BRIEF BIOGRAPHIES OF SOME OF THE WRITERS FOR _THE LOWELL OFFERING_.
It remains for me to give, so far as I have been able to glean
them, the life-stories of a few of the most important of these
mill-girl writers, some of them brief indeed, others perhaps of wider
significance, but all telling a tale of honest toil and earnest
aspiration. I begin with Miss Curtis, as senior editor of the magazine.
HARRIOT F. CURTIS,
_Editor of the Lowell Offering._
Among all the writers, Miss Curtis stands out as the pioneer and
reformatory spirit. She was fearless in her convictions; she wrote in
advocacy of the anti-slavery cause when the real agitation had hardly
begun, and in behalf of woman’s right to “equal pay for equal labor,”
five years before the first woman suffrage convention was held in this
country.
She organized the first known woman’s club, and was one of the four
women editors of her time. She was the novelist _par excellence_ of
_The Offering_, and had a bold and dashing pen that would have made
her fortune in these days of women reporters and interviewers. But she
was so startlingly original in her speech and in her writings, that
it “made talk,” as Samantha Allen says, so different was she from the
established idea of what a “female” should be.
But she was self-centred, and bore with Christian philosophy as well as
with pagan silence and stoicism, “the slings and arrows” of those who
could not understand her brave and courageous nature.
Her mind was intensely masculine; but her life had all the limitations
by which the women of her time were bound, and these prevented her from
doing the work for which she was best fitted, and from leading that
life of freedom from care which is so necessary to the best literary
work.
Through her grandmother, Abigail Stratton (Curtis), Harriot could claim
direct descent from Miles Standish.
She was born Sept. 16, 1813, in Kellyvale (now Lowell), Vt., a little
post hamlet on the Missisquoi River, completely surrounded by mountain
peaks. The lonely and isolated life she was obliged to lead was very
distasteful to her, and she early made up her mind to leave her home
and seek more congenial surroundings elsewhere. Her father’s means were
limited; and after exhausting what education could be obtained in the
narrow circle in which she lived, she determined to go to Lowell to
work in the factory, and thus earn the money necessary for a year’s
study at some private school or academy.
Previous to her connection with _The Offering_, Miss Curtis wrote
many tales and sketches, and also “Kate in Search of a Husband,” one
of the first of the “popular novels” in this country. Her novel, “The
Smugglers,” was begun in _The Offering_ of November, 1843.
Her connection with _The Offering_ lasted three years; and during the
last two, besides contributing and editing, she also assumed that
part of the business management which necessitated her travelling
and canvassing for subscribers; in fact, as she said, she was “the
travelling-agent for the firm, and went roaming about the country in
search of patrons.”
By this means, she not only helped to place the magazine on a paying
basis, but made the acquaintance of many distinguished persons. It
was chiefly by the efforts of Miss Curtis at this time that _The
Lowell Offering_ achieved an almost world-wide fame. When at home she
resumed her employment in the mill, as harness-knitter on the Lawrence
corporation.
Mr. Thomas, in response to a letter from her asking advice with regard
to the business affairs of the magazine, replies:--
“Make your terms cash. You will do well to keep constantly in
remembrance that your prosperity almost entirely depends on your
individual exertions. Puffing, advertising, scolding, will do little
or nothing. _Male_ agents will do little or nothing; but if you go as
females, with suitable brief papers signed by _eminent men_, to show
that you are not impostors, you will do well.... Be careful to guard
against the possibility of suspicion. This you can readily accomplish
by certificates from Saml. Lawrence, John Clark, and a few other
Lowellites, countersigned (if convenient) by the governor, Daniel
Webster, etc.”
In her valedictory at the close of Volume V., Miss Curtis announces
that she severs her connection with _The Offering_ for reasons
“entirely of a personal nature,” and as a parting benison adds:
“Friends, Patrons, and Foes (if we have any), may God bless you all
with every perfect gift!”
Although her connection with _The Offering_ was severed at this date,
Miss Curtis remained in Lowell until called away by the illness of
her mother. She continued her literary labors for a time, and was
a correspondent of several newspapers. Harriot was the friend and
correspondent of such men as John Neal, Horace Greeley, Nathaniel P.
Willis, and others well known in literary and public life.
She had a taste for politics and wrote intelligently on questions that
women were not supposed to understand. She contributed to the _New
York Tribune_ articles so clear and so caustic, that readers who did
not share the common delusion that “H. G.” wrote everything in Horace
Greeley’s paper, thought they must have been written by a _man_!
She was the friend and correspondent of “Warrington” (William S.
Robinson), and when he was editor of the _Boston Daily Republican_, she
made a prediction worthy of a male political prophet. In a letter dated
May 4, 1848, she writes:--
_Friend R._,--Probably no doubt exists but _some_ self-sacrificing
patriot may be found to accept the office of Chief Magistrate....
But who shall be the Whig candidate for this self-sacrifice, seems
the most prominent question. A few days since I met Horace Greeley,
and, as in duty bound, pronounced to him my _prophecy_ of who _could
not_ be a successful candidate, although, out of the numerous
aspirants for the Whig nomination, I could not prophecy who would
be successful.... Will you give the public my assurance that _Henry
Clay cannot be President of the United States_. I don’t care who the
Democratic nominee may be; I don’t care how divided that party may be
in action, nor how great may be the unanimity and enthusiasm of the
Whigs; but I repeat, Henry Clay cannot be President....
I now enter upon the most painful part of her story, and I do it with
a heavy heart; but I feel obliged to tell it, because it illustrates
so well the lives which so many “solitary” women were then forced to
lead,--lives of poverty, of self-abnegation, and of unselfishness. And
in reading, in her letters to me, the sad record of her struggles, I
can truly say, that never in all my life of over seventy years have I
known of one so cruelly compelled by circumstances to hide the talent
which “God had given her,” that she might become the angel of mercy to
her suffering and needy relatives.
In the heyday of her literary career, she left the work for which she
was the best fitted, to take the sole charge of her blind and aged
mother, who lived until 1858, “having suffered all that mortal could
suffer.” Harriot was her constant attendant day and night, vainly
trying, in the mean while, to get some literary work to do at her home
to help eke out the narrow income of the family.
Extracts from her letters written to my husband and myself will give
some idea of her struggles to obtain remunerative employment.
SUNNY HILL, DRACUT, _Jan. 7, 1849_.
_Dear, dear Friends_,--Your kind letter reached me on Friday; and
if you could imagine the “heaps” of good it did me, you would favor
me often with such medicine. Nobody writes to me nowadays, and I am
left to my despair and desolation.... Oh dear! what a world this is
for poor old maids! but I trust _you_ find it quite comfortable and
Paradise-like for brides and bridegrooms, God bless them all! and more
especially you young ones.... I wish you would show me how I could
“earn” anything by writing. I cannot find my way only to write a book,
be months about it, and then get a whole $100 for it. That don’t pay
enough for wear and tear of temper.
Later, in 1860, she writes from the family home in St. Albans, Vt.
“Under present circumstances I do not think I could write a leader. I
do not know of anything until it is a week or ten days’ old, and my
only connection with the living world is the _Tribune_. I thank you
with all my heart for your kind offer about going to New York, but it
would be useless. Greeley’s introduction to Bonner would not do any
good. If I could attract notice, kick up a small tempest, I should
feel sure of an invitation from Mr. Bonner. But without some notoriety
that _has_ created comment, the angel Gabriel could not get into the
_Ledger_. Without intellectual contact, out of the world, I have grown
rusty. A great care, an increasing anxiety, and most painful sympathy
for the suffering, have narrowed my thoughts.... If I could get a
little good luck--something to feel pleased about--I think I could
wake up to anything.... I could not earn a dollar _here_ to save my
life. Greeley would say, “Yes, you could: there is the needle; that is
useful and wanted, though not half paid.” Mr. Greeley does not know
that even the resource of the “poor shirtmaker” is denied me. I have
lost the use of my thimble finger from one of those awful things, a
felon; and it is misshapen, bent, and stiffened. I assure you, I have
had a _womanly_ experience.... You see, I am ‘off the track.’”
After 1860 she ceased trying to secure either fame or money by her
literary talents; and thereafter, for almost thirty years, she
continued to be the nurse and companion of the remaining invalids of
the family, thinking, as she always had done, more of their comfort
than she did of the loss of fortune and fame.
If she had devoted all her energies to the development of her talent as
a novelist, she might have earned a livelihood, and been a continued
success,--enough so, at least, to find a place in some of the many
volumes of American biography. But she had the conviction that one has
no moral right to live for one’s self alone; and so she gave her all,
and spent her life, in the service of those who needed her help. And
though often despondent, and almost despairing, she never lost faith in
God, nor in his fatherly care over the most afflicted of his children.
I first knew Miss Curtis in about 1844, when she and Miss Farley lived
in what was then Dracut, in a little house embowered in roses, which
they had named “Shady Nook.” The house was a sort of literary centre
to those who had become interested in _The Lowell Offering_ and its
writers; and there were many who came from places both near and far to
call on the editors, and meet the “girls” who by their pens had made
themselves quite noted.
But I did not see much of her until 1848, when we became the firm
friends and correspondents that we remained until the end of her life.
As I remember her at that time, she was of medium height, rather
inclined to stoutness, with small, white, well-shaped hands, brown
hair, large blue eyes, a small nose, full red lips, white teeth well
divided, and a head--well, more than a match for most of the women, if
not the men, of her set.
Miss Curtis had many offers of marriage; but she thought it wrong for a
woman to marry for a “home,” or unless she loved the man with a “love
more enduring than life and stronger than death;” and as she did not
meet such a man, she could not enter into her ideal marriage. But the
friendships she made were warm and lasting, and the friends with whom
she was associated have in these pages given their loving tribute to
her characteristics and her capabilities.
