Oratory as a branch of literature resting upon formal rules of rhetoric

is a creation of this period. The Greeks had

[Illustration: PLATE LXXVII. COINS OF THE FOURTH CENTURY B.C.

1. RHODES. 2. ATHENS. 3. PANTICAPÆUM. 4. TENEDOS. 5. SICILIAN

DECADRACHM.]

always been a rhetorical people. We have noted how, even in Homer,

persuasion by the power of speech was a god-given attribute of kings and

elders. The Greeks, and the Romans too, went into battle under the

influence of oratory as our Highlanders are aroused to martial frenzy by

the eloquence of the pibroch. No one doubts that all the speeches in

Thucydides’ history are of his own invention, but if they bear any

resemblance to the real thing we must believe that the Greek soldier was

encouraged, in the fifth century, to fight by a very sober and logical

style of speech, including a categorical estimate of the chances in his

favour. The modern reader is frequently lulled to sleep by the words of

Brasidas or Nikias encouraging his men to battle. Thucydides had, it

seems, learnt his peculiarly artificial style of rhetoric from Antiphon,

who was the first professional rhetorician to engage in politics. But

even Antiphon was content to direct operations through his pupils. In

the fourth century the trained professional orator comes forward on the

Pnyx as a public statesman, is elected general, and gives orders to the

professional soldiers who now command armies and fleets. The profession

of the pleader had grown inevitably out of the legal system in vogue at

Athens. Where suits were decided by juries numbering hundreds, a rather

violent style of pleading had naturally arisen. Although it was

necessary by law for the litigants to conduct their own case, it became

customary for them to apply to speech-writers like Lysias, Isæus, and

Demosthenes for a speech to be learnt and recited as dramatically as

possible. We should expect such performances to be highly emotional and

to consist largely of oratorical claptrap. That, on the contrary, they

are for the most part severely logical, that purple passages are

carefully eschewed and references to national feeling kept within limits

is the clearest possible proof of the high intellectual standard of the

average Athenian citizen who sat upon the jury. It is true that

defendants did dress in mourning and produce wives and families in rags

and tears to move the sympathies of their judges, but their arguments

must be sensible and must include copious reference to the letter of

the law. From the so-called “Private Orations” of Demosthenes we obtain

rare glimpses of social life at Athens in the fourth century, the banker

Phormio who rises to affluence from slavery, who is liberated and

marries his master’s daughter, the elegant hooliganism of rich young men

who quarrel in camp and assault one another in the Athenian

market-place, the extraordinary luxury of Meidias, who rode on a

silver-plated saddle, or the quarrels of neighbours in the country about

watercourses and rights of way. In a later chapter we shall have to

consider the public orations of Demosthenes as the opponent of the

Macedonian conquerors. He is unquestionably for European literature the

father of oratory. Cicero learnt his art from Demosthenes, and Burke

from Cicero. Cleverness is the distinguishing mark of Demosthenes; his

style is restrained and logical. I do not think he was morally great, or

even more than tolerably honest, but he was so subtle a pleader that I

for one always have an instinctive desire to take the other side.

Isocrates, “the old man eloquent,” who died about 338 B.C., is an

interesting figure, very typical of his day. He became a professor of

rhetoric, and kept a school in which he had a hundred pupils, each of

whom paid him 1000 drachmæ for the course. He received as much as thirty

talents for writing a single speech. But he was a pure theorist; he

scarcely ever delivered his orations, which were written for private

reading, and carefully polished for that purpose. Some modern historians

discern in him a statesman of wide and lofty views. It is true that he

advocated peace, retrenchment, and reform for Athens. It is true also

that he spoke in his great Panegyric Oration, a work which had taken him

ten years to write, in favour of concerted action by Hellas against the

Persians. But I fear that Isocrates as a Panhellenist is a fraud.

