CHAPTER I

THREE GENERATIONS

[Illustration: MAUD HOWE _Frontispiece_]

THREE

GENERATIONS

BY

MAUD HOWE ELLIOTT

_WITH ILLUSTRATIONS_

[Illustration: colophon]

BOSTON

LITTLE, BROWN, AND COMPANY

1923

_Copyright, 1923_,

BY LITTLE, BROWN, AND COMPANY.

_All rights reserved_

Published October, 1923

PRINTED IN THE UNITED STATES OF AMERICA

To

JOHN ELLIOTT

CONTENTS

CHAPTER PAGE

I TWILIGHT OF THE GODS 3

II THE OWLS 22

III GREEN PEACE 30

IV SCHOOLS AND TEACHERS 46

V UNCLE SAM WARD 64

VI A STAY AT THE WHITE HOUSE 78

VII SANTO DOMINGO 91

VIII NEWPORT 106

IX SOME PAINTERS AND POETS 118

X ENGLAND 138

XI ROME 158

XII EGYPT. PALESTINE. GREECE 174

XIII BOSTON IN THE EIGHTIES 194

XIV THE NEW ORLEANS COTTON CENTENNIAL 204

XV CHICAGO AND BOSTON IN THE NINETIES 217

XVI LONDON IN THE NINETIES 232

XVII ARABIAN DAYS 248

XVIII ARTIST LIFE IN ROME, 1894 256

XIX A YEAR OF TRAVEL 271

XX MY MOTHER’S LAST ROMAN WINTER 283

XXI QUEEN MARGHERITA AT OUR STUDIO 295

XXII BY THE TIBER AND BY THE CHARLES 309

XXIII WASHINGTON IN 1910 331

XXIV THEODORE ROOSEVELT AND THE PROGRESSIVE PARTY 346

XXV THE ART ASSOCIATION OF NEWPORT 367

INDEX 393

ILLUSTRATIONS

MAUD HOWE _Frontispiece_

EDWIN BOOTH 40

UNCLE SAM WARD 68

MY FATHER, DR. SAMUEL GRIDLEY HOWE 68

DR. HENRY MARION HOWE AND HIS SISTERS 86

EDWARD ASKEW SOTHERN 122

FRANCIS BRET HARTE 128

FRANCIS MARION CRAWFORD 166

THE DRAWING ROOM AT 241 BEACON ST. 198

DR. HENRY MARION HOWE 200

MARGARET DELAND 204

JOHN ELLIOTT 216

LAURA E. RICHARDS 254

FLORENCE HOWE HALL 254

MY MOTHER, JULIA WARD HOWE 286

QUEEN MARGHERITA OF ITALY 304

HENRY JAMES 316

MRS. JOHN LOWELL GARDNER 378

THREE GENERATIONS

CHAPTER I

THE TWILIGHT OF THE GODS

March 1st, 1916.

Henry James is dead. The news came to-day. A sudden warmth of old

friendship, a kindness of other years leaps up within me, and the memory

of how he looked at our house in Rome on a certain birthday of his that

corresponds to my own latest milestone.

It was a warm day in mid-April. We were lunching on the terrace of the

Palazzo Rusticucci, among the roses that shielded us from the windows of

the Vatican. We drank his health in his favorite _vino di Orvieto_; he

bowed with that exquisite courtesy of his and said in answer to our

congratulations:

“This is the time when one lights the candle, goes through the house,

and takes an account of stock!”

I can hear that slow, careful, hesitating voice of his and catch the

keen shy glance he gave me as he spoke.

The words come back to me with a new meaning; they seem like a legacy

from an old friend. It is high time that I, too, should light the

candle, go through the house, and take an account of stock.

What’s here worth saving?

Love and friendship, a treasure piled high as the rafters of the house

of life. To be of any value, an accounting must be honest; this I shall

remember in taking my account of stock and in telling how I acquired it.

* * * * *

I was born near midday on the ninth of November, 1854, in a large room

in the apartment familiarly known as “Doctor’s Part”, at the Perkins

Institution for the Blind, South Boston. My first friend, Mrs. Margaret

MacDonald, familiarly called D.D., presided at this, my earliest

introduction to society.