Miss Curtis’s literary efforts may be summed up as follows: first,
“Kate in Search of a Husband, a novel by a Lady Chrysalis,” published
by J. Winchester, New York, and twice in after years by unknown
publishers. The authorship of this novel was claimed by one male
writer, and another wrote a counterpart, called “Philip in Search of a
Wife.”
“Kate” was followed by “The Smugglers,” the scene of which was laid in
her native town, and “Truth’s Pilgrimage, His Wanderings in America
and in Other Lands,” an allegory. Both of these books were published
in continued numbers in _The Offering_, and the first-named was
copyrighted by a Boston firm in 1844, but was not published.
Her last novel, “Jessie’s Flirtations,” was published first by George
Munro in 1846 and afterwards by the Harpers; and it still holds its
place in their “Library of Select Novels.” “S. S. Philosophy,” her last
published book, is full of pithy paragraphs, containing (as her friend
“Warrington” said in the _Lowell Journal_) “much that is sensible,
sound, and salutary, as well as some considerable that is saucy and
sarcastic.” She was for three years co-editor of _The Lowell Offering_;
in 1854-1855 she was associate editor of the _Vox Populi_, a Lowell
newspaper; and she also wrote for many leading journals, notably _The
New York Tribune_, _The Lowell Journal_, _The Lowell American_, and N.
P. Willis’s _Home Journal_ (N.Y.).
Her _nom de plume_, “Mina Myrtle,” first used by her in the newspapers
in 1847, became well known; it was afterwards appropriated by another
author as “Minnie” Myrtle. (See Wheeler’s “Dictionary of the Noted
Names of Fiction.”)
During her last years Miss Curtis lived on a small farm in Needham,
Mass., with her invalid niece, and was cared for and supported by her
nephew, George H. Caldwell, brevetted lieutenant-colonel for gallant
and meritorious service at Gettysburg, the Battle of the Wilderness,
and before Petersburg.
Miss Curtis died in October, 1889, at the age of seventy-six, leaving
the invalid niece, who had been her charge for so many years; but her
affection for her “Aunt Harriot” was so strong that she died of “no
seeming disease” a few weeks after her distinguished relative.
THE CURRIER SISTERS.
These were four sisters, named Louisa, Maria, Lura, and Marcia, and at
least three of them wrote for _The Offering_.
They were the daughters of Mr. John Currier of Wentworth, N.H., and
members of Mr. Thomas’s congregation and of his Improvement Circle.
Maria has put on record an authentic account of the first Improvement
Circle (quoted elsewhere); but Lura deserves the most extended mention,
from the fact that she, as Mrs. Whitney, was the prime mover in
establishing a free library in the town of Haverhill, N.H. Mrs. Whitney
died before I had thought to write to her for information; but I am
able to quote extracts from the following letter, written by her to
Mrs. E. E. T. Sawyer, her early work-mate and lifelong friend, on Jan.
19, 1885.
“I think I have told you about the library that I had the honor of
starting here about four and a half years ago. Now we are talking
about a new library building; and I think we have made a great start,
as one man has given us fifteen hundred dollars towards it.... As far
as our library is concerned, I have accomplished what no one else in
this place has done before, and I feel amply repaid in the perusal of
some of the interesting volumes contained therein.”
Mrs. Whitney died April 4, 1889.
ELIZA JANE CATE.
Miss Cate was the eldest daughter of Captain Jonathan Cate, who
commanded a company in the war of 1812. She was born in Sanbornton,
N.H., in 1812, and soon achieved good rank as a pure, unaffected, and
attractive writer. She was most prolific with her pen, and wrote on a
large variety of subjects. Her admirers called her “the Edgeworth of
New England.”
Her contributions to _The Offering_, notably “Susy L----’s Diary,”
“Lights and Shadows of Factory Life,” and “Chapters on the Natural
Sciences,” were widely read and commended. Her signature was usually
“D.” She was a contributor to _Peterson’s_, over the signature of “By
the Author of Susy L----’s Diary,” and wrote for _Sartain’s_ and other
magazines.
Her obituary notice, copied from the newspapers, said:--
“Miss Cate was the author of at least eight books, three of which were
issued by the Baptist Publication Society of Philadelphia, and two
by J. Winchester of New York. She was a corresponding member of the
New Hampshire Historical Society. She died in Poughkeepsie, N.Y., in
1884. Miss Cate was retiring in her manner, but was of a genial and
confiding nature; and in her character, as well as in her writings,
were blended moral purity with the Christian graces.”
MRS. BETSEY CHAMBERLAIN.
Mrs. Chamberlain was the most original, the most prolific, and the most
noted of all the early story-writers. Her writings were characterized,
as Mr. Thomas says, “by humorous incidents and sound common sense,”
as is shown by her setting forth of certain utopian schemes of right
living.
Mrs. Chamberlain was a widow, and came to Lowell with three children
from some “community” (probably the Shakers), where she had not been
contented. She had inherited Indian blood, and was proud of it. She had
long, straight black hair, and walked very erect, with great freedom of
movement. One of her sons was afterwards connected with the _New York
Tribune_.
HARRIET FARLEY,
_Editor of The Lowell Offering and afterwards of the New England
Offering._
From her autobiography, published in Mrs. S. J. Hale’s book, “The
Woman’s Record,” about 1848, I am so fortunate as to be able to quote
Miss Farley’s own words with regard to some of the events of her
early life before and during the time of her connection with both the
_Lowell_ and the _New England Offering_. Miss Farley says:--
“My father is a Congregational minister, and at the time of my
birth was settled in the beautiful town of Claremont, N.H.... My
mother was descended from the Moodys, somewhat famous in New England
history. One of them was the eccentric Father Moody. Another [his
son] was Handkerchief Moody, who wore so many years ‘the Minister’s
Veil.’... My father was of the genuine New Hampshire stock, from a
pious, industrious, agricultural people; his brothers being deacons,
and some of his sisters married to deacons.... His grandmother was
eminent for her medical knowledge and skill, and had as much practice
as is usually given to a country doctor. His mother was a woman of
fine character, who exerted herself and sacrificed much to secure
his liberal education.... I was the sixth of ten children, and until
fourteen had not that health which promises continued life.... At
fourteen years of age I commenced exertions to assist in my own
maintenance, and have at times followed the various avocations of New
England girls. I have plaited palm-leaf straw, bound shoes, taught
school, and worked at tailoring, besides my labors as a weaver in the
factory, which suited me better than any other. After my father’s
removal to the little town of Atkinson, N.H., he combined the labors
of preceptor of one of the two oldest academies of the State with his
parochial duties; and here, among a simple but intelligent people,
I spent those years which give tone to the female character.... I
learned something of French, drawing, ornamental needlework, and the
usual accomplishments; for it was the design of my friends to make me
a teacher,--a profession for which I had an instinctive dislike. But
my own feelings were not consulted.... This was undoubtedly wholesome
discipline; but it was carried to a degree that was painful, and
drove me from my home. I came to Lowell, determined that, if I had
my own living to obtain, I would get it in my own way; that I would
read, think, and _write when I could_, without restraint; that if I
did well I would have the credit of it, if ill, my friends should be
relieved from the stigma. I endeavored to reconcile them to my lot
by a devotion of all my spare earnings to them and their interests.
I made good wages; I dressed economically; I assisted in the liberal
education of one brother, and endeavored to be the guardian angel
to a lovely sister.... It was something so new to me to be praised
and encouraged to write that I was at first overwhelmed by it, ...
and it was with great reluctance that I consented to edit [_The
Lowell Offering_], and was quite as unwilling at first to assist in
publishing. But circumstances seem to have compelled me forward as a
business woman, and I have endeavored to _do my duty_. I am now the
proprietor of _The New England Offering_. I do all the publishing,
editing, canvassing; and as it is bound at my office, I can, in a
hurry, help fold, cut covers, stitch, etc. I have a little girl to
assist me in the folding, stitching, etc.; the rest, after it comes
from the printer’s hand, is all my own work. I employ no agents, and
depend upon no one for assistance. My edition is four thousand. These
details, I trust, are not tedious. I have given them because I thought
there was nothing remarkable about _The Offering_ but its source and
the mode in which it was conducted.”
Of her connection with Mr. Thomas’s Improvement Circle and _The Lowell
Offering_, Miss Farley has said to a friend: “The Circle met in the
Sunday-school rooms, and they were not only filled, but crowded. There
was a box placed at the entrance, so that, if preferred, the writers
could be anonymous; and sometimes topics were suggested. It seemed
almost like an insult when Mr. Thomas first offered payment for these
little mental efforts of our leisure hours.
‘I can understand this feeling,’ he said. ‘I was brought up a Quaker,
and my grandfather never took pay for preaching. The first money that
was ever placed in my hands for this service seemed to burn into my
palms.’ There was a little pile, all in gold, left for our share of
the profits of the first series.
“When I first took the editorial position, I left my regular place to
be what is called a ‘spare hand.’ This gave leisure for what I had to
do, and there never was any difficulty about contributions. A large
bundle of manuscripts left by Mr. Thomas was never resorted to but when
some short paper was wanted to fill out a vacant space.
“In the printing-office were Messrs. Hale, Stearns, Taylor, Brown, and
others, always respectful, kind, and obliging. In the outer office
was Mr. W. S. Robinson, afterwards known as ‘Warrington.’ These men
would soon have discovered if there had been false pretences about the
writers for the magazine.”
