THE FURNISHING OF A COUNTRY HOUSE.

The hostess should, in furnishing her house, provide a number of

bath-tubs. The tin ones, shaped like a hat, are very convenient, as

are also india-rubber portable baths. If there is not a bath-room

belonging to every room, this will enable an Englishman to take his

tub as cold as he pleases, or allow the American to take the warmer

sponge bath which Americans generally prefer.

The house should also be well supplied with lunch-baskets for picnics

and for the railway journey. These can be had for a small sum, and are

well fitted up with drinking-cups, knives, forks, spoons, corkscrews,

sandwich-boxes, etc. These and a great supply of unbreakable cups for

the lawn-tennis ground are very useful.

There should be also any number of painted tin pails, and small

pitchers to carry hot water; several services of plain tea things, and

Japanese waiters, on which to send tea to the bedrooms; and in every

room should be placed a table, thoroughly furnished with

writing-materials, and with all the conveniences for writing and

sealing a letter.

Shakspeare's bequest to his wife of his second-best bed has passed as

a bit of post-mortem ungallantry, which has dimmed his fame as a model

husband; but to-day that second-best bed would be a very handsome

bequest, not only because it was Shakspeare's, but because it was

doubtless a "tester," for which there is a craze. All the old

four-posters, which our grandmothers sent to the garret, are on their

way back again to the model bedroom. With all our rage for ventilation

and fresh air, we no longer fear the bed curtains which a few years

ago were supposed to foster disease and death; because the model

bedroom can now be furnished with a ventilator for admitting the

fresh, and one permitting the egress of the foul air. Each gas bracket

is provided with a pipe placed above it, which pierces the wall and

through which the product of combustion is carried out of the house.

This is a late sanitary improvement in London, and is being introduced

in New York.

As for the bed curtains, they are hung on rods with brass rings, no

canopy on top, so that the curtains can be shaken and dusted freely.

This is a great improvement on the old upholstered top, which recalls

Dickens's description of Mrs. Todger's boarding-house, where at the

top of the stairs "the odour of many generations of dinners had

gathered and had never been dispelled." In like manner the unpleasant

feeling that perhaps whole generations of sleepers had breathed into

the same upholstery overhead, used to haunt the wakeful, in old

English inns, to the murdering of sleep.

There is a growing admiration, unfortunately, for tufted bedsteads.

They are in the long run neither clean nor wholesome, and not easily

kept free from vermin; but they are undeniably handsome, and recall

the imperial beds of state apartments, where kings and queens are

supposed to seek that repose which comes so unwillingly to them, but

so readily to the plough-boy. These upholstered, tufted, satin-covered

bedsteads should be fitted with a canopy, and from this should hang a

baldachin and side curtains. Certain very beautiful specimens of this

regal arrangement, bought in Italy, are in the Vanderbilt palaces in

New York. Opulent purchasers can get copies at the great

furnishing-houses, but it is becoming difficult to get the real

antiques. Travellers in Brittany find the most wonderful carved

bedsteads built into the wall, and are always buying them of the

astonished fisher-folk, who have no idea how valuable is their

smoke-stained, carved oak.

But as to the making up of the bed. There are nowadays cleanly springs

and hair mattresses, in place of the old feather-beds; and as to stiff

white bedcovers, pillowslips and shams, false sheets and valenciennes

trimmings, monogrammed and ruffled fineries, there is a truce. They

were so slippery, so troublesome, and so false withal, that the beds

that have known them shall know them no more forever. They had always

to be unpinned and unhooked before the sleeper could enter his bed;

and they were the torment of the housemaid. They entailed a degree of

washing and ironing which was endless, and yet many a young

housekeeper thought them indispensable. That idea has gone out

completely. The bed now is made up with its fresh linen sheets, its

clean blankets and its Marseilles quilt, with square or long pillow as

the sleeper fancies, with bolster in plain linen sheath. Then over the

whole is thrown a light lace cover lined with Liberty silk. This may

be as expensive or as cheap as the owner pleases. Or the spreads may

be of satin covered with Chinese embroidery, Turkish Smyrniote, or

other rare things, or of the patchwork or decorative art designs now

so fashionable. One light and easily aired drapery succeeds the four

or five pieces of unmanageable linen. If the bed is a tester and the

curtains of silk or chintz, the bed-covering should match in tint. In

a very pretty bedroom the walls should be covered with chintz or silk.

The modern highly glazed tile paper for walls and ceiling is an

admirable covering, as it refuses to harbour dirt, and the housemaid's

brush can keep it sweet and clean. Wall papers are so pretty and so

exquisite in design that it seems hardly necessary to do more than

mention them. Let us hope the exasperating old rectangular patterns,

which have confused so many weary brains and haunted so many a

feverish pillow, are gone forever.

The floors should be of plain painted wood, varnished, than which

nothing can be cleaner; or perhaps of polished or oiled wood of the

natural colour, with parquetried borders. If this is impossible cover

with dark-stained mattings, which are as clean and healthful as

possible. These may remain down all winter, and rugs may be laid over

them at the fireplace and near the bed, sofa, etc. Readily lifted and

shaken, rugs have all the comfort of carpets, and none of their

disadvantages.

Much is said of the unhealthfulness of gas in bedrooms, but if it does

not escape, it is not unhealthful. The prettiest illumination is by

candles in the charming new candlesticks in tin and brass, which are

as nice as Roman lamps.

On the old bedsteads of Cromwell's time we find a shelf running across

the head of the bed, just above the sleeper's head,--placed there for

the posset cup. This is now utilized for a safety lamp, for those who

indulge in the pernicious practice of reading in bed; but it is even

better used as a receptacle for the book, the letter-case, the many

little things which an invalid may need, and it saves calling a

nurse.

