THE PRINTING PRESS

By Otto L. Raabe.

Throughout the stages of development of the book-printing press the

chief object has been to lessen the cost of printing. Whether the

direct purpose of an improvement has been to increase the working

speed of the press, to lessen the necessary operating power, to

simplify the mechanism, to strengthen the parts, to lighten the

pressman's labor, or to better the quality of printing, the ultimate

aim has always been the same. It has been the constant incentive to

invention and the standard for judging the adaptability of a press.

The first printing press was the "wooden screw" press, which came into

use about the middle of the fifteenth century, and was built upon the

same mechanical principle as the linen presses in the homes of the

well-to-do. This was the press used by Gutenberg.

It consisted of two upright timbers held together at the top and the

bottom by crosspieces of wood and with two intermediate cross-timbers.

One of these intermediate cross-timbers supported a wooden or stone

"bed" on which the form of type was placed, and through the other

passed a large wooden screw, the lower point of which was attached to

the centre of a flat, wooden plate, called the "platen." The lower

side of the platen was covered with a soft "packing" or "blanket" of

cloth. After the type had been inked, a sheet of paper was laid on it.

This paper had previously been dampened so that it would take a better

impression of the type. The screw was then turned down until the

platen pressed the paper against the inked type, and produced a

printed sheet.

The form of type was incased in a frame called a "coffin." These

coffins and the type within them were very heavy, but they had to be

lifted in and out of the press by hand. After each impression the

platen was screwed upward so that the sheet of paper which had been

printed could be removed and hung up to dry.

This simple form of press continued in use without material change

until the early part of the seventeenth century. The first

improvements on it came about 1620, and consisted of a device for

rolling in and out the wooden or stone bed on which the type rested

instead of lifting it by hand, of a new form of iron hand-lever for

turning the screw, and of an iron screw in place of the wooden one.

These were the inventions of William Janson Blaeuw, a printer of

Amsterdam. Blaeuw's press was introduced into England and used there

as well as on the continent. It was substantially the same press as

that on which Benjamin Franklin worked when in London in 1735.

After this first type of printing press had been in use for three and

a half centuries, a much-improved form was invented by the Earl of

Stanhope in 1798. The frame of his press was made of iron, cast in one

piece; the bed, the impression plate, or "platen," and the other large

parts were also of cast iron, while the working parts were of iron,

steel, or brass. The iron impression screw was retained, but connected

to it was a combination of levers whereby its power was greatly

increased. This enabled the printing of larger forms and the use of a

thinner and harder "packing," or "tympan," between the platen and the

sheet of paper to be printed, resulting in a sharper and clearer

impression. Much less exertion was required to work the lever, and at

first, on this account, a printer, who was accustomed to use all his

physical force on the old screw press, found it difficult to work on

the new one.

This improved style of press was received with so much favor by

printers that several persons took up its manufacture, and competition

soon reduced its cost and brought it into general use for printing

newspapers as well as books. The process of printing remained about

the same as in the earlier presses. Two men were required to work it.

One spread the ink on a wooden block, rolling over it with two

leather-covered balls, about six inches in diameter, stuffed with

wool or horsehair, and fastened to round wooden handles. Holding one

of these inking balls in each hand, he then rolled one upon the other

to distribute the ink evenly over both of them, and applied the ink to

the face of the type by rocking the balls over it until the entire

form was inked. While this was being done, the other man was placing

the sheet of paper on the "tympan." This was a light frame, in two

parts, really forming two frames, one inside the other, and both

covered with parchment. There was a woollen or felt blanket between

them, and the two frames were held together by hooks. The outer frame

was hinged at its lower end to the outer end of the bed of the press,

and when ready to receive the paper, it stood in a nearly upright

position at about right angles to the bed. On the frame were two or

four pins, upon which the sheet of paper was impaled.

Attached to the upper end of the inner frame by hinges was a thin and

narrow frame, called the "frisket," of the same length and width as

the inner tympan frame. This frisket was covered with strong paper in

which were openings, cut a little larger than the size of the pages of

the type-form. When the sheets of paper had been placed upon the

tympan frame, the frisket was folded down upon it, and the two were

then turned down over the form of type. The bed was then "run in"

under the platen by means of a crank at the side of the press, and

the platen was screwed down to make the impression. After the

impression had been taken, the platen was screwed up, the bed "run

out," the tympan frame and frisket lifted, and the printed sheet taken

off.

