PEOPLE ONE MEETS IN SOCIETY.

No. 1.

THE YOUNG GENTLEMAN WHO HAS JUST GOT HIS COMMISSION.

Do you see that young man at the top of the quadrille, dancing with that

pretty flaxen-haired girl? That's Arthur Bumpshus; he has just got his

commission; though one might guess as much, for he's paying more

attention to himself, as you perceive, than to his partner, and he holds

his coat by both of the lapels, so as to keep it off his shoulders,

while he puffs out his chest like a pouter pigeon. His hair too, you

observe, is cut very short behind, and frizzed out at the sides, and

stuck up at the top, with the true military effect; and whenever his

partner speaks to him he looks down on the floor, and, inclining his

head slightly on one side, listens with a haughty frown.

The quadrille is over, and now here he comes. Hark! he's talking to the

flaxen-haired girl about Chatham, and the Provisional Battalion, and the

Mess, larding his conversation with as many military technicalities as

he can possibly cram into it, though, between you and me, he has not yet

joined his regiment, and has dined only once—or twice at the outside—at

Chatham. He says, too, that it's deuced unpleasant being bottled up in

uniform this hot weather, though we know for a fact that his own

regimentals are not yet finished, and that he means "to let out at the

tailor above a bit" for disappointing him with his things for this

evening. When however a friend asks him how it is that he does not

appear _en militaire_, he replies, "Oh, when a man (rich that, for a boy

of eighteen!) is forced to wear uniform he naturally prefers being in

_Mufti_ whenever he can."

He walks across the room digging his heels down at every step with a

ferocity intended to inspire all beholders with a high idea of his

determination, and asks, when a person's name is mentioned, whether he's

in "the Service;" and, on being told to the contrary, speaks of him ever

afterwards as "a Civilian." And when the host's young nephew, who is

home for the holidays, accidentally treads on the toe of Mr. Arthur

Bumpshus's Patent Leather Boots, Mr. A. B. frowns in a way that makes

the poor youth in the jacket tremble again in his pumps; for the young

military gentleman is anxious to distinguish himself for his valour in

the eyes of his friends.

He will not allow the engraver to have any peace until he sends home Mr.

Arthur Bumpshus's cards, with the No. of his regiment printed upon them;

and, when he gets them, Mr. A. B. goes the whole round of his

acquaintance, and calls at the house of each of his friends at a time

when he hopes they are in the park, so that he may have an opportunity

of leaving them one of the bits of glazed pasteboard which announces

that he has got his Commission.

He also pays a visit to Laurie, for the purpose of ordering his saddle;

and hearing Major Splatterdash, of "the Heavies," swear at the saddler

for something which is not quite to the Major's satisfaction, the young

gentleman follows his brother-officer's example, and gets a not very

gentle hint from the tradesman, that unless he can behave himself he had

better leave the shop; for though Laurie may consider it worth his while

to pocket an insult from a Major of ten years' standing, it does not

exactly answer his purpose to do the like with a sucking ensign.

In short, the young military gentleman persists in making himself as

obnoxious as possible to all people, with the view of impressing them

with his importance, though he forgets that while he is endeavouring to

play the Lion, the Ass's bray continually betrays him.

No. 2.

THE YACHTING MAN.

"Beg your pardon! hope I've not hurt you; but you were right in the

gangway!" exclaims a light-haired, blue-coated specimen of humanity, as

he enters the ball-room, and treads on the feet, and grinds the head of

one of the guests against the door-post he fancies he is ornamenting;

and then he rushes violently up to the lady of the house, and shakes her

hand with a vehemence more cordial than "_comme-il-faut_;" and then,

turning to the host, apologizes for being so late, declaring that he had

carried away every stitch of canvas he could stagger under, and would

have made the house half-an-hour before, but he'd had a capsize in a

cab, and it took him some time to get under weigh again.

Then he mixes in the crowd, and on closer inspection, you perceive by

the bright buttons on his blue coat, which have a crown and anchor and

some inscription upon them, that he belongs to one of the Royal Yacht

Clubs; while the same bright buttons with the same crown and anchor,

&c., only a size smaller, adorning his white waistcoat, tell you that he

is not ashamed of it.

From his conversation we are made acquainted with the important fact

that there had been a match that day at Erith, and that his yacht must

have won only his gaff-topsail was carried away in a squall; and we

learn, moreover, that he fully sympathizes with Lord Freshwater, who

would have come in a good second had not a Hatch Boat run right into his

starboard-bow, and driven her bowsprit clean through his lordship's

balloon-jib. And then he tells the listeners a remarkably funny story of

a friend of his, who went for a cruise with him, and would persist in

calling "going on deck" "going upstairs;" whereat the yachting man

laughs immoderately, and takes care all the evening through to term

"going downstairs," "going below."

He does not dance much, but whenever he does stand up for a Quadrille he

talks very loud to his partner, saying, "Aye, aye," to all her

questions; and he rushes to the refreshment-room with her directly the

dance is over, where he does not restrict himself to negus and ices, but

attacks the port wine at once.

During the supper he does not do much until the ladies have left, and

then he falls to with surprising vigour, and calling the footman on one

side, inquires whether there is any malt to be had. When the beer

arrives he professes an intense contempt for champagne, and says that as

far as he is concerned a glass of two-water grog is better than all the

wine in the Docks, especially when one's on deck at night; all which

causes the younger men of the party to look upon him as a very dashing

sort of a fellow. And if by any chance he is asked for a song, he is

sure to squall "I'm afloat," or "A Life on the Ocean Wave," though his

knowledge of such a state of existence must be very limited, for he has

seldom been beyond the Nore, and at farthest to Ramsgate,—excepting,

by-the-by, once, when we believe he did get as far as the Isle of Wight,

during the Cowes Regatta. Nevertheless, a life in his father's

country-house would be more in character with his habits.

And when the party is breaking up the Yachting Man is seen in the Hall

putting on a very rough Pea-Jacket, with large horn buttons, and a cap

with a gold-lace band round it. He says something about it's being time

to turn in, as four bells have gone; and having lit a cigar at the

hall-lamp, he finally disappears, chanting—

"Good-night!—All's well."

[Illustration:

A GOOD PENNY-WORTH.

]

THE

COMIC ALMANACK

FOR 1848.

The Comic Almanack, Volume 2 An Ephemeris in Jest and Earnest, Containing Merry Tales, Humerous Poetry, Quips, and Oddities · 第 262 / 535 题