262. Hence, as the passage last quoted shows, in the case of time the

alternative between ascribing it to a sixth sense, and confessing

that it is not an impression at all, is very hard to avoid. It would

seem that there is an impression of ‘the manner in which impressions

appear to the mind,’ which yet is no ‘distinct impression.’ What,

then, is it? It cannot be any one of the impressions of sense, for

then it would be a distinct impression. It cannot be a ‘compound

impression,’ for such composition is incompatible with that

successiveness of all feelings to each other which is the object of

the supposed impression. It cannot be any ‘new original impression’

arising from the contemplation of other impressions, for then,

according to Hume, it would be ‘an affection or emotion.’ But after

the exclusion of impressions of sense, compound impressions, and

impressions of reflection, Hume’s inventory of the possible sources

of ideas is exhausted. To have been consistent, he ought to have

dealt with the relation of time as he afterwards does with that of

cause and effect, and, in default of an impression from which it

could be derived, have reduced it to a figure of speech. But since

the possibility of accounting for the propensities to feign, which

our language about cause and effect according to him represents,

required the consciousness of relation in time, this course could

not be taken. Accordingly after the possibility of time being an

impression has been excluded as plainly as it can be by anything

short of a direct negation, by a device singularly _naïf_ it is

made to appear as an impression after all. On being told that

the consciousness of time is not a ‘new original impression of

reflection,’ since in that case it would be an emotion or affection,

but ‘_only_ the notice which the mind takes of the manner in which

impressions appear to it,’ the reader must be supposed to forget

the previous admission that it is no distinct impression at all,

and to interpret this ‘notice which the mind takes,’ because it is

not an impression of reflection, as an impression of sense. To make

such interpretation easier, the account given of time earlier in

the paragraph quoted is judiciously altered at its close, so that

instead of having to ascribe to feeling a consciousness of ‘the

manner in which impressions appear to the mind,’ we have only to

ascribe to it the impressions so appearing. But this alteration

admitted, what becomes of the ‘abstractness’ of the idea of time,

_i.e._ of the possibility of its being ‘conjoined with any objects’

indifferently? It is the essential condition of such indifferent

conjunction, as Hume puts it, that time should be only the manner of

appearance as distinct from the impressions themselves. If time _is_

the impressions, it must have the specific sensuous character which

belongs to these. It must be a multitude of sounds, a multitude of

tastes, a multitude of smells--these one after the other in endless

series. How then can such a series of impressions become such an

idea, _i.e._ so grow fainter as to be ‘conjoined’ indifferently ‘with

any impressions whatever’?

How can he adjust the exact sciences to his theory of space and time?

263. The case then between Hume and the conceptions which the exact

sciences presuppose, as we have so far examined it, stands thus. Of

the idea of quantity, as such, he gives no account whatever. We are

told, indeed, that there are ‘unites which can exist alone,’ _i.e._

can be felt separately, and which are indivisible; but how such

unites, being separate impressions, can form a sum or number, or what

meaning a unite can have except as one of a number--how again a sum

formed of separate unites can be a continuous whole or magnitude--we

are not told at all. Of the ideas of space and time we do find an

account. They are said to be given in impressions, but, to justify

this account of them, each impression has to be taken to be at the

same time a consciousness of the manner of its own existence, as

determined by relation to other impressions not felt along with it

and as interpreted in a way that presupposes the unexplained idea

of quantity. With this supposed origin of the ideas the sciences

resting on them have to be adjusted. They may take the relations of

number and magnitude, time and space, for granted, as ‘qualities of

perceptions,’ and no question will be asked as to how the perceptions

come to assume qualities confessed to be ‘independent of their own

nature.’ It is only when they treat them in a way incompatible not

merely with their being feelings--that must always be the case--but

with their being relations between felt things, that they are

supposed to cross the line which separates experimental knowledge

from metaphysical jargon. So long then as space is considered merely

as the relation of externality between objects of the ‘outer,’ time

as that of succession between objects of the ‘inner,’ sense--in

other words, so long as they remain what they are to the earliest

self-consciousness and do not become the subject matter of any

science of quantity--if we sink the difference between feelings and

relations of felt things, and ask no questions about the origin of

the distinction between outer and inner sense, they may be taken as

data of sensitive experience. It is otherwise when they are treated

as quantities, and it is their susceptibility of being so treated

that, rightly understood, brings out their true character as the

intelligible element in sensitive experience. But Hume contrives at

once to treat them as quantities, thus seeming to give the exact

sciences their due, and yet to appeal to their supposed origin in

sense as evidence of their not having properties which, if they are

quantities, they certainly must have. Having thus seemingly disposed

of the purely intelligible character of quantity in its application

to space and time, he can more safely ignore what he could not so

plausibly dispose of--its pure intelligibility as number.

