But in Roman times the idea of peace in the celestial light was dominant

among the Jews and Christians as among the pagans. Thus the Book of

Enoch shows us the prophet carried off in a whirlwind to the heights

whence he perceived “the beds where the just rest” amid the saints.[497]

We can here point out exactly the most important of the literary

intermediaries through whom this conception was transmitted from

paganism to Judaism and from Judaism to Christianity. Towards the end of

the first century A. D., amid the desolation which followed on the

destruction of the Temple, a pious Jew, somewhere in the East, composed

and ascribed to the venerable authorship of Esdras an apocalypse which

enjoyed singular popularity until the time of its rejection by the

Church as apocryphal. The visionary who set it down combines a number of

pagan reminiscences with biblical ideas. He promises eternal felicity to

the just, and asks himself what will be the lot of souls between the

time of their death and the end of the world. Will they be at rest or

will they be tortured? And the angel who inspires him answers that when

the vital breath has left the body to go again to adore the glory of the

Most High, the soul which has violated the divine law will not enter the

celestial dwellings but will “wander amidst torments, for ever suffering

and saddened on seven paths.” But the soul which has walked in the way

of God “will rest in seven orders of rewards.”[498] The sixth of these

is the order in which its face begins to shine like the sun and in which

it becomes incorruptible, like the stars; the seventh is that in which

it wins to the sight of God.

These are conceptions and even expressions which belong to astral

immortality, and the Jewish author, like the pagans before him,

everywhere contrasts the state of agitation filled with anguish reserved

for the guilty with the blessed tranquillity which is the reward of a

pious life.[499] The description of the celestial dwelling which Saint

Ambrose borrowed from the pseudo-Esdras is singularly like that given by

the philosophers of the earlier period: a place in which there is no

cloud, no thunder, no lightning, no violence of winds, neither darkness

nor sunset, neither summer nor winter to vary the seasons, where no cold

is met with, nor hail, nor rain. But the Christian doctor, like the

Jewish visionary, adds a new feature: there will be no more sun nor moon

nor stars; the light of God will shine alone.[500]

The idea of repose in the eternal light was, thanks to the apocalypse of

the supposed Esdras, to become one of those most frequently expressed by

epitaphs and ritual. It was from this apocryphal work that the Roman

liturgy borrowed the form of a prayer introduced into the office of the

dead at least as early as the seventh century and still sung in the

funeral service—_Requiem aeternam dona eis Domine et lux perpetua luceat

eis_. “Lord, give them eternal rest and may perpetual light shine upon

them.”

* * * * *

The idea of the repast of the dead evolved, like that of their repose,

as the conception of life beyond the tomb was gradually transformed, and

it finally assumed a far higher significance than that originally

attributed to it.

According to a belief found everywhere, the dead, as we know,[501]

needed nourishment if they were not to suffer from hunger. Hence the

obligation to make libations and sacrifices on the tomb and to deposit

food and drink there. The neglect of these sacred duties entailed

consequences fearful to him who failed to fulfil them, just as their

exact observance ensured him the good will of the spirits of the dead.

The custom of holding banquets which united the members of a family

beside a grave at a funeral or on certain consecrated days, was

connected with this belief. This custom was no mere rendering of an

honour to one who had gone, no unmixed manifestation of piety or

affection. The motive for these ceremonies was much more concrete. As we

have stated elsewhere,[502] men were persuaded that the spirit of him

who lay beneath the ground was present at the meal, took its place

beside its kin and rejoiced with them. Therefore its share was set aside

for it, and by consecrated formulas it was invited to drink and eat.

Moreover the guests themselves ate copiously and drank deeply, convinced

that the noisy conviviality of the feast was a source of joy and

refreshment to the shade in the gloom of its sepulchral existence.

