CHAPTER XXV

THE RULES OF THE GAME

In what way does a marriage ceremony, religious or civil, add to the

happiness of a pair of lovers, deeply smitten and full of confidence in

one another? The event proved that it can at least make joy blossom on

the countenance of a pedant. Godwin’s exhibited an incredible

satisfaction on learning that “the seducer” was going to make “an honest

woman” of his daughter, and that, eventually, she would become Lady

Shelley. He thus inspired in his ex-disciple a contempt for his

character, full measure, pressed down, and running over.

At first there had been some hesitation as to whether it were decent to

celebrate the marriage so soon after Harriet’s death, but the

authorities on social etiquette declared that it would not do to wait

any longer for the Church’s blessing on a union which Nature had already

blessed twice over.

Just a fortnight after the body of the first Mrs. Shelley had been taken

out of the Serpentine, Mary and Percy were married by a clergyman in the

church of St. Mildred, Bread Street. Godwin, beaming all over his face,

and Mrs. Godwin, simpering and pretentious, signed as witnesses. That

evening, for the first time since they ran away, the Shelleys dined in

Skinner Street.

The family feast was a lugubrious one. There, in the little dining-room,

Fanny had moved to and fro; there, Harriet had sat in her happy early

wedded days; their ghosts, suffering and unsatisfied, continued to haunt

the room and torture the living. It is true that Godwin’s ill-temper had

been changed by the morning’s ceremony into an excess of urbanity, but

too many memories troubled the guests to make any real cordiality

possible.

That night Mary wrote in her journal: “Go to London. A marriage takes

place. Draw. Read Lord Chesterfield and Locke.” Mary had good nerves.

Poor drowned Harriet was never a patch on her.

* * *

Nevertheless, it was but right that the news of so splendid a marriage

should be sent to every Godwin in the land. The Philosopher wrote to

Hull Godwin:

“DEAR BROTHER,

“Were it not that you have a family of your own, and can see by

them how little shrubs grow into tall trees, you would hardly

imagine that my boy, born the other day, is now fourteen, and

that my daughter is between nineteen and twenty. The piece of

news I have to tell, however, is that I went to church with this

tall girl some little time ago to be married. Her husband is the

eldest son of Sir Timothy Shelley, of Field Place, in the county

of Sussex, Baronet. So that according to the vulgar ideas of the

world she is well married, and I have great hopes that the young

man will make her a good husband. You will wonder, I daresay,

how a girl without a penny of fortune should make so good a

match. But such are the ups and downs of the world. For my part,

I care but little comparatively about wealth, so that it should

be her destiny in life to be respectable, virtuous, and

contented.”

The letter closes with a word of cool thanks for a ham and a turkey sent

to the Skinner Street household at Christmas.

But the formal marriage brought about one real advantage. The

“concubinage” argument, advanced by those who wished to deprive Shelley

of his children, fell to the ground. The Westbrooks, however, did not

give in. By the voice of the retired publican, the young Ianthe aged

three, and Charles aged two, addressed a petition to the Lord Chancellor

in which they said: “Our father avows himself to be an Atheist, and has

written and published a certain work called _Queen Mab_ with notes, and

other works, wherein he blasphemously denies the existence of God as the

Creator of the Universe, the sanctity of marriage, and all the most

sacred principles of morality.” For which reasons these precocious and

virtuous infants prayed that their persons and fortunes might not be

placed in the power of an unworthy father, but under the protection of

persons of the highest morality, such as their maternal grandfather and

their kind Aunt Eliza.

Shelley’s counsel took care to say nothing in defence of _Queen Mab_:

there was nothing to be said at that time, and in that place, the Court

of Chancery. He confined himself to denying the importance of a work

written by a boy of nineteen.

“Notwithstanding Mr. Shelley’s violent philippics against marriage, Mr.

Shelley marries twice before he is twenty-five! He is no sooner

liberated from the despotic chains which he speaks of with so much

horror and contempt, than he forges a new set, and becomes again a

willing victim of this horrid despotism! It is hoped that a

consideration of this marked difference between his opinions and his

actions will induce the Lord Chancellor not to think very seriously of

this boyish and silly publication.” As to the proposal of placing the

children with their mother’s family: “We think it right to say that Mr.

