XVI

On the afternoon of the same day, Leo Sellenthin reined in his mare at

the gateway of Uhlenfelde. The heraldic sword amidst the three

wide-jawed fish pointed warningly down on him from the escutcheon of

the Kletzingks above the entrance.

As he wiped the sweat from his brow, a last faint "Turn back," breathed

by the rustling leaves, fell on his ear. But he clenched his teeth, and

rode on. To the left, on the same side as the stream, lay the house, a

white slate-crowned bijou structure, resembling the country seat of a

parvenu more than the ancestral castle of a doughty old feudal race.

It had been built at her desire, for the former gray castellated pile

had not found favour with the fair new mistress. Two female figures in

marble, representing peace and hospitality, stretched out their shining

arms in welcome to the stranger from the parapet of the ramparts, which

were approached by a terraced drive. Groups of widespreading palms,

overarched by the ragged plumes of a banana, filled the space made by

the curve of the drive. The jagged, fan-like foliage stretched up to

the marble figures, which in their snow-whiteness seemed like rare

exotic blooms in this wilderness of green.

Leo turned away from the house, for, according to the programme, he was

not to meet Felicitas until he had seen Ulrich.

The spacious courtyard stretched its huge length before his eyes.

Ulrich, it would appear, had been building without a pause during the

last few years, for more than half the offices and farm-buildings had

been rebuilt. Where once the long white clay wall covered with stubbly

thatch had stood, there was now a row of brand-new brick palaces, with

iron bolts and locks, stone porches, and a system of covered drainage

round about.

In the yard, drawn up in columns, were the long waggons with their big

strong axles, and their fresh-polished wood agleam. There were the

ploughs--a distinguished blue-coated regiment, beginning with a bulky

"Ruchadlo," and ending with the slender furrow hedgehog, a beautiful

"Fowler" steam plough with double shafts--and an engine at the head.

The more delicate machines lay under the shelter of a shed; the

drainers and the manure-scatterer, and the newest inventions, just

arrived from England. There was also a "Zimmermann" threshing-machine,

of the kind Leo himself so earnestly coveted, and a five-tubed

apparatus for setting seed.

A feeling of admiration untainted by envy awoke in him. A good deal

that he had only seen before at agricultural exhibitions, where he had

been apt to regard it all scarcely sympathetically as so much machinery

_de luxe_, was there in everyday use, its working capabilities tested

and proved.

In another place, on wooden blocks, boxes out of the potato carts lay

huddled together like unslain dragons weltering in the sun. Near the

stable stood a company of iron-spouted kettles, in which during the

winter the tougher-fibred fodder was soaked, and made easy for the

mouths of the cattle to masticate. To crown all, there was a perfect

reservoir designed by Wolf, such as only model farms could afford.

Black clouds of smoke issued from the tall chimney which flanked the

distillery buildings, for, although the distillery itself was not this

moment at work, the steam-engine was setting in motion the dairy

machinery, which was in full activity. Long rows of milkpails were

ranged near it facing the sun, snowy white with gold-gleaming

hoops--the tin strainers shining as bright as silver; the butter-churns

and butter-separators, and all sorts of implements which Leo didn't

even know by sight; at every step some new wonder was revealed to him.

"And what is _my_ old lumber in comparison with this?" he thought.

Then a solemn mood overtook him, a feeling of reverend exultation,

which banished all his fears, and for a moment let him forget what had

brought him there. If it was within human possibility to accomplish all

this by dint of energy and strength of purpose, why should not he

succeed in a like achievement? He had only to push on steadily from the

point at which he had begun, to throw himself heart and soul in his

work, and to abandon frivolity and philandering for evermore. The

elevating example of his friend before his eyes, the feeling of

deliverance which it would give him to procure secretly his happiness,

this alone would prevent his making shipwreck again of his career.

As he drew near the stable, a groom whom he did not know met him, and

smiled up in his face with familiar impertinence.

"The mistress is not at home to-day," he remarked. "Two lots have had

to ride away without seeing her."

"Speak when you are spoken to, fellow!" Leo thundered at him, so that

with an anxious exclamation he nearly jumped out of his skin.

What a delightful understanding must exist between servants and guests

when a complete stranger was received with this gratuitous

officiousness! And how it was accepted as a matter of course that his

visit was intended for the fair lady of the house!

He sprang out of the saddle, and was told that the master was with the

horses in the paddock, exercising the two-year-olds. He walked in that

direction, and the groom, who was probably in the habit of being tipped

by his mistress's admirers, glared after him dumbfounded.

