CONDITIONS TOO SPECIAL—WIT AND HUMOUR

§ 28. There may have been times and nations where conversation was

regarded as so serious and important an engine of education, that sound

argument, brilliant illustration, and ample information, took the

highest place as qualities of talk. Perhaps they do in some cases now,

as, for example, everybody who knows him will concede to Mr. Gladstone

the palm as a very charming man in society by reason of these qualities.

But among hard-working and somewhat fatigued people, who have been

pursuing information of various kinds in all their working hours,

conversation must be of the nature of relaxation; it must be amusing

first, instructive afterwards, and so it is that nowadays no qualities,

however valuable, rank so high in popular estimation for social

purposes, as wit and humour.

I will not ascend to a philosophical analysis of these terms, or attempt

to answer the obscure and difficult question: What is it that makes us

laugh, and why we seem to have in this somewhat trivial point a special

feature distinguishing us from all the lower animals? They may have the

faculty of reason; they seem entirely devoid of the faculty of ridicule.

Nay, even in the scale of civilisation, it is remarkable that the savage

and the ignorant laugh less and understand less of this great fund of

enjoyment than civilised people. There are also, of course, national

differences. The English boor seldom laughs, and then at very coarse

fun; the Italian or the Irishman often, and very innocently; the modern

Greek, though highly intelligent and keen, very seldom, apparently from

want of taste for the ridiculous.

As regards the distinction between wit and humour, all I need here

insist upon is that the former consists in quick flashes, in prompt

repartee, in quaint comparison; while the latter is sustained; it is a

comic way of looking at serious things, a flavouring of narrative, a

perception of a ludicrous vein in human life and character. Both these

are now esteemed very highly, perhaps beyond their value, in society,

but they are so specially natural gifts, and are so impossible to attain

by practice, that they cannot be enjoined as conditions to which every

talker must conform; they can only be described, and their force or

weakness illustrated.

§ 29. There is nothing that requires to _appear_ spontaneous more

stringently than either of these qualities, and yet we read of great

wits, like Sheridan, who carefully prepared their sallies, and even

suborned some one to lead up to them. The effect of knowing this is to

detract greatly from the enjoyment of the company, and still more from

the reputation of the speaker. Most of us would say, that however

brilliant in writing comedies, Sheridan must have been distinctly

wanting in that gift of spontaneous and ready wit which flashes out at

the least provocation, and is mere intellectual playfulness, like the

playfulness of a young and happy animal.

So strongly do we feel this in Irish society, where wit is less uncommon

than elsewhere, and where it is no less highly prized, that a kind of

social religion warns us not to study it beforehand, and any one

suspected of coming out with prepared smart things is received by the

company with ridicule. Yet for all that, it cannot possibly be denied

that as most of the brilliant things which a man uses in any

conversation must be at second hand—to invent such things one after

another at the moment being beyond the power of human genius—they must

depend upon a good memory, and this may best be aided by having things

written down, which would else escape and be lost.

We should therefore conclude that every man who goes into society, and

has an inclination for that kind of conversation, ought to keep some

record of the happy trifles he hears upon various occasions. But it

seems, at least in Ireland, as if the repugnance to doing this amounted

to a conclusive argument against it. It is assumed that as surely as a

man has such a store, which he looks up beforehand, so surely will he

force the conversation towards his points, or bring them in when

irrelevant; and an irrelevant joke is hardly a real joke. I have known,

indeed, of a college Don having a note-book of wit in his pocket, and

peeping at it under the table to refresh his memory. This was regarded

as far the best joke about him, and the laughter before he spoke was

always greater than when he had sped his shaft. In actual society it has

never occurred to me to meet any one who has sustained a reputation for

wit in this way. We think that if the suggestion of the current

conversation is not strong enough to bring up a smart point naturally,

and without effort, it is better that it should be forgotten or unsaid.

Let me add the significant fact, that in spite of endless attempts, no

printed collection of jokes has ever attained even a decent position in

literature.[8]

Footnote 8:

I believe I should mention Dean Ramsay’s well-known book as an

exception.

So much for wit; the case of humour is slightly different.

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The Principles of the Art of Conversation · 第 31 / 46 题