--Pad, pad, pad! Like a thing that was mad,
My chestnut broke away.
_Thornbury_.
Esmeralda was puzzled when she returned from her first riding
party. In the morning, looking very pretty in her borrowed riding
habit, her English hat with the hunting guard made necessary by
the Back Bay breezes, her brown gauntlets, and the one scarlet
carnation in her button-hole, she drove to the riding-school,
where she had agreed to meet Theodore and her other friends, not
like Mrs. Gilpin, lest all should say that she was proud, but
because her master had promised to lend her one of the school
horses, to put her ion the saddle and to adjust her stirrup, and
because she secretly felt that she would better give herself
every possible advantage in what, as it came nearer, assumed the
aspect of a trial rather than a pleasure.
Beholding Ronald, the promised horse, severely correct in his
road saddle, and looking immensely tall as he stood on the stable
floor, she inly applauded her own wisdom, strongly doubting that
Theodore's unpractised arm would have tossed her into her place
as lightly as the master's, and she was secretly overjoyed when
the master himself mounted and joined the party with her, making
its number nine; Esmeralda herself, the graduate of three
lessons; Theodore, all his life accustomed to ride anything
calling itself a horse, but making no pretenses to mastery of the
equestrian science; the lawyer, understood, on his own authority,
to be well informed in everything; the society young lady,
erect, precise, self-satisfied; the Texan, riding with apparent
laziness, his hands rather high and seldom quiet, but not to
be shaken from his seat; the beauty, languid and secretly
discontented because her horse was "intended for a brunette, and
a ridiculous mount for a blonde"; Versatilia, who had "taken
up riding a little," and the cavalryman, calm, quiet, and
fraternally regarded by the master, as he reviewed the little
flock from the back of a horse which had been offered to him as
the paragon of its species, and for which and its kind, as he
announced after riding a square or two, he "was not paying a cent
a carload."
"It is a lovely horse," said the beauty. "It is such a beautiful
color. But men never care for color."
"Good color is a good thing, undoubtedly," said the master, "but
a beautiful horse is a good horse, not necessarily an animal
which would look well in a painted landscape, because its color
would harmonize with the hue of the trees."
"She is a beautiful girl, isn't she," said Esmeralda, looking
admiringly at the beauty, who, having just remembered Tennyson's
line about swaying the rein with flying finger tips, was
executing some movements which made her horse raise his ears to
listen for the cause of such conduct, and then shake his head in
mild disapproval.
"What do I care for a pretty girl?" demanded the master. "Pretty
rider is what I want to see, and 'pretty rider' is 'good rider.'
Wait until that girl trots three minutes or so, and see whether
or not she is pretty."
The party went through the streets at a rapid walk, now and then
meeting a horse-car, now and then a stray wagon, but invariably
allowed to take its own way, with very little regard for the rule
of the road. The American who drives, whatever may be his social
station, admires the courage of the woman who rides, but he is
firmly convinced that she does not understand horses, and gives
her all the space available wherein to disport herself.
"Are we all right in placing the ladies on the left?" asked
Theodore, turning to the master.
"Of course," cried the lawyer. "We follow the English rule, and
the left was the place of safety for the lady in the days when
English equestrianism was born. Travelers took the left of the
road, and this placed the cavalier between his lady and any
possible danger."
"And in the United States they take the right, and she is between
him and any possible danger," said the master. "It is the custom,
but it seems illogical and foolish. True, it removes any danger
that the lady may be crushed between her own horse and her
escort's, but who protects her from any passing car or carriage,
and in case of a runaway what can her escort, his left hand
occupied with his own reins, do to aid her with hers, or to
disentangle her foot from the stirrup or her habit from the
pommels in case she is thrown? Can he snatch her from the saddle,
after the matter of one of Joaquin Miller's young men? The truth
is that since the rule of the road is 'keep to the right,' the
rule of the saddle should be 'sit on the right,' but with a lady
on his bridle hand the horseman could not be at his best as an
escort, even then.
"It is one of the many little absurdities in American customs; the
old story of the survival of the two buttons at the back of the
coat, and, by the way, Miss Esmeralda, the two buttons on the
back of your habit are out of place, not because of your tailor's
fault, but because of yours. They should make a line at right
angles with your horse's spinal column. Draw yourself back a
little, until you can feel the pommel under your right knee.
