[181] Sully, in his _Memoirs_, I. p. 254, (_English translation_) gives

the following account of its capture:--"The King succeeded better at

Louviers: this town kept a priest in its pay; who, from the top of a

belfry, which he never left, played the part of a spy with great

exactness. If he saw but a single person in the field, he rung a certain

bell, and hung out at the same side a great flag. We did not despair of

being able to corrupt his fidelity, which two hundred crowns, and a

promise of a benefice worth three thousand livres a year, effected.

There remained only to gain some of the garrison; the Sieur du Rollet

took this upon himself, and succeeded. He addressed himself to a

corporal and two soldiers, who easily prevailed upon the rest of the

garrison to trust the guard of one of the gates to them only. Every

thing being thus arranged, the King presented himself before Louviers,

at twelve o'clock in the night. No one rung the bell, nor was there the

least motion in the garrison. Du Rollet entered, and opened the gate,

through which the King passed, without the smallest resistance, into the

centre of the town. Fontaine Martel made some ineffectual efforts to

draw the garrison together: as for the citizens, they were employed in

concealing their wives and daughters. The town, whose chief riches

consisted in its magazines of linen and leather, was wholly pillaged: I

had a gentleman with me, called Beaugrard, a native of Louviers, who was

of great use to us in discovering where these sort of goods were

concealed, and a prodigious quantity of them was amassed together. The

produce of my share amounted to three thousand livres. The King

consigned to Du Rollet the government of Louviers."

[182] Mr. Cotman very much regrets that it was not in his power to do

this porch the justice it deserved, in consequence of the continual

interruptions to which he was exposed from the lower class of the

inhabitants.

[183] M. Nodier, in his _Voyages Pittoresques et Romantiques_, has

figured the interior of this church, the erection of which he refers (p.

18) to the time of the first crusades; but a comparison of the building

with others of that æra, would scarcely warrant such a conclusion.

[184] Vol. II. p. 287.

PLATE LXXX. AND LXXXI.

CHÂTEAU GAILLARD.

[Illustration: Plate 80. CHÂTEAU GAILLARD.

_North East View._]

On the building of Château Gaillard, the following account is given by

Masseville, in his _History of Normandy_:[185]--"In the year 1196, a few

months after the treaty of Louviers had been concluded between

Philip-Augustus and Richard Coeur-de-Lion, the Norman Duke, considering

how frequently inroads had been made into his territories, by the way of

Andelys, resolved to strengthen himself by means of a formidable barrier

in that quarter. With this view, he built a fortress upon an island in

the Seine, opposite the village of Lesser Andelys; and, at the same

time, erected upon the brow of the rock that overhung the river, a

castle of the greatest possible strength, without, however, reflecting

how far these works were likely to affect the rights, or to diminish the

revenues, of the see of Rouen, to whom the ground belonged. But Walter,

who then wore the archiepiscopal mitre, was by no means of a character

patiently to submit to an invasion of his privileges. He complained

loudly during the progress of the works, menaced the artificers, and

even the prince himself, with the vengeance of the church; and, finally,

finding his threats and his remonstrances equally disregarded, had

recourse to the bold measure of laying the whole of Normandy under a

spiritual interdict. The king, alarmed at so decisive a step, appealed

to the papal see, and sent the bishops of Durham and of Lisieux, as his

ambassadors to Rome. The archbishop also repaired thither to plead his

own cause; and the affair was finally compromised by an exchange, in

virtue of which, the castles were allowed to stand, and the secular

seigniory of Andelys was ceded to the duke, who, in return for this

acquisition, and to obtain his reconciliation to the church, gave up to

the primate the towns and lordships of Dieppe and Louviers, the land and

forest of Alihermont, the land and lordship of Bouteilles, and the mills

of Rouen."--The contract was considered of so much importance, that the

archbishop of Canterbury, together with several other English prelates,

as well as almost all those of Normandy, and many of the principal

abbots and noblemen of the province, were summoned to sanction the

execution of it by their presence. Such were the benefits it was

supposed to bestow upon the church, that it has passed in ecclesiastical

history, under the significant appellation of the _celebris permutatio_.