In 1847 Miss Farley published a selection from her writings in _The
Offering_, with other material, entitled “Shells from the Strand of
the Sea of Genius;” she is most fully represented in “Mind Among the
Spindles.” In 1880 she published a volume of Christmas stories.
Miss Farley married Mr. Dunlevy, an inventor, and they had one child,
Inez, who married Mr. George Kyle, a humorous writer and comedian, and
died in 1890. Mrs. Dunlevy was living in New York in 1898.
MARGARET F. FOLEY.
That broad-browed delicate girl will carve at Rome
Faces in marble, classic as her own.
_An Idyl of Work._
From Miss Foley’s letters to Lucy Larcom, and the tender recollections
of some of her early and lifelong friends, I am able to piece out a
short sketch of this pioneer sculptress.
Margaret Foley was born in Canada, but while she was quite young the
family moved to the States. When her father died he left some property,
and she was educated fully up to the standard of the young women of her
day. She taught school, and at one time was preceptress of Westport
Academy. While there she boarded in Lowell, and on Saturday afternoons
she taught classes in drawing and painting, and among her pupils was
Lucy Larcom. She always had a piece of clay or a cameo in some stage of
advancement, upon which she worked in spare moments.
While at Westport Academy she modelled a bust of Dr. Gilman Kimball, a
distinguished surgeon of Lowell. She began her artistic life without
any teaching, by carving small figures in wood, or modelling busts in
chalk; and she often gave these as prizes to her pupils.
She went into the factory to work, that she might share the advantages
of the society of other girls who were fond of reading and study, and
also that she could enable herself to begin her career as a sculptor.
She did not herself consider that her life in the Lowell factory had
any great part in her career, although there is not much doubt that
she first conceived the idea of chiselling her thought on the surface
of the “smooth-lipped shell” amid the hum of the machinery in the
cotton-mill.
She worked a year on the Merrimack corporation; her poems for _The
Offering_ are written from there, and signed M. F. F. She then went to
Boston, where she opened a studio. While in Boston she suffered great
privations, and earned but a scanty support in carving portraits and
ideal heads in cameo; but she worked on hopefully, doing some excellent
likenesses, cameos, medallions, and a few busts; among these, one of
cabinet size, of Theodore Parker.
Her cameo-cutting was said to be unsurpassed. After seven years of this
life, by the aid of kind friends, the wish of her heart was gratified,
and she sailed for Rome, where she began to work in larger material,
and to make life-size medallion portraits with much success and profit.
She found warm friends there,--Harriet Hosmer, Mrs. Jameson, Mr. and
Mrs. S. C. Hall, W. W. Story, and, best of all, William and Mary Howitt.
From “Mary Howitt, an Autobiography,” by her daughter, London, 1889,
I am able to give a slight glimpse of the last years of Margaret
Foley’s life. Mrs. Howitt first speaks of her in 1871, as “the gifted,
generous-hearted New England sculptress.” In June of that year she
went with the Howitts to the Tyrol, where, on setting up housekeeping
together, Mrs. Howitt says,--
“Margaret Foley, a born carpenter and inventor, set to work and made us
all sorts of capital contrivances.” She spent several summers at Meran,
a residence for invalids, celebrated for its grape-cure. In 1877 she
was taken with a stroke of paralysis, the root of the malady being an
affection of the spinal cord, was carried from Rome to Meran, and after
several months of great suffering she died there, Dec. 7, 1877.
During her illness, says Mrs. Howitt, her physician “ordered us to
write to any near friends or relatives she might have, and that, if she
had any affairs to settle, it might be done; but dear Peggy had made
her will, and we were among her nearest friends.”
The friendship of the Howitts for Margaret Foley was very warm and
tender; and she found in their true hearts and in their home that rest
and refreshment her loving spirit craved, and that true sympathy for
her work which is so necessary for the struggling artist.
I first saw Miss Foley in Rome while I was there with my husband in
1874. We had sent her a letter of introduction from Lucy Larcom with
a note, and were invited to take tea with her at 53 Via Margutta, her
home. She received us in a most cordial New England manner; we were to
have visited her studio the next day, but the sudden illness prevented,
and we never saw her again. She was then at work on her “Fountain,” and
spoke of the figures around it as “my children.”
In personal appearance she was very attractive. Of a medium-sized,
lithe figure, with small, unusually strong hands, a high, broad
forehead, which, in connection with her refined features, gave her the
stamp of intellectual power, a luxuriant quantity of soft brown hair,
the longest and thickest I ever saw, merry blue eyes, and a head as
classic and a skin as white as her own beautiful marbles.
Miss Foley’s principal sculptures may be classified in the following
order: Among her medallions are Theodore Parker, Charles Sumner,
Longfellow, Bryant, William and Mary Howitt, Mrs. S. C. Hall, and
perhaps others, said to be “full of purity and grace.”
Her ideal productions are Jeremiah, a colossal bust; Pasquiccia; The
Fountain; The Young Trumpeter; The Timid Bather; Excelsior; The Head of
Joshua; Little Orpheus; Cleopatra; Viola; The Flower Girl; Boy and Cid,
a life-sized group; The Baby Piper (Little Pan); and doubtless many
others which have not come to my notice.
No adequate biography has yet been written of Miss Foley, although it
is said that the daughter of Mary Howitt has contemplated such a work.
This would certainly be of value, not only as showing how exceptional
talent, (if not actual genius), can assert itself in spite of all
limitations, but also as a tribute to a rare and aerial personality.
LYDIA S. HALL.
This writer was _the_ poet, _par excellence_, of the early volumes of
_The Offering_; as Lucy Larcom said, “She was regarded as one of the
best writers of verse while I was in Lowell.”
“The Tomb of Washington,” first printed in No. 1 of the first series
of _The Offering_, was thought to be a wonderful production, and was
widely copied. She also wrote for that publication “Old Ironsides,” a
poem widely read and quoted. She left Lowell before 1848, and went as
a missionary to the Choctaw Indians, travelling on horseback a greater
part of the way, across the unsettled region.
From letters received from Mrs. Harvey Jones, of Compton, Cal., I am
able to gather up a few scattered threads in the eventful life of this
pioneer Indian missionary.
Mrs. Jones says:--
“_My dear Mrs. Robinson_,--I was associated in missionary work among
the Choctaw Indians with Miss Lydia S. Hall. We were together five
years, and I learned to regard her as a dear friend; but in some way I
have lost all trace of her. Our relations in the missionary work were
very pleasant. She was some years my senior, and her riper experience
and judgment were invaluable to me. Her work in the Indian Seminary
was thorough, and she was regarded as the Choctaw’s friend. Of her
literary work I know but little. She wrote occasionally for different
periodicals. Her contributions to Woodworth’s ‘Youth’s Cabinet’ I have
specially in mind.... Since I lost trace of her, I came across a poem
in the _Christian Union_, entitled ‘Our Elder Brother.’ It was very
rich and tender. It was signed ‘L. S. H. G.’ I did not then know of
her marriage; but I said to myself, ‘That sounds like Miss Hall.’...
Her nature was intense and positive, she had high ideals, and she
could not always be patient towards what she considered wrong. Hers
was a checkered life, from infancy to age. She was born in 1818.”
In “border-ruffian” days Miss Hall lived in Kansas, and was an owner
of considerable real estate. She lived on the line of emigration, was
hostess of a sort of “Wayside Inn,” and was sometimes obliged to keep
the peace among the lawless men who infested that part of the country.
She would have no quarrelling, drinking, nor gambling on her premises.
She was well able to enforce these regulations, being a woman of great
courage and most commanding presence.
From a newspaper article some years ago, of which I did not preserve
the date, I quote the following:--
“A LOWELL FACTORY-GIRL UNITED STATES TREASURER.
“Miss Lydia S. Hall, who is now acting U. S. Treasurer in the
absence of the male chief, was once a Lowell factory-girl, and was a
contributor to _The Lowell Offering_.... Meeting with some misfortune
with regard to titles of property, she went to Washington, and has a
clerkship in the Treasury Department since, being also engaged in
studying law in order to enable her to secure her property rights in
Kansas.... She is a lady of great versatility of talent, and would
fill a higher position than the one she now occupies with credit.”
Miss Hall’s letters to Lucy Larcom would have thrown much light on
her stirring and eventful life, but these were destroyed before I had
thought to ask for them. Her married name was Graffam, but whether she
is alive or dead, I do not know.
HARRIET JANE HANSON.
WRITTEN BY LUCY LARCOM.[3]
[3] Miss Larcom prepared this sketch for another purpose, two years
before she died; and it is substantially the same, with the
addition of a few details, which she suggested and permitted me
to supply.
In these days, when woman’s place in the community, as well as in the
family, is coming to be acknowledged; when her abilities in every
direction find use and scope; when the labor of her hands, head, and
heart is everywhere abundantly honored,--it is well for our younger
toilers to see what has been accomplished by those who grew up under
circumstances more difficult than those by which they are surrounded.
Labor has always been honorable for everybody in our steady-going
New England life, but it was not as easy for a young woman to put her
mental machinery into working order forty years ago as it is now. Her
ambition for the education of her higher faculties was, however, all
the greater for the check that was put upon it by the necessities of a
longer day’s toil and the smaller compensation of the older time. It is
one of the wholesome laws of our nature that we value most that which
we most persistently strive after through obstacles and hindrances.
The author of “The New Pandora” is an illustration of what has been
done by one such woman, the development of whose mind began as a child
in the Lowell cotton-mills. The book is commended by reviewers as an
admirably written composition, a beautiful and successful dramatic poem
of woman, the result of ripe years of thought.