'Draw' yourself back; don't lean, but keep yourself perfectly
erect, your back perpendicular to your horse's. Sit a little to
the left; lean a little to the right. Let your left shoulder go
forward a little, your right shoulder backward. Now you are
exactly right. Try to remember your sensations at this minute, in
order to be able to reproduce them. When I say 'Careful,' pass
yourself in review and endeavor to feel where you are wrong.
But," addressing the cavalryman, who was in advance with
Versatilia, "is this procession a funeral?"
"Not exactly," said the cavalryman, and the, after a backward
glance, he cried, in the fashion of a military riding-school
master: "Pr-r-re-pare to tr-r-r-ot--Trot!"
Esmeralda remembered to shorten her reins, and resigned herself
to the Fates, who were propitious, enabling her to catch the
cadence of the trot, and to rise to it during the few seconds
before the cavalryman slackened rein. "Careful," said the master,
and she shook herself into place, eliciting a hearty "Good!" from
him. "Look at your pretty girl," he growled softly, but savagely,
and truly the beauty solicited attention. Slipping to the left in
her saddle, one elbow pointing toward Cambridgeport and the other
toward Dorchester, her right foot visible through her habit, and
her left all but out of the stirrup, she was attractive no
longer, and to complete the master's disgust she ejaculated: "My
hair is coming down!"
"Better bring a nurse and a ladies' maid for her," he muttered to
Esmeralda, confidentially. "Hairpins in your saddle pocket? Well,
you are a sensible girl," and he rode forward with the little
packet, giving it to the lawyer to pass to the unfortunate young
woman. But here arose a little difficulty. The space between the
lawyer's horse and the beauty's as they stood was too wide to
allow him to lay the parcel in her outstretched fingers. The
Texan, on her right hand, had enough to do to keep her horse and
his own absolutely motionless that she might not be thrown by any
unexpected motion of either animal. Versatilia exclaimed in
remonstrance, "Don't leave me," when the cavalryman said, "Wait a
second, I'll come and give them to her;" the master sat quiet and
smiling.
"Why don't you dismount and give them to her?" cried Theodore,
and was out of his saddle, had placed the parcel in her hand, and
was back in his place again before either of the other three men
could speak.
"Very well done," said the master, approvingly, "but not the
right thing to do. Never leave your saddle without good cause,
and never leave your horse loose for a moment. Yes, I saw that
you retained your hold of the reins; I was talking at Miss
Esmeralda."
"Why didn't you make your horse step sideways?" he asked the
lawyer.
"I can't. He won't. See there!"
Sundry pulls, precisely like those which he might have used had
he intended the horse to turn, a pair of absolutely motionless
legs, and an unused whip were accepted as evidence that the
lawyer's "I can't" was perfectly true, and the master and the
cavalryman exchanged comprehending glances as the latter said:
"Well, don't mind. An eminent authority announced after the
Boston horse show of 1889 that high-school airs were of no use on
the road. To make a horse move a step sideways is the veriest
little zephyr of an air, but it would have been of some use to
you, then. Are we ready now? What's that? Dropped your whip?"
Up went the Texan's left heel, catching cleverly on the saddle as
he dropped lightly to the right, after the fashion of the Arab,
the Moor, the Apache, of all the nations which ride for speed and
for fighting rather than for leaping and hunting, and he caught
the whip from the ground and was back in his place in a
twinkling. The ladies were unmoved, because inappreciative; the
lawyer looked savagely envious, the cavalryman and the master
approving, and Theodore, frankly admiring, but no one said
anything, the little cavalcade rearranged itself, and once more
moved on at a footpace until an electric car appeared.
"Ronald is like a rock," said the master, "and you need not be
afraid, but I'll take this beast along in advance. He will shy,
or do some outrageous thing, and he has a mouth as sensitive as
the Mississippi's, and no more."
The "beast" did indeed sidle and fret and prance, and manifest a
disposition to hasten to drown himself in the reservoir, beyond
the reach of self-propelling vehicles, and he repeated the
performance a the sight of two other cars, although evidently
less alarmed than at first, but the fourth car was in charge of a
kindly-disposed driver, who came to a dead stop, out of pure
amiability.
This was too much for the "beast" to endure; a moving house he
was beginning to regard as tolerable, but a house which stopped
short and glared at him with all its windows was more than horse
nature could endure, and he started for the next county to
institute an inquiry as to whether such actions were to be
allowed, but found himself forced to stop, and not altogether
comfortable, while the master cried good-naturedly: "Go along and
take care of your car. I'll take care of my horse!"
