Hermon rose from his couch the next morning alert and ready for new
pleasures.
He had scarcely left the bath when envoys from the Ephebi and the
younger artists invited him to the festivities which they had arranged
in his honour. He joyously accepted, and also promised messengers from
many of Archias’s friends, who wished to have the famous blind sculptor
among their guests, to be present at their banquets.
He still felt as if he were intoxicated, and found neither disposition
nor time for quiet reflection. His great strength, fettered as it were
by his loss of sight, now also began to stir. Fate itself withheld him
from the labour which he loved, yet in return it offered him a wealth of
varying pleasure, whose stimulating power he had learned the day before.
He still relished the draught from the beaker of homage proffered by his
fellow-citizens; nay, it seemed as if it could not lose its sweetness
for a long time.
He joined the ladies before noon, and his newly awakened feeling of joy
beamed upon them scarcely less radiantly than yesterday. Though Thyone
might wonder that a man pursued by Nemesis could allow himself to be
borne along so thoughtlessly by the stream of pleasure, Daphne certainly
did not grudge him the festal season which, when it had passed, could
never return to the blind artist. When it was over, he would yearn for
the quiet happiness at her side, which gazed at him like the calm eyes
of the woman he loved. With her he would cast anchor for the remainder
of his life; but first must come the period when he enjoyed the
compensation now awarded to him for such severe sufferings.
His heart was full of joy as he greeted Daphne and the Lady Thyone, whom
he found with her; but his warm description of the happy emotion which
had overpowered him at the abundant honours lavished upon him was
interrupted by Archias.
In his usual quick, brisk manner, he asked whether Hermon wished to
occupy the beautiful villa with the magnificent garden on Lake Mareotis,
inherited from Myrtilus, which could scarcely be reached in a vehicle
from the Brucheium in less than an hour, or the house situated in the
centre of the city, and Hermon promptly decided in favour of the latter.
His uncle, and probably the ladies also, had expected the contrary.
Their silence showed this plainly enough, and Hermon therefore added
in a tone of explanation that later the villa would perhaps suit his
condition better, but now he thought it would be a mistake to retire
to the quiet which half the city was conspiring to disturb. No one
contradicted him, and he left the women’s apartment with a slight
feeling of vexation, which, however, was soon jested away by the gay
friends who sought him.
When he removed to the city house the next day, he had not yet found
time for a serious talk with Daphne. His uncle, who had managed
the estate of Myrtilus, and wished to give Hermon an account of his
inheritance, was refused by the blind artist, who assured him that he
knew Archias had greatly increased rather than diminished his property,
and thanked him sincerely and warmly. In the convenient and spacious
city house the young sculptor very soon thought he had good reason to be
satisfied with his choice.
Most of his friends were busy artists, and what loss of time every visit
to the remote villa would have imposed upon them, what haste he himself
would have been obliged to use to reach home from the bath, where he
often spent many hours, from the wrestling school, from the meetings of
fashionable people in the Paneum gardens, and at sunset by the seashore
on the royal highway in the Brucheium. All these places were very far
from the villa. It would have required whole hours, too, to reach a
famous cookshop in the Canopus, at whose table he liked to assemble
beloved guests or revel with his friends. The theatre, the Odeum, most
of the public buildings, as well as the houses of his best friends,
and especially the beautiful Glycera, were easily reached from his city
home, and, among the temples, that of Demeter, which he often visited to
pray, offer sacrifices, and rejoice in the power of attraction which his
statue of the goddess exerted upon the multitude. It stood at the back
of the cella in a place accessible to the priesthood alone, visible
only through the open doors, upon a pedestal which his fellow-artists
pronounced rather too high. Yet his offer to have it made smaller was
not accepted, because had it been lower the devout supplicants who stood
there to pray could not have raised their eyes to it.
It was not only at the festivals of the dead that he went to the Greek
cemetery, where he had had a magnificent monument erected for his dead
mother. If his head ached after a nocturnal carouse, or the disagreeable
alarming chill stole over him which he had felt for the first time when
he falsely answered Thyone that he was still under the ban of Nemesis,
he went to the family monuments, supplied them with gifts, had
sacrifices offered to the souls of the beloved dead, and in this way
sometimes regained a portion of his lost peace of mind.
