CHAPTER XLIV.

We come now to the last portion of this Inquiry——to the last portion,

indeed, but not to the least.

For we have now to consider what Evidence there is tending to prove that

_subsequent_ to the penning of the Letter by Father Edward Oldcorne, he

was _conscious_ of having performed the meritorious deed that, I maintain,

the Evidence, deductions, and suggestions therefrom all converge to one

supreme end to establish, namely, that it is morally (not mathematically)

certain that his hand, and his hand alone, actually penned that immortal

Letter, whose praises shall be celebrated till the end of time.

Before considering this Evidence let me, however, remind my readers that

there is (1) _not only a general similarity_ in the handwriting of the

Letter and Father Oldcorne’s undoubted handiwork——the Declaration of the

12th day of March, 1605-6——_a general similarity_ in point of the size of

the letters and of that indescribable something called style,[141] _but

(2) a particular similarity_ in the formation of the letters in the case

of these following, namely, the small c/s, l/s, i/s, b/s, w/s, r/s, long

s/s (as initials), short s/s (as terminals), while the m/s and n/s are not

inconsistent.[A]

[Footnote A: Bentham aptly terms the comparison of Document with Document,

“Circumstantial real Evidence.”——See Best’s “_Principles of the Law of

Evidence_,” and Wills on “_Circumstantial Evidence_.” See Miss Walford’s

Letter (Appendix).]

Moreover, there is (3) this fact to be remembered, that in both the Letter

and in the said Declaration, the name “God” is written with a small “g,”

thus: “god.”

It is true that, of course, not only did this way of writing the name of

the Supreme Being then denote no irreverence, but it was commonly so

written by Englishmen in the year 1605.

Still, it was certainly _not by them universally so written_. For in the

fac-simile of “_Thomas Winter’s Confession_” the word “God” occurs more

than once written with a handsomely made capital G,[142] to mention none

other cases.

There is to be also remembered (4) the user of the expressions “as yowe

tender youer lyf,” and “deuys some exscuse to shift of[143] youer

attendance at this parleament for god and man hathe concurred to punishe

the wickednes of this tyme.”

For these expressions are eminently expressions that would be employed by

a man born in Yorkshire in the sixteenth century.

Again; there is to be noted (5) the expressions as “yowe tender youer

_lyf_,” and “god and man hathe concurred.” Inasmuch as I maintain that as

“yowe tender youer _lyf_” was just the kind of expression that would be

used by a man who had had an early training in the medical art, as was the

case with Edward Oldcorne.

For “Man to preserve is pleasure suiting man, and by no art is favour

better sought.” And a deep rooted belief in the powers of Nature and in

the sacredness of the life of man are the two brightest jewels in the true

physician’s crown.

Once more; (6) the expression “god and man hathe concurred” is

pre-eminently the mode of clothing in language one way, wherein a rigid

Roman Catholic of that time would mentally contemplate——_not_, indeed, the

interior quality of the mental phenomena known as the Gunpowder Plot, in

which “the devil” alone could “concur,” but the simple exterior designment

of the same, provided he _knew_ for certain that it could be considered as

a clear transparency only——as a defecated cluster of purely intellectual

acts.[A]

[Footnote A: It is manifest that if, _in intent_, Oldcorne by his own

Letter had destroyed the Plot, he, of all other people in the world, would

have _the prerogative_ of regarding the Plot as a clear transparency;

_while of the Plot as a transparency_, he would feel a freedom to write

“god and man hathe concurred to punishe the wickednes of this tyme.” If

the Writer had not the prerogative of regarding the Plot as a clear

transparency then these results follow——that he regarded Him (Whose Eyes

are too pure even to behold iniquity) as _concurring_ in the designment of

a most hellish crime, nay, of participating in such designment; _for he

couples God with man_. Now the Letter is evidently the work of a Catholic.

But no Catholic would regard God as the author of a crime. Therefore the

Gunpowder Plot to the Writer of the Letter can have been regarded as no

crime. But it was obviously a crime, _unless and until_ it had been

defecated of criminous quality, and so rendered a clear transparency. Now,

as the Writer obviously did not regard it as a crime, therefore he must

have regarded it as defecated, by some means or another; in other words,

as a clear transparency. And _this_, I maintain, proves that the Writer

had a special interior knowledge of the Plot “behind the scenes,” that is,

deep down within the depths of his conscious being.]

Furthermore, in reflecting on these preliminaries to the general

discussion of the Evidence tending to prove a consciousness on Edward

Oldcorne’s part, _subsequent_ to the penning of the Letter, of being

responsible for the commission of the everlastingly meritorious feat, let

it be diligently noted that the Letter ends with these words: “_the

dangere is passed as soon as yowe have burnt the letter and i hope god

will give yowe the grace to mak good use of it to whose holy proteccion i

contend yowe._” (The italics are mine.)

Now, I opine that what the Writer intended _to hint at_ was a suggestion

to the recipient of the Letter to destroy the document. _Not_, however,

that as a fact, I think, he really wished it to be destroyed.[144] Because

it is highly probable that (apart from other reasons) the Writer must have

wished it to be conveyed to the King, else why should he have said, “i

hope god will give you the grace to mak _good_ use of it”?

And why should the King himself in his book have omitted the insertion of

this little, but here virtually all-important, adjective?[145]

Besides, the Writer cannot have seriously wished for the destruction of

the document. For in that case he would not have made use of such a

masterpiece of vague phraseology as “the dangere is passed as soon as yowe

have burnt the letter.”[146] But, on the contrary, he would have plainly

adjured the receiver of the missive, for the love of God and man, to

commit it as soon as read to the devouring flames!

Lastly should be noted the commendatory words wherewith the document

closes. These words (or those akin to them), though in use among

Protestants as well as Catholics in the year 1605, were specially employed

by Catholics, and particularly by Jesuits or persons who were “Jesuitized”

or “Jesuitically affected.”[147]

The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy Fawkes · 第 44 / 76 章