The introduction of this Stanhope press gave a great impetus to the

development of the printing press in other countries as well as in

England, and many varieties were devised during the thirty years

following. Although as early as 1811 Koenig had made a cylinder press

which had proved fairly successful, the better grades of printing

could be obtained only by the flat pressure of the hand-presses. In

some of these hand presses, the platen, or upper impression plate, was

moved into position over the bed and remained stationary while the bed

with the type-form upon it was forced upward to make the impression.

In others, the platen was hinged to the bed, but in all of them the

mechanism was complicated.

The "Columbian" press, devised by George Clymer, of Philadelphia, in

1816, gained considerable distinction both in this country and in

England, where it was introduced in 1818. It differed from the

Stanhope in that the screw was dispensed with, the platen being

depressed by a combination of levers and lifted by the aid of a

weighted balance-lever.

The reduction of the hand-lever movement to its simplest and most

powerful form is now seen in the Washington hand press, devised by

Samuel Rust, of New York, in 1827. His patent was later purchased by

R. Hoe & Co., who made nearly seven thousand of these presses in

different sizes and still make many of a greatly strengthened pattern

for taking fine proofs from photo-engraved plates. Some of these

presses made before 1850 are still in use, and occasionally one hears

of a Washington hand press being used for printing upon handmade paper

an edition of a small and limited number of copies of a book. Of all

the hand presses, this is the only one that has survived to the

present day.

With the introduction of other means for applying power than the

hand-lever, a distinction came to be drawn between printing _presses_

and printing _machines_. The term "machine" might perhaps be more

appropriately used for the huge printing presses of the present day,

yet, as the first essential is the impression power, all other

features being subordinate, the term "press" is still the proper one

to apply, even to the greatest combination of printing units yet

devised.

The "bed and platen" system of printing as first used in hand presses

occupies such an important place in the history of the book-printing

press that a further description of its career is necessary.

In December, 1806, Friedrich Koenig, a Saxon, who later gave to the

world the first practical cylinder press, went from Germany to England

to seek assistance in carrying out his plans for the construction of

a greatly improved printing press, having failed in his efforts in his

own country and in Russia. He succeeded in enlisting the support of

Thomas Bensley, a London printer, and constructed a press in which all

the operations but laying on and taking off of the sheet were

performed mechanically.

An accurate description of this press is not extant, but it is known

to have consisted of a large wooden frame, a platen worked by a

vertical screw and gears, a type-bed drawn forward and backward by

means of straps fastened to a large roller underneath the bed, a

tympan frame and frisket arranged to open and close automatically with

the movement of the bed, and an inking apparatus, consisting of an

ink-box with a narrow slit in the bottom through which the ink was

forced by a piston upon a roller below, from which it was transmitted

by two intermediate rollers to another and lower roller which inked

the form as it passed underneath. The two intermediate rollers had an

alternating, lateral motion which spread or distributed the ink

sideways before it reached the lowest roller.

This press was the first to have ink-distributing rollers and the

first to be run by steam power. In April, 1811, the "Annual Register"

for 1810 was printed on it by Mr. Bensley at the rate of eight hundred

impressions an hour. Nothing further is recorded about this press, and

it was probably abandoned as being too complicated.

In the following year, Koenig's first cylinder press was completed, to

be followed two years later by an improved cylinder press made for the

_London Times_, which will be referred to farther on.

In his experiments, the Earl of Stanhope had tried, without success,

to find a substitute for inking-balls by making rollers covered with

different kinds of skins. He also tried other materials, such as

cloth, silk, etc., but the unavoidable seam and the impossibility of

keeping these materials soft and pliable defeated his purpose. About

1813 inking-rollers made of a composition of glue and molasses came

into general use, and this important invention was of great assistance

in the further improvement of the printing press.

Other cylinder presses with mechanical inking appliances were devised

and patented, the most notable of which were those of Rutt, Bacon,

Cowper, Applegath, and Napier, but the mechanical imperfections of

these presses unfitted them for the better grades of book printing.

