most of,
and who help to create the beauty that they love to admire; and those
who are butterflies of society, whose lives are mere husks, without
depth, without worth-while impulses and ambitions. They are satisfied
if they know how to dance gracefully, if they know how to enter a room
in an impressive manner, if they know how to be charming at the dinner
table. Their conversation is idle chatter; their ambitions are to be
"social queens," to earn social distinction and importance.
Fortunately, the twentieth century girl is less of a butterfly than the
tight-laced hoop-skirted young miss of the latter part of the
nineteenth century. Perhaps the war had something to do with it.
Perhaps it is because so many new occupations have been opened up to
her. Perhaps it is evolution. But the young miss of to-day is certainly
more thrilled with life and its possibilities than her sister of two or
three decades ago ever was.
Life is no longer shown to the young daughter as a plaything by fond
parents who plan no future except marriage and social success for the
young woman whose future rests in their hands. To-day life is shown to
her as it is shown to her brother--as something beautiful, something
impressive, something worthy of deep thought and ambitious plan.
To-day the young girl is not only taught to dance gracefully, to enter
a room correctly, and to conduct herself with ease and charm at the
dinner table, but she is taught to develop her natural talents and
abilities so that the world will be left a little better for her having
lived in it. Her conduct, therefore, is tinged with a new dignity of
purpose, a new desire to make the best of the gift of life. Instead of
idle chatter her conversation assumes the proportion of intellectual
discussion, and young men and women to-day discuss intelligently
problems that would not have been mentioned in polite society a
generation ago.
It is to help the young girl to prepare for the glorious future that
awaits her that the following paragraphs are written.
THE GIRL'S MANNERS
There is nothing quite as charming in a young girl as repose of manner.
A soft voice, a quiet, cultured manner is more to be admired than a
pretty face, or an elaborate gown.
Let the young girl look to the ancient Greeks for inspiration. Here she
will find the true conception of beauty--repose of manner and utter
simplicity. She will find that to be perfect is to be natural, and that
one must be simple and unostentatious to be beautiful in the true sense
of the word. After all, what can be quite so lovely as beautiful
manners? And what can be more worthy of admiration and respect than a
sweet, well-mannered young girl?
Politeness and courtesy are two other important virtues that the young
girl should develop. She should be as polite to her mother and sister
as she is to strangers. She should be courteous and kind to everyone.
And she should learn the art of listening as well as the art of
conversation.
THE CHAPERON
American girls with their independent ideas of social requirements mock
the idea of a chaperon to the theater or dance. And this is especially
true of the many young women who are planning careers for themselves,
who intend to be more than social butterflies.
We are proud of the ideal American girl. We do not mean, of course, the
self-esteemed, arrogant young miss who derides all conventions and
calls herself "free." In her we are not interested at all. But there is
the true American type--the young girl who is essentially a lady, who
has self-reliance but is not bold, who is firm without being
overbearing, who is brainy but not masculine, who is courageous, strong
and fearless, yet _feminine_. She has no need of the chaperon; and
it is because of her that the "decay of the chaperon" has been so rapid
in America.
And so we find that the American girl who is well-bred, who is
well-mannered and high-principled, may attend the theater and the dance
with gentlemen, unchaperoned. It is only when she travels abroad or
stops at a hotel for any length of time that social requirements still
command that she be chaperoned. But even then, the girl who travels on
business purposes, need feel no embarrassment when she is alone, if her
manner and speech are as polished and correct as they should be.
THE YOUNG COUNTRY MISS
In the small town or in the country, if a young girl goes to a party or
other social meeting with a young man, he is, of course, expected to
escort her home again. If the hour is early and the family will
probably still be up, she may invite him in if she wishes to do so. But
it is not an obligation. If it is late, she does not invite him into
the house, but she may ask him to call. In some sections of the United
States it is still considered correct for the young man himself to
request that he be permitted to call.
A correspondent has written to inquire whether or not it is correct for
a young girl to thank a young man for his escort just before leaving
him at her own door. Evidently the young lady who has written has
herself been in doubt as to whether or not it is correct. In this
instance, circumstances alter cases. If she were a young country miss
returning from an informal village function, she would by no means
offer thanks. But if the young man has obviously put himself to an
inconvenience to escort her home, then it is only polite that she offer
him some expression of gratitude. A city girl does not thank her
escort, but he on the other hand, may thank her for a very pleasant
afternoon or evening if he wishes to do so.
