XVI.

The High-Priest.

“THERE is one thing which we can’t do, it is too hard for even Dora,”

observed Elsie one morning at breakfast, when, as was often the case,

the Children’s Tabernacle had formed a topic of conversation. “We can’t

make models of the Ark, or the Altar, or the Table of Showbread; our

pretty curtains won’t cover anything, the Tabernacle will be quite

empty!”

“I really could not undertake to do more than I am doing, even if my

fingers could manage to make such tiny models,” said Lucius, who, as

we have seen, already found that he had engaged in a difficult task.

Agnes, Dora, and Amy were silent; they all felt that there would

certainly be a great want in their Tabernacle, but they did not see how

that want could possibly be supplied.

The young Temples little guessed that while their mother was in her own

room, engaged, as they supposed, in reading or writing, or making up

her household accounts, she was preparing for them a pleasant surprise.

Mrs. Temple was not less with her family than usual, she did not

neglect her house affairs, she never forgot either to order the dinner

or to pay the butcher and baker, but she stole time for her novel

employment from her sleep, and from her favorite amusement of reading

library books.

On the day when the model was completed, when the last silver socket

had been fastened, and the last little curtain hemmed, the children had

the pleasure of setting up the Tabernacle in the study, to see how it

looked. There was great satisfaction in surveying the finished work;

every one felt glad that the long labor was over, and that he had had a

share in the work.

“How pleased auntie will be!” cried Elsie.

“And the ragged children, too,” joined in Amy.

“And now go out for your walk, my dear ones,” said their mother; “the

morning is so frosty and bright that you may make your walk a long one;

I should not be surprised should you wander as far as Burnley woods. I

shall not expect you back for a couple of hours.”

“Mother, you will go with us,” said Lucius.

“I will be particularly engaged this morning,” replied Mrs. Temple,

as she shook her head with a smile. Elsie remarked afterwards that it

had been “a knowing kind of smile,” as if there had been some very

particular reason indeed for her mamma’s stopping at home. The reason

was clear enough to all the party when they returned from their walk,

and with their cheeks rosy from the fresh air and exercise re-entered

the study. The children found their mother standing beside the model.

Elsie, who was the first to run up to it, gave almost a scream of

delight.

“Oh! see—see what mamma has been making! Clever mamma!” she cried,

clapping her hands, and jumping for joy.

“What lovely little models!” exclaimed Lucius. “Mother, it is you who

have cut us all out.”

“You have done what none of us could have done,” said Agnes.

“And so quietly too,” observed Dora.

“There is nothing wanting now!” cried Amy, putting her arm fondly

around the parent who had so kindly entered into the little pleasures

of her children.

“I thought that one thing more was wanting,” said Mrs. Temple. The lady

seated herself beside the table, and took off the cover of a little

pasteboard box which she held in her hand. The children looked on with

mingled curiosity and pleasure as their mother carefully drew out from

it a beautiful little figure about two inches long, exquisitely dressed

in miniature garments, representing those which were worn by the

high-priest of Israel. To imitate these garments in a size so small,

had taxed the utmost skill of the ingenious and neat-fingered lady.

I need not set down all the exclamations of wonder and pleasure which

were uttered by the younger Temples. If their mother’s great object had

been to gratify her children, that object was certainly attained.

“The dress which I have tried to imitate,” said the lady, “is that

in which the high-priest appeared on solemn occasions. The Day of

Atonement was, however, an exception; on that most solemn day in the

year, when the high-priest ventured into the Holy of holies, he did so

in simple garments of pure white linen.”

The mother then showed and explained to her family the different

articles of dress on her curious model. The under-tunic, or shirt, of

linen, and above it the mantle of sky-blue color, having at the bottom

an ornamental border or fringe.

“This fringe, which, as you see, I have cut out in the form of tiny

pomegranates, ought to be interspersed with bells of gold,” said Mrs.

Temple; “but my fingers could not succeed in making anything so very

minute.”

“And unless we had looked through a microscope, we could not have

distinguished bells no bigger than needles’ eyes,” observed Lucius.