The banquet in the evening always dispelled whatever still oppressed
him on his return home from these visits, for, though months had elapsed
since his brilliant reception, he was still numbered, especially in
artist circles, with the most honoured men; he, the blind man, no longer
stood in any one’s way; conversation gained energy and meaning through
the vivacity of his fervid intellect, which seemed actually deepened by
his blindness when questions concerning art were at issue, and from a
modest fellow-struggler he had become a patron bestowing orders.
The sculptor Soteles, who had followed his footsteps since the
apprenticeship in Rhodes, was intrusted with the erection of the
monument to Myrtilus in Tennis, and another highly gifted young
sculptor, who pursued his former course, with the execution of the one
to his mother.
From a third he ordered a large new mixing vessel of chased silver for
the society of Ephebi, whose members had lauded him, at the magnificent
festival given in his honour, with genuine youthful fervour.
In the designs for these works his rich and bold gift of invention and
the power of his imagination proved their full value, and even his older
fellow-artists followed him with sincere admiration when, in spite of
his darkened eyes, he brought before them distinctly, and often even
with the charcoal or wax tablet in his hand, what he had in mind. What
magnificent things might not this man have created had he retained his
sight, what masterpieces might not have been expected! and his former
works, which had been condemned as unlovely, offensive, and exaggerated,
were now loudly admired; nay, the furious Maenads struggling on
the ground and the Street Boy Eating Figs, which were no longer his
property, were sold at high prices. No meeting of artists was complete
without Hermon, and the great self-possession which success and wealth
bestowed, besides his remarkable talent and the energy peculiar to him,
soon aided him to great influence among the members of his profession;
nay, he would speedily have reached the head of their leaders had not
the passionate impetuosity of his warlike nature led the more cautious
to seek to restrain the powerful enthusiast.
Archias’s wealthy friends had no such apprehension. To them the lauded
blind artist was not much more than a costly dish certain to please
their guests; yet this, too, was no trifle in social circles which spent
small fortunes for a rare fish.
At the banquets of these princes of commerce he often met Daphne, still
more frequently the beautiful Glycera, whose husband, an old ship-owner
of regal wealth, was pleased to see famous men harnessed to his young
wife’s chariot of victory. Hermon’s heart had little to do with the
flirtation to which Glycera encouraged him at every new meeting, and the
Thracian Althea only served to train his intellect to sharp debates. But
in this manner he so admirably fulfilled her desire to attract attention
that she more than once pointed out to the Queen, her relative, the
remarkably handsome blind man whose acquaintance she had made on a night
of mad revel during the last Dionysia but one. Althea even thought
it necessary to win him, in whom she saw the future son-in-law of the
wealthy Archias, for through the graminateus Proclus the merchant had
been persuaded to advance the King’s wife hundreds of talents, and
Arsinoe cherished plans which threatened to consume other large sums.
Thyrone watched Hermon’s conduct with increasing indignation, while
Daphne perceived that these women had no more power to estrange her
lover from her than the bedizened beauties who were never absent from
the artists’ festivals. How totally different was his intercourse
with her! His love and respect were hers alone; yet she saw in him a
soul-sick man, and persistently rejected Philotas, who wooed her with
the same zeal as before, and the other suitors who were striving to win
the wealthy heiress. She had confessed her feelings to her father, her
best friend, and persuaded him to have patience a little longer, and
wait for the change which he himself expected in his nephew.
This had not been difficult, for Archias loved Hermon, in spite of the
many anxieties he had caused him, as if he were his own son and, knowing
his daughter, he was aware that she could be happy with the man who
possessed her heart though he was deprived of sight.
The fame which Hermon had won by great genius and ability had gratified
him more than he expressed, and he could not contradict Daphne when
she asserted that, in spite of the aimless life of pleasure to which
he devoted himself, he had remained the kind-hearted, noble man he had
always been.
In fact, he used, unasked and secretly, a considerable portion of
his large revenues to relieve the distress of the poor and suffering.