Sometimes the dinner took place in a room within the tomb, specially set

aside for such meetings, sometimes in one of the gardens which men

delighted to make around the “eternal house” of the dead[503] and to

which inscriptions sometimes give the name of “paradise”

(παράδεισος).[504]

These are customs and ideas which are found everywhere from the time

when history had its origin, practices and ideas to which under the

Roman Empire the people still clung, and which even partially survived

the conversion of the masses to Christianity, although the Church

condemned them as pagan. Until the end of antiquity and even in the

Middle Ages, banquets, at which wine flowed abundantly, were still held

on anniversaries by kinsfolk and friends near the remains of those they

loved.[505]

When, however, the conception of survival in the tomb was superseded or

overshadowed by that of survival in the nether world, the repast of the

dead was also transferred thither. Henceforth it was in the Elysian

Fields that pious souls could take their place at the table of the

Blessed. The Orphics were the first to introduce into Greece this new

idea, which was, however, no more than the development of a pre-Hellenic

belief, and it spread through the mysteries of Dionysos[506] to every

part of the ancient world: the ritualistic repasts in which the initiate

took part, the drunkenness which exalted their whole being, were for the

adepts of this cult at once a foretaste and a warrant of the happiness

reserved for them in that eternal feast of the subterranean world in

which a sweet intoxication would rejoice their soul. That forgetfulness

of all cares which the divine liquor gave was connected with Lethe, the

water of which, according to mythology, souls drank that they might lose

all memory of their former life.

An immense number of reliefs, scattered throughout the whole extent of

the Roman Empire, bear witness to the popularity of the belief in this

form of immortality. The dead man who has been made a hero and whose

family comes to make sacrifices to him is stretched on a couch and lifts

the _rhyton_ which holds the heady drink of Bacchus, while before him,

on a little table, dishes are placed. These banquets took place, as we

have said, in the Elysian Fields, and the idea of the repast thus met

and combined with the idea of rest. The Blessed were imagined as lying

on a soft bed of flowered grass, taking part in a perpetual feast, to

the accompaniment of music and songs. Lucian in his “True

Histories”[507] describes, with ironical exaggeration, the joys of these

guests who are stretched comfortably among the flowers of a fragrant

meadow in the shade of leafy trees, and who gather, instead of fruit,

crystal goblets, which fill with wine as soon as they are placed on the

table.

In spite of the mockery of sceptics these beliefs still had some

faithful partisans even at the end of paganism. A picture discovered in

the catacomb of Praetextatus shows us a priest of the Thraco-Phrygian

god Sabazios celebrating a mystic banquet with six of his fellows, and

another fresco represents the introduction of a veiled woman into the

garden of delights, where she has been judged worthy of being received

at the table of virtuous souls.[508]

Sometimes in the reliefs of the “funeral banquet” the dead are seen

wearing on their head the bushel (_modius_) of Serapis, with whom, after

a virtuous life, they have been identified. This indicates a confusion,

to which much other testimony bears witness, between the Bacchic

mysteries and the cult of the Alexandrian god.[509] Serapis is the great

master of the feast (συμποσιάρχης),[510] the host who must in the nether

world entertain those faithful to him. Thus the eschatological beliefs

of the Nile Valley mingled with those of Greece. In the country of

burning sun, where a straying traveller runs the risk of dying of thirst

on the arid stretches of sand, the hope expressed above all others for

him who accomplishes the great pilgrimage to the abode of the infernal

divinities, is that he may find wherewith to quench his consuming

thirst. “May Osiris give thee fresh water” is a wish which the votaries

of the Egyptian god often inscribed on their tombs. Thus the repast in

the other world was to be above all a refreshment (_refrigerium_). The

word passed into Christian language to denote both earthly “_agape_” or

sacred meal and the bliss of the other world, and even today the Roman

Church prays for the spiritual “refreshment” of the dead.[511]

We touch here on a question which is not yet completely elucidated, that

of the relation established between the funeral banquet and the

salvation of those who took part in it.