“And what is this fine uppermost garment, reaching to the knees?”

inquired Dora, looking admiringly on the delicate embroidery in gold

and colors similar to that which she had herself worked for the Veil,

only a great deal finer.

“This is the Ephod,” replied Mrs. Temple. “On the front of it I have,

as you see, worked in very small beads of various colors an imitation

of the high-priest’s breastplate, which was formed of twelve precious

stones.”

The minute breastplate excited more attention than any other part of

the high-priest’s dress, and had, perhaps, given the skilful worker

more trouble than all the rest. Every one of the little beads was of a

different tint. They were closely set together in rows, so as to form a

square ornament, and were fastened to the shoulder parts of the Ephod

by little threads of gold.

“How very splendid the real breastplate must have been!” exclaimed Dora

Temple.

“Had it also some typical meaning?” asked Lucius. “I suppose so,” he

added, “as everything about the Tabernacle and the high-priest seems to

have been a type of something greater.”

“On each of the precious stones in the splendid breastplate was

inscribed the names of one of the twelve tribes of Israel,” replied

Mrs. Temple. “I believe that the breastplate was worn by the

high-priest, who was to pray in the Tabernacle for the people, and

then to come forward and bless them, as a token that he bore their

names on his heart.”

“Oh, that is a beautiful meaning!” cried Amy; “especially when we

think,” she continued, more softly, “that the high-priest was a type of

our blessed Saviour Himself.”

“Who bears all His people’s names on his heart,” observed Mrs. Temple;

“both when He pleads for them in heaven, and when He blesses them upon

earth.”

“The high-priest must have looked very noble and grand in his rich

garments,” observed Lucius; “and yet it seems too much honor for any

mere man to be called a type of the Son of God.”

“Ah, my boy! poor and mean indeed must any earthly type appear when

compared to the heavenly Antitype!” exclaimed Mrs. Temple. “That

thought came strongly to my mind as I was sewing together these little

worthless glass beads to form the model of the glorious breastplate.

‘Can these wretched little atoms of colored glass,’ I said to myself,

‘give any idea of magnificent jewels, sparkling in light, set in

gold, and each engraved with a name?’ But even so mean, and small,

and insignificant was Aaron, in all his splendor, compared to the

sacred Being who deigns to call Himself our High-Priest, and to make

intercession for us above!”

All the party were silent for several moments, looking down at the

little model, and thinking over the words of their mother. Elsie then

pointed to the curious head-dress which appeared on the figure. It was

not exactly a turban, though it was formed of tight rolls of linen. It

had the representation of a plate of gold in front, fastened on to it

by a blue thread.

“That head-dress is called the high-priest’s bonnet or mitre,” observed

Mrs. Temple. “There are rather different opinions regarding its exact

shape. It cost me a good deal of thought to contrive it, and here

again I felt how impossible it is to give anything like a just idea of

the real object in a model so small as this. You see that I have not

neglected to put a little gold plate on the front of the mitre; but I

had no power to form letters so minute as to represent on it what was

engraved on that which the high-priest wore. This was ‘HOLINESS TO THE

LORD.’”

“Then the high-priest had the Lord’s Name written over his brow,”

observed Agnes. “It makes one think of the promise in the Bible, that

saints in heaven shall have His Name written on their foreheads.” (Rev.

xxii. 4.)

“All will be ‘_Holiness to the Lord_’ in that happy place!” observed

Amy.

It was pleasanter to Dora to examine the little model before her, and

to admire and praise her mother’s skill, than to think of what was

inscribed on the mitre worn by Aaron and his successors. It is the

sad, sad effect of sin concealed in the heart, that it keeps those who

indulge it from daring even to _wish_ to be holy.

The Tabernacle was now carefully taken down, piece by piece, to be

packed in a box, ready to be carried along with the rest of their

luggage when the family should quit their home for awhile. Every

curtain was neatly folded, and all the pillars carefully wrapped up

in paper. The figure representing the high-priest was gently put back

into its own little box, and all the other little objects were packed

in cotton, so as to bear without injury a little jolting on the journey

before them.

With additional pleasure the young Temples now looked forward to the

coming Christmas season, and the long-expected visit which they were to

pay to their Aunt Theodora.

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