“Your mother was out walking. Much as ever she got up the long

Institution steps before you came, sooner than we expected you. Your

little clothes had not come home, so I wrapped you up, first along, in

an old flannel petticoat of your mother’s.”

If I am somewhat of a vagrant in habit and overfond of wandering,

haven’t I a good warrant for it? From my first hour I was wrapped in a

fragment of my mother’s garment. If her mantle cannot truthfully be said

to have fallen upon me, I have at least contrived to creep under a

corner of it, and it has kept me warm all my days!

“You were lying in a green cardboard box in papa’s arms the first time I

saw you. ‘Come and see little sister Polly,’ he called to us in the

nursery.” This, from sister Laura, is corroborative evidence that I

hurried into this world sooner than I was looked for, without even

giving them time to get the old cradle down from the attic.

On hearing of my birth, Theodore Parker rode post-haste to the

Institution to see my father. Their conversation was, in substance, as

follows:

“Another little girl?”

“So it seems.”

“A fourth daughter, a fifth child! You and Julia have your hands full

already. Give the baby to my wife and me; we’ll bring her up as our own,

call her Theodora, and make her our heir!”

“My dear fellow, you don’t know what you’re talking about!”

When the proposal was repeated to my mother, she exclaimed:

“Parker certainly can have no idea what it means to have a child!”

What an escape! If they could have given me to any one, it would have

been to this beloved friend, who longed, above all else, for a child of

his own. He put this catechism daily to his wife:

Question. What are you?

Answer. A bear.

Question. What must this bear do to be saved?

Answer. Have pups.

The pups, alas, never came to the poor “bear”, remembered as far more

like a dove.

My first home was a public institution, but I had more right to it than

most of those who lived there, for the Perkins Institution was founded

and built by my father, Samuel Gridley Howe.

The Institution was a large brick building, with a classic façade and

big white Doric columns. It stood on an elevated plateau above Broadway.

Its windows looked out over Boston Harbor; you could see the Cunard

steamers as they started on their trips to Europe, or returned, their

red smokestacks covered with snow and icicles, after a winter passage.

Strangers, noticing the blind boys and girls pacing up and down the wide

piazzas that faced seaward, often spoke of the irony of fate that gave

the school for the blind such a view. The rooms were large and well

proportioned, with extra high ceilings. The corridors were paved with

squares of gray and white marble. An imposing staircase rose, circling

round and round a deep central well, to the giddy height of five tall

stories; it still remains to me a triumph of architectural splendor.

There was a polished mahogany handrail; to the daring, no sport was

comparable to “sliding down the banisters.” This was of course strictly

forbidden. It was held among us that a slip must prove fatal; one would

fall down, down, and crash horribly upon that cold marble pavement at

the bottom.

Till little Sam was born, I was the youngest of five children; during

his short life of less than four years there were six of us: Julia,

called Romana, in memory of her birthplace, Rome; Florence, named for

our parents’ friend, Florence Nightingale; Henry Marion, in memory of

our many times great-uncle, General Francis Marion of the Revolution;

Laura, for Laura Bridgman; and little Sam, for his father. My name was

given me for no better reason than that my mother fancied it. There had

been a deal of discussion about the matter; when Tennyson’s Maud was

published, my mother clinched it by naming me for the heroine of the

poem, a fashion her friends, the William Hunts, followed by naming their

first and second daughters Elaine and Enid.

The first distinct memory I have of my father is of waking one Christmas

morning and finding myself lying in the big mahogany bed in his room. I

knew I had gone to sleep in my black walnut crib, drawn close beside my

mother’s bed in the next room. He came dancing in, with a small bundle

of clothes in his arms.

“Here is a little monkey for your Christmas present,” he cried.

The little monkey was my brother Sammy, born soon after midnight,

Christmas morning. Until his advent, I had always slept close to my

mother. I remember now the chill of disappointment, if I ever, on waking

in the dimly-lighted room, put out my hand to feel for her and found her

bed empty and cold, as on some night when she had stayed out late. The

desolate sense of her absence at first overwhelmed me; than came a

shiver of fear of the dark corners of the room, inhabited by a strange

breed of nocturnal foxes.