Archias learned this as the steward of his nephew’s property, and when
to do good he made new demands upon him, he gladly fulfilled them;
only he constantly admonished the blind man to think of his own severe
sufferings and his cure. Daphne did the same, and he willingly obeyed
her advice; for, loudly and recklessly as he pursued pleasure in social
circles, he showed himself tenderly devoted to her when he found her
alone in her father’s house. Then, as in better days, he opened his
heart to her naturally and modestly and, though he refrained from vows
of love, he showed her that he did not cease to seek with her, and her
alone, what his noisy pleasures denied. Then he also found the old tone
of affection, and of late he came more frequently, and what he confided
to no one else implied to her, at least by hints.
Satiety and dissatisfaction were beginning to appear, and what he had
attempted to do for the cure of his eyes had hitherto been futile. The
remedies of the oculists to whom he had been directed by Daphne herself
had proved ineffectual. The great physician Erasistratus, from whom he
first sought help, had refrained, at her entreaty and her father’s, from
refusing to aid him, but indignantly sent him away when he persisted in
the declaration that it would be impossible for him to remain for months
secluded from all society and subsist for weeks on scanty fare.
He would submit even to that, he assured Daphne, after she represented
to him what he was losing by such lack of resignation, when the time
of rest had come for which he longed, but from which many things still
withheld him. Yesterday the King had invited him to the palace for the
first time, and to decline such an honour was impossible.
In fact, he had long wished for this summons, because he had been
informed that no representative of the sovereign had been present at
his reception. Only his wife Arsinoe had honoured him by a wreath and
congratulations. This lack of interest on the part of the King had
wounded him, and the absence of an invitation from the royal connoisseur
had cast a shadow into the midst of many a mirthful hour. He had
doubtless been aware what great and important affairs of state were
claiming the conscientious sovereign just at this time, and how almost
unbearable his restless, unloving spouse was rendering his domestic
life; yet Hermon thought Ptolemy might have spared a short time for
an event in the art life of the city, as his Demeter had been called
hundreds of times.
Now the long-desired command to appear before the sovereign had finally
reached him, and, in the secure belief that it would bring fresh
recognition and rare honours, he entered the royal palace.
Proclus, who neglected no opportunity of serving the nephew of the rich
man whose aid he constantly required for the Queen’s finances, was his
guide, and described the decoration of the inner apartments of the royal
residence. Their unostentatious simplicity showed the refined taste of
their royal occupant. There was no lack of marble and other rare kinds
of stone, and the numerous bas-reliefs which covered the walls like the
most superb tapestry were worthy of special attention. In the oblong
apartment through which the blind man was guided these marble pictures
represented in magnificent work scenes from the campaigns in which
Ptolemy, the King’s father, had participated as Alexander’s general.
Others showed Athene, Apollo, the Muses, and Hermes, surrounding or
hastening toward the throne of the same monarch, and others again Greek
poets and philosophers. Magnificent coloured mosaic pictures covered the
floor and many flat spaces above door and windows, but gold and silver
had been sparingly used.
Masterpieces of painting and sculpture were the ornaments of the room.
In the antechamber, where Hermon waited for the King, Proclus mentioned
one of the finest statues of Alexander by Lysippus, and an exquisite
Eros by Praxiteles.
The period of waiting, however, became so long to the spoiled artist
that he anticipated the monarch’s appearance with painful discomfort,
and the result of the few minutes which Ptolemy II devoted to his
reception was far behind the hopes he had fixed upon them.
In former days he had often seen the narrow-shouldered man of barely
medium height who, to secure his own safety, had had two brothers killed
and sent another into exile, but now ruled Egypt shrewdly and prudently,
and developed the prosperity of Alexandria with equal energy and
foresight.
Now, for the first time, Hermon heard him speak. He could not deny that
his voice was unusually pleasant in tone, yet it unmistakably issued
from the lips of a sufferer.
The brief questions with which he received the blind artist were kindly,
and as natural as though addressing an equal, and every remark made
in connection with Hermon’s answers revealed a very quick and keen
intellect.
He had seen the Demeter, and praised the conception of the goddess
because it corresponded with her nature. The sanctity which, as it were,
pervaded the figure of the divine woman pleased him, because it made the
supplicants in the temple feel that they were in the presence of a being
who was elevated far above them in superhuman majesty.
“True,” he added, “your Demeter is by no means a powerful helper in
time of need. She is a goddess such as Epicurus imagines the immortals.