All paint used in a model bedroom should be free from poison. The

fireplace should be tiled, and the windows made with a deep beading on

the sill. This is a piece of wood like the rest of the frame, which

comes up two or three inches in front of the lower part of the window.

The object of this is to admit of the lower sash being raised without

causing a draught. The room is thus ventilated by the air which

filters through the slight aperture between the upper and lower

sashes. Above all things have an open fireplace in the bedroom.

Abolish stoves from that sacred precinct. Use wood for fuel if

possible; if not, the softest of cannel-coal.

Have brass rods placed, on which to hang portières in winter.

Portières and curtains may be cheaply made of ingrain carpet

embroidered; or of Turkish or Indian stuffs; splendid Delhi pulgaries,

a mass of gold silk embroidered, with bits of looking-glass worked in;

of velvet; camel's-hair shawls; satin, chintz, or cretonne. Costly thy

portières as thy purse can buy; nothing is so pretty and so

ornamental.

Glazed chintzes may be hung at the windows, without lining, as the

light shines through the flowers, making a good effect. Chenille

curtains of soft rich colours are appropriate for the modern bedroom.

Madras muslin curtains will do for the windows, but are not heavy

enough for portières.

There are hangings made of willow bamboo, which can be looped back, or

left hanging, which give a window a furnished look, without

intercepting the light. Low wooden tables painted red, tables for

writing materials, brackets on the walls for vases, candlesticks, and

photograph screens, a long couch with many pillows, a Shaker

rocking-chair, a row of hanging book-shelves,--these, with bed and

curtains in fresh tints, make a pretty room in a country house.

If possible, people who entertain much should have a suite of bedrooms

for guests, so that no one need be turned out of one's room to make

way for a guest.

Brass beds are to be recommended as cleanly, handsome, and durable.

Many ladies have, however, found fault with them because they show the

under mattress, where the clothes are tucked in over the upper one.

This can be remedied by making a valance which is finished with a

ruffle at the top, which can be fluted, the whole tied on by tapes.

Two or three of these in white will be all that a housekeeper needs,

and if made of pretty coloured merino to match the room, they will

last clean a long time.

Every bedroom should have, if possible, a dressing-room, where the

wash-stand, wardrobe, bath-tub, box for boots and shoes, box for

soiled clothes, and toilet-table, perhaps, can be kept. In the new

sanitary houses in London, the water cistern is placed in view behind

glass in these rooms, so that if anything is the matter with the water

supply, it can be remedied immediately. However, in old fashioned

houses, where dressing-rooms cannot be evoked, screens can be so

placed as to conceal the unornamental objects.

A toilet-table should be ornamental and not hidden, with its curtains,

pockets, looking-glasses, little bows, shelves for bottles, devices

for secret drawers for love letters, and so on. Ivory brushes with the

owner's monogram, all sorts of pretty Japanese boxes, and

dressing-cases, silver-backed brushes and mirrors, buttonhooks,

knives, scissors can be neatly laid out.

A little table for afternoon tea should stand ready, with a tray of

Satsuma or old Worcester, with cups and tea equipage, and a copper

kettle with alcohol lamp should stand on a bracket on the wall. In the

heating of water, a trivet should be attached to the grate, and a

little iron kettle might sing forever on the hob. Ornamental ottomans

in plush covers, which open and disclose a wood box, should stand by

the fireplace. Chameleon glass lamps with king-fisher stems are pretty

on the mantel-piece, which can be upholstered to match the bed; and

there may be vases in amber, primrose, cream-colour, pale blue, and

ruby. No fragrant flowers or growing plants should be allowed in a

bedroom. There should be at least one clock in the room, to strike the

hour with musical reiteration.

As for baths, the guest should be asked if he prefers hot or cold

water, and the hour at which he will have it. If a tin hat-bath, or an

india-rubber tub is used, the maid should enter and arrange it in this

manner: first lay a rubber cloth on the floor and then place the tub

on it. Then bring a large pail of cold water, and a can of hot. Place

near the tub a towel-rack hung with fresh towels, both damask and

Turkish, and if a full-length Turkish towel be added it will be a

great luxury. If the guest be a gentleman, and no man-servant be kept,

this should all be arranged the night before, with the exception of

course of the hot water, which can be left outside the door at any

hour in the morning when it is desired. If it is a stationary tub, of

course the matter is a simple one, and depends on the turn of a couple

of faucets.

Some visitors are very fussy and dislike to be waited on; to such the

option must be given: "Do you prefer to light your own fire, to turn

on your bath, to make your own tea, or shall the maid enter at eight

o'clock and do it for you?" Such questions are often asked in an

English country house. Every facility for doing the work would of

course be supplied to the visitor.

The bedroom being nowadays made so very attractive, the guest should

stay in it as much as possible, if he or she find that the hostess

likes to be alone; in short, absent yourself occasionally. Do your

letter-writing and some reading in your room. Most people prefer this

freedom and like to be let alone in the morning.

At a country house, gentlemen should be very particular to dress for

dinner. If not in the regulation claw-hammer, still with a change of

garment. There is a very good garment called a smokee, which is worn

by gentlemen in the summer, a sort of light jacket of black cloth,

which goes well with either black or white cravat; but with all the

_laisser aller_ of a country visit, inattention to the proprieties of

dress is not included.

A guest must go provided with a lawn-tennis costume, if he plays that

noble game which has become the great consolation of our rising

generation. No doubt the hostess blesses the invention of this great

time killer, as she sees her men and maidens trooping out to the

ground, under the trees. This suggests the subject of out-of-door

refreshment, the claret cup, the champagne cup, the shandy gaff, the

fresh cider, and the thousand and one throat-coolers, for which our

American genius seems to have been inspired to meet the drain of a

very dry climate, and which we shall consider elsewhere.

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