I did not speak till I was two years old, never so much as saying

“mama”; then suddenly I pronounced a complete sentence, “See that little

dog.” To help me learn to tell the time, my father contrived a large

white cardboard dial with movable hands, like the face of a clock. This

soon solved the mystery of hours. It must have been at about this period

that some malicious governess taught me a bitter adage, which to this

day I repeat, as a penitent plies the scourge on his lacerated back:

Lost, a golden hour, set with sixty diamond minutes.

No reward is offered, for it can never be recovered!

Neither of my parents believed in the saying, “Spare the rod, spoil the

child.” They had both been rather strictly brought up and, as so often

happens, in avoiding the extreme of severity they themselves had known,

they perhaps went to the other extreme of indulgence with their

children. On second thought, and to be quite honest, I was the only

spoilt child in the family; the charge cannot fairly be brought against

the others. When the youngest child dies, and the next youngest becomes

the baby, as in my case, everybody knows what happens! Not only the

parents but the older children are as wax in those baby hands.

Of the little anecdotes every mother treasures about every child, the

following was the one that Mama liked best to tell of her “stormy

petrel.” One day, in that blessed period of silence before I had begun

to talk, she found me eating the wild cherries that grew at Lawton’s

Valley. Taking the forbidden fruit from me, she showed me a little stick

and said:

“If you eat those cherries again, I shall slap your hands with this

stick.”

The next day I came up to her, at about the same hour, one hand grasping

a fistful of wild cherries, the other holding the switch. Looking her

squarely in the eyes, I put the cherries in my mouth, handed her the

stick, and held out my hand. The whipping? She only caught, kissed, and

hugged me to her bosom.

My earliest friends were all more or less connected with the

Institution, where my first years were passed. My father was a good

judge of character, and the teachers and attendants he chose to help him

in his great task were all rather exceptional people.

Daniel Bradford, the Institution steward, was my father’s right-hand

man, and my most intimate friend. When young, he had been a ship’s

carpenter; the flavor of the sea was in his talk, the roll of it in his

legs. He was a short, stout man, full of a merry friendship for all

mankind. On Sundays he wore a gorgeous, flowered velvet waistcoat, a

full set of false teeth, and the most brazen scratch wig I ever saw. On

week days he was frankly bald and toothless as a new-born baby.

“Bradford, come and make the rounds!” my father called out one morning,

looking into the office, where the steward sat, laboriously making up

his accounts.

They started on their tour of inspection, my father striding ahead,

Braddie trotting after him, two steps to his one, and I tagging on

behind. I kept very close to them that day, for Braddie needed my

sympathy. Had he not that very morning confided in me?

“Old Turk, I’m going to get married. The Doctor’ll take on like the Old

Scratch. You get your Ma to put in a word for me.”

I told my mother; she looked grave.

“Yes, your father will feel the loss of his faithful Sancho Panza.”

“Braddie’s not going away,” I protested; “they’ll live right on here--”

“It won’t be the same; he can’t be ready at five minutes’ notice to

start for the ends of the earth at any hour of the day or night!”

There was a good deal of “taking on” about the lady who had “caught” the

old steward, and in order to get it over and done with, the marriage was

promptly arranged. It took place in our rooms and I was one of the

wedding party. There was another guest, Laura Bridgman, my father’s

famous pupil. I can see her white intense face, the sightless eyes

hidden by a green silk shade, the delicate fingers--that saw more than

some eyes--touching the bridal gifts, hear her plaintive cry of

pleasure, like the note of some forest bird, as she felt the large blue

cut-glass vase that she and I admired far more than such useful presents

as butter knives and pickle forks.

“Laura Bridgman--and who was she?” some one is sure to ask.

Who could have believed then that such a question would be possible? In

those days her name was known all over the civilized world. Laura was

the blind deaf mute for whom my father devised the marvelous scheme of

education which redeemed her from the awful loneliness of her isolation,

taught her language, and made her a happy and useful member of the human

family. Her education was hailed as a miracle all over Europe, and to

this day teachers and thinkers are still amazed by the patience and

ingenuity of the man to whom Helen Keller and scores of other educated

blind deaf mutes owe their deliverance from a living tomb.