On the miniature racecourse which sloped towards the stream, Ulrich's

lanky figure was to be seen, surrounded by a crowd of golden-brown

thoroughbred colts, which were pressing against him to be caressed by

his hand. Leo's heart smote him at the thought of the comedy of

deception he had given his word to enact, and the victim of which was

to be the man who was dearest to him in the world. But what was to

happen was to be for his happiness and his peace of mind. Therefore he

must go forward with it.

The colts, at his approach, bounded away half shyly, half roguishly.

Ulrich turned round. Pure joy, succeeded the next moment by horror, lit

up his emaciated features.

"You at Uhlenfelde?" he gasped.

"How do you do, little girl?" cried Leo, forcing himself into an

assumption of his old genial manner. "Don't let your eyes quite start

out of your head. You can set the dogs on me to chase me out of the

yard if I am not welcome."

And then he repeated his lesson. How he felt things could not go on as

they were, and he wanted to try if, by means of an interview with

Felicitas, he could get to the bottom of the aversion she had expressed

for him, and through an explanation put the relations between them on a

more tolerable footing. Therefore he besought his friend to go indoors

and beg Felicitas to see him.

A smile of hopelessness flitted over Ulrich's face. "It is altogether

useless," he replied. "I am sure that she won't receive you. You don't

know in what strong terms she speaks of you."

"That may be," said Leo, without daring to raise his eyes from the

ground, "but at least make the attempt. Say I have come to ask her

pardon, anything you like."

Ulrich reflected, and then said, "Very well, come. It shall not be said

that I did not try, however little good it may be."

They left the enclosure, surrounded by the colts, who had begun to make

friendly overtures to the stranger. But he took no notice of them.

Mutely he walked at his friend's side, now and then giving himself a

shake, as if he would shake off from his soul some insupportable

horror.

Ulrich stood still when they came to the ramparts.

"In case she does consent, do you think it best to see her alone?" he

asked.

"Certainly," Leo replied, feeling that he was not used yet to the

distasteful game he was pledged to play in the eyes of his unsuspecting

friend.

"Then let me go in to her, and you wait out here. Forgive me," he

added, "but unless it is her desire, I cannot permit you to enter the

house consecrated to her honour."

Leo nearly crushed his hand in his own, but he hadn't the courage to

meet the eyes that rested on him with their fiery brilliance melting

into tenderness. He watched him disappear behind the statue of peace.

He fixed his gaze absently on the marble woman, who seemed to hold out

her palm-branch towards him with a friendly gesture. Then he began to

pace up and down the forecourt with long strides. He dared not think of

what was going on indoors at that moment.

Quarter of an hour passed, when Ulrich, glowing from excitement, his

long neck eagerly thrust forward, came out.

"Leo?"

"Well, old fellow."

"It was difficult, Leo, but she gives her consent."

"Thank you, a hundred times, Uli," he stammered, and blushed like a

lying schoolboy.

"So far, she has only one end in view," Ulrich continued. "That is, to

send you home humiliated and wretched. But you must see what you can do

with her, my boy, and think of the fever I am in meanwhile."

Yes, he really was feverish. His hands trembled, and the blood throbbed

in his temples.

He led the way, and Leo pushed quickly past him; secure already of

victory, but as full of dread and shame as if he had been defeated. He

found her stretched on a lounge, her face buried in the cushions. She

appeared to have sunk down there after the mental excitement of the

last quarter of an hour. A tea-gown of primrose-coloured, coarse-fibred

silk hung about her limbs in _negligee_ folds. His diamond flashed on

the hand which she held out to him without changing her position.

"Shut the door," she whispered.

He obeyed.

Then she lifted her face for the first time. Her eyes were red from

crying.

"How had she been able to manufacture tears for this farce?" he asked

himself.

"Oh, I was so ashamed of myself," she murmured.

Ah! she had been ashamed; that would account for it. And he began to

console her. He told her this horrible hour must be got over.... Later,

of course, there would be no more double dealing; every action of

theirs must pass above-board before Ulrich's eyes.

"That was understood before," she exclaimed, offended that he had

thought it necessary to remind her.

And in the midst of her distress she smiled at him--a coy, happy smile.

"Now he thinks that we----" she began. Her sentence did not end, but

there was something in her broken words that made the blood mount hotly

to his brow.