THE GIRL AND HER MOTHER
The young girl should follow her mother's example and advice in all
things. Eighteen is the correct coming-out age for the young American
girl, and until then she should obey her mother without question. She
should be guided by her wider experience, by her more mature knowledge.
But unfortunately this is not always so. Mothers and daughters are not
the "pals" they ought to be.
Recently a woman was asked by a very close friend why she allowed her
daughter to attend the theater and the dance with a young man who was
of questionable character. "Surely you have some influence over her,"
the friend persisted. "Tell her to avoid him." But she simply smiled in
a tired sort of way and said, "I am only her mother."
This should not be. The mother should guide her daughter in all she
does, and the daughter should be willing to abide by her mother's
decisions. Otherwise that sacred, beautiful friendship that can be
created only between a mother and daughter will never exist.
FOR THE SHY AND SELF-CONSCIOUS
A great many of us suffer from self-consciousness. We always imagine
that people are looking at us, talking about us, ridiculing us. We are
never at ease among strangers, never happy when people are around. We
are always embarrassed, shy, ill at ease.
There is a story told about the famous Hawthorne who was so shy and
self-conscious that he ran out of the house or hid himself whenever he
saw visitors approaching. His wife, who was also very timid and
retiring by nature, was left to entertain the guests as best she could.
Hawthorne was heartily ashamed of himself, but instead of trying to
overcome his self-consciousness he sought and found forgetfulness in
his books and writings. His wife, on the other hand, was forced to
overcome her natural timidity for the sake of her husband and for the
sake of the hospitality of the Hawthorne home. And because she
determined to do it, she soon became entirely unself-conscious and able
to conduct herself with ease and unconcern even among the most
celebrated people.
And so you see that self-consciousness can be overcome. There is no
reason for the bride to feel embarrassed and ill at ease when she is
hostess for the first time in her new home. There is no reason for the
young girl to feel shy and timid when she is introduced in society.
There is no reason for the young man to be self-conscious in the
presence of ladies. A little will power and a little sincere effort
will banish this fault forever.
FORGET ABOUT YOURSELF
That is the only way you can hope to cure yourself of
self-consciousness--forget about yourself! There are so many delightful
things you can think of, so many interesting things beyond the selfish
little boundaries of your own self. Send your thoughts abroad, send
them into the universe to drink deeply of knowledge and learning, to
delve into the wells of profound interest that surround us on every
side--and forget about the petty commonplaces of life, the unimportant
everyday conventionalities. Then you will forget about yourself also,
and before you realize it you will be calm, dignified, unafraid. All
suggestion of self-consciousness will have vanished.
WHY THE SHY ARE AWKWARD
When a bride leaves a small country place to become the hostess in a
large house in a large city, she is very likely to feel ill at ease and
conscious of herself. Naturally, this makes her awkward in her manners.
Shyness is over-sensitiveness--a shrinking from observation. It causes
us to worry about what others are thinking about us, and naturally it
makes us morbid. Thus we are kept from appearing at our best, and in
all our manners and actions we appear awkward and nervous. It is very
necessary to overcome this fault if one wishes to mingle with people of
the best society.
Orison Swett Marden says, "If you are a victim of timidity and
self-depreciation, afraid to say your soul is your own; if you creep
about the world as though you thought you were taking up room which
belonged to somebody else; if you are bashful, timid, confused,
tongue-tied when you ought to assert yourself, say to yourself, 'I am a
child of the King of Kings. I will no longer suffer this cowardly
timidity to rule me. I am made by the same Creator who made all other
human beings. They are my brothers and sisters. There is no more reason
why I should be afraid to express what I feel or think before them than
if they were in my own family.'"
The great inspirational writer has shown you in this little paragraph
the way to overcome your self-consciousness--the foolish timidity that
is robbing you of your privilege of self-assertion, of your ease and
grace of manner, of your very happiness. Whenever you feel embarrassed
and ill at ease in the presence of strangers, think of the words of
Marden. Remember that you are one of the children of the universe, that
we are all brothers and sisters, and that you have as much right to
assert yourself as any other man or woman in the world. And when you
finally do overcome your timidity you will find that you have acquired
a splendid new grace and charm of manner.