Thursday was always “Exhibition Day” at the Institution. Boston people

took great pride in their School for the Blind, and by eleven o’clock

the visitors’ seats were filled. The pupils, dressed in their best,

gathered in the great hall, the boys on one side of the big organ, the

girls on the other. They occupied benches placed in tiers, one above the

other, so that you saw their faces rising row behind row; between them

shone the tall gold organ pipes, with the name of the donor on a blue

scroll: “The Gift of George Lee.” A blind musician sat at the organ;

sometimes it was my friend, Joel Smith, and sometimes William Reeves,

the leader of the band. The exercises opened with an organ solo, while

the visitors settled themselves in their places, facing the pupils. As

the deep organ tones thundered through the hall, Laura Bridgman sounded

her little ecstatic note of pleasure. She felt the vibration from the

organ and was thrilled by what she called “hearing the music.” The

exercises included reading aloud from the raised type of books, printed

in our own press; singing, violin and piano solos by the most gifted

scholars; and “selections” by our brass band, made up of the larger

boys. The finale was a chorus of all the scholars. The organist struck a

soaring melody, the blind boys and girls rose to their feet, their young

passionless voices ringing out:

“From all that dwell beneath the skies, let the Creator’s praise

arise.”

If there were a stranger present--there usually was--he was sure to be

deeply moved, often to tears. Music, their greatest earthly pleasure,

brings to the blind a supreme delight, whose reflection can be caught in

the rapture of those upturned faces.

My father’s was a restless temperament; as far back as I can remember,

our family life was diversified by frequent “movings.” “Green Peace”,

our own home, was only five minutes’ walk from the Institution in which

we lived part of the time; in these early days I am trying to recall, we

moved perhaps every six months from one habitat to the other. There was,

besides, the regular hegira to our summer home, Lawton’s Valley, in

Portsmouth, Rhode Island. At that time few Boston people moved out of

town before July. I can date our own summer flitting by the fact that it

immediately followed the Fourth. I find a confusion of the most

exquisite memories connected with this day, beginning with an early

waking to the sound of bells, whistles, guns, and firecrackers. The

bells were our own South Boston bells; the guns, from Fort Independence,

which we felt in some special sense belonged to us. Next comes a dim

memory of the procession of the “Antiques and Horribles” and the

dreadful fright produced by those grotesque masks. I was allowed all the

torpedoes I wanted, but forbidden firecrackers--vainly forbidden, alas!

I have the feel of them yet in my fingers--those small, furry scarlet

crackers with their white string fuses--and smell the good acrid smell

of the gunpowder, as they popped, popped, in those early morning hours,

when Papa was taking his ride, and Mama slept beside the baby that had

kept her awake till all hours. After these early adventures of the

pearly dawn came scorching midday hours on the wide yellow sanded paths

of Boston Common. Here we bought bunches of fragrant water lilies,

holding their long cool stems in our hot little hands, as we stood

watching the parade of the Ancient and Honorable Artillery Company.

The drum major struts like a glorified turkey cock, swinging his great

staff. The band! Oh! the band! How our spirits rise to the crisp notes

of “Yankee Doodle”; how our hearts melt within us as the gay tune

changes to a minor air:

We are tenting to-night on the old camp ground, give us a song to cheer,

Tenting to-night, tenting to-night, tenting on the old camp ground!

It is afternoon. We have moved with the crowd to the lower end of the

Common, just above the old cow path, where men I have known remember

driving their fathers’ cattle along the way now called “Charles Street.”

The balloon ascension is set for five o’clock; we are in good time,

together with hundreds of other eager spectators. We catch our breath as

the immense pink silk globe, in its coffee-colored network, sways above

our heads, the daring aëronaut striking an attitude in the car, a straw

basket which hangs four or five feet below.

“He’s off!”

No attitudinizing now. Very carefully the gallant aëronaut lowers the

grapnel over the side of the car, as the great balloon rises slowly,

slowly, into the burning blue. We watch it until it becomes a speck over

our heads. I am so filled with forebodings about the perilous journey

that my nurse seeks out a man who has helped prepare the balloon for the

ascension.