In order to seem to do so, he must get rid of ‘Infinite Divisibility’.

264. The condition of such a method being acquiesced in is, that

quantity in all its forms should be found reducible to ultimate

unites or indivisible parts in the shape of separate impressions.

Should it be found so, the whole question indeed, how ideas of

relation are possible for a merely feeling consciousness, would

still remain, but mathematics would stand on the same footing

with the experimental sciences, as a science of relations between

impressions. Upon this reducibility, then, we find Hume constantly

insisting. In regard to number indeed he could not ignore the fact

that the science which deals with it recognizes no ultimate unite,

but only such a one as ‘is itself a true number.’ But he passes

lightly over this difficulty with the remark that the divisible

unite of actual arithmetic is a ‘fictitious denomination’--leaving

his reader to guess how the fiction can be possible if the real

unite is a separate indivisible impression--and proceeds with the

more hopeful task of resolving space into such impressions. He is

well aware that the constitution of space by impressions and its

constitution by indivisible parts stand or fall together. If space is

a compound impression, it is made up of indivisible parts, for there

is a ‘minimum visibile’ and by consequence a minimum of imagination;

and conversely, if its parts are indivisible, they can be nothing

but impressions; for, being indivisible, they cannot be extended,

and, not being extended, they must be either simple impressions or

nothing. With that instinct of literary strategy which never fails

him, Hume feels that the case against infinite divisibility, from its

apparent implication of an infinite capacity in the mind, is more

effective than that in favour of space being a compound impression,

and accordingly puts that to the front in the Second Part of the

Treatise, in order, having found credit for establishing it, to argue

back to the constitution of space by impressions. In fact, however,

it is on the supposed composition of all quantity from separate

impressions that his argument against its infinite divisibility rests.

Quantity made up of impressions, and there must be a least possible

impression.

265. The essence of his doctrine is contained in the following

passages: ‘’Tis certain that the imagination reaches a _minimum_,

and may raise up to itself an idea, of which it cannot conceive

any subdivision, and which cannot be diminished without a total

annihilation. When you tell me of the thousandth and ten thousandth

part of a grain of sand, I have a distinct idea of these numbers

and of their several proportions, but the images which I form in

my mind to represent the things themselves are nothing different

from each other nor inferior to that image by which I represent

the grain of sand itself, which is supposed so vastly to exceed

them. What consists of parts is distinguishable into them, and what

is distinguishable is separable. But whatever we may imagine of

the thing, the idea of a grain of sand is not distinguishable nor

separable into twenty, much less into a thousand, ten thousand, or

an infinite number of different ideas. ’Tis the same case with the

impressions of the senses as with the ideas of the imagination. Put

a spot of ink upon paper, fix your eye upon that spot, and retire

to such a distance that at last you lose sight of it; ’tis plain

that the moment before it vanished the image or impression was

perfectly indivisible. ’Tis not for want of rays of light striking

on our eyes that the minute parts of distant bodies convey not

any sensible impression; but because they are removed beyond that

distance at which their impressions were reduced to a _minimum_, and

were incapable of any further diminution. A microscope or telescope,

which renders them visible, produces not any new rays of light,

but only spreads those which always flowed from them; and by that

means both gives parts to impressions, which to the naked eye appear

simple and uncompounded, and advances to a minimum what was formerly

imperceptible.’ [1]

[1] P. 335, Part II. § 1.

Yet it is admitted that there is an idea of number not made up of

impressions. A finite division into impressions no more possible than

an infinite one.

266. In this passage it will be seen that Hume virtually yields the

point as regards number. When he is told of the thousandth or ten

thousandth part of a grain of sand he has ‘a distinct idea of these

numbers and of their different proportions,’ though to this idea no

distinct ‘image’ corresponds; in other words, though the idea is

not a copy of any impression. It is of such parts _as parts of the

grain of sand_--as parts of a ‘compound impression’--that he can

form no idea, and for the reason given in the sequel, that they are

less than any possible impression, less than the ‘minimum visibile.’

This, it would seem, is a fixed quantity. That which is the least

possible impression once is so always. Telescopes and microscopes do

not alter it, but present it under conditions under which it could

not be presented to the naked eye. Their effect, according to Hume,

could not be to render that visible which existed unseen before, nor

to reveal parts in that which previously had, though it seemed not

to have, them--that would imply that an impression was ‘an image of

something distinct and external’--but either to present a simple

impression of sight where previously there was none or to substitute

a compound impression for one that was simple. [1] It is then because

all divisibility is supposed to be into impressions, _i.e._ into

feelings, and because there are conditions under which every feeling

disappears, that an infinite divisibility is pronounced impossible.

