PRESSWORK

By Walter J. Berwick.

Books are printed in "forms," or sheets, of four, eight, twelve,

twenty-four, or thirty-two pages at a time, the number being

determined to a great extent by the size of the type page and by the

class of the work.

An ordinary twelvemo book, without illustrations in the text, is

usually printed in forms of thirty-two pages, on what is known as a

single-cylinder flat-bed press, which prints only one side of the

paper at an impression. For large editions, the size of the sheet of

paper is sometimes doubled and sixty-four pages printed at a time. The

class of work in question may also be printed on perfecting presses

which print both sides of the paper at one time, and in this way as

many as one hundred and twenty-eight pages are frequently printed on

one sheet, there being sixty-four pages on each side. Large editions

of books having small pages, such as small Bibles, are often printed

two hundred and fifty-six pages (one hundred and twenty-eight on each

side) at one time.

High grade, illustrated books are always printed on one side of the

sheet at a time, the reverse side being printed after the first

impression has dried properly. Thus a smooch, or "offset," the result

of handling the paper before the ink has become dry, is prevented.

For convenience, I shall describe the process of printing a book from

electrotype plates on a press which prints thirty-two pages at a time

and on only one side of the paper.

Before ordering his paper, the publisher must first determine the size

of the paper page of his proposed book, and from this arrive at the

necessary size of the sheets of paper. He must also determine the

thickness of the paper needed to give the finished book its proper

bulk.

If the book is to be trimmed on top, bottom, and front, about

one-eighth of an inch must be allowed on top and front for the binder

to trim off, and about one-fourth of an inch on the bottom. The

dimensions from back to front, including the amount left for the

"trim," should be multiplied by eight; and the page dimension the

other way, including the trim, by four. This would give the size of

paper needed. As an illustration, if the trimmed size of a book is

7-7/8 x 5-3/8 inches, the paper should be 32 x 44 inches. If the book

is printed 16 pages at a time, the paper should be 22 x 44; and if 64

pages at a time, 44 x 64.

The quality of the paper and the size of the sheet being decided upon,

and the number of pages known, any large paper house can tell the

weight necessary to give the required thickness to the book.

On receipt of the printing order, with directions as to whether the

book is to be trimmed or not, the printer first makes up what is

called a "form" of so-called "patent" blocks on which the stereotype

or electrotype plates are placed during the printing of the book.

These blocks are made of wood or iron planed to an even thickness of

about three-fourths of an inch, so that when an electrotype plate is

placed upon one, it will take only a few thicknesses of thin paper

between it and the electrotyped page to make the whole "type-high,"

that is, as high as an ordinary piece of type.

Two adjacent edges of these blocks are bound with strips of brass,

which project above the block and are turned over slightly, so as to

receive the two bevelled edges of the electrotype plate. The other two

edges are provided with movable clamps, which are screwed tight

against the flat edges of the electrotype plate by means of ratchets,

thus holding the plate firmly in its place.

In practice, the longer of the two brass-bound edges is called the

"back" of the block and the shorter one the "head," the other long

edge being known as the "front" and the other short edge, the "foot."

These terms, as a matter of fact, originated from the use of the same

words in describing the printed page of a book, the "back"

corresponding with the side of the page next to the binding of the

book, the "head" being the top of the book, and so on.

One-half of a set of blocks--thirty-two being a set in this case--are

made with the backs on the left and one-half with the backs on the

right edge of the block. The common way is to place thirty-two of

these blocks, in four rows of eight blocks each, in a "chase," or iron

frame, with a cross-bar in the centre. Thus sixteen blocks are on each

side of the cross-bar, and all have their backs toward it. The form

then appears like this:--

[Illustration: Blocks, cross-bar.]

Strips of wood, called "furniture," are then used to fill up the

spaces between the blocks, care being taken to see that all the backs,

fronts, and heads are in uniform positions. As some people prefer the

printed pages of a book to be near the centre of the paper pages,

while others like the head and back margins to be much narrower than

the margins at the front and foot, the distances between the blocks

must be arranged according to the taste of the publisher or the

author.

After the blocks have been spaced as desired, and the spaces filled

with furniture, the form is "locked up," or tightened securely, with

wedge-shaped pieces of iron called "quoins," and it is then placed in

position on the bed of the press, securely fastened by screw clamps,

and "making ready" for printing is begun.