“This little girl,” she says, “is afraid that Mr. Wise will never come

down alive.”

“Not a mite o’ danger, miss, on a day like this. Didn’t you see all them

bags of ballast? And the valve rope? When he wants to go up, he chucks

out a few of the sandbags. When he wants to come down, he pulls that

there valve-string and lets out the gas, see? Just you look in the

_Boston Advertiser_ to-morrow morning and that will tell you where the

balloon landed.”

There is an interval between this thrilling experience and the final

rapture of the day. I am in the house of my Uncle and Aunt Wales, on

Boylston Street, opposite the Public Gardens, where I am put to sleep in

a big four-poster and later fed upon strawberries and sponge cake. This

quiet interlude between the excitements of the day seems a sad waste of

time. At half-past eight, thanks to the rest, I am fresh and eager for

the crowning event, “Fireworks on the Common.” I can hear now the hiss

of the rockets, the long-drawn “Ah!” of the multitude that follows each

fresh display. How clear it all is! Our elders’ fear of the crowd is a

slight shadow on our ecstatic happiness.

“Don’t let go the child’s hand!” seems a useless warning--the crowd is

so friendly, so cheerful, so full of an almost solemn excitement. How we

cheer the portraits of George and Martha Washington! When the last set

piece goes off, the final bouquet flares above the elms of the mall, how

quickly the great crowd melts and flows off in dark currents and eddies,

and how tightly now I cling to my nurse’s hand, lest I be swept away and

lost!

How cleverly Papa marshals us out of the crowd and down the side street,

where Billy Glass, our coachman, waits with the carryall to drive us

home, a tired happy crew of young patriots, who have survived the

dangers of firecrackers, giant torpedoes, and skyrockets. The latter

fear was ever present with Mama, who shuddered at the thought that one

of us might be blinded by a falling rocket stick. Papa made light of her

terrors with the epitaph:

Here lie I

Killed by a sky

Rocket in my eye.

It was not by accident that Papa kept us in Boston over the Fourth. He

must have longed, as elders do to-day, to be out of the hot city on

Independence Day. He knew the risks of city streets to his “young

barbarians”, and made it his business to minimize those risks, because

he also knew the value of those early impressions upon a child’s

imagination. Whatever his children might or might not turn out to be, he

took good care that they should all grow up red-hot patriots.

Looking back upon the first six or seven years of my life, I find myself

in a dim enchanted land, which I have come to think of as “The Twilight

of the Gods”, for the figures that peopled it were, indeed, heroes and

demigods. They drop easily apart into two groups, Mama’s friends and

Papa’s friends. Mama’s friends--we called them “The Owls”--were poets,

philosophers, and theologians, speculative men who sat long and

discussed abstract things. Papa’s friends were statesmen, soldiers,

militant philanthropists, men of action whose time was too precious for

long visits, but who came and went with a certain tense purpose in

strong contrast to those others. Such scraps of their talk as one

overheard one understood more or less; one at least had some idea of

“what they were driving at”, whereas the Owls talked rank nonsense,

“about objectivity and subjectivity, Kant and ‘Dant’ and all the rest of

them!”

Theodore Parker with his “hammer of Thor” was friend to both parents. I

cannot remember him; he lives for me in a sort of dim limbo behind the

Twilight of the Gods, peopled by men and women whom my parents had known

before I was born and of whom I had heard them talk. Here lives

Lafayette, who had signed himself in a letter to Papa (still preserved)

“your forever friend”, and Thomas Carlyle, Margaret Fuller, Maria

Edgeworth, Florence Nightingale, and a host of others. To this day I am

linked to these great shadows by my parents’ friendship, as with some

subtlest bond of sympathy and understanding. If I ever meet them, I

shall surely know them.

John Brown is perhaps the most real of all these shadowy figures. My

mother tells in her Reminiscences of her first meeting with him. My

father had warned her of his coming to our house, with these words: “Do

you remember that man of whom I spoke to you--the one who wished to be a

saviour for the negro race? That man will call here this afternoon; you

will receive him.”