But the king also congratulated himself, and not without reason, upon

having opposed an impregnable barrier to the inroads of his more

powerful, and scarcely less active, neighbor. He delighted in Château

Gaillard, the very name of which is said to have had its origin in proud

mockery and defiance; and he himself, in his public acts, designated it

his "_beautiful castle of the rock_." Many of his charters bear date

from this fortress; so that, though only begun three years before the

death of the monarch, it is plain that it was already habitable in his

life-time. It may likewise safely be inferred, that it was then quite

finished; for his dastardly successor, engaged either in distant wars,

or in intrigues at home, from the moment of his mounting the throne, had

bestowed no thought upon the strengthening of his hereditary continental

dominions, till he found himself, in the year 1202, attacked by

Philip-Augustus at the head of an overwhelming army, while his own

subjects were but little disposed to assist a prince, whose hands were

reeking with his nephew's blood.

It was at this time that Château Gaillard supported the siege which will

render its name for ever memorable in history. Long, and curious, and

interesting details of the occurrences connected with the capture of the

castle, are given by Father Daniel: Du Moulin also briefly enumerates a

few of the many stratagems to which the French king was obliged to have

recourse. But those who delight in narratives of this kind, or who

desire to obtain full information relative to the attacks and defence,

combined with a lively picture of the strength of the fortress, must be

referred to Brito, the poetical chronicler of the exploits of

Philip-Augustus. The whole of the seventh book of the _Philippiad_ of

that author, containing no fewer than eight hundred and forty-one lines,

are devoted to this single subject; so eventful was the history of the

siege, and so great the importance attached to the capture of the place.

The fall of Château Gaillard was almost immediately followed by the

total subversion of the power of the Norman Dukes; but, as to the

fortress itself, though its situation was no longer such as to give it

importance, Brito expressly states, that Philip bestowed great pains

upon the restoring of its damaged works, and upon augmenting its

strength by the addition of new ones:--

"Rex ita Gaillardo per prælia multa potitus,

Cuncta reædificat vel ab ipso diruta, vel quæ

Improbus appositis destruxerat ignibus hostis,

In triplo meliùs et fortiùs intùs et extrà,

Antea quàm fuerint muros et cætera firmans."

Fortunately for France, the subsequent state of the kingdom rendered

precautions of this description unnecessary; Château Gaillard appears no

more in history as a formidable fortress, except upon the occasion of

the occupation of the Gallic throne by Henry V. and of the expulsion of

his successor. In the former case, the castle did not surrender to the

English army, till after a vigorous resistance of sixteen months;[186]

and even then its garrison, though composed of only one hundred and

twenty men, would not have yielded, had not the ropes of their

water-buckets been worn out and destroyed: in the latter instance, it

was one of the last of the strong holds of Normandy that held out for

the successors of its ancient dukes; and the siege of six weeks,

sustained by a dispirited army, was scarcely less honorable to its

defenders, than the far longer resistance opposed on former occasions.

Even after the final re-union of the duchy, Château Gaillard was neither

purposely destroyed, nor suffered to fall through neglect into decay,

like the greater number of the Norman fortresses. During the religious

wars, it still continued to be a military post, as well as a royal

palace; and it was honored with the residence of Henry IV. whose father,

Anthony of Bourbon, died here in 1562. Its importance ceased in the

following reign. The inhabitants of the adjacent country petitioned the

King to give orders that the castle should be dismantled. They dreaded,

lest its towers should serve as an asylum to some of the numerous bands

of marauders, by whom France was then infested. It was consequently

undermined, and reduced to its present state of ruin.

If the name of this castle is to be found at other times, in "the

historian's ample page," it is only in the comparatively unimportant

character of a place of safe confinement for state prisoners, or, on one

occasion, as a temporary residence for a fugitive monarch. In the latter

capacity, it opened its gates to David Bruce, in 1331, when the Scottish

prince, received by Philip de Valois, with all the honours due to an

exiled sovereign, had this palace assigned him as a regal residence, and

was permitted to maintain here, for a while, the pageantry of a court.

As a prison, Château Gaillard was frequently employed: it was in

particular distinguished with an unenviable preference in one of the

most disgraceful æras of the history of France. Margaret of Burgundy,

the Queen of Louis X. and Blanche, the consort of his brother, Charles

le Bel, were both of them confined here, after having been tried and

convicted of adultery; together with Jane, another princess of the house

of Burgundy, the wife to Philip, brother to Louis and Charles. Margaret

was shortly after murdered in this castle; when Louis, intent upon a

fresh marriage with the princess Clementia of Hungary, found an obstacle

to his wishes in the protracted existence of his former queen.