But the question is whether a finite divisibility into feelings is

not just as impossible as an infinite one. Just as for the reasons

stated above [2] a ‘compound feeling’ is impossible, so is the

division of a compound into feelings. Undoubtedly if the ‘minimum

visibile’ were a feeling it would not be divisible, but for the same

reason it would not be a quantity. But if it is not a quantity,

with what meaning is it called a minimum, and how can a quantity be

supposed to be made up of such ‘visibilia’ as have themselves no

quantity? In truth the ‘minimum visibile’ is not a feeling at all but

a felt thing, conceived under attributes of quantity; in particular,

as the term ‘minimum’ implies, under a relation of proportion to

other quantities of which, if expressed numerically, Hume himself,

according to the admission above noticed, would have to confess there

was an idea which was an image of no impression. That which thought

thus presents to itself as a thing doubtless has been a feeling;

but, as thus presented, it is already other than and independent of

feeling. With a step backward or a turn of the head, the feeling

may cease, ‘the spot of ink may vanish;’ but the thing does not

therefore cease to be a thing or to have quantity, which implies the

possibility of continuous division.

[1] It will be noticed that in the last sentence of the passage

quoted, Hume assumes the convenient privilege of ‘speaking with the

vulgar,’ and treats the ‘minimum visibile’ presented by telescope

or microscope as representing something other than itself, which

previously existed, though it was imperceptible.

[2] See above, §§ 241 & 246.

In Hume’s instances it is not really a feeling, but a conceived

thing, that appears as finitely divisible.

267. It is thus the confusion between feeling and conception that

is at the bottom of the difficulty about divisibility. For a

consciousness formed merely by the succession of feelings, as there

would be no _thing_ at all, so there would be no parts of a thing--no

addibility or divisibility. But Hume is forced by the exigencies

of his theory to hold together, as best he may, the reduction of

all consciousness to feeling and the existence for it of divisible

objects. The consequence is his supposition of ‘compound impressions’

or feelings having parts, divisible into separate impressions but

divisible no further when these separate impressions have been

reached. We find, however, that in all the instances he gives it is

not really a feeling that is divided into feelings, but a thing into

other things. It is the heap of sand, for instance, that is divided

into grains, not the feeling which, by intellectual interpretation,

represents to me a heap of sand that is divided into lesser feelings.

I may feel the heap and feel the grain, but it is not a feeling

that is the heap nor a feeling that is the grain. Hume would not

offend common sense by saying that it was so, but his theory really

required that he should, for the supposition that the grain is no

further divisible when there are no separate impressions into which

it may be divided, implies that in that case it is itself a separate

impression, even as the heap is a compound one. But what difference,

it may be asked, does it make to say that the heap and the grain are

not feelings, but things conceived of, if it is admitted, as since

Berkeley it must be, that the thing is nothing outside or independent

of consciousness? Do we not by such a statement merely change names

and invite the question how a thought can have parts, in place of the

question how a feeling can have them?

Upon true notion of quantity infinite divisibility follows of course.

268. If thought were no more than Hume takes feeling to be, this

objection would be valid. But if by thought we understand the

self-conscious principle which, present to all feelings, forms out

of them a world of mutually related objects, permanent with its own

permanence, we shall also understand that the relations by which

thought qualifies its object are not qualities of itself--that,

in thinking of its object as made up of parts, it does not become

itself a quantum. We shall also be on the way to understand how

thought, detaching that relation of simple distinctness by which it

has qualified its objects, finds before it a multitude of units of

which each, as combining in itself distinctions from all the other

units, is at the same time itself a multitude; in other words,

finds a quantum of which each part, being the same in kind with

the whole and all other parts, is also a quantum; _i.e._ which is

infinitely divisible. When once it is understood, in short, that

quantity is simply the most elementary of the relations by which

thought constitutes the real world, as detached from this world and

presented by thought to itself as a separate object, then infinite

divisibility becomes a matter of course. It is real just in so far

as quantity, of which it is a necessary attribute, is real. If

quantity, though not feeling, is yet real, that its parts should not

be feelings can be nothing against their reality. This once admitted,

the objections to infinite divisibility disappear; but so likewise

does that mysterious dignity supposed to attach to it, or to its

correlative, the infinitely addible, as implying an infinite capacity

in the mind. From Hume’s point of view, the mind being ‘a bundle

of impressions’--though how impressions, being successive, should

form a bundle is not explained--its capacity must mean the number of

its impressions, and, all divisibility being into impressions, it

follows that infinite divisibility means an infinite capacity in the

mind. This notion however arises, as we have shown, from a confusion

between a _felt_ division of an impossible ‘compound feeling,’ and

that conceived divisibility of an object which constitutes but a

single attribute of the object and represents a single relation of

the mind towards it. There may be a sense in which all conception

implies infinity in the conceiving mind, but so far from this

doing so in any special way, it arises, as we have seen, from the

presentation of objects under that very condition of endless,

unremoved, distinction which constitutes the true limitation of our

thought.

