During the period of their incarceration, vandals ransacked “Goat

Castle” and carried away many valuable relics. A guard was finally

placed over the place to prevent souvenir hunters from taking the

remainder of the valuable pieces. Public sympathy was aroused, and for a

short time Dana and Miss Dockery were lionized. They seemed to take a

new lease on life. They improved in personal appearance. They often came

to town, but conditions in “Goat Castle” changed little.

Goats roam the place in undisturbed joy. Chickens roost on the foot of

the great mahogany bed while Dick plays his old piano for curious

tourists who pay twenty-five cents to see the old aristocrat, and Miss

Dockery tells stories of the former wealth and prestige of her friend,

who desired to withdraw from the world.

Glenwood is falling. Neglect and age are causing decay. The stables and

outhouses are piles of mortar and decayed timbers, though the grounds

are still beautiful with majestic moss-draped oaks and flowering

magnolias.

[Illustration: GLENWOOD (known today as “Goat Castle”)]

_Gloucester_

[Illustration: Gloucester]

A mile drive from the city limits of Natchez, along a roadway where

moss-draped boughs overlap into a verdant shelter, brings one in view of

a stately red brick mansion. It is Gloucester. Still half concealed by

giant oaks and tropical growth, it seems a great ruby in a gray-gold

setting.

Gloucester is surrounded by 250 acres of farm land and virgin timber. It

was built about 1800, and is of solid brick construction. Huge

Corinthian columns support spacious galleries across the broad front.

The windows are iron barred and shuttered.

This mansion is of historic interest. It was the home of Governor

Winthrop Sargent, who was the first Governor of Mississippi Territory.

Front twin doorways are an unusual feature. Inside these doors are the

heavy wooden bars, the original fastenings against unfriendly Indian

tribes and traveling bandits, who were not infrequent during the early

days of life at Gloucester.

The twin doors open into a wide hallway which contains a graceful

curving stairway leading to hall and bedrooms above.

Gloucester has a splendid library of rare first editions and valuable

old books. The drawing room contains Colonial furniture and paintings by

masters.

Upon the death of Governor Sargent, Gloucester became the property of

his wife, who, in turn, willed it to her son, George Washington Sargent.

During the occupation of Natchez by Federal troops, the young Sargent

was called to the doorway of Gloucester, and shot by two soldiers to

whom he had given greeting. Stains of the life-blood of this George

Washington Sargent are still visible on the doorway of Gloucester. The

murdered boy was buried beside his father in the family burial ground

across the road from the home.

[Illustration: GRAND HALLWAY OF GLOUCESTER]

In the Negro quarters there are weird tales of ghosts wandering over the

premises. “Two tall ghosts, in uniform, carrying guns, come on dark

rainy nights when the owls hoot in the oaks above the graves.”

Records show that in 1877 Gloucester was sold to James Surget, who was

one of Natchez’ earliest and most affluent citizens. This home was

continuously owned by the Surget family for sixty years, until the

recent death of Mrs. Katherine Boyd Surget, when the property was

bequeathed to its present owner, Lenox Stanton.

Mr. and Mrs. Stanton hold dear every Gloucester tradition and take pride

in maintaining the home and grounds in their original state of

perfection.

_Hawthorne_

[Illustration: Hawthorne]

On the famous Natchez Trace Highway, within calling distance of the

Lower Woodville road, through a narrow gateway flanked by giant oaks, is

a quaint little cottage, “Hawthorne”.

It is the old Southern Planter type home, a story-and-a-half.

A beautiful double front door with panels of early period thin glass and

an exquisitely wrought fanlight above give an atmosphere of friendliness

to the entrance.

Architects interested in the unusual find charm in the hand-hewn

stairway which rises from the broad back hall to the rooms above.

“Hawthorne” more than a century ago belonged to a family named Overaker

who sold the place with its sixty acres of wooded land to the Dunbar

family, under whose regime this quaint old home sheltered and

entertained the elite of the South as early as 1837. It is believed that

Hawthorne was built by the Tichenor family about 1825.

For many years this old place was vacant. Lumber mills and grist mills

crowded too near, but the property was recently bought by the family of

William McGehee, who are reclaiming “Hawthorne”. Every line of the

period architecture is being followed, and “Hawthorne”, its meadows and

gardens, will soon be restored as in stage coach days to greet today its

motor car visitors. The history of Hawthorne is a sad story with a

hopeful ending.

