SENSATION AS THE DREAM OF THE SOUL FROM WHICH WE MUST WAKE.

Such are the objections that may be raised against those who consider

all beings as corporeal; who wish to judge of their existence only by

impressions they receive therefrom, and who try to found the certitude

of truth on the images of sensation.[73] They resemble sleeping men

who take as realities the visions they have in their dreams. Sensation

is the dream of the soul;[52] so long as the soul is in the body, she

dreams; the real awakening of the soul consists in genuine separation

from the body, and not in rising along with the body. To rise with

the body is to pass from one sleep into another kind; from one bed

to another; really to awake is to separate oneself completely from

the body. The body, whose nature is contrary to that of the soul,

consequently has a nature contrary to that of "being." This is proved

by the generation, flux, and decay of bodies, all processes contrary to

the nature of "being."

MATTER COMPARED TO A MIRROR WHICH REFLECTS EVERYTHING THOUGH REALLY

EMPTY.

7. Let us return to matter as a substrate, and then to what is said

to exist within it. This will lead us to see that it consists of

nonentity, and that it is impassible. Matter is incorporeal because

the body exists only as posterior thereto, because it is a composite

of which it constitutes an element. It is called incorporeal because

existence and matter are two things equally distinct from the body. Not

being soul, matter is neither intelligence, nor life, nor ("seminal)

reason," nor limit. It is a kind of infinity.[53] Neither is it an

(active) power;[54] for what could it produce? Since matter is none

of the above-mentioned things, it could not be called existence. It

deserves only the name "nonentity" yet not even in the sense in which

we may say that movement or rest are not existence;[55] matter is real

nonentity. It is an image and phantom of extension, it is aspiration to

a form of hypostatic existence. Its perseverance is not in rest (but in

change). By itself, it is invisible, it escapes whoever wishes to see

it. It is present when you do not look at it, it escapes the eye that

seeks it. It seems to contain all the contraries: the large and small,

the more and the less, the lack and excess.[56] It is a phantom equally

incapable of remaining or escaping; for matter does not even have

the strength of avoiding (form), because it has received no strength

from intelligence, and it is the lack of all existence. Consequently,

all its appearances are deceptions. If we represent matter as being

greatness, it immediately appears as smallness; if we represent it as

the more, we are forced to recognize it as the less. When we try to

conceive of its existence, it appears as nonentity; like all the things

it contains, it is a fugitive shadow, and a fleeting game, an image

within an image. It resembles a mirror, in which one might see the

reflections of objects external to it; the mirror seems to be filled,

and to possess everything, though really containing nothing.

AS OBJECTS ARE MERELY REFLECTIONS IN A MIRROR, MATTER IS NO MORE

AFFECTED BY THEM THAN WOULD BE A MIRROR.

Thus matter is a shapeless image, into which enter, and out of which

issue the images of beings. These appear in it precisely because

matter has no shape, though they seem to produce something in it, they

really produce nothing in it.[57] They have no consistence, strength,

nor solidity; as matter has none either, they enter into it without

dividing it, as if they would penetrate water, or as shapes might move

in emptiness. If the images that appear in matter had the same nature

as the objects they represent and from which they emanate, then, if

we attribute to the images a little of the power of the objects that

project them, we might be right in considering them able to affect

matter. But as the things that we see in matter do not have the same

nature as the objects of which they are the images, it is not true

that matter suffers when receiving them; they are no more than false

appearances without any resemblance to what produces them. Feeble and

false by themselves, they enter into a thing that is equally false.[58]

They must therefore leave it as impassible as a mirror, or water;

producing on it no more effect than does a dream on the soul. These

comparisons, however, are yet imperfect, because in these cases there

is still some resemblance between the images and the objects.

Plotinos: Complete Works, v. 2 In Chronological Order, Grouped in Four Periods · 第 90 / 381 题