Panhellenic orations on the text of the Persian wars were a standing

dish at the Olympic festival. Gorgias of Leontini, among others, had

delivered a similar oration in

[Illustration: PLATE LXXVIII. GREEK GEMS

_Mansell & Co._]

past years. It is surely a proof of the deadness of Panhellenic feeling

in Greece that the assembled States could periodically applaud such

orations and then go home and sign the peace which the Great King had

sent down from Susa. Moreover, the Panegyric itself is written in a very

curious tone for a genuine internationalist. He begins very happily:

“Athens and Sparta united, shoulder to shoulder, as they stood at

Platæa, Athens and Sparta ... yes, but in that order, mind you....

Athens must come first.... Sparta is, and always has been, a bully and a

sneak ... don’t you remember ...?” That is the spirit of the Panegyric.

Nor is the style really comparable to that of Demosthenes. Carefully

constructed as it is, it smells of the lamp; there is a wearisome

mellifluousness in its cadences, and a horrid odour of

self-consciousness and self-righteousness in its tone.

Turning now to philosophy, we are confronted at once with the problem of

Socrates and his real personality.[106] The sage himself wrote nothing,

but he has been written of by two immediate disciples, Xenophon and

Plato. Between the two we must form our idea of the man. It is likely

that Xenophon missed a great deal of the inner meaning of his master’s

teaching, but it is certain that Plato used Socrates as a peg for his

own ideas with a freedom which could only be tolerated in a country

where portraiture was seldom as yet practised as an art. Socrates may be

shortly described as a man who went about asking “Why?” It is a habit

that we are too apt to repress in children: the Athenians put Socrates

to death for it. Remember that it was the age when sophistry--that is,

formal profession of superior wisdom--was beginning to be rife, when

professors of this, that, and the other were abroad in the streets of

Athens. You may reduce any professor to tears by asking him “Why?” with

sufficient persistence, especially if you are followed by a train of

admiring young men of good family. Socrates was very pertinacious and

absolutely fearless. So a jury of Athenian citizens condemned him to

drink hemlock on the charge of corrupting the youth with atheistical

doctrines. He was certainly not an atheist. He was deeply religious in

the highest sense. He objected, or at least Plato did, to the theology

of Homer as undignified, in that it exhibited gods laughing and weeping.

But he used constantly to speak of “the God,” “the divine principle,”

and even of a “Daimonion,” or divine spirit in his own breast. Moreover,

Apollo, speaking by the mouth of the Delphic oracle, had declared him to

be the wisest of mankind.

In the main, there is no doubt but that the condemnation of Socrates

was, like that of Christ, a political move. Both Critias and Theramenes,

the foremost leaders of the oligarchic revolution, were among the

disciples of Socrates. Both Anytus and Melitus, his accusers, belonged

to the democratic reactionaries who had overthrown them. If we may judge

by Plato and Xenophon, Socrates was unquestionably a keen critic of the

innumerable sophistries upon which democracy was built. With all that,

Socrates was a good citizen and patriot. He had fought in many Athenian

battles, the soldiers marvelled at his contempt for cold and danger, he

had done his best to prevent the unjust sentence upon the generals of

Arginusæ, he had incurred the hostility of the Thirty Tyrants.

The trial and death of Socrates present a scene which for pathos and

nobility stands, with one other, alone in history. At the first trial he

was condemned only by a majority of six. Athenian law permitted him

under such circumstances to propose an alternative penalty. He proposed,

accordingly, that he should be entertained for the rest of his life at

public expense, along with the officers and benefactors of the State, in

the Presidential Hall. This Socratic irony was treated by the judges as

contumacy, and at the second hearing he was condemned to death by a

large plurality of votes. Plato has written of his end in three great

dialogues--“The Apology,” “The Phædo,” and “The Crito.” In “The Apology”

Socrates concludes his address to the jury with these words: “This only

I ask of you. When my sons grow up, gentlemen, if they seem to

[Illustration: PLATE LXXIX. CORINTHIAN CAPITAL

_Mansell & Co._]

you to be concerned about wealth or anything rather than virtue, punish

them, I pray you, with the same affliction as that with which I have

afflicted you, and if they pretend to be something when they are

nothing, make it a reproach to them, as I have made it to you. If you

will do that, we shall have received justice at your hands, I and my

sons. Ah, I see it is now time for us all to go hence, me to my death,

you to your life. But which of us is going on a better errand--that none

can say, but only God alone.”

