THE POOR OF DUBLIN.
Private houses are built in Dublin on the general type adopted throughout
the British Isles: a basement opening on the railed area which runs
along the pavement, a ground floor, a first floor, sometimes a second
one. Above the front door a pane of glass lighted with gas. It is the
custom of the country to place there one’s artistic treasures,—a china
vase, a bust, or a small plaster horse. The small horse especially is a
great favourite. You see it in a thousand copies which all came out of
the same cast. In the suburbs you notice pretty often a window decorated
with plants that are seen behind the glass panes,—Breton fashion,—and,
striking circumstance, in Ireland also it is the uninteresting geranium
which is the favourite flower of the poor. Inside the house the
accommodation is nearly the same as in England. It is well known that
nothing is more like an English house than another English house. But
here, to the classical furniture, horse-hair and mahogany armchairs, and
oil-cloth floor, is added a mural decoration of coloured prints and Roman
Catholic chromolithographs, Saint Patrick, the Pope Leo XIII., the “Good
Shepherd giving His life for the sheep,” surrounded by dried branches of
holy palm, rosaries and scapularies. An ornament greatly appreciated on
the chimney-piece is a glass vessel full of miraculous water in which
swims a reduction of the tools of the Passion, the cross, the ladder, the
hammer, the nails, and the crown of thorns.
Eighty-seven per cent. of the Dublin population belong to the Roman
Catholic religion. The proportion is higher in some other Irish counties:
in Connaught it rises to ninety-five per cent.; nowhere, even in
Protestant Ulster, does it descend lower than forty-five per cent.
And those Catholics are not so only in name. The greater number follow
the services of the Church, observe all the rites, maintain a direct
and constant intercourse with the priests. The sincerity of their faith
is particularly striking, and is not to be found in the same degree
even in Italy or in Spain. For with them the Roman faith is narrowly
bound with traditions most dear to their race; it remains one of the
external forms of protestation against the conquest, and has been, till
quite lately, a stigma of political incapacity. To the glamour of the
traditional religion is added the poetry of persecution and the rancour
of the vanquished. This religion is the one that is not professed by
the hated Englishman: what a reason to love it above all the others! We
must remember that in Dublin, amidst a population nine-tenths of which
are devout Catholics, and where the remaining tenth is alone Protestant
(Episcopalian’ Presbyterian, Methodist, &c.), the cathedral is in the
hands of the Anglican minority with all the ancient basilics, whilst the
worship of the majority is sheltered in modern and vulgar buildings.
The conquering race has invaded Saint Patrick’s Baptistery as well as
the Royal Castle, and the Senate of the University. A threefold reason
for rancour to these who were thus deprived of the three sanctuaries of
faith, public power, and learning.
Such spoliations are those which a vanquished race cannot forget, because
they bring constantly their sore under their eyes. Now the Irish have the
artless vanity of the chivalrous races, and the wounds inflicted to their
self-love are perhaps more cruel than the others.
This vanity is frequently exhibited in a certain taste for show, and in
a slight touch of the mountebank. The least apothecary’s shop in Dublin
goes by the pompous name of _Medical Hall_; the smallest free school is
an academy; and it is well known that every single Irishman is descended
straight from the “ould kings of Oireland.”
* * * * *
There is a great deal of misery in Dublin; 6,036 of her inhabitants are
inmates of the workhouse; 4,281 are the recipients of outdoor relief;
19,332 are without a known trade or profession and without means of
living. It makes about 30,000 paupers in a town of 250,000 inhabitants.
Besides those officially recognised paupers, how many others whose
distress is no less terrible for not being classed!
I had the first sight of that misery on the quay of the Liffey. It was a
dishevelled woman walking as in a trance, her eyes settled, immoveable.
Barefooted, dressed in a yellowish tattered shawl which hardly covered
her withered breast, and in a horrible nondescript silk petticoat once
black, through which her thighs appeared. She was pale and silent, and
she seemed to be lost in some unutterable grief. I spoke to her—she did
not answer. I put a piece of money in her hand, she took it without a
word, without even looking at it. She went her way.
I thought I had seen the ghost of the _Shan Van Vocht_, “The Poor Old
Woman,” as the Irish sorrowfully call their country. She went with long
strides towards the police court—a new building, not far from Richmond
Bridge. I went in after her.
In the courtyard, groups of beings with human faces were crouching on
the ground—so black, so dirty, so tattered were they, that they made
me think of the Australian aborigines and Fuegian savages, of the most
unenlightened and degraded tribes of the globe. Most of them bore
outwardly the semblance of women. The males were standing with their
backs against the wall in that listless attitude of the “unemployed” in
Dublin.
* * * * *
An ill-kept staircase leads to the audience room. The walls are
whitewashed, the ceiling a skylight, white wooden benches round the room.
In the chair, the police judge; he is a yellow-haired man with a
benevolent countenance, dressed in a frock coat. Clerks and counsel are
alike gownless and wigless; everything is conducted in a homely manner.