The old house at Green Peace holds no more vivid memory than of that

visitor who must be secretly admitted by its mistress lest some gossipy

servant whisper. She stands, a slight gracious figure at the threshold,

gazing earnestly at the stranger, “A Puritan of the Puritans, forceful,

self-contained, with hair and beard of amber streaked with gray.”

In “The First Martyr”, one of the best of her patriotic poems, my mother

tells the story of an incident of which I have no memory, but which has

had its influence upon me for all that.

Returning from a visit to John Brown’s wife, a few weeks before his

execution by the Commonwealth of Virginia, my mother came into my

nursery and took me on her knee, hoping to distract her thoughts by

playing with me. Some sense of what she was suffering was borne in upon

me, for I questioned her closely: Why was she so sad? Where had she been

that afternoon? Who had she seen? Bit by bit, I got the story from her.

The poem, from which I quote the following verses, may be found in

“Later Lyrics”:

My five-years’ darling on my knee,

Chattered and toyed and laughed with me;

“Now tell me, mother mine,” quoth she,

“Where you went i’ the afternoon?”

“Alas! my pretty little life,

I went to see a sorrowing wife,

Who will be widowed soon.”

“Now, Mother, what is that?” she said,

With wondering eyes and restless head.

“He lies upon a prison bed

With sabre gashes on his head;”

“But, Mother, say what has he done?

Has he not robbed or murdered one?”

“My darling, he has injured none.

To free the wretched slaves

He led a band of chosen men,”

“O, Mother! let us go this day

To that sad prison, far away;

Some comfort we can bring him, sure:

And is he locked up so secure,

We could not get him out?”

“No, darling, he is closely kept.”

Then nearer to my heart she crept,

And, hiding there her beauty, wept

For human misery.

So it is something to be thankful for, that at the age of five I

volunteered for active service, in the forlorn hope of rescuing John

Brown.

Charles Sumner, dear as a brother to my father, is a very distinct

figure in the Twilight of the Gods, towering in mind, character, and

stature above other men.

Some ancestral trait of worldliness must have “got by” my parents (the

most unworldly people I have ever known) and down to me, for I was

rather a mundane youngster. I was much impressed by a certain dignified

splendor in Mr. Sumner’s bearing and clothing, which, together with his

single eyeglass, like those of “swells” in _Punch_, made me regard him

as the social superior of most of our intimates.

What a contrast to Charles Sumner was John Albion Andrew, the great war

governor of Massachusetts and one of Mr. Lincoln’s firm supporters in

the darkest days of the Civil War! To me, he was “Edith Andrew’s

father”, the cherubic, adorable parent of my intimate friend. The

mention of his name evokes memories of the Andrew house at 110 Charles

Street. The living room, with its worn leathern sofa where the children

were always welcome, was on the ground floor next the dining room. The

drawing-room was up one flight; it contained some fine old pieces of

colonial furniture, some good pictures, a strong charcoal drawing by

William Hunt, a brilliant painting of a troubadour by Babcock, a genre

by Elihu Vedder, a number of Japanese cabinets and bibelots.

There were four Andrew children: Bessie, who looked like her father, a

studious girl and a good musician; Forrester, a slender blond youth, who

later married Hattie Thayer and died young, leaving two charming

daughters; Edith, my friend and playmate, who looked like her pretty

mother; and a younger son, Harry. Governor Andrew was short and stout,

with very curly brown hair and a florid complexion. He had round

eyeglasses, from behind which shone kind blue eyes like a baby’s. He

wore a black soft felt hat and a black Inverness cape, with a military

cord and tassel that took my fancy. I shared many privileges with the

Andrew children, among them Sunday-morning excursions to the School

Ship, a training ship for juvenile offenders, where we looked curiously

at the young sailor boys and wished it was not forbidden to make friends

with them. We had the run of the State House, where we spent happy hours

romping in the Senate Chamber, under the big codfish. The Seal of State

was familiar to us; and one long rainy afternoon, when we waited while

the Governor and my father held an endless conference with other serious

looking men, we made free with the official pencils and notepaper and

made archaic drawings of men and horses. How lightly we flitted and

frolicked about the halls and corridors! And yet we had a certain sense

of the tense situations which every day faced the Governor and those who

labored with him for State and country. Andrew had no easy task, for the

pacifists were busy in those days as in these. A letter to “Frank” Bird

from my father, written at the time when war was imminent but not

declared, contains this sentence:

“Andrew is like a noble horse, harnessed in with mules; how long he

will retain his virility, I know not.”