"That's bad enough," he growled, and turned his back.

There was a silence. He drew out his watch, and studied the hands.

"I thank you, Leo, for coming to-day," she began again shyly, after a

little while.

"Didn't you expect me, then?" he asked.

"Oh, you know you might not have come," she responded with a sigh.

"Such a woman as I am."

"Such a woman as you are! What do you mean?"

"Well, I mean that it wouldn't be surprising if people didn't keep

their word to me."

He felt a bitter resentment against this sort of self-abasement.

"I must beg you, Lizzie," he said, "to drop this false humility. You

are the wife of Ulrich von Kletzingk. As such, you have the right to

claim respect, the highest respect from me and every one else. And who

doesn't ..."

He broke off and raised his fists, so that she withdrew frightened into

a corner of the lounge.

"Pray, for goodness' sake, don't get so angry again," she whispered. "I

am miserable enough."

"That is to be all over now," he said.

"What, my misery?" she asked with a disconsolate smile.

Then he began with vehement zeal to describe to her what he proposed

the future should be. He had a double mission in her house. First,

Ulrich's happiness; secondly, her rehabilitation.

With his assistance she was to free herself from the oppressive

consciousness of the old guilt, she was to learn to hold up her head

again, and to get used to a sense of reconquered dignity, so that it

was not to be conceived for a moment that the most impertinent dared

approach her with anything less than what was due to her position.

"You paint Heaven to me," she murmured, and a tremulous radiance began

to gleam in her eyes.

"I only paint what it is possible to realise," he answered. "When we

open this door, Lizzie, all the old rottenness must be sloughed off. We

shall begin a new life from that moment."

She pressed her handkerchief to her eyes, and exhaled over him a cloud

of the perfume she habitually used. The discreet delicacy of the iris

was overpowered by the sharp sweetness of the opoponax, so that,

half-suffocated by the pungent odour of the atmosphere around her, he

made for the window.

His glance wandered round the one-windowed apartment, which had once

been his own putting-up quarters; it was now transformed, regardless of

cost, into the luxurious nest of a fashionable woman of the world.

The walls were hung with blue brocade; small gilded chairs, with

butterfly-wings for backs, card-tables, tabourets and stools of every

description, were dotted about, crouching on the Indian carpet like

fabulous beasts. A gigantic fan of snow-white marabou feathers served

as a screen for the stove. Bronzes and antique bric-a-brac figures,

dainty and alluring, populated the cabinets; a marqueterie bookcase

contained the mistress's favourite volumes, bound in ivory-coloured

vellum, and an old Venetian altar-cloth was draped in coquettish folds

over it as a curtain. Above the writing-table there shone in Carrara

marble the dreamy head of the Vatican Eros, outlined with a bluish

tinge, for the light penetrated to it through a blue and gold

embroidered gauze background, flooding the room one moment with a

subdued duskiness, the next with vivid flashes of sunshine.

The whole was an interior commonly enough seen in European capitals,

but something quite unheard of here in the remote "Hinterwald."

"He spoils you far too much," he said, with a kind of paternal smile,

shaking his finger at her.

"His kindness weighs me to the earth," she replied, pressing her

milk-white face against the cushions.

Again he looked at his watch. "Time is up," he said; "we mustn't keep

him waiting for nothing."

She lifted her hands in entreaty. "Five minutes more!" she begged.

"Why?"

"I am so afraid."

"Of _him_?"

She was silent.

"Don't be a coward, Lizzie!" he exhorted her.

"And it is so peaceful here, so harmonious. It's like being in a great

wide forest. One dares at last breathe freely."

"Breathe away, then, and have done with it. One--two--and three," he

counted, with the handle of the door in his hand.

Then he tore open the folding-doors.

The clear, hot light of the garden salon cut into the blue, heavy

gloaming.

"For God's sake ... wait!" she cried; "what are we going to say to

him?"

"What our hearts dictate," he answered, holding himself erect, as one

delivered from bondage.

She peeped shyly through the crack of the door, but at the same moment

the door opposite opened, behind which Ulrich had been waiting the

result of their interview. Unhesitatingly she rushed, with an

exclamation of affection, into her husband's arms.

Two hours later the three sat together in the lamplight at the

tea-table, happy in a feeling of possessing each other again.