The accused follow each other in single file. The witness (nearly always
a constable) states what he has seen. The judge asks the delinquent if
he has anything to say in his defence, and after a quick colloquy he
pronounces his sentence. Generally it is a fine of two or three shillings
or a day’s imprisonment for each unpaid shilling.
One of the prisoners has just been condemned to pay a fine of half a
crown for obvious drunkenness; he does not possess a farthing, but seems
to be endowed with a humorous turn of mind.
“Your honour could as well have said half a sovereign! It would have
looked more respectable, and the result would have been the same,” he
says, turning his pockets inside out. A guffaw of laughter joined in by
the judge himself, who does not think it his duty to be offended by the
remark; after which he calls out for number two.
Number two is a boy fifteen or sixteen years old; he has a sweet
intelligent countenance in spite of the indescribable rags that cover his
body. Tears stand in his eyes and his lips are tremulous. Nothing in him
of the habitual offender. The accusation that he is lying under seems to
be: “Theft of a pork-chop in an open shop-window.” A single witness is
called, a little maid five years old; so small that her head does not
even reach the top of the witness-box. They bring her a footstool, on
which she climbs to give her evidence.
She has seen the boy, she says, near the shop window, looking wistfully
for a long time on the chops and finally pocketing one. However, her
account is not very clear. All those people make her shy, and she does
not speak out loud, so the clerk takes the trouble to read over to her
the evidence she has just given. Does she know how to write? Can she
sign her name? Yes. They place a pen in her fingers, and with infinite
trouble, bending her small fair head, shooting out her lips, she writes
on the legal parchment with her tiny trembling hand her name and surname:
_Maggie Flanagan_.
“Well! prisoner, what have you to say?”
The unfortunate boy stammers that he was hungry, that there was not a
penny in the house, and that he had no work.
“What is your father’s trade?”
“He is gone to Australia, your honour. Mother has been left with four
children. I am the eldest. We had eaten nothing for two days.”
One feels he is speaking the truth. Every heart is moved.
Suddenly a shrill voice bursts out from the lower end of the room,
wailing: “Oh, your honour, don’t send him to jail!...”
It is the woman I saw on the quay; the one that I followed to that
Purgatory. The mother of the culprit very likely.
“I am obliged to remand you for a week in order to examine the
circumstances of the case,” the judge says, in a manner that shows he is
anxious to arrange the affair with kindness.
The prisoner goes out of the dock following the warder, and disappears
through a small side door.
The mother has gone away without waiting, and I hurry to follow her. But
she walks so fast that I can hardly keep pace with her.
She passes again on the bridge, walks along the quay, plunges in a
by-street, goes up towards the south-western quarters of Dublin, called
the _liberties_ of the town. Suddenly I lose sight of her at the corner
of a narrow lane, and after winding round and round I am obliged to
renounce coming up with her. There is a way of course to come to the
relief of those poor creatures, by sending one’s subscription to the
judge according to the British fashion. But I wanted to see them at home
in their den, wallowing in their squalor, to see whether men or destiny
bear the responsibility for such dark distress.
Alas! examples are not wanting, and I have only to cross the first
door that opens before me. Along these lanes yawn dark alleys from
which hundreds of half-naked children are swarming out. All ages are
represented; they are in the most fantastical and unexpected attire. One
has got on breeches fastened under the shoulders by a piece of cord in
lieu of braces; the same is full of holes large enough for his head to go
through. Another has no shirt, and trails in the gutter the jagged skirt
of a coat slashed like a doublet, and with only one sleeve left. They are
all of them so extravagantly slovenly that it seems to be a competition
for rags.
A baby two or three years old strikes me particularly. It is absolutely
naked, and so very, very dirty that dirt has formed a sort of bronzed
skin over his little body, and he is like a juvenile nigger. As he came
into the world so he has remained. Neither soap nor water ever moistened
his skin. He has not even undergone the washing that the mother-cat
applies so industriously with her tongue on her newborn kittens.
Yet his mother loves him, squalid and black as he is. Just now a cart
passed, and the baby was running under the wheels; the mother sprang out
of her lair with the roar of a tigress, and pounced upon her child,
which she jealously carried away.
Never in London did I hear such accents. Far from me to hint that English
mothers do not love their babies: but they love them after their own
fashion, without showers of kisses or demonstrative ways.
And this is the distinctive feature which divides the Irish pariahs from
those of the London East-End. They love each other, and they know how to
put that love into words. Their distress, perhaps deeper than English
poverty, bears not the same hard, selfish character—tenderness and love
are not unknown to them. They try to help and comfort one another in
their misery. Thackeray has remarked it long ago: let an Irishman be
as poor as you like; he will always contrive to find another Irishman
poorer still, whom he will serve and oblige, and make the partaker of his
good or bad luck. And it is absolutely true. That fraternal instinct, so
unknown to the Anglo-Saxon, nay, so contrary to his nature, shows itself
here at every step.
