UNDER THE ROSE.

(_A Story in Scenes._)

[Illustration: "How shall I ever tell Cornelia?"]

SCENE I.--_A decorously-furnished Drawing-room, at Hornbeam Lodge,

Clapham, the residence of_ THEOPHILUS TOOVEY, Esq. _It is Sunday

evening._ Mr. TOOVEY, _an elderly Gentleman with a high forehead,

a rabbit mouth, and a long but somewhat wispy beard, is discovered

sitting alone with a suitable book, upon which he is endeavouring to

fix his thoughts, apparently without success._

_Mr. Toovey (reading)._ "With what a mixture of indescribable emotions

did I find myself actually standing upon the very brink ----" (_To

himself, as he puts the volume down_) It's no use, I can't concentrate

my mind on Palestine to-night, I can't forget this horrible

"Eldorado." Ever since I got that official warrant, or demand, or

whatever it was, yesterday, I've been haunted by the name. It seems

to meet me everywhere; even on the very hoardings! Why, _why_ didn't I

invest Aunt ELIZA'S legacy in consols, as CORNELIA told me, instead

of putting it into a gold-mine? I think LARKINS said it was a

_gold_-mine. If only I had never met him that day last year--but he

seemed to think he was doing me such a favour in letting me have some

of his shares at all; he'd been allotted more than he wanted, he told

me, and he was so confident the Company was going to be a success that

I--and now, after hearing nothing all this time, I'm suddenly called

upon to pay a hundred and seventy-five pounds, and that's only for one

half year, as far as I can make out.... How can I draw a cheque for

all that without CORNELIA finding out? I never dared tell her, and she

overlooks all my accounts. Why did I, who have never been a follower

after Mammon, fall so easily into that accursed mine? I am no business

man. All the time I was a partner in that floorcloth factory, I

never interfered in the conduct of it, beyond signing my name

occasionally--which was all they allowed me to do--and they took the

earliest opportunity of buying me out. And yet I must needs go

and speculate with Aunt ELIZA'S five hundred pounds, and--what is

worse--lose every penny, and more! I, a Churchwarden, looked up to by

every member of an Evangelical congregation, the head of a household

like this!... How shall I ever tell CORNELIA? And yet I must--I never

had a secret from her in my life. I shall know no peace till I have

confessed all. I _will_ confess--this very night--when we are alone.

If I could speak to CHARLES first, or to that young Mr. CURPHEW--they

will both be here to supper--and CHARLES is in a Solicitor's office.

But my nephew is too young, and Mr. CURPHEW, though he _is_ a

journalist, is wise and serious beyond his years--and if, as CORNELIA

thinks, he is beginning to feel a tenderness for ALTHEA, why, it might

cause him to reconsider his---- No, I can't tell anyone but my wife.

(_Sounds are heard in the hall._) There they are!--they are back from

Church--already! (_He catches up his book._) I must try to be calm.

She must not notice anything at present!

_Mrs. T. (outside)._ I've left my things downstairs, PH[OE]BE; you can

take them up to my room. (_Entering._) Well, Pa, I hope you feel less

poorly than you did, after your quiet evening at home?

_Mr. T. (flurried)._ Yes, my love, yes. I--I've had a peaceful time

with _Peregrinations in Palestine_. A--a most absorbing book, my love.

_Mrs. T._ You would find it more absorbing, Pa, if you held it the

right way up. You've been asleep!

_Mr. T._ No, indeed, I only wish I--that is--I may have dropped off

for a moment.

_Charles (who has followed his Aunt)._ You wouldn't have had much

chance of doing that if you'd been at Church, Uncle!

_Mrs. T._ No, indeed. Mr. POWLES preached a most awakening discourse,

which I am glad to find CHARLES appreciated.

_Charles._ I meant the cushion in your pew, Uncle; you ought to have

it restuffed. It's like sitting on a bag of mixed biscuits!

_Mrs. T._ We do not go to Church to be _comfortable_, CHARLES. Pa,

Mr. POWLES alluded very powerfully, from the pulpit, to the recent

commercial disasters, and the sinfulness of speculation in professing

Christians. I wish you could have heard him.

_Mr. T. (squirming)._ A--a deprivation indeed, my love. But I was

better at home--better at home.

_Mrs. T._ You will have other opportunities; he announces a course of

weekday addresses, at the Mission Rooms, on "The Thin End of the Wedge

of Achan." CHARLES, I gave you one of the circulars to carry for me.

Where is it?

_Charles._ In my overcoat, I think, Aunt. Shall I go and get it?

[ALTHEA _enters_.

_Mrs. T._ Not now; I haven't my spectacles by me. THEA, did you tell

PH[OE]BE to pack your trunk the first thing to-morrow?

_Althea._ Yes, Mamma; but there is plenty of time. CECILIA doesn't

expect me till the afternoon.

_Charles._ So THEA's going up to town for a few days' spree, eh, Aunt

CORNELIA?

_Mrs. T. (severely)._ Your cousin is going on a visit to a married

schoolfellow, who is her senior by two or three years, and who, I

understand, was the most exemplary pupil Miss PRUINS ever had. I have

no doubt Mrs. MERRIDEW will take ALTHEA to such entertainments as are

fit and proper for her--picture-galleries, museums, concerts, possibly

a lecture--but I should not describe that myself as a "spree."

_Charles._ No more should I, Aunt, not by any means.

_Mrs. T._ I never met this Mrs. MERRIDEW, but I was favourably

impressed by the way she wrote. A very sensible letter.

_Alth. (to herself)._ Except the postscript. But I didn't like to show

Mamma that!