[Illustration: Plate 81. CHÂTEAU GAILLARD.

_South West View._]

Of the extent, the magnificence, the commanding situation, or the

imposing appearance of Château Gaillard, it is almost equally difficult

to convey an adequate idea by the pencil or by the pen. "The faithful

eye" can alone give satisfaction upon such subjects. Mr. Turner's

account of the present state of the ruin, has the merit of being the

most copious that has yet appeared; and the following extract from it

shall therefore conclude this article:--"Our expectations respecting

Château Gaillard were more than answered. Considered as to its

dimensions and its situation, it is by far the finest castellated ruin I

ever saw. Conway, indeed, has more beauty; but Château Gaillard is

infinitely superior in dignity. Its ruins crown the summit of a lofty

rock, abruptly rising from the very edge of the Seine, whose sinuous

course here shapes the adjoining land into a narrow peninsula. The

chalky cliffs on each side of the castle are broken into hills of

romantic form, which add to the impressive wildness of the scene.

Towards the river, the steepness of the cliff renders the fortress

unassailable: a double fosse of great depth, defended by a strong wall,

originally afforded almost equal protection on the opposite side.

"The circular keep is of extraordinary strength, and in its construction

differs wholly from any of our English dungeon-towers. It may be

described as a cylinder, placed upon a truncated cone. The massy

perpendicular buttresses, which are ranged round the upper wall, whence

they project considerably, lose themselves at their bases in the cone

from which they arise. The building, therefore, appears to be divided

into two stories. The wall of the second story is upwards of twelve feet

in thickness. The base of the conical portion is perhaps twice as thick.

It seldom happens that the military buildings of the middle ages have

such a _talus_ or slope, on the exterior face, agreeing with the

principles of modern fortification; and it is difficult to guess why the

architect of Château Gaillard thought fit to vary from the established

model of his age. The masonry is regular and good. The pointed windows

are evidently insertions of a period long subsequent to the original

erection.

"The inner ballium is surrounded by a high circular wall, which consists

of an uninterrupted line of bastions, some semi-circular and others

square. The whole of this part of the castle remains nearly perfect.

There are also traces of extensive foundations in various directions,

and of great out-works. Château Gaillard was, in fact, a citadel,

supported by numerous smaller fortresses, all of them communicating with

the strong central hold, and disposed so as to secure every defensible

post in the neighborhood. The wall of the outer ballium, which was built

of a compact white and grey stone, is in most places standing, though in

ruins. The original facing only remains in those parts which are too

elevated to admit of its being removed with ease.--Beneath the castle,

the cliff is excavated into a series of subterraneous caverns, not

intended for mere passages or vaults, as at Arques and in most other

places, but forming spacious crypts supported by pillars roughly hewn

out of the living rock, and still retaining every mark of the workman's

chisel.

"The keep cannot be ascended without difficulty. We ventured to scale

it; and we were fully repaid for our labor by the prospect which we

gained. The Seine, full of green willowy islands, flows beneath the rock

in large lazy windings: the peninsula below is flat, fertile, and well

wooded: on the opposite shores, the fantastic chalky cliffs rise boldly,

crowned with dark forests."

NOTES:

[185] Vol. II. p. 113.

[186] So says Monstrelet; and he has generally been followed; but,

according to Masseville, (_Histoire de Normandie_, IV. p. 84) the Norman

Chronicle limits the duration of the siege to only seven months.

PLATE LXXXII.

CHURCH OF MONTIVILLIERS.

[Illustration: Plate 82. ABBEY CHURCH OF MONTIVILLIERS.

_West End._]

Montivilliers is a town of about four thousand inhabitants, situated in

a beautiful valley upon a small stream, called the _Lezarde_, near the

western extremity of the Pays de Caux, within the distance of six

leagues from Fécamp, and two from Havre de Grace. Its fortifications,

now in ruins, were erected near the close of the fourteenth century,

till which time it was altogether defenceless; but the state of France,

just recovered from one English invasion and threatened with another,

turned the thoughts of the government towards the securing of all

vulnerable points on the northern frontier; and the trade of the place,

though at present trifling, was at that period far otherwise. The cloths

of Montivilliers were then considered to rival those of Flanders; and

the preservation of the manufacture was regarded of so much consequence,

that sundry regulations respecting it are to be found in the royal

ordinances. The two circular towers of one of the gates now standing,

afford a good specimen of the military architecture of the time.

