HUMOUR

§ 30. If wit be the quick flash, the electric spark, the play of summer

lightning which warms the colour of conversation, humour is the

sustained side of the ridiculous, the comic way of looking at things and

people, which may be manifested either in comment upon the statements

made by others or in narrating one’s own experiences. Of course in

receiving and commenting upon what is being said, no preparation is

possible. It depends altogether upon a mental attitude, which looks out

with a smile upon the world, and exposes the ridiculous side of human

life not more by irony of comment than by mock approval of social vices,

mock indignation at social virtues, seriousness when false comedy is

being produced, raillery when false tragedy is being paraded with

insincerity or empty bombast. In these and a hundred other ways humour

receives and criticises what other people say in a company; and if it be

coupled _with kindliness of heart and with tact_, may be regarded as the

very highest of conversational virtues.

Analogous to this is the display of humour, not in receiving but in

producing ideas in company. The humourist is the only good and effective

story-teller; for if he is to monopolise a conversation, and require

others to listen to him, it must be by presenting human life under a

fresh and piquant aspect—in fact, as a little comedy. Thus the lifelike

portrayal of any kind of foible—pomposity, obsequiousness, conceit,

hypocrisy, nay even of provincial accent or ungrammatical

language—ensures a pleased and therefore agreeable audience, and opens

the way for easy and sympathetic intercourse. It is perhaps not too much

to say that in any society where conventionality becomes a threatening

power, humour is our great safeguard from this kind of vulgarity. Let me

point as an illustration of this to the social sketches in _Punch_,

which for years back have been the truest mirror of the vulgarities of

English society. The humorous exhibition of these foibles is the most

effective way we know of bringing them before the public mind, and of

warning people that here is a judge whose censure is really to be

feared. We may also learn from the success of this extraordinary paper

how much more valuable and more respected prepared humour is than

prepared wit. The jokes in the text pass by unheeded, while the sketches

of character are thought deserving of a permanent place in our

literature.

§ 31. I need hardly add that the abuse of these great natural gifts is

not only possible, but frequent, and in both it arises from the same

mental defects—conceit and selfishness. A man who can say a good thing

or make a person appear ridiculous may be so proud of his power that he

exercises it at the cost of good taste and even of real humanity. The

great wit is often cruel, and even glories in wounding to the quick the

sensibilities of others. If he can carry some of the company with him he

has a wicked enjoyment in making one of the rest a butt or target for

his shafts, and so destroying all wholesome conversation. He may leave

in the minds of his society an admiration of his talent, but often a

serious dislike of his character. With such feelings abroad he will

injure conversation far more than he promotes it. People may consent to

go into his company to hear him talk, but will avoid talking in his

presence.

The excesses of the humourist are perhaps rather those of a complacent

selfishness, which does not hesitate to monopolise the company with long

stories in which all do not feel an interest. But humour is its own

antidote; and if a man have the true vein in him he will also have the

tact to feel when he is tedious, and when his fun is out of harmony with

his hearers. For these reasons it is not only a higher but a safer gift

than wit for the purposes of conversation; the pity of it is that so few

possess it, and that there is hardly any use in trying to attain it by

education. No doubt the constant society of an elder or superior who

looks at things in this way may stimulate it in the young, but with the

danger of making them sarcastic and satirical, which are grave faults,

and which are the distortion of humour to ill-natured and unsocial

purposes, so that even in this view of the matter education in humour

may turn out a very mischievous failure.

On the whole we must set ourselves to carry on society and to make good

conversation without any large help from these brilliant but dangerous

gifts. Occasional flashes will occur to ordinary people, and sometimes

the very circumstances themselves will create a situation so humorous

that it requires no genius to bring it home to the company. But beyond

the necessary cautions above indicated, we cannot bring it into any

systematic doctrine of social intercourse.

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The Principles of the Art of Conversation · 第 32 / 46 题