SENSE-OBJECTS ARE UNREAL AND ARE CHIEFLY MADE UP OF APPEARANCE.

12. Plato[66] agreed with this, and being persuaded that, by

participation, matter does not receive form and shape, as would some

substrate that should constitute a composite of things intimately

united by their transformation, their mixture, and their common

affections; in order to demonstrate the opposite, namely, that matter

remains impassible while receiving forms, invented a most apposite

illustration of a participation that operates without anything being

affected (namely, that engravers, before using dies on the soft wax,

clean them carefully). Almost any other kind of illustration would

fail to explain how the substrate can remain the same in the presence

of forms. While trying to achieve his purpose, Plato has raised

many questions; he has besides applied himself to demonstrate that

sense-objects are devoid of reality, and that a large part of their

hypostatic substance is constituted by appearance. Plato demonstrates

the permanence and identity of matter by showing that it is by the

figures with which it is endued that matter affects animated bodies,

without itself suffering any of their affections. He wishes to convince

us that in being endued with these figures, matter undergoes neither

affection nor alteration. Indeed, in the bodies that successively

assume different figures, we may, relying on analogy, call the change

of figures an alteration; but since matter has neither figure nor

existence,[67] how could we, even by analogy, call the presence of a

figure an alteration? The only sure way of avoiding a misunderstanding

in expression is to say that the substrate possesses nothing in the

manner it is usually supposed to possess it. How then could it possess

the things it contains, unless as a figure? Plato's illustration means

that matter is impassible, and that it contains the apparent presence

of images which are not really present therein.

PLATO'S FIGURATIVE LANGUAGE MIGHT LEAD TO ERRORS ABOUT HIS REAL

OPINIONS.

We must still further preliminarily insist on the impassibility of

matter; for by using the usual terms we might be misled into wrongly

thinking that matter could be affected. Thus Plato speaks[68] of matter

being set on fire, being wetted, and so forth, as if it received

the shapes of air or water. However, Plato modifies the statement

that "matter receives the shapes of air and water" by the statement

that matter "is set on fire and wetted," and he demonstrates that by

receiving these shapes it nevertheless has none of its own, and that

forms do not more than enter into it. This expression "matter is set on

fire" must not be taken literally; it means only that matter becomes

fire. Now to become fire is not the same thing as being set on fire; to

be set on fire can achieve no more than what is different from fire,

than what can be affected; for that which itself is a part of fire

could not be set on fire. To insist on the opposite would amount to

saying that metal itself formed a statue, or that fire itself spread

into matter and set it on fire. The theory that a ("seminal) reason"

had approached matter, forces us to question how this reason could have

set matter on fire. The theory that a figure had approached matter

would imply that that which is set on fire is already composed of

two things (matter and a figure), and that these two entities form a

single one. Although these two things would form a single one, they

would not affect each other, and would act only on other entities. Nor

would they even in this case act jointly; for one would effect no more

than to hinder the other from avoiding (form). The theory that when

the body is divided matter also must be divided, would have to answer

the question, How could matter on being divided, escape the affection

undergone by the composite (of form and matter)? On such a theory, one

might even assert that matter was destroyed, and ask, Since the body is

destroyed, why should not matter also be destroyed? What is affected

and divided must be a quantity or magnitude. What is not a magnitude

cannot experience the same modifications as a body. Therefore those who

consider matter affectible would be forced to call it a body.

Plotinos: Complete Works, v. 2 In Chronological Order, Grouped in Four Periods · 第 94 / 381 题