Mrs. Robinson’s maiden name was Harriet Jane Hanson, and she is by
“long descent” of good New England parentage. Her father, William
Hanson, was descended from the ancestor who first settled in Dover,
N.H.--one of a long line of English Quakers. He was a carpenter, and
learned his trade of Peter Cudworth, on Merrimac Street in Boston.
Her mother, Harriet Browne, was of Scotch and English descent, her
paternal ancestor, in this country, being Nicholas Browne,--always
spelled with an _e_,--who was a member of the Great and General Court
of Massachusetts from Lynn in 1641, and afterwards from Reading, in
1655-1656, and 1661.
Her great-grandfather, William Browne, of Cambridge, in 1705 sold
sixty acres of upland and swamp to Thomas Brattle, Esq., of Boston,
Treasurer of the society known as “The President and Fellows of Harvard
University;” and on this land many of the Harvard College buildings now
stand. He was a soldier in the French and Indian war in Canada.
Miss Hanson’s grandfather, Seth Ingersoll Browne, was a
non-commissioned captain at the battle of Bunker Hill; and the old
“King’s arm” he carried on that decisive day is still in the possession
of one of his grandsons. He was one of the “Mohawks” who helped to
throw the tea into Boston Harbor; and his name is written in marble,
among his companions of “The Boston Tea Party,” in Hope Cemetery,
Worcester, Mass. He is buried in the Granary Burying-ground, in Boston.
Harriet Hanson was born in Boston, Mass., Feb. 8, 1825, and in
1832 removed with her widowed mother and her three brothers to
Lowell, where they lived for some years on one of the manufacturing
“corporations.” Her first attempt at writing for the press was made
while she was yet an operative in the Lowell mills, in the “annuals”
and newspapers of the time. She was also a contributor to _The Lowell
Offering_, and was on intimate terms with its editors and contributors.
In 1848 she was married to William S. Robinson, journalist and
parliamentarian, who, as “Warrington,” became well known as the war
correspondent in the _Springfield Republican_, the _New York Tribune_,
the _New York Evening Post_, and in other newspapers. He was also the
author of “Warrington’s Manual of Parliamentary Law.” Mr. Robinson
died March 11, 1876. Their children are Harriette Lucy (married Sidney
D. Shattuck of Malden, Mass.), Elizabeth Osborne (married George S.
Abbott of Waterbury, Conn.), William Elbridge (died young), and Edward
Warrington (married Mary E. Robinson of Denver, Col.).
[Illustration: Harriet H. Robinson at 28.]
Mrs. Robinson is deeply interested in all the movements which tend to
the advancement of women, and uses her pen and her voice freely in
their behalf. She was the first woman to speak before the Select
Committee on Woman Suffrage in Congress, and has spoken for the cause
before the legislature of her own State, where she is not only a
citizen, but a _voter_ as far as the law allows.
The woman’s club movement has always had her firm support; she assisted
at the formation of The General Federation of Women’s Clubs in 1890,
and was a member of its first advisory board; she is a Daughter of the
American Revolution, and a member of the N. E. Historic Genealogical
Society.
Mrs. Robinson’s first published book was “Warrington Pen Portraits,” a
memoir of her husband, with selections from his writings. She has also
written “Massachusetts in the Woman-Suffrage Movement,” and “Captain
Mary Miller,” a drama.
But her best literary achievement in book form is her latest, “The New
Pandora,” a poem of which any writer might well be proud. There are
passages of exquisitely clear-cut poetry in the drama, and gleams of
true poetic aspiration lighting up the homely toil of the woman who
knows herself not of earthly lineage.
The “Chorus of Ills” beginning their flight is a strong chant, as
classical in its strain as some of Shelley’s in his imaginative dramas.
Indeed, the whole poem is so classically thought out and shaped as to
be lifted quite above what is popular in style, and is for that reason
less likely to attract the attention it deserves.
Pandora naturally has at first no love for the rude mate to whom she
has been assigned, and it is the death of their little child that
brings their hearts together in a real human affection. The loss of
this little first-born woman child makes a moan of tenderest pathos
through the whole poem, and is a most motherly touch, rarely found in
poetry; and the feeling colors the whole book. The poem is pervaded
with the sacredness of the domestic affections. The style is strong and
clear, and one feels, in reading it, a subtle spiritual fragrance, the
beauty, the holiness, the immortality, of human love.
Perhaps her “Pandora” breathes the very truest aspiration of many
a heart among that far-away throng of industrious, onward-looking
maidens:--
“But this I ask, that I may be allowed by thee
To do one single thing to make my kind more good,
More happy, for that I have lived.”
All working-women have reason for strengthening themselves by study
and thought, seeing that such a poem as “The New Pandora” is the
heart-and-brain product of one who grew up as a working-girl.
[Illustration: Harriet H. Robinson, at 68.]
To the writer of this brief notice it is pleasant to recall the time
when the author of this beautiful poem and herself were children
together, school companions and workmates; when an atmosphere of poetry
hung over the busy city by the Merrimack, and when its green borders
burst into bloom with girlish dreams and aspirations.
Mrs. Robinson celebrated her seventieth anniversary Feb. 8, 1895, at
her home in Malden, Massachusetts.
EMMELINE LARCOM.
In Lucy Larcom’s touching poem, “My Childhood’s Enchantress,” will be
found a loving tribute to this mother-sister, to whom she owed so much
in her youth and all through her life. It was she who first taught Lucy
the use of the pen, and encouraged and helped her in all her literary
efforts. She was the oldest own sister of Lucy, is the “Emelie” in
the “New England Girlhood,” and to her Lucy wrote almost her first,
certainly her first _printed_, letter, in 1834, just after their mother
had moved to Lowell. This is from her autobiography, printed in _The
Lowell Offering_. She says:--
“_Dear Sister_,--We have got a sink in our front entry. We live in a
three-story brick block, with fourteen doors in it. There is a canal
close by. But no more of this. We arrived safe after our fatiguing
journey. We are in good health, and hope you enjoy the same blessing.”
In writing of her to me, Lucy says:--
“I was transplanted quite early in my childhood, and grew through
girlhood and womanhood under her care. The ten or twelve years of
my residence there were certainly very important years to me. My
natural bent towards literature was more encouraged and developed at
Lowell than it would probably have been elsewhere; and I have always
called the place a home in remembrance.... We were often writing to
each other, and there never was any break to our affection since my
childhood. I think she was almost a perfect woman.”
I remember Emmeline as a motherly young woman whom the rest of us
looked up to, as one much superior to ourselves; and, in recalling her
influence over her younger companions, I think she must have done a
great deal towards inciting them to learn to think on earnest subjects,
and to express their thoughts in writing. She was tall and stately,
with curling hair, and was much prettier than Lucy; she had a face
full of sunshine, and, like Lucy, the bluest of blue eyes. She was
conspicuous among the group of the original writers for _The Lowell
Offering_, as well as _The Operatives’ Magazine_.
She was an enthusiastic student, reading abstruse books in the
intervals of mill-work, and so becoming familiar with mental and moral
science; or she would study mathematical problems, of which she usually
had one or two pinned up before her, to occupy her thoughts at her
daily toil. The Rev. Amos Blanchard, a very scholarly man, said of her
that she was the most intellectual woman in his church, of which she
was also one of the most faithful and self-sacrificing members, giving
herself unreservedly to all good works.
She married the Rev. George Spaulding, and with her husband and her
sister Lucy went, in 1846, to Illinois, and spent the greater part of
her life there, as a clergyman’s wife, useful, happy, and beloved.
She did not write much after her marriage, and, as she said, would not
consider herself an “authoress” at all. She died in Newcastle, Cal.,
July 17, 1892, leaving her husband, one son, and three daughters. The
manner of her death was most enviable. As Lucy wrote me, “she made
herself ready for church, but it was heaven for her instead.”
At my request Lucy wrote to Emmeline, not long before her death, asking
for her recollections of _The Lowell Offering_ times; and she replied
as follows:--
NEWCASTLE, CAL., _May 27, 1892_.
_Dear Sister Lucy_,--I have been stirring up my treacherous old
memory, hoping to respond to the request of Mrs. Robinson for accurate
items in regard to the “Improvement Circle of our girlhood.”... I am
very sure indeed that I was an interested and original promoter of
it. It seems to me that Harriot Curtis might have suggested it. She
was the most intellectual person in my circle of acquaintance at that
time. We worked in the same room, and near each other, long before
the Improvement Circle had an existence.... She was a mental stimulus
to me, and we freely discussed all subjects that came to hand. I
think ... that Louisa and Maria Currier, who were Universalists, and
Laura and Mary Ann Spaulding, who were Baptists, were among the first
members. If I recollect rightly, also Abby Goddard and Lydia Hall....
We had essays and discussions. I was not present at the meeting at
Mr. Currier’s. I think Mr. Thomas was invited there, and the “Circle”
was probably invited to meet at the Universalist vestry. The first
_Offering_ made its appearance soon after.
I had “A Sister’s Tomb” and an article commencing, “Oh, you have no
soul,” and one other, in the first series.
I did not attend any of the meetings at the Universalist vestry, so
am unable to say who suggested _The Offering_. I should think it
very likely that Mr. Thomas might have been the one to do so. But the
writers had been developed before he knew them. I am quite sure he
was much interested in it. I remember that he complimented my verses
as the gem of the number.... It was very soon after this that some of
us began another Circle-meeting in the vestry of the Congregational
church; and out of that grew _The Operatives’ Magazine_.... I think,
as you do, that very much has been made of what was to us a mere
recreation, and the most natural thing in the world for a circle of
wide-awake, earnest girls to do.... Nearly sixty years have passed
since those days; but they are pleasant to remember, and I suspect
they held the prophecies of many a pleasant future, of which it might
be interesting to know the fulfilment. I did think I should be able to
do better, and perhaps write a page for Mrs. Robinson; but you see how
I have _not_ succeeded.... Here endeth, with love,
BIG OLD SISTER EMMELINE.