SELF-CONFIDENCE VERSUS CONCEIT
Do not have the mistaken idea that confidence in oneself, lack of
self-consciousness, is conceit. As a matter of fact, it is much better
to be shy and self-conscious than to be a pert, aggressive egotist.
The first lesson to learn, in your crusade against self-consciousness,
is that you must not be _ashamed of your shyness_. That will make
you even more conscious of yourself. Forget that you are shy. Or if you
cannot forget, tell yourself that it is better to be reserved and
modest than to be conceited and aggressive. Do not shrink from
strangers, but meet them and talk to them as though they were your
brothers, or sisters. Treat everyone like an equal, but do not treat
yourself as an inferior.
Self-confidence is what makes success, whether it is in the social
world or the business world. It was self-confidence that helped Edison
with each new invention. It was self-confidence that enabled Madame
Marie Curie, penniless and obscure, to discover radium, the greatest
and most wonderful metal in the world. All achievement is founded on
self-confidence--not of the aggressive sort, but of the quiet, calm,
unassuming sort that is so easy to develop if one will only try.
Determine that you will no longer allow timidity and shyness to rule
you. Assert yourself! And watch how your manners improve.
COUNTRY HOSPITALITY
The country hostess must not feel that she is expected to entertain her
guests in city fashion. There is a great deal of difference between the
facilities and conditions of country and city life, and social
activities are consequently different in both localities.
In the country there is much less mingling with strangers than there is
in the city. Social entertainments are confined very largely to the
home fireside. There are few clubs, few large halls and auditoriums. A
feeling of intimacy and good-fellowship exists which is entirely
lacking in large cities. Almost everybody knows everybody else, and
when a large entertainment is given, the whole village knows about it.
To attempt to emulate her city sister would be folly for the country
hostess. She hasn't the facilities nor the natural conditions conducive
to the elaborate and strictly formal entertainments and activities of
the city. In the country everything should be on a simpler, more
informal basis; the natural beauties of the country are certainly not
compatible with the fashionable and often ostentatious activities of
the city.
IMPORTANCE OF SIMPLICITY
We go to the country because we are tired of the town and we want rest,
quiet, peace. We do not expect to find a frenzied attempt at imitation
of city entertainments. Yet this is what so many hostesses do--instead
of retaining the delightful natural simplicity of their homes, they
feel that they must entertain their city friends in city fashion. And
invariably they fail.
Very often when a city man or woman is tired of the sham and narrow
conventionalities of city life, he or she will plan to visit a country
friend. If that country friend is wise, he or she will make no
elaborate preparations, but just greet the friend with the simple
country hospitality that is so alluring to city people. Where in the
city can you find the good-fellowship, the spontaneity, the courteous
kindliness that you find in the small town and village? Where in the
city can you find the open-hearted generosity, the sympathetic
understanding and the simple courtesy that you find among country
people? The elaborate ball room with its richly gowned women is
charming and impressive; but the simple country party with its Virginia
reel, the daughters in their party clothes and mothers in their "best
black silks" are no less charming.
For the sake of those young men and women who live in the country and
know liveried chauffeurs and uniformed butlers only through books, for
the sake of those men and women who live in the country because they
love simplicity and the beauties of nature, but for those who are eager
to know good manners and know what is correct at all times, we are
writing the following paragraph on etiquette in the small town. Let us
first write about
THE HOSTESS
When entertaining guests from the city, fresh flowers should be brought
into the house every day. The meal served should be simple; elaborate
course dinners are not in good form when the facilities of the hostess
do not permit them. Nothing ostentatious should be attempted; just
simple, homelike hospitality such as is offered the neighbors and
friends of the village.
Early dining is usual in the country, especially in the summer.
Sometimes high tea is served. The tea-urn is placed on the table before
the hostess to give a homelike air to the function, and fruits and
flowers are placed in cut glass bowls on the table. Preserves, honey
and cakes should also be on the table in cut glass or china dishes. Hot
biscuits, muffins and wafers are usually served at high tea, with one
substantial dish like cold chicken, salad or cold sliced meats.