* * * * *
But the misery is none the less terrible here; indeed, there are no
adequate words in the dictionary to express it. No description can give
an idea of those nameless dens, sordid, dilapidated stairs, miserable
pieces of furniture, nondescript utensils invariably diverted from their
original destination. And in that lamentable frame, those swarming
families squatting in their filth; the starved look of the mothers under
the tattered shawl that ever covers their heads, the hungry little faces
of their whelps....
A sickening smell, recalling that of ill-ventilated hospitals, comes
out of those lairs and suffocating you, almost throws you back. But it
is too late. You have been caught sight of. From all sides visions of
horror are emerging to light, spectres are starting up; old hags that
would have surprised Shakespeare himself, swarm round you, holding out
their hand for a _copper_. The younger women don’t generally come to the
front, not that their wants be less, but they know that coppers are not
inexhaustible, and that the old ones must have the precedence. So they
remain sadly in the background, and then, when you have emptied your
pockets, there is a roar of benedictions fit to rend one’s heart with
shame. They are so fearfully sincere! And how many times do we not throw
to the winds of our caprice what would be sufficient to quench at least
for one moment, the thirst which is raging in that hell! You fly from
that den of horror, wondering whether the most horrible deserts would
not be more merciful to those destitute creatures than the _liberties_ of
the city of Dublin.
* * * * *
In your flight you fatally fall upon Nicholas Street, where all those
dark alleys open. This is the way to the cathedral, and the great
commercial artery of this side of the town. If any doubt remained in you
after the insight you had of the houses of the poor in Dublin, about the
way they live, that street alone would give you sufficient information.
From end to end it is lined with a row of disgusting shops or stalls,
where the refuse of the new and the ancient world seems to have come
for an exhibition. Imagine the most hideous, ragged, repulsive rubbish
in the dust-bins of two capitals, and you will get an idea of that
shop-window display; rank bacon, rotten fish, festering bones, potatoes
in full germination, wormy fruit, dusty crusts, sheep’s hearts, sausages
which remind you of the Siege of Paris, and perhaps come from it; all
that running in garlands or festoons in front of the stalls, or made
into indescribable heaps, is doled out to the customers in diminutive
half-pence morsels. At every turning of the street a public-house with
its dim glass and sticky glutinous door. Now and then a pawnbroker with
the three symbolic brass balls, and every twenty yards a rag and bone
shop.
The rag and bone trade is extremely active in Dublin, which numbers no
less than 400 shops of that description, according to statistics. And
that is not too many for a population which from times immemorial never
wore a garment that was not second-hand. To a man Ireland dresses on the
_reach-me-down_ system, and wears out the cast-off garments which have
passed on the backs of ten or twelve successive owners. Battered hats,
dilapidated gowns, threadbare coats arrive here by shiploads. When the
whole world has had enough of them, when the Papoo savages and Guinea
niggers have discarded their finery, and declared it to be no longer
serviceable, there are still amateurs to be found for it in Dublin. Hence
the most extraordinary variety, and the wildest incoherence of costume.
Knee-breeches, tail coats, white gowns, cocked hats,—Paddy and his spouse
are ready for anything. So destitute are they of personal property, that
they do not even possess an outline of their own. Their normal get-up
resembles a travesty, and their distress a carnival.
The main point for them is to have a garment of any description to put
on, since it is a thing understood that one cannot go about naked; and
it does not very much matter after all what is the state of that garment,
as it is so soon to leave their backs to go to the pawnbroker’s. This is
a prominent figure in the daily drama of their wretched existence, the
regulator of their humble exchequer through the coming and going of the
necessaries of life, which they are obliged to part with periodically.
“You see that pair of hob-nailed shoes?” one of them tells me, “For the
last six months it has come here every Monday regularly and gone every
Saturday. The possessor uses them only on Sundays; on week days he
prefers enjoying his capital....”
His capital!—one shilling and sixpence, for which he has to pay an
interest of one penny a week; _i.e._, three hundred per cent. a year!
Usury under all its forms blooms spontaneously on that dung-hill. By the
side of the pawnbroker a _money office_ is almost always to be seen. It
is an English institution, natural in a nation which is bursting with
money, and consequently finds it difficult to make it render 3 or 4 per
cent. What is England if not a colossal bank, which advances money upon
any three given signatures as a security, if they come from people with a
settled dwelling and a regular profession? Well, who would believe it?
Paddy himself is admitted to partake of the onerous benefits of that
credit, provided he work ever so little and be not too hopelessly worn
out. For these small banking houses form a union and let each other know
the state of their accounts. Upon the poor man’s signature accompanied by
those of two of his fellows, five and seven pounds sterling will be lent
to him, to be reimbursed by weekly instalments. But that resource, which
is a powerful help for the strong energetic man, is almost invariably
a cause of distress and ruin to the weak. The borrowed money ebbs out
in worthless expenditure, in the buying of some articles of apparel or
furniture, which soon takes the road to the pawnbroker’s; and the debt
alone remains weighing with all its weight on poor Paddy. It is the last
straw on the camel’s back, and he ends by falling down irremediably under
it.