The dialogue of “Phædo” is perhaps the sublimest thing in literature. It

purports to be the last discourse of Socrates to the friends who have

come to share his last moments. He preaches the immortality of the soul,

the unimportance of death, nay, the urgent necessity of that release

from the hampering and deluding trammels of the body, if a philosopher

is to see things as they are and enjoy the knowledge of reality. He puts

it as a “myth,” using the current Greek mythology of Styx and Hades and

Tartarus to enforce his doctrine of Hell, Paradise, and Purgatory. His

friend Crito asks for instructions as to his burial.

“‘Bury me any way you like,’ answered Socrates, ‘if you get hold of

me and I don’t escape you.’ He looked at us with a quiet smile and

proceeded: ‘No, sirs, I can’t convince Crito that I am this

Socrates who is now conversing with you. He thinks I am that one

whom he will presently see dead, and he asks, if you please, how he

is to bury me. I have been making a long speech to prove that when

I have drunk the poison I shall not be with you any more, but shall

have gone away to enjoy whatever blessings await the departed; only

I am afraid it is all lost upon Crito, with all my consolations for

myself and you. So you must be my sureties with Crito in a pledge

just contrary to that which he gave to my judges. He went bail that

I would remain here. You must go bail that I shall certainly not

remain, but abscond and vanish. Then Crito will be less afflicted,

and when he sees my body being burnt or buried he won’t grieve for

me as if something unpleasant was happening to me, and he won’t say

at the funeral that it is Socrates he is laying out or burying.’”

Then the story of his painful and courageous death is told in language

of extraordinary simplicity and dignified restraint. “Such, Echecrates,

was the last end of our companion, as we should say, the best, the

wisest, and the justest man of all we had ever known.”

Socrates had done much towards giving Greek philosophy its new trend.

The earlier philosophers had been chiefly concerned with the physical

universe, trying to discover its origin, and thereby its “principle”;

this had been apt to degenerate into that paltry inquisitiveness about

mere phenomena which many people are still apt to dignify with the name

of “natural science.” Socrates sought not so much the origin as the end

of things; he made philosophy concern herself with the nature of

reality, and incidentally with ethics and conduct.

The development of ideal philosophy may probably be ascribed, in the

main, to Plato rather than Socrates. Perhaps the general English reader

will find the simplest exposition of the Platonic theory of Ideas in

Wordsworth’s “Ode on Intimations of Immortality.” Put very briefly, it

is that the material world apprehended by the human senses is only a

copy or pale reflection of the realities “laid up in heaven.” The soul

comes into this world

“Not in entire forgetfulness

And not in utter nakedness.”

We recognise the forms of things by their likeness to the patterns

apprehended by the soul elsewhere. Thus, as Plato says in the “Meno,”

all learning is a process of recollection. The words of St. Paul to the

Corinthians are almost a verbal echo of this teaching of Socrates: “For

now we see in a mirror darkly, but then face to face: now I know in

part; but then shall I know even as I am known.”

The doctrines of Plato about Love have been strangely perverted in the

popular mind by a singular freak of language in the use of the word

“platonic.” They are expounded in two very different dialogues, the

almost boisterous “Symposium,”

[Illustration: PLATE LXXX. FIVE TANAGRA STATUETTES

_Mansell & Co._]

where Socrates and his friends agree to diversify the drinking with a

series of discourses on Love, and that most exquisite composition called

the “Phædrus,” in which Socrates and his friend converse on the same

topic as they lie in the shade of a spreading plane-tree upon the grassy

banks of the Ilissus.

The human soul, coming from eternity into life, has not forgotten

altogether “the sea of beauty” of which it had once enjoyed the vision.

All beautiful things remind us of it, and (once more to quote

Wordsworth):

“Hence in a season of calm weather,

Though inland far we be,

Our souls have sight of that immortal sea

Which brought us hither.”