Hammocks, tennis courts, rowboats, etc., should be placed at the
disposal of visiting guests. The considerate hostess always plans some
sort of entertainment for guests that have come a long way to visit
her, but she does not make any attempt to provide anything elaborate. A
simple country dance or a musicale is relaxing and entertaining.
Protection from flies, mosquitoes, etc. should be provided for guests.
If chairs and hammocks are on the porch, it should be completely
screened in to prevent mosquitoes from annoying the guests. It is just
such little considerations as these that make country hospitality so
delightful.
THE GUEST
Whether you are a guest from the city, or a friend from the village,
you have a certain definite etiquette to observe when you are at the
home of a country hostess. First you must make yourself agreeable and
helpful. If you are from the city, forget the restricting formalities
you have been accustomed to. You may speak to everyone in the hostess'
drawing-room--or parlor--even though there have been no introductions.
And if you see an elderly man or woman standing all alone in one corner
of the room, you can go over to him or her, start a conversation, and
offer to get a chair or an ice for the stranger. It is not necessary to
wait for an introduction.
Do not be dull during the afternoon or evening. Be pleasant and
agreeable; if conversation lags, stimulate it with an interesting
anecdote. If you can entertain in some way, either by singing, playing
some musical instrument, or reciting, don't be backward about offering
your services. Remember you are not in an elaborate ball room but among
simple country folks, and if you can provide enjoyable entertainment
for them, they will appreciate it just as much as you yourself will
enjoy it.
An offish person always spoils the fun of a country party. If you feel
you are superior to the Virginia reel and the apple paring contests, do
not attend. Move to the city where you can attend elaborate social
functions. But while you are at the party, do your best to add to the
general enjoyment, and do not spoil things by being disagreeable and
unpleasant.
It is poor taste to wear very fashionable city clothes to a simple
country entertainment. If you come from the city, wear something simple
and pretty, but not something that will make you conspicuous. If you
are a man and you know that none of the other men will wear full dress,
then don't be presumptuous enough to appear in your swallow-tail. But
if you are a village friend, you may wear your "Sunday best" for
undoubtedly everyone else who attends the party will do likewise.
FOR COUNTRY FOLKS
Never attempt to make false impressions. That is one great fault found
among certain country people. When city friends call, they attempt to
overawe them with their superiority. While the city friends are with
them, they do not notice their village friends at church, nor do they
invite them to their house. They devote themselves exclusively to their
friends from the city--and invariably those friends return home
disappointed and disillusioned.
When people move in the neighborhood, it is considered polite to pay
them the first visit--"to extend the hand of welcome," as the
expression is. The hostess should offer a cup of tea with crackers or
cake, and should make herself agreeable in every way. However, the
acquaintance should not be forced; if the newcomers are haughty and
aloof, it is well to leave them to themselves, until they have absorbed
some of the good-fellowship and courtesy of the village.
There is very little need for formal calling cards in the small village
where everybody knows everybody else. A great many of the
conventionalities of city life are, of course, found in the country;
but a great many more of them are lacking. And among them are the
strictly formal introductions, calls and social functions that are
observed with such punctiliousness in the city. Simplicity should be
the keynote of country life, and quiet, dignified manners should be the
ideal of country people.
THE ENDLESS ROUND OF HOSPITALITY
Hospitality does not mean the giving of sumptuous banquets or elaborate
dinners. It does not mean the extravagant recklessness of much-talked-about
house parties, or extended yachting trips. It does not mean the holding
of gay and festive balls.
No, it means none of these, for even in the most humble home one can
find the truest hospitality. There need be no rich display, no obvious
effort at ostentation. For hospitality is that open-hearted,
open-handed, generous, lovable, beautiful fellow-feeling for
fellow-mortals--the kind of feeling that makes you throw open your
home, small apartment or mighty mansion, as the case may be, and bid
your friends and acquaintances welcome. Welcome, mind you, that has in
its greeting none of the sham cordiality, that wealthy people sometimes
parade merely for the sake of being able to show their worldly goods to
the envious eyes of their guests,--but a whole-souled and whole-hearted
welcome that is willing to share everything one has.
And so, the round of hospitality goes endlessly on, host and hostess
making the pleasure and comfort of the guest their prime consideration.