Westbrook formerly kept a coffee-house, and is certainly in no respect

qualified to be the guardian of Mr. Shelley’s children. To Miss

Westbrook there are more decided objections: she is illiterate and

vulgar, and it was by her advice, with her active concurrence, and it

may be said by her _management_, that Mr. Shelley, when of the age of

nineteen, ran away with Miss Harriet Westbrook, then of the age of

seventeen, and married her in Scotland. Miss Westbrook, the proposed

guardian, was then nearly thirty, and, if she had acted as she ought to

have done as the guardian and friend of her younger sister, all this

misery and disgrace to both families would have been avoided.”

His counsel’s ingenious notion of winning his client’s case by

renouncing in that client’s name the opinions of his youth, seemed to

Shelley a piece of disgusting hypocrisy. He, therefore, drew up for the

Lord Chancellor a statement in which he set forth that his ideas on

marriage had not changed, and that if he had made his conduct conform to

the customs of society, he in no way had renounced the liberty to

criticize those customs.

The Lord Chancellor in his judgment remarks: “This is a case in which a

father has demonstrated that he must and does deem it to be a matter of

duty to recommend to those whose opinions and habits he may take upon

himself to form conduct as moral and virtuous, which the law calls upon

me to consider as immoral and vicious. . . . I cannot, therefore, in

these conditions, entrust him with the guardianship of these children.”

But the Lord Chancellor refused to confide them to the odious

Westbrooks. He put them under the care of an Army doctor, named Hume, of

Brent End Lodge, Hanwell, who would place the boy, when seven years old,

at a good private school under the superintendence of an orthodox

clergyman. As to the little Ianthe, she would be brought up at home by

Mrs. Hume, who would see that she said her morning prayers, and asked a

blessing on her food. Mrs. Hume would also put into her hands improving

books, and, to a certain extent would encourage the reading of poetry,

Shakespeare for instance, if carefully Bowdlerized. The whole cost, one

hundred a year for each child. Mr. Shelley might visit them twelve times

a year, but in the presence of Dr. and Mrs. Hume. Mr. John Westbrook

might see them the same number of times, but, if he wished it, he might

see them without the Humes being present.

This sentence was very bitter to Shelley. It sanctioned officially so to

say, and in reasonable and moderate formulas, his exile from the

community of civilized men. It was like a brevet of incurable folly.

* * *

While the case was being fought out, he had bought a house in the

pleasant little country town of Great Marlow. Ariel at last consented to

have a home like other people. One room, big enough for a village

ball-room, was fitted up as a library, and decorated with casts of Venus

and Apollo. There was a very big garden: in this during the spring and

summer of 1817 might be seen two babies, William and Clara Shelley, and

a third child of unusual beauty, Alba, daughter of Lord Byron and

Claire. Her father was said to be leading a wild life at Venice. Claire

received no news from him.

Shelley’s recent trials had left their traces on his countenance. He was

thinner, more hectic, and stooped more than ever. A violent pain in his

side prevented him from sleeping, and the doctors, unable to cure it,

said it was “a nervous disorder.”

His state of mind was despondent. Life had brought him so much

suffering, his good intentions had been repaid by such evil results,

that he had taken a horror of every sort of action. He felt an intense

but undefined desire to withdraw from the perilous throngs of men, men

whose reactions cannot be predicted, and who are swayed by such terrible

gusts of passion. The regeneration of the real world now appeared to him

so unrealizable that he no longer sought satisfaction therein for his

loves and hatreds, but looked for it in the more docile and malleable

world of the imagination. Subjects for poems, vague and shadow-like,

floated round him, which feeding on his sorrowful thoughts, gradually

took form at the expense of his powers of action.

The aërial edifices, the crystalline palaces, which with their filmy

vapours had so long hidden from him the actual world, seemed to detach

themselves from earth and to float up as though drawn by an invisible

force. They did not melt away, but swaying with a gentle movement rose

in all their translucent glory to the high realms of pure Poetry. In the

place which they had occupied, Shelley now saw the world as it is, the

brown earth arduous to cultivate, the harsh faces of men, women full of

nerves and hysteria, the cruel and obstructive society from which he

longed to escape.

The poem which occupied his thoughts the oftenest was the story of an

ideal Revolution. He did not want the scenes of bloodshed which ruined

for him the otherwise inspiring story of the French Revolution. He

wanted his Revolution to be the work of a pair of lovers. His personal

experience had taught him that only the love of a woman can inspire a

sublime courage.

Laon and Cythna, two ideal anarchists, were to be the transfigured

portraits of himself and Mary. He would make them die at the stake, for

their ideas, as he would have liked to die himself, exchanging a last

kiss in the midst of the flames, a kiss so delicious that the agony

would become a sort of voluptuous refinement of ecstasy. For him love

did not attain its maximum unless he could associate it with thoughts

and sufferings shared in common. Now that he and Mary, married and

fairly well off, seemed about to begin an easier life, he desired to

escape from this somewhat commonplace happiness, and to live in

imagination the magnificent and perilous destiny which might have been

his in other lands and other ages.