LUCY LARCOM.
A part of this sketch of Miss Larcom was written by me not long before
her death, and submitted to her for her approval. The additions made
are extracts from her letters, with my own personal reminiscences.
In response to my letter asking her approval of what I had prepared,
Miss Larcom wrote:--
“I approve the sketch, and appreciate your way of writing it, though
I dont often encourage living obituary notices of myself. What they
call ‘fame’ amounts to so little. But some things about us in it may
help others to know.... I am not ambitious to appear in any book; but
if I am to be ‘written up,’ would much rather it would be done by a
friend.... I told in ‘A New England Girlhood’ all I care to tell about
my early life. You know something more of me, and you are at liberty
to say what you choose. I have tried to make my life count for good
to others, and to make my verses an expression of what I am trying to
_live_. You once wrote something about me in _The Independent_ that
was fresh and natural. Why not utilize that? I have done nothing worth
speaking of in a literary sense, but I love to write, and I suppose I
shall go on trying to express myself in this way always, The material
fact that I have never earned more than enough with my pen than to
meet, with difficulty, the necessary expenses of living, does not in
the least discourage me, or make me willing to write the trash that
‘pays.’ That is where I am now on the literary question, and that is
where I am content to remain.”
It was in that early poetic atmosphere when our American bards first
began to teach the young people of the time to love poetry for poetry’s
sake, that Lucy Larcom received the first incentive to her life-work.
Lucy Larcom was born in one of the earliest settled coast towns in the
state, Beverly, Mass., March 5, 1824. Her father, Benjamin Larcom, was
a sea-captain; he died when she was a child, and her widowed mother,
taking with her Lucy and two or three others of her younger children,
then removed to Lowell. The year 1835 found her in one of the Lowell
grammar schools, where her education went on until it became necessary
for her to earn her living, which she began to do very early as an
operative in a cotton-factory.
In her “Idyl of Work” the mill-life is truthfully portrayed, with the
scenery, characteristics, style of life, thought, and aspirations
peculiar to New England womanhood of that period.
In writing to me of this book, in 1875, she says, “What do you think
of that name for a reminiscence of Lowell life? Of course you won’t
like it as poetry; and there is not so very much truth in it, except
in general outlines of the way of living. I had to write my remembered
impressions, and everybody had different ones. The story, such as it
is, is manufactured, of course; for I didn’t want any personalities, so
I haven’t even got myself in, that I know of.”...
But it is very easy to detect, in her loving descriptions, many of her
young companions, who shared with her the simplicity of those days
of toil; and in following with her the career of some of those bright
spirits, and watching their success in their varied pathways through
life, it is very pleasant for me to be able to corroborate what she has
said.
Riches have fallen to the lot of some of those young girls, and to
others a degree of distinction in various situations and occupations;
but have they not, from their better surroundings, ever looked back,
as she does, to those dear old simple days, so full of health and
endeavor, so free from care, as among the happiest of their lives?
Then, ignorance of the world was bliss, and hope and aspiration reigned
supreme.
My first recollection of Lucy Larcom is as a precocious writer of
verses in _The Lowell Casket_, where the editor, Mr. George Brown,
in his notice of them, said, “They were written by a young lady
of thirteen, who was beyond a doubt inspired by the _Nurses_,”--a
misprint, of course, for “Muses;” although the author was so young,
that the mistake was not so far wrong.
This, however, was not her first attempt at verse-making, since she
began to write while a child of seven or eight years, in the attic
of her early home in Beverly. The title of these first verses was
“A Thunder Storm,” and they were read with wonder by her admiring
brothers and sisters.
Two pictures of her in that early factory-life remain in my memory. By
the Merrimack River, whose romantic banks she loved to describe, on a
bridge which crossed a narrow part of the stream, I once passed her, a
tall and bonnie young girl, with her head in the clouds. After a little
nod of recognition, as I looked up at her,--for, although she was only
a year older than I, she was much larger and more mature,--she went on.
But to me she seemed so grand, so full of thought, that, with girlish
admiration for one who had written _verses_, I forgot my errand,
turned, stood still, and thoughtfully watched her out of sight.
Miss Larcom’s first work as a Lowell operative was in a spinning-room
on the Lawrence corporation where her mother lived. At first she was
a “doffer,” with the other little girls; after that she tended a
spinning-frame, and then worked in the dressing-room beside “pleasant
windows looking towards the river.” After this she “graduated” into
the cloth-room, and it was here that I saw my second picture of her.
The cloth-room was considered by some of the mill-girls a rather
aristocratic working-place because of its fewer hours of confinement,
its cleanliness, and the absence of machinery. In this room the cloth,
after it had been finished and cut into thirty or forty yard pieces
in the weaving-room, was measured on hooks, one yard apart, until the
length of each piece was told off. I used often to run in and see her
at her work; and to my imaginative eyes she was like a Sibyl I had read
of, as with waving arms she told off the yards of cloth in measured
rhythm, and it seemed to be verses, and not cloth, that lay heaped up
behind her.
The last two years of her Lowell life (which covered in all a period
of about ten years), were spent in the same room; the latter part of
the time she was the book-keeper, and recorded the number of pieces and
bales. Here she pursued her studies, and in intervals of leisure some
text-book usually lay open on her desk, awaiting a spare moment.
Lucy Larcom’s first contribution to _The Lowell Offering_, “My Burial
Place” (written at sixteen), was published in No. 4 of the first
series, and was sent to the editor by her sister Emmeline, while
Lucy was on a visit to Beverly. With this exception, she was not a
contributor to the magazine while it was under Mr. Thomas’s editorship.
During that time she wrote for _The Operatives’ Magazine_, which
was published under the supervision of her pastor, the Rev. Amos
Blanchard, and which contained only articles written by the young
ladies who were members of an Improvement Circle connected with his
parish.
It may be said here that, whatever sectarian feeling there may have
been between these rival publications, it was not shared by the girls
themselves, at least not by Lucy Larcom. She simply and naturally
followed the lead of her pastor. After the “orthodox” magazine stopped,
and Miss Curtis and Miss Farley took charge of _The Offering_, Lucy
became one of the corps of writers; and many of her verses and essays,
both grave and gay, can be found in its bound volumes. Her first
contribution to Volume Third, “The River,” a poem, appeared in October,
1843. She wrote letters from “Looking Glass Prairie,” Illinois; and
many of her “prose poems,” published afterwards as “Similitudes,”
with several early poems, including a different version of “The Lady
Arabella,” first appeared in _The Lowell Offering_.
Our friendship began when we were little girls in “pantalets,” when we
were “doffers” together in the cotton-mill, and was continued to the
end of her life. She also became my husband’s friend; and during his
lifetime she was our frequent guest, and was always “Aunt Lucy” to
our children. Mr. Robinson had great faith in her possibilities as a
writer, and he published her verses in his newspaper long before they
found admittance into the magazines.
It was through him, while he was the reader (or “stopper”) for _The
Atlantic Monthly_, during Mr. Lowell’s editorship, that “The Rose
Enthroned” was brought to the notice of the poet, and afterwards
admitted into the pages of the magazine. In a letter to Mr. Robinson,
Miss Larcom says of this poem: “‘The Rose Enthroned’ was written in
1860, and published in June, 1861, through your mediation, you know.”
I should be glad to quote freely from her letters, they are so full of
friendship and of loving kindness, but must refrain, and give extracts
from those only which relate to her personal history.
In a letter written to me at Concord, Mass., in 1857, she says:--
“I was very glad to hear from you, and was particularly interested in
your account of the sewing-society [anti-slavery] at R. W. E----’s.
Didn’t it seem funny to go a-gossiping to the house of the Seer? I
don’t wonder at your expecting the parrot to talk ‘transcendentally.’
Did the tea and toast smack of Hymettus? and was there any
apple-_sass_ from those veritable sops-o’-wine? Attic salt came in as
a matter of course. Well, it’s a fine thing to be on visiting terms
at Olympus. I should like to see the philosopher again. I don’t think
I should be afraid of him now.... Sometimes I like philosophers, and
sometimes I don’t. The thing is to _live_. Beautiful theories don’t
make any of us do that, but the real breath of life from the Infinite
Good, which every soul must have for itself, or, fool or philosopher,
he is dead as a heap of sand.... I should like to see the hills where
huckleberries grow, and the Pond. There never were hills so still and
balmy as those.”...
During the war her letters breathe the spirit of “A Loyal Woman’s
No!” and show, to one that can read between the lines, that she had a
personal interest in saying _No_ to a lover who seemed to her to be
disloyal to his country.
Although a strong abolitionist, and a believer in the political
rights of man, regardless of “race, color, or previous condition of
servitude,” she did not see the justice of woman’s claim to equal
rights with man. In answer to a letter asking for her help in the
suffrage cause, written in 1870, she says:--
“You know I am way behind the times, am not even a ‘suffrage woman’
yet, though I haven’t the least objection to the rest of the women’s
having it. Don’t you see, I’m constitutionally on the fence.... I
hope your enthusiastic believers will succeed; and if the suffrage
comes, as it will, I hope it will be a blessing to everybody. All the
people I know and respect seem to be in the movement, and still ‘I
don’t see it.’...