Further efforts were, therefore, directed to increasing the output of

the bed and platen presses by the application of improved inking

devices, sheet-feeding, and impression mechanisms. About 1825 there

was constructed by D. Napier, a machinist in London, a press

containing such appliances which produced six to seven hundred

impressions an hour. Other presses constructed upon the same

principle, but with two type-beds, two sets of friskets, two inking

mechanisms--and only one platen, in the centre of the press--were made

by Hopkinson & Cope and by Napier, and were known as "double platen

machines," though this is really a misnomer as there was only one

platen.

Napier's invention achieved the greatest popularity and came into

general use. At each end of his press there was an inking device, a

type-bed, and a frisket, each set of which operated alternately with

the other, but either could be made inoperative if the "feeder," or

"layer-on," failed to place the sheet in time. Four boys, besides the

printer, were required--two to lay on, and two to take off the sheets.

When the type-bed and the frisket carrying the sheet of paper were in

position under the platen, the latter was drawn downward to make the

impression by means of a "toggle" joint which acted upon two strong

rods, one on each side, and was then raised again by a counterbalance

weight. Owing to the awkward method of handling the paper, the working

speed of the press was necessarily slow, and the size of the sheets

limited to double royal, or 25 x 40 inches.

The best presses of this type were those devised and patented by Isaac

Adams, of Boston, in 1830 and 1836, and by Otis Tufts, also of Boston,

in 1834. R. Hoe & Co., of New York, acquired Adams' business in 1858

and continued the manufacture of his presses. Over one thousand in

many different sizes were made by this firm, the largest printing a

sheet 33 x 46 inches at a working speed of one thousand impressions an

hour. The last Adams press was made in 1882, but quite a number are

still in use in prominent printing-offices in New York, Boston, and a

few other cities, where the results on fine book work are still

considered better than from the faster cylinder presses. The

mechanical principle employed in the Adams press for exerting a flat,

parallel pressure has now been generally adopted for heavy stamping

and embossing presses.

To go back to the early part of the nineteenth century, when Koenig

found his bed and platen press impracticable, he immediately set to

work, assisted by one of his countrymen, Andreas Bauer, a mechanic who

had helped him formerly, and in the latter part of 1812, the first

flat-bed cylinder press was erected by them in Bensley's office. The

cylinder of this press had three impression surfaces with spaces

between them, and each covered with a soft blanket. With each forward

movement of the type-bed the cylinder made one-third of a revolution

and then came to a standstill, while the bed returned to its

starting-point. The spaces between the impression surfaces allowed the

type-form to pass under the cylinder without touching the blankets. At

the end of the cylinder and at equal distances along its circumference

were hinged three frisket frames, each fitted with tapes having reel

springs at one end. The frisket frame of the uppermost impression

surface rested in a vertically inclined position against the high

framework of the inking mechanism. The sheet of paper was placed upon

the blanket, and the cylinder then turned forward, drawing the frisket

frame down with it, while the tapes, kept taut by the reel springs,

adjusted themselves to the curvature of the cylinder and held the

sheet upon it. After one-third of a revolution, the cylinder came to a

stop to let the type-bed return. On the next forward movement of the

bed and the next one-third of a revolution of the cylinder, the

impression was made, and on the next repetition of these movements,

the sheet was taken off by hand, and the cylinder returned to its

original position to have another sheet placed on the first frisket.

At every complete revolution of the cylinder and three complete

reciprocating movements of the bed, three sheets were printed.

The inking mechanism was similar to that employed on the bed and

platen press, but the mechanism for forcing the ink through the slit

in the bottom of the fountain was improved. The inking-rollers were

covered with leather as before. The type-bed was moved by a very

ingenious mechanism which is in use even at the present time, and is

described farther on, when the two-revolution press is mentioned. The

different parts were not connected with each other, the cylinder, the

type-bed, the inking-rollers, and the fountain being operated

independently by separate driving mechanisms. This press printed eight

hundred sheets an hour, on one side. A part of Clarkson's "Life of

William Penn" was printed on this press, and was the first book ever

printed on a cylinder press.

Printers and publishers were sceptical as to the practical value of

this novel invention, but Mr. John Walter, the proprietor of the

_London Times_, with better foresight than the others, and needing

increased facilities for printing his paper, contracted for two

presses, each to have two impression cylinders. These were constructed

for him with great secrecy in a building adjoining the pressroom of

the _Times_, and on November 28, 1814, the entire edition of that

paper was printed on them,--the first cylinder presses driven by steam

power.