What are the ultimate elements of extension? If not extended, what

are they?

269. When, as with Hume, it is only in its application to space and

time that the question of infinite divisibility is treated, its true

nature is more easily disguised, for the reason already indicated,

that space and time are not necessarily considered as quanta. When

Hume, indeed, speaks of space as a ‘composition of parts’ or ‘made

up of points,’ he is of course treating it as a quantum; but we

shall find that in seeking to avoid the necessary consequence of

its being a quantum--the consequence, namely, that it is infinitely

divisible--he can take advantage of the possibility of treating

it as the simple, unquantified, relation of externality. We have

already spoken of the dexterity with which, having shown that all

divisibility, because into impressions, is into simple parts, he

turns this into an argument in favour of the composition of space

by impressions. ‘Our idea of space is compounded of parts which are

indivisible.’ Let us take one of these parts, then, and ask what sort

of idea it is: ‘let us form a judgment of its nature and qualities.’

‘’Tis plain it is not an idea of extension: for the idea of extension

consists of parts; and this idea, according to the supposition, is

perfectly simple and indivisible. Is it therefore nothing? That is

impossible,’ for it would imply that a real idea was composed of

nonentities. The way out of the difficulty is to ‘endow the simple

parts with colour and solidity.’ In words already quoted, ‘that

compound impression, which represents extension, consists of several

lesser impressions, that are indivisible to the eye or feeling, and

may be called impressions of atoms or corpuscles endowed with colour

and solidity.’ (Part II. § 3, near the end.)

Colours or coloured points? What is the difference?

270. It is very plain that in this passage Hume is riding two horses

at once. He is trying so to combine the notion of the constitution

of space by impressions with that of its constitution by points, as

to disguise the real meaning of each. In what lies the difference

between the feelings of colour, of which we have shown that they

cannot without contradiction be supposed to ‘make up extension,’

and ‘coloured points or corpuscles’? Unless the points, as points,

mean something, the substitution of coloured points for colours

means nothing. But according to Hume the point is nothing except as

an impression of sight or touch. If then we refuse his words the

benefit of an interpretation which his doctrine excludes, we find

that there remains simply the impossible supposition that space

consists of feelings. This result cannot be avoided, unless in

speaking of space as composed of points, we understand by the point

that which is definitely other than an impression. Thus the question

which Hume puts--If extension is made up of parts, and these, being

indivisible, are unextended, what are they?--really remains untouched

by his ostensible answer. Such a question indeed to a philosophy like

Locke’s, which, ignoring the constitution of reality by relations,

supposed real things to be first found and then relations to be

superinduced by the mind--much more to one like Hume’s, which left no

mind to superinduce them--was necessarily unanswerable.

True way of dealing with the question.

271. In truth, extension is the relation of mutual externality. The

constituents of this relation have not, as such, any nature but what

is given by the relation. If in Hume’s language we ‘separate each

from the others and, considering it apart, form a judgment of its

nature and qualities,’ by the very way we put the problem we render

it insoluble or, more properly, destroy it; for, thus separated,

they have no nature. It is this that we express by the proposition

which would otherwise be tautological, that extension is a relation

between extended points. The ‘points’ are the simplest expression

for those coefficients to the relation of mutual externality, which,

as determined by that relation and no otherwise, have themselves the

attribute of being extended and that only. If it is asked whether

the points, being extended, are therefore divisible, the answer must

be twofold. _Separately_ they are not divisible, for separately they

are nothing. Whether, as determined by mutual relation, they are

divisible or no, depends on whether they are treated as forming a

quantum or no. If they are not so treated, we cannot with propriety

pronounce them to be either further divisible or not so, for the

question of divisibility has no application to them. But being

perfectly homogeneous with each other and with that which together

they constitute, they are susceptible of being so treated, and are

so treated when, with Hume in the passage before us, we speak of

them as the parts of which extended matter consists. Thus considered

as parts of a quantum and therefore themselves quanta, the infinite

divisibility which belongs to all quantity belongs also to them.

‘If the point were divisible, it would be no termination of a line.’

Answer to this.

A Treatise of Human Nature Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural Religion · 第 25 / 41 段