Later, in 1888, she writes:--
“I am for human rights for woman. I never did believe in man’s claim
to dictate to her. But I want to work for her elevation in my own way,
so that when she does vote, it will not be a failure. I cannot ‘Club,’
myself. I am an obstinate old Independent.... Men are chivalrous, you
know. Do you suppose we women shall be so towards them, by and by, in
the women’s millenium? Dear me! I like the old slavish bonds, and am
perfectly willing men should rule the world yet, heathenish old maid
that I am. Now, here I am perplexed with _two_ calls to the meeting to
consider the matter of women’s voting, about which I have never made
up my mind, and can’t! If I were a property woman, I might.”...
In writing of her volume of poetical works, published in 1868, Miss
Larcom says,--
“I shall send a volume to your other self and you, (how are we to use
adjectives in the Women’s Rights speech?), not by way of throwing a
sop to Cerberus, but because of old friendship, and because I value
your candid opinion _and_ Warrington’s very highly. I am a little
more afraid of you than of him,--I remember Gail Hamilton and the
wringing-machine. Don’t pillory me in a paragraph, will you? nor
inspire the pen masculine with a _bon mot_ at my expense.”
At Miss Larcom’s particular request I have refrained from saying more
than is necessary of her as a writer for _The Offering_. On her last
visit to me, in 1892, while speaking of the material to be used in this
book, she asked me not to say too much about her, because, as she said,
she was “tired of being always cited as _the_ representative of _The
Offering_ writers, when there were others who wrote and did quite as
much, or more, for the magazine than I did.”
Miss Larcom is correct here. Her fame was achieved long after she
ceased to be a mill-girl; and there were several others, as the
sketches will show, who were as good writers, and much better known
than herself, when she left the factory. And it is very thoughtful
of her to speak a good word for those hitherto forgotten authors, by
declining to be made a sort of composite portrait, as representing the
best and brightest among them.
In one of her letters she says,--
“Don’t you think it is getting a little tiresome, this _posing_ as
factory-girls of the olden time? It is very much like politicians
boasting of carrying their dinners in a tin pail in their youth. What
if they did?... I am proud to be a working-woman, as I always have
been; but that special occupation was temporary, and not the business
of our lives, we all knew, girls as we were.”...
“I sent you a copy of my ‘New England Girlhood,’ for old time’s sake.
Did you receive it? You could write a more entertaining one. Why don’t
you write a novel? I wish you would write up _The Offering_ time, and
sketch Harriot Curtis in it. She was unique.”
Miss Larcom’s writings, all told, never yielded her income enough to
live on, even in her modest way. In speaking of this matter in a letter
written in February 1891, she says,--
“‘A New England Girlhood’ has as yet brought me only about two hundred
dollars. How can writers live by writing?”
She was therefore obliged to supplement her literary labors by
teaching. She was very prudent in her manner of living, and never,
from childhood, really had a home of her own. Towards the last of her
life she found herself much cramped for means to secure that rest her
tired brain so much needed; and this made the gifts received from her
publisher and from her dearly loved Wheaton Seminary pupils, most
welcome, and enabled her, during her last illness, to feel a relief
from pecuniary anxiety.
If Miss Larcom had not been exceptionally fortunate, not only in her
temperament but in her surroundings,--hampered as she was all through
her life by want of pecuniary means,--she could not have developed her
writing talent so well. She had the rare gift of finding and keeping
the right kind of friends, in her own family as well as outside, and
these supplied to her life that practical (though not pecuniary) help
she so much needed. So her days were free from household and other
cares, and when relieved from her duties as teacher, or as editor, her
time was free to use in her own chosen way.
In this, her life differed from that of many women writers, who,
whether married or not, often have exacting cares which interrupt and
hinder the expression of their written thoughts. Miss Larcom did not
have that hindrance; and she had the chance through most of her life to
carry out her idea, as she expressed it, of “developing the utmost that
is in me.” She had no family or domestic cares, and her children were
all “dream children.”
Miss Larcom might have married, once when she was quite young, and
again later; but for reasons of her own she declined,--reasons, the
validity of which, in one instance at least, I did not see. I have been
asked if Mr. Whittier and Miss Larcom were never more than friends.
I can truly answer, no. Miss Larcom was the intimate friend of
Elizabeth Whittier, the poet’s sister, who, as she said, “was lovely in
character, and had fine poetic taste.”
She often visited their home, and after the death of the sister the
friendship with the brother continued. Miss Larcom was Mr. Whittier’s
assistant in compiling the books of selections which bear his name, and
did a great deal of the actual work in collecting material; they were
true friends.
In a letter written shortly after his death, she says,--
“I have not spoken of Mr. Whittier going away. You will know that
it is a real sorrow to me, and yet a joy that he has entered into a
larger life.... This imperfect existence of ours _can be_ but the
shadow of the true life; in that, there is no death.”...
One of her last letters to me was written from Boston a few weeks
before her death, and is as follows:--
_Dear H._,--I have been here nearly a month, but have hardly been out
at all. I have never been so much of an invalid, and I don’t like
it. I suppose I have been steadily “running down,” the last year or
so, but have gone on just as if I were well. Now I am brought to a
stop, and am told that I must never do any more hard work. Lack of
strength is what I feel most. They tell me that if I will really
rest, brain and body, I may yet accomplish a good deal before I
die. I do not feel as if I had got through yet; but who knows? I am
trying to realize that it does not make much difference what part of
the universe we are in, provided we are on the right track upward.
Somehow I feel nearer Emmeline and Mr. Whittier,--as if we knew each
other better now than before they went away. I should like to leave my
life and work here just when I can go on with what is waiting for me
elsewhere. But there is a Master of life who takes care of all that.
Ever truly yours,
LUCY LARCOM.
Of her religious life, it may be said that in her early childhood Lucy
became a communicant of the Congregational church; but in later years,
as her mind broadened, she became deeply imbued with a sense of the
divine fatherhood of God, and the impossibility that He would leave one
of the souls that He had made to perish eternally, or, as she says, to
quote from her “Biography,” “After probing my heart, I find that it
utterly refuses to believe that there is any corner in God’s universe
where hope never comes, ... where love is not brooding, and seeking to
penetrate the darkest abyss.”
In 1879 she first listened to Phillips Brooks, and his preaching to
her “was the living realization of her own thought.” She did not give
up her Puritanism, but thought she saw, in the belief and service of
his church, a new way of finding the right path towards the end of her
journey in search of the truth. As she wrote, “It is not _the_ church,
but only one way of entering Christ’s church.” Her religious faith was
not so much changed as deepened by this departure from some of the
old-time beliefs; for, in writing of the matter to me, she said, “I
count the faith of my whole life as one.”
Miss Larcom partook of the Holy Communion in Trinity Church, Boston,
Easter, 1887, and was confirmed March 20, 1890. By this service,
she said, her “heart was fixed,” and she could think of herself as
“avowedly in the visible church.” It was after her connection with the
Episcopal Church that Miss Larcom wrote her most important religious
books, and these embody much of her own thought in matters concerning
the deepest spiritual life.
“Similitudes,” a collection of prose poems, was published in 1853;
and during the remaining years of her life she published and compiled
fourteen books in prose and verse. Her last book, “The Unseen Friend,”
was published in 1893. The above list does not include the two volumes
of poetical selections compiled by herself and Mr. Whittier.
A complete edition of “Larcom’s Poems” was published by Houghton,
Mifflin, and Co., in the Household edition of the poets, in 1884. In
writing of this, Miss Larcom, with characteristic modesty, said, “The
idea of my being ranked with other American poets.”
She was also editor of _Our Young Folks_ from about 1865 to 1872.
Although it is probable that Miss Larcom’s fame was achieved as
an author of verse, yet she was the best satisfied with her prose
productions. As she once said to me, “Essay writing would be my choice,
rather than any other form of expression.”
It is probable that her name will be the longest remembered by her
best-known lyric, “Hannah Binding Shoes;” but this was by no means her
favorite, nor would she desire to be remembered by it alone, nor to
have it considered as one of the best of her poems. And yet it contains
the deep pathos and the tragedy that is in the lives of many solitary
women, and as long as such exist, the story of “Poor Lone Hannah” will
be read and remembered.
“Hannah Binding Shoes” was written shortly after Miss Larcom’s return
from Illinois, when the great contrast between the rugged seacoast, so
familiar to her early years, and the “boundlessness of commonplace,”
of the level country she had just left, impressed her most vividly.
One summer afternoon, in riding through Marblehead, a face at a
window riveted her attention, and haunted her for weeks. Meanwhile,
the refrain of the lyric, with its peculiar meter, and the face,
continually chased each other through her mind, until, to get rid of
their importunate presence, she one day sat down, and imprisoned them
together in “immortal verse.”
Another poem which takes high rank is “The Rose Enthroned,” her
earliest contribution to the _Atlantic Monthly_, which, in the absence
of signature, was attributed to Emerson. Also, “A Loyal Woman’s No,” a
patriotic lyric that attracted great attention during our Civil War.
It is such poems as these, with her religious writings and her
“Childhood Songs,” that will make Lucy Larcom’s name remembered. And
thousands of earnest working-women will thank her for all that she has
written, and go on their way refreshed and encouraged by her success
and the fulfilment of her aspirations.
In personal appearance Miss Larcom was tall and stately; her hair was
wavy and of a light brown color. Her eyes were of a lovely smiling
blue, and her whole face was lit by the charm of them. And who that
has heard it can forget her musical laugh, so attractive that even
strangers would turn and listen to it, or lose the memory of her
beautiful smile, so radiant, so illuminating, that lasted even to the
end of her life and that left its lingering gleam on her face after it
was cold in death, then to be transplanted to that other life because
it was a part of her own immortal self!
