All true poets

--The sages

Who have left streaks of light athwart their pages--

have contemplated flowers--with a passionate love, an ardent admiration;

none more so than the sweet-souled Shakespeare. They are regarded by the

imaginative as the fairies of the vegetable world--the physical

personifications of etherial beauty. In _The Winter's Tale_ our great

dramatic bard has some delightful floral allusions that cannot be too

often quoted.

Here's flowers for you,

Hot lavender, mint, savory, majoram,

The marigold, that goes to bed with the sun,

And with him rises weeping these are flowers

Of middle summer, and I think they are given

To men of middle age.

* * * * *

O, Proserpina,

For the flowers now that, frighted, thou lett'st fall

From Dis's waggon! Daffodils,

That come before the swallow dares, and take

The winds of March with beauty, violets dim,

But sweeter than the lids of Juno's eyes,

Or Cytherea's breath, pale primroses,

That die unmarried ere they can behold

Great Phoebus in his strength,--a malady

Most incident to maids, bold oxlips and

The crown imperial, lilies of all kinds,

The flower de luce being one

Shakespeare here, as elsewhere, speaks of "_pale_ primroses." The poets

almost always allude to the primrose as a _pale_ and interesting

invalid. Milton tells us of

Flowers and Flower-Gardens With an Appendix of Practical Instructions and Useful Information Respecting the Anglo-Indian Flower-Garden · 第 73 / 183 题