The mechanical principles were the same as in the first cylinder

press. There were two impression cylinders, but only one type-bed, and

the latter had, therefore, to travel a greater distance than in the

single-cylinder press. This made it impossible to obtain quite double

the output of the single-cylinder press, but each of these new presses

produced eleven hundred impressions an hour, a very respectable

performance for that early stage. The threefold motion of the

cylinders was retained, but the frisket frames were displaced, and

tapes running over rollers and underneath the cylinders held the

sheets against the impression surfaces. An improvement was also made

in the inking mechanism by the addition of an intermediate roller

between the fountain and the upper distributing cylinder roller.

The next step in advance was the construction of the first of the

so-called perfecting presses, which was patented, December 24, 1814,

and erected in Mr. Bensley's office in 1815 or 1816. This press had

two type-beds and two impression cylinders, one of each near either

end of the press. The cylinders instead of having a threefold motion

revolved continuously. The circumference of each corresponded

approximately to the distance traversed by one of the beds. The part

of the cylinder which made the impression was a little larger in

diameter than the remainder, the low portion giving the necessary room

for the type-bed to return without touching it. The board from which

the sheets were "fed" was near the centre of the press, and at the top

adjoining the feed board was an endless belt made of cloth as wide as

the board and running with an intermittent motion over two rollers.

The sheet of paper was laid upon this belt, which then moved forward,

carrying the sheet between the tapes and leading it to the top of,

down and around, the first cylinder where it received the first

impression. Thence the sheet was conveyed by the tapes to the top of

and around the second impression cylinder and was printed on the

reverse side, that is "perfected," and it was then taken from the

lower side of the second cylinder by hand and laid upon a board in the

centre of the press, between the two impression cylinders and

underneath the feed board. This press printed both sides of a sheet

21 x 34-1/2 inches at a speed of nine hundred to one thousand an hour.

Shortly afterward a single-cylinder press was constructed upon the

same principle, the forerunner of what is now known as the single

large or drum cylinder press.

Within the next few years, Applegath and Cowper greatly simplified the

presses in the _Times_ and in Bensley's office by removing many of the

gear wheels. They also invented the first inking-table, a flat, iron

plate attached to the type-bed which enabled the rollers to distribute

the ink more evenly than before. They placed rollers at an angle

across the ink-table and introduced the revolving roller and the

scraping blade in the ink-fountain.

More important, however, were Napier's inventions about 1824, of

"grippers" which seized the sheet of paper at its front edge and drew

it from the feed board, while the cylinder was in motion, and of a

method of alternately depressing and raising the impression cylinders

on the forward and backward stroke of the type-bed, making it

unnecessary to have a part of the cylinders of smaller diameter than

the rest to allow the type to pass under it as the bed returned. This

made it possible to use cylinders of a smaller diameter. These

improvements were first embodied in a perfecting press made for

Hansard, a London printer.

Although a number of presses were already being operated by steam

power, Hansard, in his description of the Napier bed and platen press

(the "Nay-Peer," he called it) finds a peculiar advantage in that "it

supersedes the necessity of steam power, as the motion of this machine

is gained by two men turning a fly-wheel which acts as the impelling

power."

I have described the development of the printing press up to this

state with considerable detail, because it discloses the main

principles of the book press of the present day. During the first

quarter of the last century, the manufacture of cylinder presses was

confined to England, not only because London was then the leading

centre of civilization, but because nowhere else could be found the

mechanical facilities for constructing the large metal frames and

parts. Koenig left London for his native land in 1817, dejected by the

treatment he had received at the hands of Bensley, both in financial

matters and in the attempts to disparage his achievements. He was

followed two years later by his friend Bauer, and together they

founded the firm of Koenig & Bauer at Oberzell, where it still thrives

as one of the largest factories in Germany.

It was not long, however, before the United States took the lead in

the number of presses manufactured as well as in their improvement,

and the present high state of efficiency of American presses makes

them models which are copied in all other countries. These

improvements and the perfections of details often presented problems

which were more difficult to solve than those of the earlier

inventors, and thousands of patents have been granted to Americans for

new and ingenious devices.