Without interfering with human destiny, she stands above it in sublime
grandeur and typical dignity. You belong, if I see correctly, to the
Epicureans?”
“No,” replied Hermon. “Like my lord and King, I, too, number myself
among the pupils of the wise Straton.”
“Indeed?” asked Ptolemy in a drawling tone, at the same time casting
a glance of astonishment at the blind man’s powerful figure and
well-formed, intellectual face. Then he went on eagerly: “I shall
scarcely be wrong in the inference that you, the creator of the
Fig-eater, had experienced a far-reaching mental change before your
unfortunate loss of sight?”
“I had to struggle hard,” replied Hermon, “but I probably owe the
success of the Demeter to the circumstance that I found a model whose
mind and nature correspond with those of the goddess to a rare degree.”
The monarch shook his fair head, and protested in a tone of positive
superior knowledge: “As to the model, however well selected it may be,
it was not well chosen for this work, far less for you. I have watched
your battle against beauty in behalf of truth, and rejoiced, though I
often saw you and your little band of young disciples shoot beyond the
mark. You brought something new, whose foundation seemed to me sound,
and on which further additions might be erected. When the excrescences
fell off, I thought, this Hermon, his shadow Soteles, and the others
who follow him will perhaps open new paths to the declining art which is
constantly going back to former days. Our time will become the point of
departure of a new art. But for that very reason, let me confess it, I
regret to see you fall back from your bold advance. You now claim for
your work that it cleaves strictly to Nature, because the model is taken
from life itself. It does not become me to doubt this, yet the stamp
of divinity which your Demeter bears is found in no mortal woman.
Understand me correctly! This is certainly no departure from the truth,
for the ideal often deserves this lofty name better than anything the
visible world offers to the eye; but hitherto you have done honour to
another truth. If I comprehend your art aright, its essence is opposed
to the addition of superhuman dignity and beauty, with which you, or the
model you used, strove to ennoble and deify your Demeter. Admirably
as you succeeded in doing so, it forces your work out of the sphere of
reality, whose boundary I never before saw you cross by a single inch.
Whether this occurred unconsciously to you in an hour of mental ecstasy,
or whether you felt that you still lacked the means to represent the
divine, and therefore returned to the older methods, I do not venture to
decide. But at the first examination of your work I was conscious of
one thing: It means for you a revolution, a rupture with your former
aspirations; and as--I willingly confess it--you had been marvellously
successful, it would have driven you, had your sight been spared, out
of your own course and into the arms of the ancients, perhaps to your
material profit, but scarcely to the advantage of art, which needs a
renewal of its vital energies.”
“Let me assure you, my lord,” Hermon protested, “that had I remained
able to continue to create, the success of the Demeter would never,
never have rendered me faithless to the conviction and method of
creation which I believed right; nay, before losing my sight, my whole
soul was absorbed in a new work which would have permitted me to remain
wholly and completely within the bounds of reality.”
“The Arachne?” asked the King.
“Yes, my lord,” cried Hermon ardently. “With its completion I expected
to render the greatest service, not only to myself, but to the cause of
truth.”
Here Ptolemy interrupted with icy coldness: “Yet you were certainly
wrong; at least, if the Thracian Althea, who is the personification of
falsehood, had continued to be the model.” Then he changed his tone, and
with the exclamation: “You are protected from the needs of life, unless
your rich uncle throws his property into the most insatiable of gulfs.
May Straton’s philosophy help you better to sustain your courage in the
darkness which surrounds you than it has aided me to bear other trials!”
he left the room.
Thus ended the artist’s conversation with the King, from which Hermon
had expected such great results and, deeply agitated, he ordered the
driver of his horses to take him to Daphne. She was the only person to
whom he could confide what disappointment this interview had caused him.
Others had previously reproached him, as the King had just done, with
having, in the Demeter, become faithless to his artistic past. How false
and foolish this was! Many a remark from the critics would have been
better suited to Myrtilus’s work than to his. Yet his fear in Tennis had
not been true. Only Daphne’s sweet face did not suit his more vigorous
method of emphasizing distinctions.
What a many-hued chameleon was the verdict upon works of plastic art!
Once--on his return to the capital--thousands had united in the same
one, and now how widely they differed again!
His earlier works, which were now lauded to the skies, had formerly
invited censure and vehement attacks.