Montivilliers is called in Latin, _Monasterium villare_; and in old

French, _Monstier Vieil_: the present name of the town is obviously a

corruption of these; and the same fact also denotes that the place

derived its importance, if not its existence, from the monastery. Among

the Norman historians, the foundation of Montivilliers is referred to

the seventh century; during the latter half of which, St. Philibert,

abbot of Jumieges, built a convent here for a community of nuns. The

monastery was richly endowed; but no records are left of its history

previously to the incursions of the Normans, under whose hands it at

first suffered the same destruction as the other religious houses in

Neustria, and afterwards rose, like them, from its ashes, with increased

splendor and opulence. The immediate successors of Rollo rebuilt the

abbey, but without restoring it to its original destination. Richard II.

conferred it, with all its dependencies, upon the more favored monks of

Fécamp; and, in the donation, he makes use of the strong expression, "ut

ex eo facerent quicquid vellent, tamquam ex proprio alodo." The union of

the two establishments was, however, but short lived: either under the

same prince, or, as some authors say, under his son Robert,

Montivilliers once more resumed a state of independence, and became once

more the retreat of holy virgins. The duke was moved to this step by the

solicitation of his aunt Beatrice, who retired hither, and took the

veil, and presided over the sisterhood; and the monastery of St. Taurin

at Evreux was, on this occasion, ceded to Fécamp, in exchange for

Montivilliers. A portion of the charter is preserved in the _Neustria

Pia_; and, according to this work, the instrument was subsequently

ratified by the signatures of William the Conqueror, and of Philip le

Bel. At different times, various papal bulls were issued, for the

purpose of placing the abbey of Montivilliers under the especial

protection of the holy see, and of granting it sundry privileges and

immunities. These are also recorded in the same publication. One of

them, originating in a dispute between the archbishop of Rouen and the

abbess of Montivilliers, is but little to the credit of either party. It

represents the lady-abbess as by no means free from irregularities in

the performance of her office; it charges one of her nuns with dissolute

life; and it arraigns the primate himself of being the cause, if not the

immediate instrument, of scandal:--"Siquidem, ex parte abbatissæ fuit

propositum et probatum, quòd quidam, qui cum eodem archiepiscopo et suis

prædecessoribus venerant ad monasterium memoratum, turpia quædam et

illicita commiserunt contra honestatem observantiæ regularis, in

scandalum plurimorum: volumus et mandamus, ut, cùm archiepiscopus

Rothomagensis ad monasterium ipsum, causâ visitationis, accesserit, ab

ingressu claustri aliarumque domorum, in quibus habitant moniales,

familiam suam talitèr studeat coercere, quòd de cætero similia non

contingant. Ipse quoque archiepiscopus, ejusdem monasterii claustrum vel

capitulum intraturus, non nisi cum moderatâ societate accedat, quæ vitâ

et moribus sit honesta; ut per officium visitationis ejusdem, non

dissolutionis vel scandali, sed ædificationis potiùs materia

ministretur."--The instrument, which is of considerable length, goes on

to accuse the prelate of affording protection to some refractory nuns,

and enjoins him never to suffer his clergy to frequent the abbey upon

any pretext, or upon any occasion.

The church of Montivilliers, represented in the present plate, is the

same as before the revolution belonged to the abbey. The portion to the

north is the chapter-house, and is the work of the fourteenth century.

The greater part of the rest of the building, though altered in some

places, may safely be referred to the eleventh; at which time it is upon

record, that Elizabeth, who succeeded Beatrice as abbess, nearly, if not

altogether, rebuilt the whole. At subsequent periods, the church

underwent many considerable repairs and alterations. A sum of seven

hundred florins was expended upon it in 1370, the proceeds of a fine

imposed upon the town, for some injuries done to the nuns; and

Toussaints Varrin, archbishop of Thessalonica, dedicated the edifice, in

1513, under the invocation of the Holy Virgin. Five years subsequently,

the abbess, Jane Mustel, repaired the ceiling and painted windows, and

made the stalls in the choir.[187]--The exterior of the Lady-Chapel

affords a fine example of early pointed architecture; its lofty narrow

windows are separated by slender cylindrical pillars, as in the church

of the Holy Trinity, at Caen. The embattled ornament round the southern

door of the western front, is far from commonly seen in such situations.