The firm of R. Hoe & Co., which as early as 1822 was already engaged

in the manufacture of hand-presses in New York, commenced about 1832

to manufacture flat-bed cylinder presses, beginning with the single

large or drum cylinder press which was followed soon afterward by the

single small cylinder and the double small cylinder press, the

flat-bed perfecting press, the stop-cylinder press, the two-revolution

press, and the rotary book press. They also made and are still making

large newspaper and color presses which are used all over the

civilized world, but of these we will not treat here.

As stated at the beginning of this article the chief object in press

making has always been to lessen the cost of printing, but after

increased speed had been attained, there came a demand for a press

that would produce the finest quality of printing without sacrificing

the quantity produced.

To meet this no press has ever surpassed the stop cylinder. It has

been made in several different sizes, the largest having a type-bed

45 x 65 inches. Resting upon and attached to a heavy iron foundation

are two iron side frames which are securely braced together by an

upper iron frame, called the "rib." This upper frame contains four

tracks faced with hard steel, on which run a series of friction

rollers, supporting the iron type-bed. Attached to the front of the

type-bed is an iron plate, called the ink-table, its surface level

with the surface of the type-form as it lies upon the bed.

At the front of the press is the ink-fountain and a number of steel

and composition rollers, called the "distributing rollers." The ink is

delivered a little at a time from the fountain to the revolving

distributing rollers, and from them to the ink-table which moves under

the rollers with the motion of the type-bed. By this means the ink is

distributed upon the entire surface of the ink-table in a thin, even

film. From the ink-table the ink is taken by a set of six rollers,

called the "form rollers." Resting on the form rollers and moving in

contact with them are additional rollers which help to distribute the

ink still finer before it reaches the type.

The impression cylinder is located at a distance from the front of the

press of about two-thirds of the entire length of the press. The

circumference of the cylinder is equal to the distance that the

type-bed travels in one direction. When the type-bed moves from the

front to the rear, the cylinder rotates in unison with it, and thus

the cylinder makes one revolution. While the bed returns the cylinder

does not move.

Near the rear of the press is a large wooden board extending across

the press and lying in a slightly inclined position with its lower

edge almost directly above the centre of the impression cylinder. This

is the "feed board" upon which the sheets of paper lie before they are

printed. The impression cylinder has a set of grippers, and when the

cylinder is at rest, these grippers are close to the edge of the feed

board and stand open to receive the edge of the sheet of paper.

Extending a little over the front of the feed board are two gauges

against which the front edge of the sheet of paper is placed, while

one side edge of the sheet is placed against a gauge at the side of

the feed board. Just an instant before the cylinder commences to

rotate, the grippers seize the front edge of the sheet, and the gauges

lift out of the way. The cylinder then carries the sheet around, meets

the moving inked form, and makes the impression. Before the cylinder

completes its revolution, the grippers open and release the sheet, and

at the same instant another set of grippers on an adjoining cylinder,

called the "delivery cylinder," seize the sheet. From this delivery

cylinder the sheet runs down over a set of strings, and is lifted off

the strings by a sort of fan, or "sheet flier," and deposited on a

table at the rear of the press. This method of delivering the sheets

is known as the cylinder or rear delivery. This press may also be

fitted for "front delivery." By this method the sheet of paper after

being printed is carried around on the impression cylinder until the

front edge comes again to the feeding point. Just as the impression

cylinder comes to a stop, a set of grippers seize the front edge of

the printed sheet, draw it over and away from the impression cylinder,

and deposit it, with the printed side up, upon a table near the front

of the press and above the ink-fountain and distributing rollers.

The average speed of one of these presses is from one thousand to

fifteen hundred impressions an hour, depending upon the desired

quality of the work.

Notwithstanding the excellent qualities of the stop-cylinder press,

commercial necessities often demand a sacrifice of quality to speed,

and this has brought the two-revolution press into very general use.

As the name implies, the cylinder makes two revolutions, one to print

the sheet, and the other, an idle one, to allow the bed to return.

While the bed is returning, the impression cylinder is lifted to clear

the type-form. As the cylinder rotates continually at a uniform speed,

the type-bed must also travel at a constant speed. The reversal of the

movements of the bed must, therefore, take place in a short space of

time.