Before supper Leo had been shown round the stables, had learned much,

and wondered more; but now agriculture was forgotten, and friendship

enjoyed its own. Ulrich was talkative and fluent; his joy buoyed him

up. He could not value and appreciate the wife enough who that day had

laid at his feet an almost superhuman testimony of her love. Every

caressing look he cast at her, every lapse into thought, was a secret

apology for having ever dared to think himself unhappy at her side.

She, for her part, treated him with such humble gentleness, was so

attentive to his wishes, and looked up to him so full of admiration,

that Leo was charmed with her conduct as he watched her, and could

scarcely refrain from rubbing his hands under the table, repeating to

himself over and over again--

"This is my doing. He owes his happiness to _me_."

Towards himself, too, Lizzie's behaviour was perfect. She was reserved

without being stiff; she conversed in an easy, friendly strain without

letting him forget that worlds lay between them. There lingered in her

voice a tearful tone, as of one who has forgiven a bitter wrong without

having had time to forget it, and who pleads for consideration on

account of this shortcoming. Her manner seemed as perfectly adapted to

the real circumstances as to the feigned, so Leo was able to lose the

painful feeling of playing the hypocrite. In his satisfaction he blew

down clouds from his meerschaum, so that the silver supports of his

tea-glass rattled on either side. Now he had completely won him again

for the first time, _he_ who sat opposite. This domestic problem lay in

the hollow of his hand.

The oil in the two branching lamps gurgled and boiled. From the depths

of the samovar sounded a low, mysterious humming; the chirrup of the

grasshoppers came through the glass doors with the rustle of the

evening breeze in the orange blossoms.

It was a rare symphony of broken, veiled tones, a fitting accompaniment

to shrouding the past and to meeting the future with its longing dreams

of happiness.

But, still, Leo discovered something that did not please him in

Ulrich's eyes, which were riveted on space.

"All of a sudden you have grown mum in your joy, old man," said he.

"I'd rather hear you harangue us."

Ulrich laughed shrilly and rang the bell.

"Wine," he commanded the servant. "Virgin's milk--you know, the

oldest."

Felicitas, who was bending over her white embroidery, glanced roguishly

across at Leo, who knew as well as she did how jealously Ulrich guarded

this priceless treasure of his cellar. Then she stood up, and went

herself to superintend the order.

The friends were left alone. Ulrich confessed that even yet he could

hardly believe in what had happened to-day. The reconciliation which

once he would have thought natural and easy enough seemed, now it had

been accomplished, something fabulous and incredible.

"Yes, yes; you are just like children who have kissed and made

friends," he said, looking at Leo full of affectionate admiration. "How

did you do it? You have only to appear, it seems, and behold the thorny

hedge opens and the heart supposed to be full of hate flies out to

you."

Leo laughed nervously, and said something about its not having been so

bad as hating.

Felicitas brought in the wine, and poured the topaz-coloured fluid into

the tall green rummers. Leo felt the gaiety, which always awoke in him

at the sight of a noble drink, bubble up and master him; like a presage

of ecstasy it rushed over him, sweeping away the last shred of all that

had hitherto constrained him.

"Long live friendship!" he cried, raising his glass.

"And may nothing separate us three again," added Ulrich.

Thereupon Leo's eyes met Lizzie's for a moment in a rapid, consciously

guilty glance.

If he knew!

The glasses clinked. A pure, echoing arpeggio rang from the superb

crystal.

"I could wish that our lives might harmonise in such musical accord as

that," said Ulrich.

Then suddenly he broke off, and the glass sank from his lips. He cast a

searching look along the wall, then pulled himself together and emptied

the glass with one draught.

Leo had followed his eyes. There on the wall hung the child's portrait.

Felicitas, too, betrayed uneasiness, and after a moment's consideration

she poured a few drops out of her own glass into that of her husband's,

and, leaning against him, tenderly whispered in his ear--

"To the absent one whom we both love."

Leo pretended to have noticed nothing. Then, to clear the threatening

atmosphere, he began hastily--

"It can't be helped, children. We must settle a thorny matter once for

all to-day, however difficult it may seem to discuss it just now."

Husband and wife listened aghast. Lizzie cowered and gave him a warning

look, as much as to say, "For God's sake be quiet!" Then her glance

glided to the picture. It seemed as if she feared that he would be

tactless enough to begin talking of the boy.

"Well, then, the long and the short of it is," he continued, "how are

we to break to our beloved neighbours what has happened to-day, and

what all its consequences will be? For I don't mind betting that they

are only waiting in their Christian patience for a chance of putting a

scandalous interpretation on it."