In the interior of the nave, the same massive semi-circular architecture

prevails as in the towers; but it is mixed with some peculiarities that

will scarcely be found elsewhere, particularly a flat band in the form

of a pilaster, enriched with losenges, which is attached to the front of

one of the columns, and is continued over the roof, and again down the

pillar on the opposite side. Mr. Turner noticed a small gallery, or

pulpit, of elegant filigree stone-work, at the west end, near the

roof;[188] and, upon the authority of the well-known antiquary, John

Carter, he supposed it most probably intended to receive a band of

singers on high festivals. But some corresponding erections in England

would make it seem more likely that this gallery communicated with the

apartments of the superior, and was placed here for the purpose of

affording her the means of paying her devotions in private, when, either

from the weather, or any other cause, she might not wish to occupy her

throne in the choir.

Mr. Turner has also remarked upon the capitals of the columns at

Montivilliers, which are very peculiar. Some of them are obvious

imitations of the antique pattern, and of great beauty. Others are as

rude and wild as any of those already figured in this work, from the

churches of St. Georges or Gournay. The mysteries of Christianity, and

the fables and allegories of heathenism, the latter, as well in its most

refined as its most barbarous forms, occur in endless variety in almost

every part of the edifice. One of the capitals contains a representation

of the fabulous Sphynx, with her tail ending in a fleur-de-lys: upon

another, is sculptured a figure of Christ in the act of destroying the

Dragon, by thrusting the end of a crosier into its mouth. Two others,

figured in the _Tour in Normandy_, exhibit a group of Centaurs, and the

allegorical _psychostasia_: the remarks of the author of that

publication, upon the latter of these, shall close the present

article:--"In this you observe an angel weighing the good works of the

deceased against his evil deeds; and, as the former are far exceeding

the avoirdupois upon which Satan is to found his claim, he is

endeavoring most unfairly to depress the scale with his two-pronged

fork.--This allegory is of frequent occurrence in the monkish

legends.--The saint, who was aware of the frauds of the fiend, resolved

to hold the balance himself.--He began by throwing in a pilgrimage to a

miraculous virgin.--The devil pulled out an assignation with some fair

mortal Madonna, who had ceased to be immaculate.--The saint laid in the

scale the sackcloth and ashes of the penitent of Lenten-time.--Satan

answered the deposit by the vizard and leafy robe of the masker of the

carnival. Thus did they still continue equally interchanging the sorrows

of godliness with the sweets of sin; and still the saint was distressed

beyond compare, by observing that the scale of the wicked thing (wise

men call him the correcting principle,) always seemed the heaviest.

Almost did he despair of his client's salvation, when he luckily saw

eight little jetty black claws just hooking and clenching over the rim

of the golden basin. The claws at once betrayed the craft of the cloven

foot. Old Nick had put a little cunning young devil under the balance,

who, following the dictates of his senior, kept clinging to the scale,

and swaying it down with all his might and main. The saint sent the imp

to his proper place in a moment; and instantly the burthen of

transgression was seen to kick the beam.--Painters and sculptors also

often introduced this ancient allegory of the balance of good and evil,

in their representations of the last judgment: it was even employed by

Lucas Kranach."

NOTES:

[187] _Description de la Haute Normandie_, II. p. 108.

[188] _Tour in Normandy_, I. p. 69.

PLATE LXXXIII.

CHURCH OF ST. SANSON SUR RILLE.

[Illustration: Plate 83. CHURCH OF ST. SANSON SUR RILLE.

_Remains of & capitals._]

Normandy, throughout the whole of its extent, can scarcely boast a

lovelier stream than the Rille. Originating in the southern part of the

duchy, this little river advances in a northerly direction, rolling its

sparkling waters in rapid course, through a valley of the most brilliant

verdure, till they mingle with the British Channel, at a very short

distance from the west of the mouth of the Seine. The Rille, in every

part of its current, is varied by an infinity of islands, formed by the

division of its waters. Hence its principal beauty, and hence also

considerable benefit for the purpose of manufacture; but the same

circumstance is fatal to the more important objects of commerce; for it

is in a great measure owing to this multiplicity of channels, that the

river is navigable to only a very short way above Pont Audemer; a

distance scarcely exceeding ten miles from its confluence with the

ocean.

Architectural Antiquities of Normandy · 第 19 / 25 段