Her whole atmosphere was full of a benignant interest in those with
whom she came into personal relations. She lived up to her profession,
both in religion and in ethics, and was a bright example of what a
woman can become, who believes that this life is but the beginning of
the next, and who takes the higher law for her inspiration and her
guide.
She died April 17, 1893, and is buried in Beverly, Mass., her native
place. There, by the seashore, where the salt breezes--
“Chase the white sails o’er the sea,”
and linger lovingly over her grave, her tired body finds its earthly
resting-place.
Farewell, old friend and work-mate, but not forever; I too have the
conviction, the faith, that this is not all of life, but that sometime,
somewhere, we shall take up these broken threads, and go on with our
appointed work “on the right track upward.”
SARAH SHEDD.
Miss Shedd may be called the philanthropist, _par excellence_, of the
early mill-girls. Her whole life was one of self-sacrifice. Her early
years were devoted to earning money for the support or the education
of members of the family; and at its close she bequeathed the sum of
$2,500 for the establishment of the free library in her native town of
Washington, N.H.
Her parents were in narrow circumstances; but they had endowed her with
a good mind, and had given her a fair education, which was supplemented
by tuition under Mary Lyon, of Holyoke Seminary, one of the first women
preceptors of her time. She had a great desire to further continue
her education, but was obliged to do it unaided. She began to teach a
summer school when fifteen years of age, and worked in the cotton-mill
in the winter, and thus was enabled to help her family, as well as to
gratify her taste for reading and study.
In early life she educated a brother; and later she nearly supported
him, and also assumed the whole expense of her aged mother’s
maintenance. And yet, in spite of these large drains upon her
resources, she saved, solely from her own money, enough to start the
library which bears her name, that her townspeople might enjoy the
advantages she had so much desired. The Hon. Carroll D. Wright, United
States Commissioner of Labor, was one of her pupils, and he delivered
the address at the dedication of The Shedd Free Public Library, in
1882, speaking thus in praise of his well-beloved teacher:--
“The first school I ever attended was kept by her, in the front room
of the store opposite the post-office. Her genial smile won the hearts
of the children.... We longed for her coming, regretted her going. She
wandered with us over the hills and fields, gave us instruction from
her heart and mind, as well as from the books we used.... Her genial
disposition lighted the pathway of many a boy and girl, and gave them
glimpses of a mind and soul, which in themselves make her memory as
fragrant as spring flowers.”
Miss Shedd was not a prolific writer, and her contributions for _The
Offering_ were always of a serious nature. She spent no money on fine
clothes nor ornaments; I remember her as a tall, spare, stooping woman,
most plainly dressed in calico. We younger ones did not understand
her, and were awed by her silence and reserve. But later some of us
came to recognize her character as that of one studious, gentle, and
self-sacrificing. She remains in my mind as one of the “solitary” among
us. She died in Washington, N.H., April 5, 1867.
It is one of the coincidents of history, that, at about the same time
Miss Shedd’s money was given towards founding this library, another
native of the same little town, Mr. Luman T. Jefts, who had also worked
his way up and earned every cent of his money, should supplement Miss
Shedd’s gift by adding a sum large enough to erect a suitable library
building to contain the books bought by her bequest.
And thus their names are linked together by their grateful townsmen,
not only as benefactors of their kind, but also as two earnest
and sincere persons who have struggled with adversity and narrow
surroundings, have conquered, and fulfilled their cherished aim in life.
ELIZABETH EMERSON TURNER.
The subject of this sketch is one of the few of the early mill-girls
who are still living; my acquaintance with her has been kept up since
early girlhood, and our correspondence has been almost uninterrupted.
She married Mr. Charles B. Sawyer, of Chicago, who died in 1896. Mrs.
Sawyer has always retained her interest in the old factory days, and
was and is proud of her connection with _The Lowell Offering_. In our
letters, the prospect of publishing a book containing the material I
had collected was often discussed; and she expressed her sympathy with
the enterprise, saying,--
“I wish you would take up such a work as you allude to, in justice
to those most interested, and to that class of girls in the Lowell
mills. You are the one best fitted to do them full credit. I think the
book would meet with a good sale, as labor is now becoming once more
honorable and respectable.... We will see if our _Lowell Offering_
cannot be made to live for many, _many_ years to come; and be an
object-lesson to the mill-girls of the present day.”
Lizzie Turner was born in Lyme, N.H., Aug. 27, 1822. Her father, Jacob
Turner, Esq., was a descendant in the sixth generation from Humphrey
Turner, who came from England, and settled in Plymouth, Mass. He was
for twenty years a justice of the peace in Lyme, and for two years a
member of the New Hampshire Legislature. He lost his health before
he reached middle life, and about the same time lost nearly all of
his property by signing a note for a friend, who ran away to Canada,
leaving him to pay the debt. In order to do this he sold his farm; and
after paying the sum required, he had just five hundred dollars left.
With this he went to Lowell, in 1833, where so many families who had
lost their bread-winner had preceded him, and where the mother and
children could assist in supporting the home. Mrs. Turner opened a
boarding-house for operatives; her children, as fast as they were old
enough, went to work in the mill; and thus the invalid father was well
taken care of for the rest of his life.
Lizzie went into the mill to work at eleven years of age. Her
school-days ended at fourteen, when she was just fitted for the high
school, having worked at least two-thirds of the time in the factory;
and after this her time and strength were needed to help support the
family. She was one of the very earliest of the writers for _The
Offering_, and she continued to be a contributor until Mr. Thomas
ceased to be the editor. Her early recollections are very valuable, and
all through these pages I have made free use of what information she
has given me. She was just eighteen when she began her contributions;
and her own account of her connection with the magazine and of its
inception, will be of interest here. She says:--
“The whole plan of his Circle and _Offering_ originated with Brother
Thomas. I remember his saying one evening, after the reading of
our papers, that there were many of the articles well worthy of
publication, and that he should publish them in a magazine, to ‘show
what factory-girls could do.’... I must tell you that I had never
attempted writing anything but letters till Brother Thomas insisted
that I _must_ write something for the Circle, so that almost my first
essays in composition were those articles.”
Miss Turner was one of the paid contributors; she bought herself a
mahogany bureau with some of this money, and that article of furniture
she cherishes among her choicest possessions, as a most valuable
memento of the old _Lowell Offering_.
I remember Lizzie Turner, when a young girl, as an intellectual factor
among the contributors to _The Offering_, and also as a prominent
worker in the Universalist Church. She was sprightly, vivacious,
and universally popular. She was tall and graceful, had dark-brown
hair, and star-bright eyes, which now, although she is a grandmother,
have lost very little of their lustre, nor is her kindly and smiling
expression diminished.
To illustrate the simplicity of dress of the mill-girls, before spoken
of, and also to show how little thought they had of rivalling or of
outdoing each other in matter of adornment, I venture to give the
following as related to me by Mrs. Sawyer:--
“There were ten of us girl friends (the majority of whom wrote for
_The Offering_) who one summer had each a purple satin cape for
street wear. These were trimmed with black lace; and this, with a
small-figured, light Merrimack print (or calico), constituted our
walking costume. We had nothing better for Sunday wear; and as we
walked along, sometimes all together, I am sure that it never occurred
to one of us that we were not as well-dressed as any lady we met.”
During the Civil War, Mrs. Sawyer was one of the most efficient among
the many women in Chicago who worked for the soldiers and the country,
and she has devoted much time and thought to the woman suffrage cause.
She is a voter and an active member of The Illinois Woman’s Alliance,
of the Illinois Woman’s Press Association, and of the Chicago Woman’s
Club.
Her sister, Abby D. Turner, was also one of the earliest writers for
_The Offering_; her first contribution was written when she was sixteen
years of age. She was married while in her teens to Mr. John Caryl.
She has been a widow many years, and has been entirely devoted to her
children and grandchildren.
CLEMENTINE AVERILL.
Among the “girl graduates” from the New England cotton-mill, there is
one who, although not a writer for _The Offering_, yet deserves to be
included in a book like this. This is Clementine Averill.
There was often doubt thrown upon the accounts of the superior mental,
moral, and physical condition of the Lowell factory-girl; and at one
time (in 1850) a Senator of the United States, named Clemens (of
Alabama, I think), stated in Congress that “the Southern slaves were
better off than the Northern operatives.” Miss Averill, then at work in
the Lowell mill, answered this person’s allegation in a letter to the
New York _Tribune_, as follows:--
LETTER FROM A FACTORY-GIRL TO SENATOR CLEMENS.
Communicated for _The Weekly Tribune_.
LOWELL, _March 6, 1850_.
_Mr. Clemens_,--Sir, in some of the late papers I have read several
questions which you asked concerning the New England operatives. They
have been well answered perhaps, but enough has not yet been said, and
I deem it proper that the operatives should answer for themselves.
1st, You wish to know what pay we have. I will speak only for the
girls, and think I am stating it very low when I say that we average
two dollars a week beside our board. Hundreds of girls in these mills
clear from three to five dollars a week, while others, who have not
been here long, and are not used to the work, make less than two
dollars. If my wages are ever reduced lower than that, I shall seek
employment elsewhere.
2d, Children are never taken from their parents and put into the mill.
What an idea! No person has a right to take a child from its parents,
whether they be black or white, bond or free, unless there is danger
of the child’s suffering harm by remaining with its parents. Girls
come here from the country of their own free will, because they can
earn more money, and because they wish to see and know more of the
world.
3d, One manufacturer will employ laborers dismissed by another if they
bring a regular discharge and have given two weeks’ notice previous to
leaving.