"More than some other folks can do," said the driver, with a
quiet grin at the lawyer, whose angry, "Here, what are you
doing!" shouted to his plunging steed, had brought all the women
in the car to the front, to explain to one another that "that man
was abusing his horse, poor thing."
The car glided off, and Versatilia turned to look at it; her
horse stumbled slightly, jerking her wrists sharply, and but for
the cavalryman's quick shifting of the reins to his right hand
and his strong grasp of her reins with his left, she might have
been in danger.
"Never look back," lectured the master. Esmeralda was his pupil,
and he would have taken the whole centennial quadrille and all
the cabinet ladies to point his moral, had he seen them making
equestrian blunders. "Where your horse has been, where, he is, is
the past. Look to the future, straight before you."
"The cavalryman looked back just now," Esmeralda ventured to say.
"Yes, but he turned his horse very slightly to do it, and he may
do almost anything because he has a perfect seat, and is a good
horseman."
"Suppose I hear something or somebody coming up behind me?"
"If it have any intelligence, it will not hurt you. If it have
none, looking will do you no good. Turn out to the right as far
as you can and look to the front harder than ever, so as to be
ready to guide your horse and to avoid any obstacles in case he
should start to run. What is the trouble with the ladies now?"
"O, dear!" cried the beauty to the society young lady, "your
horse."
"What's the matter with him?" asked the other, still very stately
and not turning.
"Oh! The dreadful creature has caught his tail on my horse's
bit," said the beauty.
"Then you'd better take your horse's bit away," retorted the
other. "My horse's eyes are not at that end of him, and he can't
be expected to look at his tail."
"And you may be kicked," added the Texan. "Check him a little;
there! We ought not to be so close together, and we ought to be
moving a little, I think. Shall we trot again?"
Everybody assented, the cavalryman and Versatilia set off, the
others followed as best they might, the beauty "going to pieces"
in a minute or two, according to the master, the society young
lady stiffening visibly, losing the cadence of the trot very
soon, but making no outcry as she was tossed about uncomfortably,
and not bending her head to look at her reins, as Versatilia did.
"There's the advantage of training in other things," said the
master. "She's a good dancer and a good amateur actress, and she
is controlling herself as she would on a ballroom floor, and
remembering the spectators as she would on the stage. She's no
rider, but is perfectly selfish and self-possessed, and she will
cheat her escort into thinking that she is one. Glad she's no
pupil of mine, however! She always heads the conversation, one of
her friends told me the other day. That is to say, she is always
acting. I can't teach such a person anything; nobody can. She can
teach herself, as she can think of herself and love herself, but
she can't go outside of herself--and the lawyer will find it
out after he has married her."
Esmeralda and Theodore stared in astonishment.
"Walk," said the master, noticing that his pupil looked too warm
for comfort, and the three allowed the others to go on without
them. "Careful," he added, and Esmeralda, adjusting herself
studiously, asked: "Is it really easier to ride on the road than
it is in the school? It seems so."
"It is a little, especially if the corners of the ring are so
near together that the horse goes in a circle, for then the rider
has to lean to the right, while on the road she may sit straight.
Give me the right kind of horse for my pupil to ride, and I would
as leif give lessons on the road as anywhere, but it is not well
for the pupil, whose attention is distracted by a thousand
things, and who learns less in a year than she would in a month
in school. There is no finish about the riding of a woman so
taught. She may be pretty, as you said of one of your friends,
she may be self-possessed, like the other, but she will betray
her ignorance every moment. You were surprised just now at what I
said of the society young lady. A woman can't cheat an old
riding-master, after he has seen her in the saddle. He knows her
and her little ways by heart. Shall we start up? Ah!"
Ronald, the "steady as a rock," was off and away at a canter;
Theodore was starting to gallop in pursuit, but was sharply
ordered back by the master, who went on himself at a rather slow
canter, ready to break into a gallop if his pupil were thrown,
but keeping out of Ronald's hearing, lest he should be further
startled by finding himself followed. There was a clear stretch
of road before her, and Esmeralda sat down as firmly as possible,
brought her left knee up against the pommel, clung firmly with
her right knee, held her hands low and her thumbs as firm as
possible, and thought very hard.