He passed his time among the little islands of the Thames where the

swans build their nests. Lying at the bottom of his boat completely

hidden by the high grasses, he sought his inspiration in gazing up at

the changing skies. The study of fleeting, interweaving colour and form

had always given him immense pleasure, and every day he felt more

strongly that his real mission in life was to seize the most transitory

shades of beauty, and to fix them for ever in words buoyant and

beautiful as themselves.

The entire summer was given to this entrancing work. Then he was obliged

to go up to London. Money was getting scarce; he had so many mouths to

feed. Besides Mary and the children, Claire and Allegra were dependent

on him, and very often the entire Godwin household. His new friend,

Leigh Hunt, with a wife and five children, needed help. He had promised

Peacock a hundred a year so that he might go on writing his fine novels.

Charles Clairmont, who was nothing to him, had fallen in love when in

France with an ugly woman several years older than himself and of course

penniless; it was Shelley who provided the means for marriage. Just as

formerly, he had to go to the money-lenders in order to satisfy these

endless claims. “You’re a thoroughbred,” Godwin once told him, “whom the

horse-flies prevent from taking your spring.”

Happily for him, Mary managed to bring him back to earth, and he forgave

her, seeing her now only as the Cythna of his poem. But she, an

over-anxious hostess, did not care for their too assiduous visitors,

such as Peacock, who dropped in every evening “without being asked,” and

drank up a whole bottle of wine. She wanted Shelley to find a purchaser

for the Marlow House which they had bought too hastily. She saw he

suffered from cold, and wished to take him away to a warmer climate,

perhaps to Italy.

“Dearest love,” she wrote to him in London. . . . “Pray in your letters

do be more explicit! You have advertised the house, but have you given

Madocks any orders about how to answer applicants? And have you settled

yet for Italy or the sea? And do you know how to get money to convey us

there, and to buy the things that will be absolutely necessary before

our departure? And can you do anything for my father before you go? Or,

after all, would it not be as well to inhabit a small house by the

seashore where our expenses would be much less than they are at present?

You have not yet mentioned to Godwin your thoughts of Italy; but if you

determine soon, I would have you do it, as those things are always

better to be talked of some days before they take place.

“I took my first walk to-day! What a dreadfully cold place this house

is! I was shivering over a fire and the garden looked cold and dismal,

but so soon as I got into the road I found to my infinite surprise that

the sun was shining and the air warm and delightful.

“I wish Willy to be my companion in my future walks; to further which

plan will you send down if possible by Monday’s coach, a sealskin fur

hat for him? It must be a fashionable round shape, _for a boy_ mention

particularly, and have a narrow gold ribbon round it, that it may be

taken in if too large. . . . I am just now surrounded by babes. Alba is

scratching and crowing, William amusing himself with wrapping a shawl

round him, and Miss Clara staring at the fire. . . . Adieu, dearest

love! I want to say again that you may fully answer me, how very, very

anxious I am to know the whole extent of your present difficulties and

pursuits.”

One source of annoyance to Mary was the presence of Alba in the house.

The neighbours had been told that she was the child of a lady in London

and had been sent to the country for her health, but anyone could see

from Claire’s behaviour that the child was hers. The pure-minded jumped

at once to the conclusion that Shelley was the father. The old

accusations of promiscuity again reared their heads, and Mary’s

prudishness suffered from it. One of the reasons for which she wished to

go to Italy was that the journey would enable them to take the little

girl out to Lord Byron.

Shelley’s one wish also was to depart. The ties of family, of

friendship, of business, had raised round him intangible walls behind

which he was stifling. His will was rock-like, but life’s little waves,

perfidious and unconcerned, ate away at it ceaselessly. In England where

the highest legal dignity had taken from him his civic rights, he had

the sensation of standing always in the pillory. It seemed to him that

in flying from England, he would become again a free and aërial spirit,

that in a new country his life would be like a sheet of white paper on

which he could compose a new existence in the same way that he could

compose a poem.

When their departure was fixed, Mary asked to have the children

baptized. She thought it was better for them to start in life by

observing the Rules of the Game. Shelley agreed, and at the same time

that William Shelley and Clara Everina Shelley were christened, Byron’s

daughter was christened too under the names of Clara Allegra.

Ariel: A Shelley Romance · 第 8 / 20 章