CRITICAL ESSAY ON THE PRIZE CARTOONS.

The late competition for Cartoons must cause some alteration in the next

edition of Johnson's Dictionary; for what is meant by the word Cartoon

will require considerable explanation, after the very extraordinary

collection recently exhibited at Westminster. According to some of the

artists, Cartoon signifies anything brought in a cart; for such is the

only claim to be called a Cartoon that many of the specimens can pretend

to. Chalking walls used formerly to be a very profitable employment; and

we have often thought what could have become of the wall-chalkers since

the blacking-makers ceased to have their Day—and Martin. These artists

of a menial capacity (_vide_ the Latin Dictionary for the meaning of

_mœnial_) came out in considerable strength at the late exhibition of

Cartoons, and they have chalked up a pretty long account against

themselves on the walls of Westminster. That the exhibition was put an

end to rather summarily at the beginning of autumn, we are not

surprised; it is only astonishing that they were not made to "walk their

chalks" at a much earlier period.

The Commissioners of the fine arts shot at a pigeon, and killed a crow.

They wished to ascertain the state of the art of historical painting,

and got a glorious collection of designs for burlesquing British

history, showing at once the palmy state to which the art of caricature

has risen in this country. Fauns have been satirized, and the British

lion has been made in the mane a very humorous-looking animal. As to

Magna Carta, never did it give rise to such tremendous liberties as the

drawers of the Cartoons have taken with it. Shakspeare is fortunately

immortal, or his fame could scarcely have escaped the violent hands that

have been laid upon him. Macbeth and the Witches are so beautifully

confused that it is difficult to say which is Macbeth and which the

Witches. There is the murder of Duncan, with his two sons in the

distance, looking on as calmly as if they were indeed very distant

relatives. There is the Ghost of Cæsar appearing to Brutus; but the

artist, not knowing how to treat light and shade, has caricatured the

shade most miserably. Some have selected Shakspeare upon Mercy for

illustration, but without having any mercy upon Shakspeare; and somebody

has favoured us with Drake on the quarter-deck, Drake being

distinguished by a pair of ducks,—a touch of humour we could not fail to

appreciate. Most of the artists seemed to have laboured under an awful

enlargement of the imagination, which set them off commencing their

drawings upon an enormous scale, obliging them to moderate their

conceptions before the completion of the picture. The fact that there

was many a Cartoon which would have gone in, but that there was no

getting it through the door, illustrates this malady among the artists.

It may be considered as a species of Elephantiasis, inducing the idea

that one's self and one's subject are much more vast than they are in

reality. It would seem that some of the artists have misread the

advertisement of the Commissioners of Fine Arts, and that for the word

"decorate" some of them read "desecrate" the walls of Parliament.

The Comic Almanack, Volume 2 An Ephemeris in Jest and Earnest, Containing Merry Tales, Humerous Poetry, Quips, and Oddities · 第 37 / 535 题