The study of inventors has been concentrated upon this subject more

than upon any other connected with flat-bed presses, and hundreds of

patents for "bed motions" have been taken out. Considering the fact

that in the larger presses the weight of the bed and form is about one

and a half tons and that this weight moving at a speed of about six

feet in a second must be brought to a full stop and put into motion

again in the opposite direction at full speed in about one-quarter of

a second, it is obvious that the problem was not an easy one,

especially when the reversal of the bed must be accomplished without a

jar or vibration. The mechanism employed has always been a driving

gear and one or two toothed racks. In Koenig's original movement, the

driving gear on the end of a rising and falling shaft ran on top of a

rack attached to the bottom of the bed in order to drive the bed in

one direction, and then descending around the end of the rack ran in

the bottom to the same rack to drive the bed in the other direction

and ascending at the other end to repeat the movement. This, as

already stated, has proven a very efficient mechanism and is employed,

with improvements, by some of the press manufacturers of the present

time.

In a pamphlet entitled "A Short History of the Printing Press" (New

York, 1902), by Robert Hoe, the writer describes a method of reversing

the bed. Although somewhat technical, it seems desirable to quote him

as follows: "As early as 1847, Hoe & Co. patented an entirely new

bed-driving mechanism. To a hanger fixed on the lower side of the bed

were attached two racks facing each other, but not in the same

vertical plane, and separated by a distance equal to the diameter of

the driving wheel, which was on a horizontal shaft and movable

sideways so as to engage in either one or other of the racks. By this

means, a uniform movement was obtained in each direction. The reversal

of the bed was accomplished by a roller at either end of the bed

entering a recess in a disc on the driving shaft, which in a

half-revolution brought the bed to a stop and started it in the

opposite direction. This involved a new principle; a crank action

operating directly upon the bed from a shaft having a fixed centre,

and within recent years modifications of this patent have been

successfully employed to drive the type-bed at a high velocity and

reverse it without a shock or vibration."

This invention appears to have been the forerunner of the more recent

improvements in bed motions. A notable one is that employed in the

Miehle presses, which have gained much celebrity, run at a high rate

of speed, and are used in many printing-offices in this and other

countries. The reversal of the bed movement is accomplished by a

so-called "true crank" movement and with an absence of jar and

vibration never before obtained in any other than the stop-cylinder

presses.

At the present time, the latest development in printing presses is Hoe

& Co.'s new two-revolution press, in which, also, the reversal of the

bed is accomplished by the true crank movement, but with an

improvement which brings it to an easy stop and returns it without the

least vibration.

On all two-revolution presses there are employed, to assist in the

reversal of the bed, air-chambers or cylinders, without which the

reversing mechanisms could not withstand the enormous strain to which

they are subjected. These are iron cylinders, closed at one end,

approximately six inches in diameter and eighteen inches long, and

varying in size according to the size of the press. Some presses have

two and others four of these cylinders, one or two at each end. The

open ends of the cylinders are toward the bed, and attached to the bed

are two or four pistons which enter the air-chambers as the bed nears

the end of its stroke. The compression of the air in the cylinders

makes a cushion and checks the momentum of the moving bed. The pistons

can be adjusted to regulate the air compression to suit the velocity

of the bed and the weight of the form, which vary in different kinds

of work.

The delivery of the printed sheets is performed either by a delivery

cylinder or by a front delivery with the printed side of the paper

uppermost as already described for the stop-cylinder presses. Grippers

are not used in the front delivery carriage, as the sheet is

discharged from the cylinder by its continuous rotation.

The average running speed of a two-revolution press is about one-third

greater than that of a stop cylinder, or about eighteen hundred

impressions an hour, as against from one thousand to thirteen hundred

and fifty impressions from the stop cylinder, this being the

comparison in presses of the average size, printing sheets about

33 x 46 inches. The driving power required is in the proportion of

about five for the two-revolution press to three for the stop

cylinder, and the wear and tear is in about the same proportion.

Another press, which is still employed to a small extent for

book-work, is the flat-bed perfecting press. This press is virtually

two two-revolution presses combined into one, with the advantage that

they require only one man as "feeder," but with the disadvantage that

they produce only about two-thirds as much work as two separate

single-cylinder, two-revolution presses. Their greatest disadvantage

lies in the difficulty of preventing the fresh ink on the side of the

sheet first printed from "setting off" on the packing of the cylinder

which prints the reverse or second side. Mechanisms are employed to

move the "tympan sheet" or outside covering of the second cylinder

along at fixed intervals, but they are complicated and troublesome.