On the thirteenth of April, 1861, the day when the news came that Fort

Sumter had been attacked, my father wrote the Governor:

“Since they will have it so, in the name of God, Amen. Now let all

the governors and chief men of the people see to it that war shall

not cease until Emancipation is secure. If I can be of any use,

anywhere, in any capacity (save that of spy), command me.”

I remember the thrill of horror that shook my small person on hearing my

father say:

“The Rebels have sent a box of live copperheads and rattlesnakes to

Andrew, but fortunately there was something suspicious looking about the

box, and no harm is done!”

On another occasion I was shocked at hearing of a case of clothing or

bedding, infected with yellow-fever germs, that had been sent to Mr.

Lincoln at the White House. Libby Prison seemed very real to us when

Alexander MacDonald, D.D.’s son, came home an exchanged prisoner, a

shadow of himself, wasted to a skeleton, and with a cough which soon

proved fatal. He brought with him a napkin ring made from a piece of

meat bone by one of his fellow prisoners. I took this in my hands with a

sense of awe; it seemed like a relic.

The Governor took full advantage of my father’s offer of service, and

during the next four years he was constantly going back and forth

between Boston and Washington. Among his many labors of that time was

the work of the Sanitary Commission, of which he was one of the

founders and most earnest workers.

His own experience as a young man, when he fought with the hardy

mountaineers of Crete in the campaign for Greek independence, fitted him

particularly well for the work. It made him, also, rather impatient at

the well-meant efforts of the Boston people who, in the kindness of

their hearts, sent cargoes of superfluities to the embarrassment of the

ill-prepared commissariat department. He writes to Andrew from

Washington, soon after the departure of the first Massachusetts

regiments:

“You may depend upon it that when our boys come back, they will

laugh heartily at the recital of the fears and sorrows excited

among their papas and mamas by the stories of their privations and

sufferings on their first march to Washington. The invoice of

articles, sent by the _Cambridge_ and other vessels for our troops,

contains articles hardly dreamed of even by general officers in

actual wars. Hundreds of chests of Oolong tea, tons of white

crushed sugar, and then a whole cargo of ice! Many of these things

will have to be left behind when the troops go into the field.

Their principal value (which is priceless) is as a testimony of the

patriotism, zeal, and generosity of the men and women, who felt

that they must do something for the cause.”

In speaking of the health of the troops, he writes:

“There is more need of a _health officer_ than of a chaplain; but

the U. S. knows no such officer. Soap! Soap! Soap! I cry but none

heed. I wish some provision could be made for army washerwomen;

they are more needed than nurses.”

I ought to remember far more about the Civil War than I do, for I was

six years old when it was declared. On the nineteenth of November of

the same year my mother, before dawn, received the inspiration of the

“Battle Hymn of the Republic”, but I never heard of this till many years

later. Two strong impressions of the wartime remain with me. Coming into

the breakfast room one morning, I found my brother Harry standing on his

chair, fluttering the newspaper over his head, the rest of the family

waving their napkins and crying:

“Hurrah! Hurrah! Vicksburg has fallen!”

Harry was then going to Boston Latin School and held a commission in the

school regiment.

I shall surely never forget a certain Sunday morning, when I was walking

with my father across Boston Common, to get the mail from the post

office. It was a lovely spring day; the elms on the Mall wore the

softened look that just precedes the time of leafage. We had stopped to

scatter some nuts for the squirrels, when a perfect stranger ran up to

my father, grasped him by the arm and panted in his ear:

“Doctor Howe, they have killed the President!”

My father staggered as if he had been struck and sank down on a bench,

with a cry:

“God Almighty!”

The anguish of his face and voice impressed me quite as much as the fact

that President Lincoln had been murdered.

Three generations · 第 1 / 25 章