Parties, receptions, dances, balls, dinners--all are instances of the
eagerness of the world, the social world, to entertain, to give
pleasure, to amuse. And the guests, in their turn, repay the
hospitalities with other hospitalities of their own. And we find, in
this glorious twentieth century it is our fortune to be living in, a
wholesome, generous hospitality that puts to shame the history-famed
achievements of kings and princes of yore.
WHEN TO INVITE
The question naturally arises, what are the occasions that require
hospitality? Frankly, there are no definite occasions. Hospitality is
the index to breeding and culture at all times. But there are certain
ceremonious occasions that warrant the _invited hospitality_--and
such are the occasions that we will study in this chapter.
First, we find the wedding anniversary claiming the ceremony of many
invited guests and much festive entertainment. Thus, wedding
anniversaries offer an excellent opportunity for hospitality. Then
there is the occasion of the young daughter's introduction to
society--an event which is important, indeed, and requires the utmost
hospitality on the part of host and hostess alike. When one's son
graduates from college, a little dinner party and perhaps some musical
entertainment afterward is an appropriate time to show by one's
hospitality, sincere gratitude for the splendid educational
opportunities afforded the youth of America. Oh, there are countless
opportunities, countless "excuses," if you will call it that, countless
occasions when hospitality can be shown to one's friends and
acquaintances! And it is only by taking advantage of these
opportunities, by revealing one's unselfish, ungrudging hospitality,
that one rightly earns the name of _cultured_.
The hostess who sighs in relief when the guest has departed is not
truly hospitable. She should have a certain sense of satisfaction in
the knowledge of her very weariness. For hasn't she served her guests
well? Hasn't she sent them to their homes a little happier than when
they first came? The sigh should be one of sheer joy.
No one invites guests to his or her home to make them unhappy.
Therefore, if among your friends you number one whose worldly goods are
very much less than your own, do not invite him or her to a fashionable
ball where rich display will make him feel sadly out of place. Rather
save the invitation for a quiet, afternoon tea. And on the other hand,
if you are unable to care for the wants and comforts of several guests,
do not invite them to house parties.
Be hospitable--but above all use good sense and good judgment before
you invite.
THE GUESTS AND THEIR DUTIES
The fact that America is the home of hospitality and land of the most
generous hostesses, does not indicate necessarily that the guest, in
his selfishness, should take advantage of it. A well-bred, considerate
person always seeks to minimize as far as possible the efforts of his
or her hostess, and to make the visit or stay pleasant. She, or he,
constantly endeavors to aid the hostess in providing entertainment. In
short, he returns the hospitality of the host and hostess, with a
hospitality of his own--a hospitality that, in itsconsideration and
regard for the rights of others, is one of the beautiful things that
makes life worth the living.
It is superb--this giving and returning of hospitality: We find a
worried, anxious business man, forgetting for the moment his pressing
affairs in the diverting entertainments provided for him by his
hostess; in return, exerting every effort to contribute to the success
of the evening, to join in the conversation when he would rather be
silent and pensive, to be witty and humorous when he would much prefer
being moody and despondent. And so it goes on, a constant giving and
returning of hospitality, so beautiful and so inspiring that it is
worthy of the stress given to it in the social world.
There are some paramount obligations which the guest must observe.
Among them, perhaps most exacting, is punctuality. To keep others
waiting, to be continually tardy, is to demonstrate one's rudeness and
want of good breeding. Promptness in regard to the answering of
invitations, punctuality in attending dinners, luncheons and parties of
any kind,--these are marks of good breeding.
If one is invited to a dance or party and does not wish to attend
without an out-of-town friend who happens to be stopping with him or
her at the time--a friend who certainly cannot be deserted on the
afternoon or evening of the occasion--it is permissible to write a
cordial note to the hostess explaining the situation and requesting
that an invitation be extended to the friend. However, no resentment
should be felt if the hostess finds she must refuse the request; for
she may have had to refuse some of her own friends on account of
conditions beyond her control.
But no guest may bring to a party, dance or dinner, a friend or
acquaintance who has not been invited. This is considered a breach of
etiquette, and the hostess is not inhospitable when she does not invite
that particular guest again.
The guest must conform in all things to the tastes and customs of his
host and hostess. He must find (or feign) enjoyment in everything that
is proposed by them, everything that is offered by them in the way of
entertainment.
In taking leave of the hostess it is necessary to thank her cordially.