In Rome from the end of the Republic onwards this banquet, amid the

general decline of faith in immortality, was increasingly detached from

the tomb and became a guild or domestic ceremony. The tendency was to

reduce it to the repast of a family or confraternity, to the

perpetuation among men of the memory of him whose features were

preserved by a statue or picture. But the funeral cult acquired new

meaning with the spread of Oriental religions. It did not cease to be

useful to the dead who were its object, to whose subsistence in the

beyond and safe arrival in the Elysian Fields it was still thought to be

necessary. The offerings of the living sustained them on their dangerous

and hard journey thither; the food and drink restored them on the long

road they had to travel before they reached the place of everlasting

refreshment.

But the funeral repast was also salutary to those who offered it, and

not only because it ensured to them the good will of a spirit or demon

capable of protecting them. This banquet, at which wine flowed

profusely, was like the “orgies” of the Bacchic and Oriental mysteries,

and the resemblance is partly explained by an identity of kind.

The ritual of the gods whose death and resurrection were

commemorated—Bacchus, Osiris, Attis, Adonis—was probably a development

of the funeral ritual, and the banquet of initiation was thus related to

the banquet at the grave. On the one hand, it was believed that by a

mystic union with the god, men could share his blessed lot after the

transient trial of a death like his.[512] On the other hand, it was with

a dead man that a repast was taken, but with one who also, in some sort,

had become a god, who had preceded the diners into the other world and

awaited them there. “Live happy and pour out wine to our Manes,” says a

Latin epitaph of Syria, engraved beneath a scene of libation,

“recollecting that one day you will be with us.”[513]

According to an opinion which often found expression, the shades

themselves rejected whoever did not deserve to enter the abode of the

Blessed, but willingly received the pious soul which had always

fulfilled its duty towards them.[514] For admission to this club of

posthumous diners a members vote was necessary. Thus the funeral banquet

took on the character of a mystic banquet; that is, it came to be

conceived as a prelibation of the banquet at which the elect feasted in

the other world. The wish which the guests made to each other—“Drink and

live!”—became an allusion, no more to this earthly life, but to that

other existence in which they would participate in the felicity of him

who had gone before them and who would help them to rejoin him therein.

The following advice, repeated elsewhere in various forms, is found on

the tomb of a priest of Sabazios: “Drink, eat, jest and come to me ...

that is what you will carry away with you” (_hoc tecum feres_).[515]

This is not to be understood here as an Epicurean invitation to enjoy

life because all else is vain,[516] but a veiled expression of faith in

the efficacy for the salvation of the initiate attributed to the joyous

banquets which gathered men about a tomb.

The connection between the beliefs of the mysteries and the hopes

attached to the funeral cult became more intimate as immortality brought

the spirits of the dead nearer the celestial divinities. The idea that

some few privileged mortals win admission to the banquet of the gods is

very ancient. An inscription of Sendjerli in Syria, which goes back to

the eighth century before our era, orders sacrifices to be made in order

that the soul of King Panamu “may eat and drink with the god

Hadad,”[517] and Greek mythology told that certain heroes, such as

Heracles, who had been carried off to heaven, had there become the table

companions of the gods. Horace states that Augustus, borne to the

ethereal summits, will there rest between Hercules and Pollux, “drinking

nectar with his rosy lips.”[518] But we have seen elsewhere that

apotheosis, or deification, which was at first the privilege of an

aristocracy, became the common lot of all pious souls,[519] and that the

Elysian Fields were transferred from the depths of the infernal realm to

the upper spheres of the world. The repast of the Blessed was thus

transported to heaven.[520] This removal to the region of the stars

seems to have been first made in the astral religion of Syria, but it

was commonly accepted in western paganism. This is why in funeral

reliefs of the Roman period, in which the dead are shown banqueting,

such representations are placed in the upper part of the stele, above

the scenes of earthly life which fill the lower portion of the stone.

The emperor Julian is giving us a mocking picture of this repast of the

heroes, when in one of his satires he shows us the shades of the Caesars

at table immediately beneath the moon, in the highest zone of the

atmospheres—in accordance with the ideas of the Stoics.[521] Men readily

fashioned the heroes who tasted the joys of Olympus on the pattern of

the celestial divinities—resplendent with light, clothed in garments of

dazzling whiteness, their heads crowned with rays or surrounded by a

luminous nimbus, singing, as in a Greek symposium, melodious hymns.

