Would that thou couldst laugh for aye,
Merry, ever merry May!
Made of sun gleams, shade and showers
Bursting buds, and breathing flowers,
Dripping locked, and rosy vested,
Violet slippered, rainbow crested;
Girdled with the eglantine,
Festooned with the dewy vine
Merry, ever Merry May,
Would that thou could laugh for aye!
_W.D. Gallagher._
I must give a dainty bit of description from the poet of the poets--our
own romantic Spenser.
Then comes fair May, the fayrest mayde on ground,
Decked with all dainties of the season's pryde,
And throwing flowres out of her lap around.
Upon two brethren's shoulders she did ride,
The twins of Leda, which, on eyther side,
Supported her like to their Sovereign queene
Lord! how all creatures laught when her they spide,
And leapt and danced as they had ravisht beene!
And Cupid's self about her fluttred all in greene.
Here are a few lines from Herrick.
Fled are the frosts, and now the fields appeare
Re-clothed in freshe and verdant diaper;
Thawed are the snowes, and now the lusty spring
Gives to each mead a neat enameling,
The palmes[058] put forth their gemmes, and every tree
Now swaggers in her leavy gallantry.
The Queen of May--Lady Flora--was the British representative of the
Heathen Goddess Flora. May still returns and ever will return at her
proper season, with all her bright leaves and fragrant blossoms, but men
cease to make the same use of them as of yore. England is waxing
utilitarian and prosaic.
The poets, let others neglect her as they will, must ever do fitting
observance, in songs as lovely and fresh as the flowers of the hawthorn,
To the lady of the vernal hours.
Poor Keats, who was passionately fond of flowers, and everything
beautiful or romantic or picturesque, complains, with a true poet's
earnestness, that in _his_ day in England there were
No crowds of nymphs, soft-voiced and young and gay
In woven baskets, bringing ears of corn,
Roses and pinks and violets, to adorn
The shrine of Flora in her early May.
The Floral Games--_Jeux Floraux_--of Toulouse--first celebrated at the
commencement of the fourteenth century, are still kept up annually with
great pomp and spirit. Clemence Isaure, a French lady, bequeathed to the
Academy of Toulouse a large sum of money for the annual celebration of
these games. A sort of College Council is formed, which not only confers
degrees on those poets who do most honor to the Goddess Flora, but
sometimes grants them more substantial favors. In 1324 the poets were
encouraged to compete for a golden violet and a silver eglantine and
pansy. A century later the prizes offered were an amaranthus of gold of
the value of 400 livres, for the best ode, a violet of silver, valued at
250 livres, for an essay in prose, a silver pansy, worth 200 livres, for
an eclogue, elegy or idyl, and a silver lily of the value of sixty
livres, for the best sonnet or hymn in honor of the Virgin Mary,--for
religion is mixed up with merriment, and heathen with Christian rites.
He who gained a prize three times was honored with the title of Doctor
_en gaye science_, the name given to the poetry of the Provencal
troubadours. A mass, a sermon, and alms-giving, commence the ceremonies.
The French poet, Ronsard who had gained a prize in the floral games, so
delighted Mary Queen of Scots with his verses on the Rose that she
presented him with a silver rose worth L500, with this inscription--"_A
Ronsard, l'Apollon de la source des Muses_."
At Ghent floral festivals are held twice a year when amateur and
professional florists assemble together and contribute each his share of
flowers to the grand general exhibition which is under the direct
patronage of the public authorities. Honorary medals are awarded to the
possessors of the finest flowers.
The chief floral festival of the Chinese is on their new year's day,
when their rivers are covered with boats laden with flowers, and gay
flags streaming from every mast. Their homes and temples are richly hung
with festoons of flowers. Boughs of the peach and plum trees in blossom,
enkianthus quinque-flora, camelias, cockscombs, magnolias, jonquils are
then exposed for sale in all the streets of Canton. Even the Chinese
ladies, who are visible at no other season, are seen on this occasion in
flower-boats on the river or in the public gardens on the shore.
The Italians, it is said, still have artificers called _Festaroli_,
whose business it is to prepare festoons and garlands. The ancient
Romans were very tasteful in their nosegays and chaplets. Pliny tells us
that the Sicyonians were especially celebrated for the graceful art
exhibited in the arrangement of the varied colors of their garlands, and
he gives us the story of Glycera who, to please her lover Pausias, the
painter of Sicyon, used to send him the most exquisite chaplets of her
own braiding, which he regularly copied on his canvas. He became very
eminent as a flower-painter. The last work of his pencil, and his
master-piece, was a picture of his mistress in the act of arranging a
chaplet. The picture was called the _Garland Twiner_. It is related that
Antony for some time mistrusting Cleopatra made her taste in the first
instance every thing presented to him at her banquets. One day "the
Serpent of old Nile" after dipping her own coronet of flowers into her
goblet drank up the wine and then directed him to follow her example. He
was off his guard. He dipped his chaplet in his cup. The leaves had been
touched with poison. He was just raising the cup to his lips when she
seized his arm, and said "Cease your jealous doubts, for know, that if
I had desired your death or wished to live without you, I could easily
have destroyed you." The Queen then ordered a prisoner to be brought
into their presence, who being made to drink from the cup, instantly
expired.[059]
Some of the nosegays made up by "flower-girls" in London and its
neighbourhood are sold at such extravagant prices that none but the very
wealthy are in the habit of purchasing them, though sometimes a poor
lover is tempted to present his mistress on a ball-night with a bouquet
that he can purchase only at the cost of a good many more leaves of
bread or substantial meals than he can well spare. He has to make every
day a banian-day for perhaps half a month that his mistress may wear a
nosegay for a few hours. However, a lover is often like a cameleon and
can almost live on air--_for a time_--"promise-crammed." 'You cannot
feed capons so.'
At Covent Garden Market, (in London) and the first-rate Flower-shops, a
single wreath or nosegay is often made up for the head or hand at a
price that would support a poor labourer and his family for a month. The
colors of the wreaths are artfully arranged, so as to suit different
complexions, and so also as to exhibit the most rare and costly flowers
to the greatest possible advantage.