Criticisms, either of the conduct of some other guest, or of servants,
are poor form and should be avoided. The ideal guest is the one who has
that ease and poise of manner, that calmness and kindness of temper,
that loving and lovable disposition that makes people somehow want to
talk to and be with him. Such a guest needs no set of rules--inherently
he knows the laws of good conduct and fine manners; he is the boon of
hosts and hostesses the world over.
EXECUTIVES OF STATE
------------+-------------+----------+----------+-------------+----------
|Addressing |Salutation|Salutation|Closing |Closing
Title |Envelope |Formal |Informal |Formal |Informal
------------+-------------+----------+----------+-------------+----------
President |President |Sir |My dear |I have the |I have the
of |Calvin | |Mr. |honor to |honor to
United |Coolidge | |President |remain your |remain most
States | | | |most |respectfully
| | | |obedient |(sincerely)
| | | |servant |yours
------------+-------------+----------+----------+-------------+----------
Vice- |The Vice- |Sir or |My dear |I have, sir, |I have the
President |President |Dear Sir |John Doe |the honor to |honor to
|John Doe | | |remain your |remain most
| | | |obedient |respectfully
| | | |servant |(sincerely)
| | | | |yours
------------+-------------+----------+----------+-------------+----------
Cabinet |Hon. or |Sir or |My dear |I have, sir, |I have the
Member |Honorable |Dear Sir |Hubert |the honor to |honor to
|Hubert Work, | |Work |remain your |remain most
|Secretary of | | |obedient |respectfully
|Interior, | | |servant |(sincerely)
|etc. | | | |yours
------------+-------------+----------+----------+-------------+----------
Senator |Senator |Sir or |My dear |I have, sir, |Believe
|William M. |Dear Sir |Senator |the honor to |me, most
|Calder or | |Calder |remain your |sincerely
|Honorable | | |obedient |yours
|William M. | | |servant |
|Calder | | | |
------------+-------------+----------+----------+-------------+----------
Member of |Honorable |Sir or |My dear |I have, sir, |Believe
House of |Robert C. |Dear Sir |Mr. Bacon |the honor to |me, most
Represen- |Bacon | | |remain your |sincerely
tatives | | | |obedient |yours
| | | |servant |
------------+-------------+----------+----------+-------------+----------
Justice |Mr. Justice |Sir or |Dear |I have, sir, |Believe
of Supreme|H. Taft, or |Dear Sir |Justice |the honor to |me, most
Court |The Hon. H. | |Taft |remain your |sincerely
|Taft Justice | | |obedient |yours
|of Supreme | | |servant |
|Court | | | |
------------+-------------+----------+----------+-------------+----------
Governor |Governor |Sir or |Dear |I have, sir, |Believe
of State |Alfred E. |Dear Sir |Governor |the honor to |me, most
|Smith | |Smith, or |remain your |sincerely
| | |Dear Mr. |obedient |yours
| | |Smith |servant |
------------+-------------+----------+----------+-------------+----------
Mayor of |His Honor |Sir or |My dear |I have, sir, |Believe
City |the Mayor of |Dear Sir |Mayor |the honor to |me, most
|New York, | | |remain your |sincerely
|John F. | | |obedient |yours
|Hylan | | |servant |
------------+-------------+----------+----------+-------------+----------
CHURCH DIGNITARIES
------------+-------------+----------+----------+-------------+----------
|Addressing |Salutation|Salutation|Closing |Closing
Title |Envelope |Formal |Informal |Formal |Informal
------------+-------------+----------+----------+-------------+----------
Archbishop|The Most |My Lord |My dear |I remain, my |I have
Anglican |Reverend, |Archbishop|Lord |Lord |honor to
Church |His Grace |May it |Archbishop|Archbishop, |remain
|the |Please |your | |my dear
|Archbishop |Your |Grace's | |Archbishop
|of York |Grace |obedient | |
| | |servamt | |
------------+-------------+----------+----------+-------------+----------