_Hope Farm_

A few years ago when “Hope Farm” fell into the hands of Mr. and Mrs.

Balfour Miller it was truly “getting a break” for rehabilitation. Today

when one steps into this old Spanish house, built about 1775, there

breathes from every crevice and corner the true atmosphere of the Old

South.

The original portion of Hope Farm, its English wing, is believed to have

been built by Marcus Haller. The front, the straight, low, Spanish

portion, was built by the Spanish Governor, de Grand Pre, about the year

1790.

The low sweeping roof extending over a broad portico across the entire

front of the house is upheld by seven hand-hewn cypress columns. Broad

steps lead from the driveway to the terraced yard. This yard is a

veritable bouquet of old-fashioned small flowers, bordered by boxwood

and flanked by syringa, japonica, and other old-fashioned evergreen

shrubs. A radiant variety of orchid-like irises dot the entire approach

to the old brick steps of the terrace.

For ninety years Hope Farm belonged to the Montgomery family; of the

last generation of ten children (seven girls and three boys) two of the

sisters lived in spinsterhood at Hope Farm until within the last few

years when the property was acquired by the Millers.

Restoration of exterior and interior has been done with exceeding care

to hold every line of the original house. There were no nails in the day

when Hope Farm was built and its timbers are held together by wooden

pegs.

The front door leads directly into a huge living room, which opens

through an archway into a large dining room. These two rooms extend

across the entire front.

The welcoming gate of Hope Farm opens at the intersection of Homochitto

street on the drive to Duncan Park.

[Illustration: Hope Farm]

_Homewood_

[Illustration: Homewood]

It required five years to build this palatial mansion of brick, cement,

and iron grill, and until recently “Homewood”, exterior and interior,

was in a perfect state of preservation—just as it was the day of its

completion, more than 75 years ago. Homewood was destroyed by fire,

January 2, 1940.

By reason of its solid masonry (built to withstand the storms), its

architectural lines, and the grace and magnificence of its iron

trimmings, architects of note from all over the country came to inspect

and to study “Homewood”.

One million home-burned brick were used in the main structure. Copper

pipes laid in cement supplied the huge cisterns throughout the years

with cold drinking water. This construction represented the work of

hundreds of slaves. All locks, hinges, and door knobs were of silver.

The fluted Ionic columns and grill work were imported from Spain.

Approaching Homewood by the magnificent forest driveway, it was a

wonderfully imposing structure with a front of thirty-foot columns, an

upper balcony of cast iron grill, and massive double panel entrance

doors flanked on either side by expensive ruby glass which was imported

from Belgium.

[Illustration: (unlabelled)]

There were six rooms on the ground floor, connected by huge sliding

mahogany doors, making it possible to open the entire floor into one

immense room, 80 feet long. Leading to six rooms and cross halls above

was a fan spread stairway. The top floor was a peculiarly constructed

octagonal hall surrounded by eight large closets or storage rooms with

cedar linings.

The mantels in Homewood attracted much attention because of their

delicate beauty and apparent value. In the drawing room the mantel was

of white marble, while in the dining room stood one of pink marble with

deep rose tracings.

Homewood had no historic interest but it was an outstanding example of

the advanced architectural ideas of the builders of Southern ante-bellum

homes. It was built for a gift from David Hunt to his daughter,

Catherine, and her husband, William L. Balfour.

The most recent owners, Mr. and Mrs. Kingsly Swan, spared no expense in

maintaining this magnificent home and its spacious grounds in model

perfection.

Homewood was the scene of the famous double wedding so effectively

described in Stark Young’s _So Red the Rose_.

[Illustration: MAJESTIC RUINS OF HOMEWOOD]

_Inglewood_

[Illustration: Inglewood]

A Southern planter’s typical home, “Inglewood” stands today as the

perfection of a beautiful dream recalled from crumbling ruins of years

long gone. More than a century ago this quaint old story-and-a-half

house was built by Gustavus Calhoun, who practiced medicine in Natchez

Territory in 1829—back in the days when calls were made on horseback and

the doctor carried along his miniature drug store in his “saddle bags”.

Dr. Calhoun was a friend and contemporary of Dr. Stephen Duncan of

“Auburn”.