Thus all men possess a natural yearning for beauty, however much their

glimpses of it may have been darkened and distorted by their earthly

experiences, and in their beloved they are seeing the reflection of the

reality of beauty. The procreant impulse is part of man’s yearning for

immortality; it is out of goodness and beauty that the immortal is to be

begotten.

With Plato’s political views as expressed especially in the “Republic”

we shall be able to deal more fully in the next chapter, when we come to

consider the political theories which arose out of the conditions of the

city-state. It is clear that in the hands of men like Socrates and Plato

philosophy was usurping the place which according to our notions

religion ought to occupy in the minds of men. Greek religion, or at

least the official Olympian worship as defined by Homer, Hesiod, and the

Tragic Poets, had never attained much influence over the morality of its

worshippers. But now philosophy was definitely claiming to teach virtue.

Not only sophists like Protagoras and Hippias, but even philosophers

like Socrates and Plato, claimed to put right conduct on a basis of

reason, and therefore of education. Hence followed the deplorable

consequence that virtue was to be for the rich and well-born. Philosophy

was snobbish from the start; it finished by excluding all but the

select few from any chance of salvation, and, if it had had its way,

would have excluded them from any political rights whatever. Socrates

seldom discriminates between wise and learned, nor between wise and

good. The strength of Greek philosophy is in its earnest opposition to

materialism, its proper scorn of base, trivial, and temporary pursuits.

But therewith it felt and inculcated a contempt of honest labour, and

thereby it drifted farther and farther apart from practical life. For

that, of course, the institution of slavery is largely responsible.

[Illustration: PLATE LXXXI. BUST OF “SOCRATES”

_Mansell & Co._]

VI

THE MACEDONIAN WORLD

εἴπερ ἴσην ῥώμην γνώμῃ, Δημόσθενες, εἶχες

οὔποτ’ ἂν Ἑλλήνων ἦρξεν Ἄρης Μακεδών.

PLUTARCH.

ALEXANDER AND HIS WORK

The fate of that old god Cronos, supplanted by his own children whom he

had tried in vain to devour, is more or less the common lot of all

parents of vigorous offspring. The Athenians had a nocturnal festival in

which young men ran in relays, each member of the team handing his torch

to another, and, as Æschylus says in a fine metaphor, “the first is the

victor, even though he be last in the running.” So at this point of our

history we begin to be aware of new forces arising in the Greek world,

new powers on the fringe of the Hellenic circle now stepping into the

light and taking their places in the torch-race of civilisation. Such

were Rhodes, the new commercial republic, Caria under Mausolus, Thessaly

under Jason, Cyprus under Evagoras, Pergamum under Attalus, the two

Leagues, Ætolian and Achæan, and above all Macedon under Philip and

Alexander. The stream of culture and intelligence that emanated from

Athens and the other ancient cities was now pulsing in the finger-tips

of Greece. Many of these new powers are more than half barbarian. They

are either monarchies or confederations. What generally happens is that

leaders arise who are themselves sufficiently endowed with civilised

intelligence to utilise the latent force in a race of untamed and

uncivilised warriors. In the military sense the case is that the old

powers had grown into the habit of replacing their citizen militias by

paid professional soldiers, and their citizens accordingly had grown

slack and unwarlike. Rulers like Philip of Macedon were able to raise

much larger native levies and to drill them into the professional

tactics of the day. Economically it was wealth that told. The old cities

were, partly, no doubt through their own lack of foresight, in a state

of financial exhaustion, while Philip, by his control of the gold-mines,

Attalus and Evagoras by their private wealth, and the Phocians by their

sacrilegious seizure of the treasures of Delphi, were still able to

bring large forces into the field. The old powers were thus left behind

in the race through the force of circumstances beyond their control. In

fact, the day of the city-state seemed for a time to be drawing to a

close, and larger units, either kingdoms or confederacies, to be taking

its place according to their natural superiority.

Modern historians, therefore, suckled on Bismarckism and devoted to

physical force, turn aside from the old cities and pronounce them

hopelessly degenerate. This is a proposition that deserves examination.