The philosophers of course gave a symbolical interpretation of the

intoxication of the souls which took part in the feast, explaining it as

the ravishing of reason penetrated by divine intelligence. We will

return to their doctrines presently.

The Jews of the Alexandrian period shared the belief in the celestial

banquet with the Syrian paganism and transmitted it to the Christians.

The Paradise of the elect was often conceived as a shady garden where

tables were set out at which immortal guests passed their time in

endless joy. Thus, not to mention better-known texts, Aphraates, a

Syriac author of the first half of the fourth century, depicts the

felicity of the Blessed, clothed in light, who are admitted to the

divine table and are there fed with food which never fails. “There the

air is pleasant and serene, a brilliant light shines, trees grow of

which the fruit ripens perpetually, of which the leaves never fall, and

beneath these shades, which give out a sweet fragrance, the souls eat

this fruit and are never satiated.”[522]

The representation of this feast of Paradise recurs several times in the

paintings of the catacombs, but in them the wine is poured out by Peace

(_Eirene_) and Charity (_Agape_). An allegorical explanation gave a

spiritual meaning to the food and drink consumed by the elect. But the

old idea which was at the root of all the later development, the idea of

a material repast in which the dead participated, did not disappear from

popular faith when the conception that souls rose to the sky was

adopted, and in many countries it has not been obliterated even

today.[523]

* * * * *

Even in the pagan period, as we have said, enlightened minds accepted

the old descriptions of joyous feasts in fresh meadows only in a

figurative sense. A less coarse conception of immortality suffered them

to be looked upon only as symbols or metaphors. This conception of

celestial beatitude originated not in the cult of the dead but in the

cult of the gods. It was at first as material as preceding conceptions,

but it became purified as the idea of psychic survival was

spiritualised.

We have seen in another lecture[524] that the “sight of the god” who was

adored was the highest degree of initiation. Theurgy flattered itself

that it could evoke divine apparitions at will. These visions have been

described to us by those who claimed to have been favoured with

them.[525] Their character and their effects have moreover been analysed

in detail in the treatise of Jamblichus, _On the Mysteries_. The

impression most immediately produced by these epiphanies was a boundless

admiration for their splendour. The incomparable beauty with which the

gods were radiant, the supernatural light in which they were wrapped,

had such an effect on men that they could hardly bear the effulgence and

nearly lost consciousness, but their souls were flooded with unspeakable

joy and purified for ever.

To this ineffable delight of a heart possessed of divine love there was

added the highest revelation for the intelligence.[526] Must not the

infallible “gnosis” be that which was the result of instruction received

directly from the mouth of a celestial power which had come down to

earth?

The devotees who had obtained the signal favour of this resplendent

vision, were thenceforth united to the deity who had manifested himself

to them, and were certain to share his immortal life. The fugitive

pleasure which they had felt on earth would become a bliss without end

in the kingdom of the dead. There they would see face to face the god

who protected them and learn from him all that had remained hidden from

them in this life.

These ideas, half religious, half magical, are very ancient, especially

in Egypt, but they were transformed by astrolatry. Here the celestial

powers had not to be summoned by prayer or invoked by incantations in

order that they might come and converse with the faithful, but were

perpetually visible and offered themselves, day and night, to the

veneration of humanity.

Henceforth the knowledge of divine things was no longer to be

communicated by the words which the initiate believed that he heard in

the silence of the sanctuary. It was revealed by a mysterious

inspiration to him who had deserved it by a fervent observation of the

heavens.[527] Thus by an illumination of the intelligence the astral

powers unveiled their will and the secrets of their movements to their

attentive servants. Here below this knowledge was always imperfect and

fragmentary, but it would be completed in another world, when reason

once more would rise aloft to the starry spaces whence it had descended.