"Very soon," she said to herself, "I shall be thrown and dragged,
and hat a figure I shall be going home, if I', not killed! But I
sha'n't be! I shall be ridiculous, and that's worse." Here she
swept by the riding party, but as Versatilia and the beauty
turned to look at her, and forgot to control their horses, the
cavalryman and the Texan had to do it for them, and could do
nothing for Esmeralda except to shout "Whoa," which Ronald very
properly disregarded. The master came up, and the society young
lady addressed him with, "Very silly of her to try to exhibit
herself so, isn't it?"
"That's no exhibition; that's a runaway," said the master grimly.
"She's doing well too, poor girl," and he and Theodore went on
after the flying rider. Two or three carriages, the riders
staring with horror; a pedestrian or two, innocently wondering
why a lady should be on the road alone; a small boy whistling
shrilly; these were all the spectators of Esmeralda's flight. She
felt desolate and deserted, and yet sure that it was best that
she should be alone, since the master could overtake her if he
would, and she wondered if she should be very seriously injured
when thrown at last, but all the time she was talking to Ronald
in a voice carefully kept at a low pitch, and her hands were held
with a steadiness utterly new to them, and the good horse went on
regularly, but faster and faster.
"That isn't a real runaway," said the master to himself. "Ah, I
see! Her whip is down and strikes him at every stride, and so she
unconsciously urges him forward. If there were a side road here,
I'd gallop around and meet her, or if there were fields on either
side, I'd leap the fence and make a circuit and cut her off, but
through this place, with banks like a railway cutting on each
side, there is nothing to do."
Swifter and swifter! Esmeralda began to feel weaker, thought of
Theodore, and of some other things of which she never told even
him, said a little prayer, but all the time remembered her
master's injunctions, and kept her place firmly, waiting for the
final, and, as she believed, inevitable crash, when lo! She saw
that just in front of her lay a long piece of half-mended road,
full of ugly little stones, and she turned Ronald on it, with a
triumphant, "See how you like that, sir," and then sawed his
mouth. In half a minute he was walking. In another the master was
beside her with words of approval. Theodore galloped up, pale and
anxious, and between the two she had quite as much praise as was
good for her, and, being told of the position of the whip, found
her confidence in Ronald restored.
"But you should never start up hastily," said the master. "Take
time for everything, and check your horse the instant he goes
faster than you mean to have him. You are a good girl, and you
shall not be scolded, or snubbed, either," he muttered, and the
party came up, the cavalryman and the Texan loud in praise, the
other four clamorous with questions and advice.
"You look quite disheveled," said the society young lady
agreeably.
"Ladies often do after they have been on the road a little while.
Excuse me, but one of your skirt buttons is unfastened," said the
master, and, not knowing how to pass her reins into her right
hand so as to use her left to repair the accident, the society
young lady was effectually silenced, while the master, holding
Esmeralda's horse, made her wipe her face, arrange the curly
locks flying about her ears, readjust her hat, and generally
smooth her plumage, until she was once more comfortable.
After a little, the master proposed a trot up the hill, and
instructed Esmeralda to lean forward as her horse climbed upward,
"If you should have to trot down hill, lean back a little, and
keep your reins short," he said.
The lawyer and the society young lady, essaying to descend the
next hill brilliantly, barely escaped going over their horses'
heads, and all four ladies were glad when they perceived that
they were going homeward.
"I like it," Esmeralda said to the master, "but I wish I knew
more, and I'm going to learn, and I see now that three lessons
isn't enough, even for a beginning."
"I knew a girl who took seventeen lessons and then was thrown,"
said the society young lady. "Native ability is better than
teaching. I don't believe any master could make a rider of you,
Esmeralda."
"A good teacher can make a rider out of anyone who will study,"
said the master, to whom she looked for approval. "As for
seventeen lessons, they are better than seven, of course, but
they are not much, after all. How many dancing lessons, music
lessons, elocution lessons have you taken? More than seventeen? I
thought so. Here's a railroad bridge, but no train coming. Had
one been approaching, and had there been no chance to cross it
before it came, I should have made you turn Ronald the other way,
Miss Esmeralda, so that if he ran he would run out of what he
thinks is danger, and not into it. And now for an easy little
trot home."
An easy little trot it was, and Esmeralda, left at her own door,
where a groom waited to take her horse to the stable, was happy,
but puzzled. "Theodore," she cried, as soon as he appeared in the
evening, "did you ask the master to go with us? He treated me
just as he does in school."
"Yes, I did," said Theodore boldly. "I was afraid to take charge
of you alone. That was a 'road lesson.'"
"You--you--exasperating thing!" cried Esmeralda. "But then,
you were sensible."
"That's tautology," said Theodore.