In 1858 “Inglewood” became the home of Edward M. Blackburn through his

marriage into the Calhoun family. It has been for many years known as

“the old Blackburn place.” Here the last member of the Natchez Blackburn

family lived until the old house was about to tumble down. Then the

place was purchased by Dr. Wallace Smith, a young physician who came

with his bride to reclaim and rebuild Inglewood along the exact lines of

its original architectural design.

The old gardens of Inglewood were once as famous for beauty as those of

“Arlington” and “Melrose” but the gardens too passed with the old

families. Doctor and Mrs. Smith are replanting, and are replacing walks

and borders of old-fashioned boxwood, everything to conform as nearly as

possible to original design.

Inglewood, like all Natchez homes, is off the highway, secluded by

forests, and only by careful observation can one glimpse the gleaming

white outlines of this beautiful old plantation home.

The approach to the house is marked at the public highway by a wrought

iron replica of the old-fashioned doctor’s horse and buggy. Inglewood is

today, as it was originally, the property of a practicing physician’s

family.

_Jefferson College_

[Illustration: Jefferson College]

Founded in 1802, Jefferson Military College is the oldest college for

boys in the State of Mississippi, and one of the oldest in the United

States.

It was here that the South’s beloved Jefferson Davis, who became

President of the Confederacy, attended school when he was ten years old.

After the battle of New Orleans Gen. Andrew Jackson rested his

victorious army on the campus of this college, which is located six

miles from the city of Natchez.

Mississippi was a territory when the college came into existence. On the

spot where the constitution of the State of Mississippi was adopted is a

marker commemorating the birth of Mississippi as a State. The marker was

erected May 14, 1935, the 119th anniversary of the State.

Near the front gate of the college there are two giant gnarled liveoaks,

known as the Aaron Burr oaks because they stood in front of the old

courthouse where Aaron Burr was tried for treason against the United

States. The old courthouse was demolished ages ago but the oaks stand

sentinel with wide spreading boughs marking the spot famous in history

and in story.

_King’s Tavern_

[Illustration: King’s Tavern]

In the days when Indians roamed the territory of Natchez, block houses

were built by the white settlers who came that way. These were sturdy,

well-fortified houses built to protect occupants against Indian

outbreaks. Such is King’s Tavern—an inconspicuous, faded, old wooden

structure on a high brick foundation.

Although unostentatious, King’s Tavern is important. According to the

records it is the oldest building in this part of the South. Parts of

St. Augustine, Florida, are somewhat older. Its very atmosphere breathes

of days and people long dead; of Indians, of Spanish and English and

French noblemen; of weary travelers over foot paths or by river boats,

wandering into the old Tavern, resting, and then departing, disappearing

from the face of the earth.

The house is more than 170 years old. Records show that “the first

United States mail brought over the Natchez Trace was delivered to

King’s Tavern by an Indian runner and was distributed from this point.”

The timbers are held together by wooden pegs and beams. The heavier

timbers are of the type used in the construction of large ships of that

period. Ceilings in the rooms are low. Doors and windows are heavy with

narrow frames. The sills and sleepers of the building show the rope

holes, again indicating that timbers came from old sailing vessels.

The earliest official record of transfer of this property shows 1789 as

the year it was granted to Richard King, a member of the King family of

Long Island, New York, and by him it was given the name “King’s Tavern”.

Formerly it had been known as the Bledsoe House.

For a period of about 115 years the property has been owned and occupied

by the descendants of Mrs. Elizabeth Postlethwaite.

An interesting relic of bygone years is a portrait in oils of the late

Samuel Postlethwaite III, who was Mayor of Natchez in 1825 when the

great Lafayette visited the little village. This portrait is signed by

the artist, Benjamin West.

Mrs. A. C. Register and Mrs. Jean Register Modsett, descendants of the

Postlethwaite family, are the present owners and occupants of King’s

Tavern.

_Legend:_

At night, when all’s dark and quiet at King’s Tavern, ghosts of Indian

warriors, in full dress of their native tribe, wander through the old

Tap Room, loll and lean against the old bar, peer out through small

crevices, and then disappear through the heavy doors which lead onto

the street.

[Illustration: Main Door at King’s Tavern Where Indian Runners Left

the Mail

Bullet holes in the door are from an Indian attack during the early

days of Natchez.]

_Lansdown_

[Illustration: Lansdown]

Lansdown has been the home of the Marshall family for more than

eighty-five years. Like many other magnificent plantation homes around

Natchez, Lansdown was a wedding gift to Mr. and Mrs. George Marshall,

whose descendants of the same name own and occupy today this comfortable

Georgian type house.