What would he not have given for the possibility of seeing his admired
work once more!
As his way led past the Temple of Demeter, he stopped near it and was
guided to the sanctuary.
It was filled with worshippers, and when, in his resolute manner, he
told the curator and the officiating priest that he wished to enter
the cella, and asked for a ladder to feel the goddess, he was most
positively refused.
What he requested seemed a profanation of the sacred image, and it would
not do to disturb the devout throng. His desire to lower the pedestal
could not be gratified.
The high priest who came forward upheld his subordinates and, after a
short dispute, Hermon left the sanctuary with his wish unfulfilled.
Never had he so keenly lamented his lost vision as during the remainder
of the drive, and when Daphne received him he described with passionate
lamentation how terribly blindness embittered his life, and declared
himself ready to submit to the severest suffering to regain his sight.
She earnestly entreated him to apply to the great physician Erasistratus
again, and Hermon willingly consented. He had promised to attend a
banquet given that day by the wealthy ship-owner Archon. The feast
lasted until early morning, but toward noon Hermon again appeared in his
uncle’s house, and met Daphne full of joyous confidence, as if he were
completely transformed.
While at Archon’s table he had determined to place his cure in the hands
of higher powers. This was the will of Fate; for the guest whose cushion
he shared was Silanus, the host’s son, and the first thing he learned
from him was the news that he was going the next day, with several
friends, to the oracle of Amon in the Libyan Desert, to ask it what
should be done for his mother, who had been for several years an invalid
whom no physician could help. He had heard from many quarters that the
counsel of the god, who had greeted Alexander the Great as his son, was
infallible.
Then Hermon had been most urgently pressed by the young man to accompany
him. Every comfort would be provided. One of his father’s fine ships
would convey them to Paraetonium, where tents, saddle horses, and guides
for the short land journey would be ready.
So he had promised to go with Silanus, and his decision was warmly
approved by his uncle, Daphne, and the gray-haired Pelusinian couple.
Perhaps the god would show the blind man the right path to recovery. He
would always be able to call the skill of the Alexandrian leeches to his
aid.
Soon after Hermon went on board Archon’s splendidly equipped vessel
and, instead of a tiresome journey, began a new and riotous period of
festivity.
Lavish provision had been made for gay companions of both sexes, merry
entertainment by means of dancing, music, and song, well filled dishes
and mixing vessels, and life during the ride through the coast and
desert regions was not less jovial and luxurious than on the ship.
It seemed to the blind man like one vast banquet in the dark,
interrupted only by sleep.
The hope of counsel from the gods cheered the depressed mood which had
weighed upon him for several weeks, and rich young Silanus praised the
lucky fate which had enabled him to find a travelling companion whose
intellect and wit charmed him and the others, and often detained them
over the wine until late into the night.
Here, too, Hermon felt himself the most distinguished person, the
animating and attracting power, until it was said that the voyage was
over, and the company pitched their tents in the famous oasis near the
Temple of Amon.
The musicians and dancers, with due regard to propriety, had been left
behind in the seaport of Paraetonium. Yet the young travellers were
sufficiently gay while Silanus and Hermon waited for admission to the
place of the oracle. A week after their arrival it was opened to them,
yet the words repeated to them by the priest satisfied neither Hermon
nor Archon’s son, for the oracle advised the latter to bring his mother
herself to the oasis by the land road if she earnestly desired recovery,
while to Hermon was shouted the ambiguous saying:
“Only night and darkness spring from the rank marsh of pleasure;
Morning and day rise brightly from the starving sand.”
Could Silanus’s mother, who was unable to move, endure the desert
journey? And what was the meaning of the sand, from which morning and
day--which was probably the fresh enjoyment of the light--were to rise
for Hermon? The sentence of the oracle weighed heavily upon him, as
well as on Archon’s son, who loved his mother, and the homeward journey
became to the blind man by no means a cheerful but rather a very
troubled dream.
Thoughtful, very disturbed, dissatisfied with himself, and resolved to
turn his back upon the dreary life of pleasure which for so long a time
had allowed him no rest, and now disgusted him, he kept aloof from his
travelling companions, and rejoiced when, at Alexandria, he was led
ashore in the harbour of Eunostus.