These presses are expensive and cumbersome, and can generally be used

only for inferior grades of work in large editions. Under the care of

a skilful and painstaking pressman, good work can be produced from

them, but fine book-work is always done on stop-cylinder and

two-revolution, single-cylinder presses, which have now been brought

to a high state of perfection.

Nearly a hundred years ago Hansard wrote, "The printing machine in its

present state appears susceptible of little improvement." He was, in

truth, right so far as the main principles of the flat-bed cylinder

press are concerned, but there have been immense improvements in many

of the details. With the introduction of automatic sheet-feeding

devices, and improvements in the driving, inking, and delivery

arrangements, mechanical ingenuity seems to have been exhausted. The

temptation is strong to apply Hansard's prediction to the flat-bed

cylinder press of the present day, but with the many surprises that

meet us in other fields this would border on temerity.

Already there have been great advances in adapting the entirely rotary

principle to the printing of high-grade work, although its use is

still restricted to the production of large editions.

As early as 1852 Hoe & Co. made a rotary press for D. Appleton & Co.,

especially for printing the famous Webster spelling-book. The types

were locked up on the cylinders in curved beds, called "turtles," and

the sheets were delivered by a sheet-flier. Probably thirty million

copies were printed on this press, which was dismantled nearly

twenty-six years ago.

In 1886 this same concern made a press which is still used for

printing some of the forms of the _Century Magazine_. This press had

two pairs of cylinders, and curved electrotype plates were used on it.

The paper was in a roll at one end, and at the other end there were

delivered, to each revolution of the cylinders, eight eight-page

signatures already folded to the size of the _Century_ page. This was

the first rotary press made for a good grade of book-work. Two similar

presses were afterward made for _Harper's Weekly_ and for the _Strand

Magazine_ of London.

What is known as the rotary art press was made in 1890 for printing

the fine half-tone illustrations in the _Century Magazine_.

This has one plate cylinder and one impression cylinder, and curved

electrotype plates are used. The sheets are "fed" by hand in the usual

manner, and are printed on one side at a time and delivered by a

sheet-flier. It produces as much work as four flat-bed cylinder

presses and of better quality. The plates are inked by sixteen

rollers. The performance of this press is another demonstration of the

superiority of the rotary over the flat-bed principle of printing.

Since then hundreds of rotary presses have been made for magazine and

book printing, most of them equipped with attachments for folding the

sheets as they are printed, and all having a high rate of speed. C.

B. Cottrell & Co. have made many rotary presses for magazine printing,

most of which deliver the sheets flat, without folding, and most of

them made to suit some predetermined size or sizes of sheets or pages.

In the evolution of the printing press there are three sharply defined

stages: first, the flat impression surface and the flat printing

surface, requiring the exertion of all of the impressing power upon

the entire surfaces; second, the cylindrical impression surface and

the flat printing surface, requiring the exertion of all of the

impressing power upon only a narrow line or a small portion of the

printing surface; third, a cylindrical impression surface and a

cylindrical printing surface, still further reducing the area upon

which all the impressing power is exerted.

Just as the second stage has, particularly for book-work, virtually

superseded the first, so the third is destined to supersede the

second. It is only an adaptation of the means to the ends. The

mechanical principles of the rotary press are, in fact, simpler than

those of the flat-bed cylinder press, and it may be said that so far

as the purely mechanical part of the press is concerned, they have

been fully developed, but much still remains to be done in other

directions. The variety in the sizes of the pages of different books,

the smallness of the editions, and the fact that the finer grades of

paper, especially coated paper, cannot be obtained in roll form, are

obstacles to be removed. As most book forms are electrotyped for

flat-bed presses, and as it requires but little additional expense to

curve the plates, this one item is not much of an obstacle to

overcome. It is, however, still difficult to curve the plates

perfectly, and the pressmen, even if they can produce excellent work

from flat-bed presses, require considerable training if they have had

no experience on rotary presses. All these difficulties are sure to be

overcome in time.

The Building of a Book A Series of Practical Articles Written by Experts in the Various Departments of Book Making and Distributing · 第 20 / 45 题