Lansdown is an unpretentious but quite substantial structure with a

broad front portico enclosed by artistic grill bannisters fashioned in

Greek pattern. Broad, spreading steps lead down to a brick walk, and on

each side stand the old carriage blocks of yesteryear.

[Illustration: (unlabelled)]

[Illustration: (unlabelled)]

Portraits by famous artists of earlier generations of Marshalls,

including a portrait of Levin R. Marshall by Sully, look down on

gorgeous rosewood and mahogany furnishings of their own selection placed

in Lansdown.

The china and silver in this home are the pride of the present

generation of Marshalls. Much of the original china is in use today.

Many pieces of the original Robert E. Lee furnishings of “Stratford

Hall” are now in Lansdown. Within the past few months the younger

generation at Lansdown discovered several pieces of silver bearing the

unmistakable mark of Robert E. Lee.

Lansdown came to the Marshalls through Mrs. Charlotte Hunt Marshall.

Natchez had a great benefactor in David Hunt, the father of Charlotte

Hunt Marshall. It was he who made possible the Chamberlain-Hunt Military

Academy at Port Gibson, Mississippi, one of the first schools for boys

in the Southland. It is still an excellent school for young men.

Today Lansdown is owned and occupied by George Marshall III and Mrs.

Agnes Marshall Ward, lineal descendants of the original owner, who named

the place “Lansdown” by virtue of his friendship for the celebrated

Marquis of Lansdown, England.

_Linden_

[Illustration: Entrance]

The origin of Linden seems lost to history although it is known to have

existed as early as 1790. It came to ancestors of the present owners a

hundred years ago, and has been owned and occupied by the A. M. Feltus

family for several generations.

Nature seems to exert herself to give to Linden a perfect setting.

Surrounding the magnificently constructed house, with its 98 feet of

gallery, are dozens of oak trees, draped in long gray moss which sweeps

the very eaves of the dwelling. Standing in the artistic entrance of

Linden one sees the outside world through growing draperies of swaying

gray lace.

[Illustration: Linden]

The architecture of Linden is as unusual as it is simple. The center

portion is two stories, flanked on each side by single-storied rooms. A

gallery runs the entire width of the building. To the rear of the

single-storied rooms is a long two-storied wing. Each wing is a complete

apartment.

The furnishings are rare and exquisite, producing a feeling of

restfulness and satisfaction. “Linden” has three paintings by Audubon,

and an interesting portrait of the song-bird, Jenny Lind.

The driveway through the grounds of Linden leads past the front entrance

entirely around the house and passes its beautifully kept gardens. A

circle driveway which leads out through the bricked entrance affords a

final glimpse of the stately white house in the distance, not unlike

“Mount Vernon”. The view across the hill brings “Monmouth”, a

neighboring mansion, to the eye as another delightful prospect.

[Illustration: (unlabelled)]

[Illustration: LINDEN—Dining Room With Punka]

_Greenleaves_

“Greenleaves”, built prior to 1812, is a town house—a great rambling

cottage type of architecture in the very heart of Natchez. It is as

sturdy as the old gnarled oaks which seem to hold it in their protecting

boughs. It represents comfort, luxury, and beauty without ostentation or

pretense.

The halls and rooms are palatial in size and appointments. The house as

originally constructed shows that it was built to endure. It was

remodeled in the early 40’s by the grandfather of the present owners.

A wealth of the original furnishings in solid mahogany and rosewood and

many rare museum pieces have remained in Greenleaves throughout

generations, and are today as beautiful as the day they came from

foreign shores.

The present owners, Mr. and Mrs. Melchoir Beltzhoover, the third

generation of the Koontz family to occupy Greenleaves, grace this

ante-bellum home with pardonable pride of possession.

The family of the original owners of Greenleaves was wiped out during a

yellow fever epidemic, the entire family filling one grave. Eventually

Greenleaves was bought by George Washington Koontz of Pennsylvania, who

became a leading influence, financially and socially, in Natchez.

Children of the present occupants of Greenleaves are the fourth

generation of the Koontz family to enjoy this luxurious home.

Mr. Beltzhoover’s ownership of this property is shared with his sister,

Mrs. Guy Robinson, who is a resident of New York state.