Anglican |To the Right |My Lord |My dear |I have |I have
Bishop |Reverend, | |Lord |honor to |honor to
|the Lord | |Bishop |remain your |remain,
|Bishop of | | |Lordship's |my dear
|Kent | | |obedient |Lord
| | | |servamt |Bishop,
| | | | |faithfully
| | | | |yours
------------+-------------+----------+----------+-------------+----------
Roman |The Most |Most |Most |I have the |I have the
Catholic |Reverend John|Reverend |Reverend |honor to |honor to
Archbishop|G. McCaular, |and dear |and dear |remain your |remain your
|Archbishop |Sir |Sir |humble |humble
|of Newgate | | |servant |servant
------------+-------------+----------+----------+-------------+----------
Cardinal |His Eminence,|Your |Your |I have the |I have the
|Cardinal |Eminence |Eminence |honor to |honor to
|Newton | |or Dear |remain your |remain your
| | |Cardinal |humble |humble
| | |Newton |servant |servant
------------+-------------+----------+----------+-------------+----------
Roman |To the Right |Right |My dear |I have the |I have the
Catholic |Reverend |Reverend |Bishop |honor to |honor to
Bishop |Joseph F. |and dear |White |remain your |remain your
|White, |Sir | |humble |humble
|Bishop of | | |servant |servant
|Massachusetts| | | |
------------+-------------+----------+----------+-------------+----------
Protestant|Right |Right |Dear |I have the |I have the
Bishop |Reverend |Reverend |Bishop |honor to |honor to
|Edward F. |and dear |Conroy |remain your |remain your
|Conroy, |Sir | |obedient |obedient
|Bishop of | | |servant, or |servant, or
|New Jersey | | |I remain |I remain
| | | |respectfully |respectfully
| | | |(sincerely) |(sincerely)
| | | |yours |yours
------------+-------------+----------+----------+-------------+----------
Roman |The Reverend |Reverend |Dear |I beg to |
Catholic |James G. Hill|and dear |Father |remain, very |
Priest or |(with D.D.) |Sir |Hill (to |sincerely |
Protestant|or Reverend | |Catholic) | |
Minister |Doctor Hill | |Dear | |
| | |Doctor or | |
| | |Mr. Hill | |
| | |(to Prot- | |
| | |estant) | |
------------+-------------+----------+----------+-------------+----------
Rabbi |Dr. F. G. |Dear Sir |Dear Dr. |I beg to |
|Krauss | |Krauss |remain, Yours|
| | | |sincerely |
------------+-------------+----------+----------+-------------+----------
ROYALTY
------------+-------------+----------+----------+-------------+----------
|Addressing |Salutation|Salutation|Closing |Closing
Title |Envelope |Formal |Informal |Formal |Informal
------------+-------------+----------+----------+-------------+----------
King or |To His (Her) |Sir (or |Dear (or |I have the |
Queen |Most Gracious|Madam), |Honored) |honor to |
|Majesty King |May it |Sir (or |remain your |
|George (Queen|please |Madam) |Majesty's |
|Mary) |your | |most |
| |Majesty | |obedient |
| | | |servant |
------------+-------------+----------+----------+-------------+----------
Royal |To His (Her) |Sir |Dear Sir |I have the |Your Royal
Prince or |Royal |(Madam), |Dear Madam|honor to |Highness'
Princess |Highness, |May it | |remain your |most
|the Prince of|please | |Royal |obedient
|Wales (or |your | |Highness' |servant
|Princess |Highness | |humble |
|Mary) | | |servant |
------------+-------------+----------+----------+-------------+----------
Duke and |To His (Her) |My Lord |My dear |I have the |Believe
Duchess |Grace, the |(Madam), |Duke |honor to |me, dear
|Duke of |May it |My dear |remain your |Duke
|Devonshire |please |Duchess |Grace's most |(Duchess)
|(or Duchess |your Grace| |obedient |yours very
|of | | |servant |sincerely
|Devonshire) | | | |
------------+-------------+----------+----------+-------------+----------
Dowager |To Her Grace,|Madam, May|My dear |I have the |Believe
Duchess |the Dowager |it please |Duchess |honor to |me, dear
|Duchess of |your Grace|(Informal)|remain your |Duchess,
|Devonshire, | | |Grace's most |yours very
