VIRTUE AND VICE AFFECT THE SOUL DIFFERENTLY FROM ALL THE OTHER PASSIONS.

In short, we insist that action, life and desire are not alterations,

that memories are not forms impressed on the soul, and that

actualizations of the imagination are not impressions similar to those

of a seal on wax.[41] Consequently in all that we call "passions" or

"movements," the soul undergoes no change in her substance (substrate)

or "being" (nature); virtue and vice in the soul are not similar

to what heat, cold, whiteness or blackness are in bodies; and the

soul's relation to vice and virtue is entirely different, as has been

explained.

PASSIONAL CHANGES OCCUR IN THE BODY, NOT EVEN TO THE PASSIONAL PART OF

THE SOUL.

4. Let us now pass to that part of the soul that is called the

"passional" (or, affective). We have already mentioned it,[42] when

treating of all the "passions" (that is, affections), which were

related to the irascible-part and appetitive part of the soul; but we

are going to return to a study of this part, and explain its name, the

"passional" (or, affective) part. It is so called because it seems

to be the part affected by the "passions;"[43] that is, experiences

accompanied by pleasure or pain.[44] Amidst these affections, some are

born of opinion; thus, we feel fear or joy, according as we expect

to die, or as we hope to attain some good; then the "opinion" is in

the soul, and the "affection" in the body. On the contrary, other

passions, occurring in an unforeseen way, give rise to opinion in that

part of the soul to which this function belongs, but do not cause any

alteration within her, as we have already explained. Nevertheless, if,

on examining unexpected fear, we follow it up higher, we discover that

it still contains opinion as its origin, implying some apprehension in

that part of the soul that experiences fear, as a result of which occur

the trouble and stupor which accompany the expectation of evil. Now it

is to the soul that belongs imagination, both the primary imagination

that we call opinion, and the (secondary) imagination that proceeds

from the former; for the latter is no longer genuine opinion, but

an inferior power, an obscure opinion, a confused imagination which

resembles the action characteristic of nature, and by which this power

produces each thing, as we say, unimaginatively.[45] Its resulting

sense-agitation occurs within the body. To it relate trembling,

palpitation, paleness, and inability to speak. Such modifications,

indeed, could not be referred to any part of the soul; otherwise, such

part of the soul would be physical. Further, if such part of the soul

underwent such affections these modifications would not reach the body;

for that affected part of the soul would no longer be able to exercise

its functions, being dominated by passion, and thus incapacitated.

THE SOUL'S AFFECTIVE PART MAY BE THE CAUSE OF AFFECTIONS; BUT IS

INCORPOREAL.

The affective part of the soul, therefore, is not corporeal; it is a

form indeed, but a form engaged in matter, such as the appetite, the

power of growth, both nutritive and generative, a power which is the

root and principle of appetite, and the affective part of the soul.

Now a form cannot undergo an affection or a passion, but must remain

what it is. It is the matter (of a body) which is capable of being

affected by a "passion" (an affection), when this affection is produced

by the presence of the power which is its principle. Indeed it is

neither the power of growth that grows, nor the nutritive power that

is fed; in general, the principle that produces a motion is not itself

moved by the movement it produces; in case it were moved in any way,

its movement and action would be of an entirely different nature.[46]

Now the nature of a form is an actualization, by its mere presence

producing (something), just as if the harmony alone could cause the

vibration of the strings of a lyre. Thus the affective part (of the

soul, without itself being affected) is the cause of the affections,

whether the movement proceed from it, that is, from sense-imagination,

or whether they occur without (distinct) imagination.

Plotinos: Complete Works, v. 2 In Chronological Order, Grouped in Four Periods · 第 84 / 381 题