_Legend:_

Under the giant liveoaks at the rear of Greenleaves the Natchez tribe

of Indians held their annual pow-wows and decided all momentous

questions.

[Illustration: Greenleaves]

_Longwood_

Longwood stands in a moss-tangled forest. It is a monument to a dream

that was interrupted by the tragedy of the War Between the States in

1861-’65. It was to have been a gorgeous structure of Moorish design,

planned by Sloan of Philadelphia, who in those days had no equal as

artist-architect.

Longwood was being built for Dr. Haller Nutt. Landscape gardeners came

from abroad, and even today rare imported shrubs and trees form a part

of the dense growth around the unfinished gardens.

When the house reached its present point of construction, with more than

a hundred thousand dollars already invested, there came the cry of war

and the call to arms. Workmen laid down their tools and took their guns

and never returned to the task of completing Longwood.

The deep concrete foundation, the outside framework, and some of the

trimmings of the house were well under way. Today there are huge

sections of carved moulding, old paint buckets and brushes, tool boxes,

and carpenter’s implements scattered about the upper floors—just as they

were left almost 75 years ago.

The house, begun in the late 50’s, is of brick, burned by slaves on the

place, with columns and grill work of hand-carved, time-enduring

cypress. The ground floor contained a nursery and an adjoining apartment

for a white housekeeper and governess, a card room, a billiard room,

wine cellar, and heating plant. This floor is the only part of the

building that reached anything like completion. The upper floors were

boarded up. All orders for materials, marble stairway, mosaic floors,

and elaborate furnishings were canceled. Many of these orders had been

placed in Italy and France. Some costly pieces were en route on the high

seas. A few items were returned and others are now in national museums.

Dr. Nutt died in 1864, survived by his wife and a large family of

children. One of the descendants of these children now occupies the

finished lower floor or basement of Longwood. There is on this floor a

huge rotunda and eight large rooms, surrounded by a moat. Many relics of

past generations adorn these quarters, including antiques from different

branches of the family.

There are several pieces of richly carved rosewood furniture, an

exquisite old grand piano, and oil portraits of Dr. Nutt and his

beautiful blonde wife by famous old-world artists.

James and Merritt Ward of Natchez and Mrs. Julia Ward Blanchard of New

York City are the present owners of Longwood.

Planned as a palatial home for a family of eleven children and eight

hundred slaves, today Longwood (often referred to as “Nutt’s Folly”) is

occupied by Merritt Ward and one servant.

[Illustration: LONGWOOD—“Nutt’s Folly”]

_Magnolia Vale_

[Illustration: Magnolia Vale]

A few hundred feet below the city of Natchez, along the river edge, is

an extension of land on which the first Natchez was situated. This old

town was known as “Natchez Under the Hill”. The commercial center of the

old Natchez has passed into decay. The buildings that sheltered the

river men, the gambling “joints” that housed the riff-raff of those

steamboat days, have long since tumbled into the river. Driving down a

long and steep shelf of land, at the north end of what was old Natchez,

one comes to the gate of a castle-like home in the heart of a garden

which is always beautiful with blossoms. It is “Magnolia Vale”.

This house was built about 110 years ago by Andrew Brown and is owned

today by Andrew B. Learned, a direct descendant.

Andrew Brown was a native of Scotland, and a great lover of flowers.

After building a home of the early American type, with wide galleries,

handsome Doric columns, spacious halls and large rooms, he found

self-expression in creating a garden which has been famous for

generations, from St. Louis to New Orleans, as “Brown’s Gardens”.

A formal driveway, bordered with Louis Philippe roses, leads to the

mansion. Giant magnolias and evergreen laurimundi splash the landscape

with white and green. Formal flower beds, with boxwood borders, cover

the entire acreage of the foreground to Magnolia Vale.

The Mississippi River has continuously eaten into the grounds of

Magnolia Vale until much of this promontory has vanished into the

waters. Although the great house shows marked evidence of “settling”

from year to year, and is occupied now by a caretaker only, the gardens

are given constant attention. The same trim boxwood hedges, the same

formal walks and beloved flower beds, the same shrubs, the same tall

trees, and the maze of gardenia and japonica greet the visitor and shed

perfume across the broad and mighty river, which ravenously eats at the

very roots of these gorgeous plants.

_Mount Repose_

[Illustration: Mount Repose]

Natchez, Symbol of the Old South · 第 2 / 4 段