Notwithstanding the care that has been taken to have all the "patent"

blocks and the electrotype plates of even and uniform thickness, there

is almost never a case where a form can be put on the press and

printed off properly without considerable work being required to make

the surface of the plates absolutely flat so that the entire printed

part of the page will receive the same amount of ink and will press

evenly on the paper.

The first step in making a press "ready" is to place a sheet of heavy

cardboard around the cylinder, and over it draw a smooth piece of

muslin or cotton cloth. This is called the "packing." In many of the

best offices this sheet of heavy cardboard is not used, but in its

place is a patent make-ready called "Tympalyn."

Over this a thick sheet of manila paper is shrunk, it being pasted

under clamps on the front of the cylinder, and carried around and

fastened to hooks on a rod on the back. The rod is then turned until

the sheet is perfectly tight and smooth.

While the pressman is laying out his plates the feeder should be

cutting thin sheets of paper the size of one of the plates. Some of

these papers are cut about one inch shorter than the plates for

"bevels," and these are pasted on the middle of the full-size pieces.

These bevels and the larger "blank" sheets are to go between the

plates and the blocks to overcome any variation there may be in the

thickness and to make the surface of the form as nearly level as

possible. The "bevels" raise the centres very slightly above the edges

of the plate, thus reducing the pressure of the cylinder at the points

of contact and departure, and saving the plates from wear.

The cylinder being properly packed, and the form of blocks fastened on

the press so that the impression of the form will come in the middle

of the paper sheets, it is necessary to know whether the binder is to

fold the sheets by hand or by machine, and if the latter, what kind of

machine, as different ones require different "imposition" or

arrangement of pages. This being decided, the plates are fastened on

the blocks so arranged that when the sheet is cut and folded the pages

of the book will run consecutively. Before levelling up the form with

the bevels and blank sheets, the plates of all open or short pages, if

any, are replaced with solid pages, as these sheets and underlay are

to remain through the printing of all the forms of the book. The

rollers are now put in the press and adjusted to just touch the inking

table, the ink put on the rollers and distributed, and one impression

printed on one of several sheets of thin paper which are run through

the press together.[3] This printed sheet is then turned face down by

the pressman and any unevenness of the impression noted. One of the

printed pages is taken as a standard and by removing as many pieces of

the thin sheets as necessary from under the plates where the

impression is too heavy, and by adding where it is not heavy enough,

the surface of the form is finally "evened," or made as nearly equal

as possible.

[Footnote 3: If one sheet of paper were run through

the press before "making ready," it would not

receive any impression, there being a space equal

to the thickness of ten sheets of paper between the

cylinder and the surface of the type. A bunch of

six or eight sheets is therefore run through to get

an impression for "make-ready" purposes.]

After this another impression is taken, and of this sheet an

"underlay" is made to further "even up" the form. The low places in

the individual plates are carefully marked with crayon or a soft

pencil on the impression, and the spots so marked are covered with a

piece of thin paper. The printed pages are then cut out a little

larger than the type page, and placed under the plates from which

they were printed. The plates of the solid pages, which had been

substituted for the open pages, are now removed, and the open pages

are put back in their places on the form.

Up to this point, all the "making ready" which has been done, is of

permanent use in printing all of the forms of the book in question.

The work that follows has to be done on each form as it is put on the

press.

More thin sheets of paper are now run through the press, the number

run through together being one less than were printed for the

underlay. These printed sheets are used for "overlays," which are very

much like an underlay except that much more care is taken in marking

any uneven places. A thinner paper is used to bring up the low places

in the plates. An impression of the form is then made on the manila

paper sheet which had, as before mentioned, been drawn around the

cylinder, and on this printed manila sheet this overlay is pasted, the

impression on the manila paper being a guide for the placing of the

overlay.

Another overlay is now made in the same way as the first; only it will

now be found, if the work has been properly done, that there will be

only a few spots to be covered with tissue. After this overlay has

been made and the necessary pieces pasted over the first one, a thin

sheet of manila is smoothly and tightly drawn around the cylinder,

covering completely the thick manila sheet with the pasted overlays on

it. The form is then ready to print.

While the feeder, as the man who feeds the paper into the press is

called, has been "filling in" the overlay, the pressman should have

been getting "register,"--that is, moving the plates so that the

headlines and the sides of the plates align properly, and that when

both sides of the paper have been printed, the pages will exactly back

each other. The ink fountain should also have been so regulated by

means of thumb-screws that the right amount of ink will run on the

rollers and be distributed evenly over the form. Where too much ink

shows on the printed sheet, the thumb-screws on the fountain are

tightened a little, to decrease the flow, and where not enough ink

shows the thumb-screws are loosened to increase its flow. This process

is repeated until the "color" is all right. The grippers, which seize

and carry the sheets of paper through the press, the reels, cylinder

bands, and many other things have also to be adjusted. These cannot

well be described, but have to be learned by actual experience.