This eschatological doctrine, which made astronomy the source of virtue

and of immortality, could only be developed by a clergy devoted to the

study of that science. Its first authors were doubtless the “Chaldeans,”

who transmitted it to Greece with their theories as to the divisions of

the sky and the heavenly bodies. The most ancient writing in which this

Oriental influence asserts itself clearly is the _Epinomis_, probably a

work of the astronomer Philip of Opus, a disciple of Plato. Let us

listen to his own words:[528]

“When man perceives the harmony of the sky and the immovable order

of its revolutions, he is first filled with joy and struck with

admiration. Then the passion is born in him to learn about them all

that it is possible for his mortal nature to know, for he is

persuaded that he will thus lead the best and happiest existence and

will go after his death to the places suited to virtue. Then being

veritably and really initiate, pure reason taking part in the only

wisdom, he will spend the rest of his time in contemplation of what

is most beautiful among all visible things.”

This passage shows clearly the manner in which astrolatry modified

ancient ideas as to the sight of a god, the reverential wonder felt in

his presence by the faithful, the truth communicated to them and the

immortality which completed their initiation. The doctrine of an

intellectual reward for the Blessed was to attract scholars who in this

world gave themselves up to study. Spiritual activity, which emancipates

from material care and gives man nobility and virtue, seemed to them to

be the only occupation worthy of the elect. If the theory that the

Blessed would after death find this activity in the midst of the divine

stars, is probably of “Chaldean” origin, it was developed by the Greek

philosophers and in particular by Posidonius. It was also admitted into

the Roman mysteries, which, being penetrated by the spirit of Oriental

theologies, claimed to supply their adepts with a complete explanation

of the universe.

We have already alluded to this system in speaking of astral

mysticism.[529] Nature herself has destined man to gaze upon the skies.

Other animals are bent to the earth; he proudly lifts his head to the

stars. His eye, a tiny mirror in which immensity is reflected, the

soul’s door, open to the infinite, follows the evolutions of the

heavenly bodies from here below. By their splendour they make men marvel

and by their majesty compel them to veneration. Their complicated

movements, ruled by an immovable rhythm, are inconceivable unless they

are endowed with infallible reason.

The observation of the sky is not only an inexhaustible source of

aesthetic emotion. It also causes the soul, a detached parcel of the

fires of the ether, to enter into communion with the gods which shine in

the firmament. Possessed with the desire to know them, this soul

receives their revelations. They instruct it as to their nature; thanks

to them, it understands the phenomena produced in the cosmic organism.

Thus scientific curiosity is also conceived as a yearning for God. The

love of truth leads to holiness more surely than initiations and

priests.

Of the numerous passages in which these ideas are expressed I will

recall one which is well known but is not always well understood.[530]

Virgil in his _Georgics_ tells us what he looks to receive from the

sweet Muses whom he serves, being “struck with a great love for them.”

Not, as one would expect, poetic inspiration but physical science. The

Muses are to point out to him the paths of the stars in the sky, to

explain to him the reasons for eclipses, tides and earthquakes and the

variations in the length of the day. “Happy is he,” the poet concludes,

“who can know the causes of things, who treads underfoot all fear and

inexorable fate and vain rumours as to greedy Acheron.”[531] There is,

in spite of a reminiscence of Lucretius, nothing Epicurean in the idea

here expressed. The man who has won knowledge of Nature, which is

divine, escapes the common lot and does not fear death because a

glorious immortality is reserved for him.

For these joys which the acquisition of wisdom gives here below,

partially and intermittently, are in the other life bestowed with

absolute fulness and prolonged for ever. Reason, set free from corporeal

organs, attains to an infinite perceptive power and can satisfy the

insatiable desire of knowledge which is innate within reason itself. The

Blessed souls will thus be able at once to delight in the marvellous

spectacle of the world and to obtain perfect understanding thereof. They

will not weary of following the rhythmic evolutions of the chorus of

stars of which they form part, of noting the causes and the rules which

determine their movements. From the height of their celestial

observatory they will also perceive the phenomena of our globe and the

actions of men. Nothing which happens in nature or in human society will

be hidden from them. This speculative life (βιὸς θεωρητικός) is the only

one on earth or in heaven which is worthy of the sage.

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