4th, We never work more than twelve and a half hours a day; the
majority would not be willing to work less, if their earnings were
less, as they only intend working a few years, and they wish to make
all they can while here, for they have only one object in view.
5th, When operatives are sick they select their own physician, and
usually have money enough laid by to supply all their wants. If they
are sick long, and have not money enough, those who have give to them
freely; for let me tell you, there is warm-hearted charity here, as
well as hard work and economy.
6th, I have inquired, but have not ascertained that one person ever
went from a factory to a poor-house in this city.
7th, Any person can see us, who wishes to, by calling for us at
the counting-room, or after hours of labor by calling at our
boarding-places.
8th, The factory girls generally marry, and their husbands are
expected to care for them when old. There are some, however, who do
not marry, but such often have hundreds and thousands of dollars at
interest; if you do not believe it, come and examine the bank-books
and railroad stocks for yourself.
9th, We have as much and as good food as we want. We usually have warm
biscuit, or nice toast and pie, with good bread and butter, coffee and
tea, for breakfast; for dinner, meat and potatoes, with vegetables,
tomatoes, and pickles, pudding or pie, with bread, butter, coffee
and tea; for supper we have nice bread or warm biscuit, with some
kind of sauce, cake, pie, and tea. But these questions seem to relate
merely to our animal wants. We have all that is necessary for the
health and comfort of the body, if that is all; and the richest person
needs no more. But is the body all? Have we no minds to improve, no
hearts to purify? Truly, to provide for our physical wants is our
first great duty, in order that our mental faculties may be fully
developed. If we had no higher nature than the animal, life would
not be worth possessing; but we have Godlike faculties to cultivate
and expand, without limit and without end. What is the object of our
existence, if it is not to glorify God? and how shall we glorify him
but by striving to be like him, aiming at the perfection of our whole
nature, and aiding all within our influence in their onward progress
to perfection? Do you think we would come here and toil early and
late with no other object in view than the gratification of mere
animal propensities? No, we would not try to live; and this is wherein
consists the insult, both in your questions and in your remarks in
the Senate; as though to provide for the body was all we had to live
for, as though we had no immortal minds to train for usefulness and a
glorious existence.
Let us see whether the “Southern slaves are better off than the
Northern operatives.” As I have said, we have all that is necessary
for health and comfort. Do the slaves have more? It is in the power of
every young girl who comes here to work, if she has good health and no
one but herself to provide for, to acquire every accomplishment, and
get as good an education as any lady in the country. Have the slaves
that privilege? By giving two weeks’ notice we can leave when we
please, visit our friends, attend any school, or travel for pleasure
or information. Some of us have visited the White Mountains, Niagara
Falls, and the city of Washington; have talked with the President,
and visited the tomb of him who was greatest and best. Would that
our present rulers had a portion of the same spirit which animated
him; then would misrule and oppression cease, and the gathering storm
pass harmless by. Can the slaves leave when they please, and go
where they please? are they allowed to attend school, or travel for
pleasure, and sit at the same table with any gentleman or lady? Some
of the operatives of this city have been teachers in institutions of
learning in your own State. Why do your people send here for teachers
if your slaves are better off than they? Shame on the man who would
stand up in the Senate of the United States, and say that the slaves
at the South are better off than the operatives of New England; such
a man is not fit for any office in a free country. Are we torn from
our friends and kindred, sold and driven about like cattle, chained
and whipped, and not allowed to speak one word in self-defence? We
can appeal to the laws for redress, while the slaves cannot.... And
now, Mr. Clemens, I would most earnestly invite you, Mr. Foote, and
all other Southern men who want to know anything about us, to come
and see us. We will treat you with all the politeness in our power. I
should be pleased to see you at my boarding-place, No. 61 Kirk Street,
Boott Corporation. In closing, I must say that I pity not only the
slave, but the slave-owner. I pity him for his want of principle, for
his hardness of heart and wrong education. May God, in his infinite
mercy, convince all pro-slavery men of the great sin of holding their
fellow-men in bondage! May he turn their hearts from cruelty and
oppression to the love of himself and all mankind! Please excuse me
for omitting the “Hon.” before your name. I cannot apply titles where
they are not deserved.
CLEMENTINE AVERILL.
Miss Averill had many letters of congratulation upon this letter,
from different parts of the country; and among them was one from the
celebrated Quaker philanthropist, Isaac T. Hopper, who indorsed her
words, as follows:--
NEW YORK, 3d mo., 19th, 1850.
_My much esteemed friend, Clementine Averill_,--I call thee so on
the strength of thy letter of the 6th inst., addressed to Senator
Clemens, which I have read in the _Tribune_ of this morning with
much satisfaction. I ought to apologize for thus intruding upon thy
attention, being an entire stranger; but really I experienced so much
gratification on reading it that I could not resist the inclination
I felt to tell thee how much I was pleased with it. The information
it contained, though perhaps not very gratifying to the advocates of
slavery, may be useful, as it so clearly exhibits the wide difference
there is between liberty and slavery, and it shows the ignorance of
the Southern people as to the condition of the Northern operatives.
I think Senator Clemens must have been greatly surprised in reading
thy letter, not only at its statement of facts, but at the talent
displayed by a “factory-girl” in answering his questions. Some years
ago I attended a meeting appointed at Lowell by a minister of the
Society of Friends, at which it was said there were about three
hundred “factory-girls;” and I have often expressed the satisfaction
I felt in observing their independent and happy countenances
and modest and correct deportment. I saw nothing like gloom or
despondency. Indeed, I think in a general way they would not suffer
by a comparison with the daughters of the Southern slaveholders. I
believe it would be found, that, for refinement, intelligence, and
for any qualification that is requisite to constitute an agreeable
companion, the “factory-girls” are not inferior to any class of women
in the South, notwithstanding the slurs that are often flung at them.
It is surely true, that as the benign spirit of the gospel pervades
the minds of men, slavery will be seen in its true character, and be
finally abolished from every community professing Christianity. I
would not limit the mercy of our beneficent Creator, but I am free
to confess that I am unable to see what claim a slaveholder can have
to the name of Christian. Avarice and an undue love of the world
blinds the eyes and hardens the hearts of many. The speech of Daniel
Webster, from whom the friends of liberty had a right to expect much,
has disappointed them, and has not pleased his pro-slavery coadjutors.
He has manifested himself to be a _timeserver_, a character not
very desirable. If he had possessed as much Christian principle and
independence of mind as thy letter exhibits, he would have given
utterance to sentiments that would have gained him the applause of the
wise and good, and have been a lasting honor to himself. “With the
talents of an angel a man may make himself a fool.” The subject of
slavery is not new to me. I have been instrumental in rescuing from
the hand of the oppressor some hundreds, and now in my declining years
I can look back upon those labors with unmingled satisfaction. I don’t
know how to express my views of slavery better than in the language of
John Wesley, “It is the sum of all villanies.”
I am, with sincere regard,
Thy friend,
ISAAC T. HOPPER.
I am indebted to Miss Averill’s sister, Mrs. A. L. O. Stone of
Cleveland, Ohio, for the means of communicating with her, and of
obtaining some account of her life. Miss Averill’s letter is as
follows:--
“VALRICO, FLA., _Mar. 15, 1893_.
_Dear Mrs. Robinson_,-- ... I do not remember the date of my first
entrance into the City of Spindles, but think it must have been
in 1828; and it was the summer of 1830 that I was baptized in the
Concord River, at the age of fifteen, and joined the First Baptist
Church. I was born at Mt. Vernon, N.H., in the year 1815; so now I am
seventy-eight.
About my Florida life, I must first tell the motive.
As you are aware, after the war, many were out of employment; and it
was a great question, what should be done with them. I could see no
better way than co-operative homes. Therefore, with two others, I
started out to find a place, and set an example. I thought of some
other places, but was much interested in Florida, having just read
its history, and also my friends wished to come here. And, indeed,
they did come before I was quite ready. A month later I came alone,
December, 1877, just at Christmas time, and found the people here
celebrating the day by firing guns. At Tampa I found one of my friends
who had already selected land, and wished me to take an adjoining
quarter-section. Had to come out from Tampa twelve miles to examine
the land before I could enter my claim, then returned to register,
and move my baggage out to a deserted log cabin in an old field by
the side of the woods. The cabin had no floor but the bare ground, no
window, and but one door. I spread a carpet of pine straw, and slept
well.”
She spent the winter in her forlorn log cabin, but in the spring she
had a kitchen and bedroom, and soon after a split board floor. She
“planted two hundred orange-trees, and cared for them two years.” She
made a living by “keeping transient boarders, by washing, needlework,
baking bread and cakes to sell, and keeping house for various persons.”
When her health began to fail, she made an agreement with one of her
neighbors, Mr. Green, “to take care of me as long as I lived for half
of my land; so the deed was made out and recorded, and I have only
sixty acres for the industrial home.” Later she writes:--
“I have never, for a moment, given up the idea of having an industrial
home and school here sometime.
It is a pleasant location, having a small pond all under my control,
with beautiful pine and oak trees all around it, and green slope
down to the water. It is only ten minutes’ walk to the station and
post-office, and most of the way on my land. I gave right of way for a
railroad through one corner, and yesterday gave one acre for a Baptist
church.
I want a co-operative home here, established by homeless people who
are willing to form a _Mutual Aid_ Society. Then I can deed my land to
the society, for a perpetual home here, as long as human beings need a
home on this earth.
Perhaps you know some persons who might wish to join this home. If you
do, please put me in communication with them, and they can ask all the
questions they wish, and I will answer.
This station is fourteen miles east of Tampa, on the Florida Central
and Peninsula Railroad.
Truly your friend,
CLEMENTINE AVERILL.”