In some respects it is false. If it be the mark of historical decadence

that the motive power of a race is in some mysterious way paralysed so

that invention ceases and no more new forms or experiments are made in

culture or politics, then we may assert with some confidence that Greece

was not yet even in the third century in such a condition. We shall see

something of her new inventions in literature, philosophy, and art in

this chapter. In politics the federal systems of Western Greece were

distinctly novel and promising. Even in warfare she fought bravely

enough at Chæroneia, as she did much later against the invading Gauls.

Even Athens, when her dark hour came and she had to submit to garrisons

and alien governors, never acquiesced, but rose again and again in

rebellion against them. Sparta for a short time in the third century

performed the most difficult of all political feats, namely, a

reformation and regeneration of herself from within. At Sellasia under

Cleomenes III. in 222 B.C. the few Spartans who remained fought against

tremendous odds with all their ancient sublime devotion, and died to a

man as their ancestors had done under Leonidas. So true is it that moral

and spiritual qualities in a people do not come to the sudden end that

often befalls a state when it depends for its greatness on material

prosperity or physical force.

But the most serious symptom of later Greece was a real racial decline,

for which history has no remedy and no mercy, a decline of population.

The Spartiate race of Lacedæmon, for example, became almost extinct.

There were no more than 1500 of them at the date of the battle of

Leuctra, and after that we hear of expeditions containing no more that

thirty genuine Spartiates. In a less degree it was the same all over old

Greece, and whether it was due to malarial fever or to economic

distress, it made the political decline of these states inevitable.

Now it is necessary to go back a little into the earlier part of the

fourth century to glance at the rise of Macedon and its conquerors. At

the opening of the century Macedon was still almost uncivilised; it was

ruled by a monarchy surrounded with an aristocracy of knights very much

after the Homeric model. At that time its kings had begun to acquire

enough education to mingle a little in Greek politics, and Archelaus in

particular had the good taste to invite Euripides and Agathon to his

court. Philip II. obtained the throne by suppressing his young ward, the

rightful king. At that time Macedon was overrun by wilder barbarians

from the west, and it was long before Philip could make head against

them. He did so at last by the organising genius which he displayed in

remodelling his army, the astute statesmanship with which he made and

broke treaties, and still more by the wealth he secured and the use he

made of it in bribing his enemies. Philip was, in short, the organiser

who occasionally precedes the conqueror and grows the laurels for his

successor to wear. Expansion to the west would be difficult and

unprofitable. To the east lay the important cities of the Chalcidian

peninsulas, the gold-mines of Mount Pangæus, protected by the city of

Amphipolis, the rather decrepit kingdom of Thrace, and then the way was

clear to the Black Sea and to Asia. Now this was the chosen field of

commercial enterprise for Athens and her reviving fleets. A conflict was

therefore inevitable.

The statesman who led the anti-Macedonian party at Athens was the orator

Demosthenes. His brilliant series of Philippics and Olynthiac Orations

are full of denunciations of the crafty monarch, full of trumpet-calls

to the ancient valour of Athens which sometimes ring rather hollow to

modern ears. Demosthenes was not exceptionally honest, but there is no

warrant for suspecting the purity of his patriotism. He himself set the

example of bearing a shield personally in the ranks, and he must have

been conscious throughout his public career that he was in danger of

assassination or of execution if the enemy triumphed. The wisdom of his

opposition to Philip has also been questioned. Events were to prove that

these Macedonian kings were not barbarians; on the contrary, their

warmest aspiration was to be counted as Greeks, and they had, as they

frequently testified, a great love of Greek culture and a deep

veneration for Athens as the home of it. This the future was to prove;

the present only showed a foreign monarch devouring piecemeal the

markets of Athens in the north. Perhaps Demosthenes ought to have

realised that Macedon was too strong for Athens, but no one could

seriously expect old Greece to succumb to this upstart without a

struggle. For one thing, Macedon had not and never acquired a really

strong fleet. But her army was certainly irresistible.

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