_Charles._ But you'll go to a theatre or two, or a dance, or

something, while you're with her, won't you?

[ALTHEA _tries to signal to him to be silent_.

_Mrs. T._ CHARLES, you forget where you are. A daughter of ours

set foot in a playhouse! Surely you know your Uncle's objection to

anything in the nature of a theatrical entertainment? Did he not

write and threaten to resign the Vice-Presidency of the Lower Clapham

Athenaeum at the mere hint of a performance of scenes from some play by

that dissolute writer SHERIDAN--even without costumes and scenery? His

protest was most admirably worded. I remember I drafted it myself.

_Mr. T. (with some complacency)._ Yes, yes, I've always been extremely

firm on that subject, and also on the dangers of dancing--indeed,

I have almost succeeded in putting an entire stop to the children

dancing to piano-organs in the streets of this neighbourhood--a most

reprehensible custom!

_Mrs. T._ Yes, THEOPHILIUS, and you might have stopped it long before

you did, if you had taken my suggestion earlier. I hope I am not

to infer, from your manner, that you are yourself addicted to these

so-called pleasures, CHARLES?

_Charles._ Dancing in the street to a piano-organ, Aunt? Never did

such a thing in my life!

_Mrs. T._ That was not my meaning, CHARLES, as you very well know.

I hope you employ your evenings in improving your knowledge of your

profession. I should be sorry to think you frequented theatres.

_Charles (demurely)._ Theatres? rather not, Aunt, never go near 'em.

(_To himself._) Catch me going where I can't smoke! (_Aloud._)

You see, when a fellow has lodgings in a nice cheerful street in

Bloomsbury, it isn't likely he'd want to turn out of an evening after

sticking hard at the office all day!

_Mrs. T._ I am glad to hear you say so, CHARLES. It is quite a mistake

for a young man to think he cannot do without amusement. Your Uncle

never thought of amusing himself when he was young--or our married

life would not be what it is. And look at Mr. CURPHEW, who is coming

in to supper to-night, see how hard _he_ works--up to town every

afternoon, and not back till long after midnight. [_The bell rings._

_Charles._ Rather queer hours to work, Aunt. Are you sure he doesn't

go up just to read the paper?

_Althea (with a slight flush)._ He goes up to _write_ it, CHARLES. Mr.

CURPHEW is on the press, and has taken rooms here for the air of the

Common. And--and he is very clever, and works very hard indeed; you

can see that from his looks.

_Ph[oe]be (announcing)._ Mr. CURPHEW.

[_A tall slim young man enters, with a pale, smooth-shaven face, and

rather melancholy eyes, which light up as he greets_ ALTHEA.

_Mrs. T._ How do you do, Mr. CURPHEW? You are a little late--but some

services last longer than others. Oh, PH[OE]BE, now I think of it,

just bring me a paper you will find in one of the pockets of Mr.

COLLIMORE'S overcoat; it's hanging up in the hall--the drab one with

grey velvet on the collar. (PH[OE]BE _goes_.) It's a circular, Mr.

CURPHEW, which was given out in our Church this evening, and may

interest you to see.

_Ph[oe]be (returning)._ If you please, m'm, this is the only paper I

could find.

_Mrs. T. (taking it from the salver, without looking at it)._ Quite

right, PH[OE]BE--we shall be ready for supper when I ring. (_When_

PH[OE]BE _has gone_.) I can't see anything without my---- ALTHEA, just

go and see if I have left my spectacle-case in my room, my dear. It's

astonishing how they're always getting mislaid, and I'm so helpless

without them. (ALTHEA _goes_.) Mr. CURPHEW, perhaps you will read this

aloud for me; I want my husband to hear.

_Curphew (suppressing a slight start)._ May I ask if they distribute

papers of this sort at your Church--and--and why you think it is

likely to interest me in particular? (_To himself._) Wonder if this

can be a trap!

_Mrs. T. (taking back the document, and holding it close to her

nose)._ Gracious goodness! _this_ isn't the---- CHARLES, perhaps you

will explain how you come to have a paper in your pocket covered with

pictures of females in shamelessly short skirts?

_Charles (to himself)._ In for a pie-jaw this time! What an owl that

girl is! (_Aloud._) It's only a programme, Aunt; thing they give you

at a music-hall, you know.

_Mrs. T. (in an awful voice)._ Only a programme! Pa, tell this unhappy

boy your opinion of his conduct!

_Mr. T. (rising magisterially)._ CHARLES, am I to understand that a

nephew of mine allows himself to be seen in a disreputable resort such

as----

_Charles._ Oh come, Uncle, you can't know much about the Eldorado,

if----

_Mr. T. (with a bound)._ _The Eldorado._ How _dare_ you bring that

name up here, Sir? What do you mean by it?

_Charles (surprised)._ Why, you must have heard of it--it's one of the

leading music-halls.

_Mr. T. (gasping)._ A music-hall? the Eldorado! (_To himself._) If it

should turn out to be--but no, my nerves are upset, it _can't_ be--and

yet--what _am_ I to say to him?

[_He falls back into his chair with a groan._

_Mrs. T._ CHARLES, if you can stand there and feel no shame when

you see how disturbed and disgusted even Mr. CURPHEW looks, and the

agitated state to which you have reduced your poor Uncle, you must

indeed be hardened!

[CURPHEW _has considerately walked to the window_; Mr. TOOVEY

_endeavours to collect his faculties_; CHARLES _looks from one to the

other in bewilderment_.

Punch, or the London Charivari, Vol. 105, September 9, 1893 · 第 13 / 24 题