The "making ready" and watching the sheets as they come from the press

to see that the "color" does not vary, is the skilful part of the

process. The feeding can be done by a bright boy after a few weeks'

experience, but is now done automatically by machines to a great

extent.

While the press was being made ready, another set of men in charge of

the paper have taken it out of the cases or bundles, counted out the

number of sheets required for each form, piled it on hand trucks,

keeping that required for each form separate, and have delivered it to

the press. If a machine feeder is used, the paper is piled on the

elevator of the feeder, from which it is automatically taken, one

sheet at a time, and delivered on endless tapes to gauges on the feed

board of the press, thus bringing every sheet in the same position

each time. The number of sheets required for the order are printed

from one form on one side and then from another form on the other

side.

From the preceding it can be seen that to get a press ready may be a

matter of hours, while, in the case of ordinary book work, a press

generally prints from 1200 to 2000 impressions and more per hour.

The principal difference between making ready a form on a flat-bed

perfecting press with two cylinders and on a single-cylinder press is

in extra work necessary to obtain correct registering of the plates

and in preventing an offset of the fresh ink on the second cylinder.

Otherwise, a perfecting press is very much like two cylinder presses

joined together. It has two sets of rollers, two ink fountains, two

cylinders, two forms, etc., but only one feed board and one delivery.

The sheet is fed to one cylinder and printed, taken from this

cylinder by the second and printed on the second side, and delivered

on the "fly board" ready to go to the shipping department.

The process of making ready forms containing illustrations is

practically the same as for plain ones, except that a new underlay is

made for each form, and much more care and skill must be used on the

cuts themselves. It frequently happens that one or even two days are

spent making ready a form of half-tone cuts, before the actual

printing, which takes perhaps half a day to do, can be begun.

In most offices, a special "cut overlay" is made for forms with cuts,

or illustrations. The cut is placed on a hand press before the form is

made up, and proofs on four different thicknesses of paper are made.

The heaviest paper is used as a bottom sheet, and the others are

pasted on it. Out of the next to the thickest paper of all, the solid

blacks are cut and pasted accurately on the same places on the bottom

sheet. From the second or next thinner sheet, the medium shades

including the solid blacks are cut and pasted on the bottom sheet,

thus building up the blacks and strong shadows. From the thinnest

sheet of all, the high lights and very light shades are cut, and the

rest of the sheet is pasted on the bottom one. In this way the solid

blacks and dark shadows on the cut have three thicknesses on the

overlay; the next shades two, and the light shades one, where the high

lights are cut out altogether. This is the common form of "cut

overlay" used in most offices; but there are many other kinds, some

being made on metal by chemical action. All kinds are fastened

carefully over the impression of the cut made on the heavy manila

sheet covering the cylinder, and the cut must not be moved on the form

after the overlay has been fastened on the cylinder, or the effect of

all the work will be entirely lost.

One of the great troubles which the printer has to contend with, is

electricity in the paper. The pressman is unaware of its presence

until he lifts a printed sheet from the pile and receives a slight

shock, and finds the sheets stick together. In the case of a cut form,

the ink is almost sure to be offset, and in printing the second side

of the paper the feeder will have to stop frequently to separate the

sheets. Much money has been spent and many devices originated to

overcome this trouble. Ink manufacturers make a liquid preparation to

be applied to the packing. A row of lighted gas-jets placed near the

point where the sheet goes on to the "flyboard," a heated steam-pipe,

and many other things have been used, but a new device by which

electricity is generated and carried into the press, and there

neutralizes the electricity in the paper, is the best of them all.

The printed sheets are counted automatically by the press, and as fast

as enough accumulate, they are piled on hand trucks and removed to the

shipping room. Here they are "jogged up" so that the edges are even

and are counted again by hand. If they are to be shipped away, they

are tied up in bundles or nailed in cases and marked for shipment. If

the bindery is connected with the pressroom, they are simply jogged,

counted, and piled on trucks and delivered in this way.

The Building of a Book A Series of Practical Articles Written by Experts in the Various Departments of Book Making and Distributing · 第 19 / 45 题