|or To Her | | |obedient |sincerely
|Grace, Anne, | | |servant |
|Duchess of | | | |
|Devonshire | | | |
------------+-------------+----------+----------+-------------+----------
Marquis |To the |My Lord |My dear |Believe me, |Believe me,
Marchion- |Marquis of |Marquis |Lord Fife |Lord (Lady) |Lord (Lady)
ess |Fife, To the |Madam |Dear Lady |Fife, very |Fife, very
|Marchioness | |Fife |sincerely |sincerely
|of Fife | | |yours |yours
|To the Most | | | |
|Noble Marquis| | | |
|of Fife, To | | | |
|the Most | | | |
|Noble | | | |
|Marchioness | | | |
|of Fife | | | |
------------+-------------+----------+----------+-------------+----------
Dowager |To the |Madam |Dear Lady |Believe me, |Believe me,
Marchion- |Dowager, | |Fife |Lady Fife, |Lady Fife,
ess |Marchioness | | |very |very
|of Fife, To | | |sincerely |sincerely
|Mary, | | |yours |yours
|Marchioness | | | |
|of Fife | | | |
------------+-------------+----------+----------+-------------+----------
Younger |To the Right |My Lord |My dear |I have the |Believe me,
son and |Honorable, | |Lord James|honor to |My dear
wife of |the Lord | |Grey, |remain your |Lord (Lady)
a Duke or |James Grey, | |Dear Lady |(Ladyship's) |Grey,
Marquis |To the Right | |James Grey|obedient |faithfully
|Honorable, | | |servant |yours
|the Lady | | | |
|James Grey | | | |
------------+-------------+----------+----------+-------------+----------
Daughter |Right Hon. |Madam |Dear Lady |I have the |Believe me,
of Duke, |the Lady | |Janet |honor to |dear Lady
Marchion- |Janet Gregory| | |remain your |Janet, very
ess or |(Informal) | | |Lordship's |faithfully
Earl |To the Lady | | |(Ladyship's) |yours
|Janet Gregory| | |obedient |
| | | |servant |
------------+-------------+----------+----------+-------------+----------
Earl |Right |My Lord |Dear Lord |Believe me, my dear Lord
Countess |Honorable |(Madam) |Kent |(Lady) Kent, sincerely
|the Earl of | |Dear Lady |yours
|Kent, | |Kent |
|Countess of | | |
|Kent | | |
------------+-------------+----------+----------+------------------------
Viscount |Right |My Lord |Dear Lord |Believe me, my dear Lord
Viscount- |Honorable |(Madam) |(Lady) |(Lady) Kent, sincerely
ess |Viscount | | |yours
|(Viscountess)| | |
|Grey or To | | |
|Viscount Grey| | |
|To Viscount- | | |
|ess Grey | | |
------------+-------------+----------+----------+------------------------
Baron |Right |My Lord |Dear Lord |Believe me, my dear Lord
Baroness |Honorable |(Madam) |(Lady) |(Lady) Kent, sincerely
|the Baron | | |yours
|Whiteside, | | |
|The Right | | |
|Honorable the| | |
|Baroness | | |
|Whiteside | | |
------------+-------------+----------+----------+-------------+----------
Younger |To the |Sir, Dear |Dear Mr. |I have the |Believe me,
son and |Honorable |Sir |Warwick |honor to |dear Mr.
Wife of |James |(Madam, |Dear Mrs. |remain your |or Mrs.
Earl, |Warwick, To |Dear |Warwick |obedient |Warwick,
Viscount |the Honorable|Madam) | |servant |sincerely
or Baron |Mrs. Warwick | | | |yours
------------+-------------+----------+----------+-------------+----------
Daughter |To the |Dear Madam|Dear Miss |Believe me, sincerely
of |Honorable | |Grey |yours
Viscount |Miss Grey | | |
or Baron | | | |
| | | |
------------+-------------+----------+----------+------------------------
Baronet |To Sir James |Sir |Dear Sir |Believe me, dear Sir
Lady |Grey, Bart. |Madam |James |James, faithfully
|To Lady| |Grey |yours
|Grey | |Dear Lady |Believe me, dear
| | |Grey |Lady Grey,
| | | |faithfully yours
| | | |
| | | |
------------+-------------+----------+----------+------------------------
Knight |Sir James |Sir |Dear Sir |Believe me, dear Sir
Lady |Grey, |Madam |James |James, faithfully
|Lady James | |Dear Lady |yours
|Grey | |Grey |Believe me, dear
| | | |Lady Grey
| | | |faithfully yours
------------+-------------+----------+----------+------------------------