Felicitas gave a sigh of relief, and threw him a grateful glance. "What

is your opinion, dearest?" she asked, leaning her chin in the hollow of

her hand, and looking up at her husband with a childlike expression.

He ran his clenched fingers through his scanty beard. "Don't ask me,"

he said. "What are we aristocrats for if we are not above that sort of

thing? We ought to exercise our own personal discretion as we please in

such matters, and not trouble ourselves about the good or evil tongues

of a mere coffee party."

"Bravo!" cried Leo, laughing. "A high-principled cattle-stealer, such

as we have hung out there more than once, could not express himself

with more admirable effect on the gallows."

"Stop your buffoonery," said Ulrich. "Why do we pride ourselves on

being made of superior stuff to a grocer trembling for his credit? In

our own domains we are little kings, owing allegiance to our feudal

lord, and to no one else in the world. And don't we deem our country

squirarchies something higher even than the high nobility, who are at

the beck and call of the court, and bound to drag French and Russian

satellites after them?"

Leo nodded, beaming with pride.

"And besides that, are not our lives full of work, and the fulfilment

of arduous duties?" continued Ulrich. "So I should think we might be

allowed to be the best judges of how to enjoy our leisure. What can the

opinion of the world matter to us, if we know that our own method of

procedure, regardless of whether men abuse it or not, is actuated by

pure motives?"

"Ah, now you have got on your 'pure-motive' horse," mocked Leo, who was

in such a happy frame of mind that he felt he was licensed, as of old,

to look at everything from the ludicrous side. "It is incomprehensible

that a man who has written a book on the 'Feeding of Live Stock' can

pretend that he is in a position to grow fat on the motives of his pure

heart, leaving out of the question that every one isn't the lucky

possessor of such an institution," he added, hardly audibly.

"But every one may snap his finger at public opinion," Ulrich

maintained.

"There I am at one with you," shouted Leo, showing his even teeth and

bringing his fist down on the table. And while Felicitas rose and

appeared to have something to do in the dimly lighted ante-room, he

bent over to Ulrich, and said in a low voice, "As far as I am

concerned, old man, this lecture of yours is quite superfluous. My

shoulders are broad enough, and I know how to make my way with my

elbows. But there is a woman in the business----"

"My wife?"

"Right you are, your wife. We must be considerate for her. Women have

their own codes of honour; ... we mustn't tolerate her being placed in

an anomalous position."

Ulrich was silent. He was always open to conviction; and he did not

hesitate for an instant to recognise the full importance of Leo's

suggestion.

Felicitas came back, lovely and deprecating, as if the conversation had

been on some theme of farming or agriculture, which women are not

supposed to understand.

But as the two men continued to stare before them in a brown study, she

put in her word, with a pretty hesitation and helplessness, like one

who is certain that she is going to say something stupid.

"If you don't mind," she said, "I think that we ought to make the world

take the responsibility."

"For what?"

Neither of them understood her.

"For your coming together."

"How can we?" asked Leo.

"I don't know yet; ... but I'll think it over. And when I have hit on

something, I'll let you know, dear Leo, at once."

She spoke with such a comic, important little air that Ulrich broke

into relieved laughter, and said, with jocose pity--

"Poor child! She's going to think it over."

She pouted, and while he caressed her small, curly head awkwardly she

closed her eyes, and threw herself back against his arm.

He gazed down on his wife for a moment shyly and passionately, then

rose quickly and went into the next room, in case his new-found

happiness should unman him.

Soon after, the rich, low notes of an organ sounded on Leo's ear. In

astonishment he listened attentively to the sweet, full volume of

melody. There used to be only an old quavering harmonium in the

music-room, on which Ulrich had been wont to practise his chorales.

"What does this mean?" he asked Felicitas, who was putting away her

crewels.

She laid her finger on her mouth. "It is a new sort of organ that he

has got from America," she whispered across the table. "Stay here,

and don't disturb him. I must go and see if he wants to use the

pedal-notes; when he does, he likes me to blow for him."

She went out noiselessly, leaving the folding-doors wide open behind

her. A few moments later, candles illumined the darkness, whence the

mysterious flood of sound proceeded.

Ulrich, lost in the music, was seated before a curious instrument

resembling a cottage piano, except that it was built upwards in several

stages, like a staircase. His head was thrown back, and he was staring

at the ceiling. Felicitas, in her diaphanous dress floating about the

rosily-glowing room like a cloud, laid softly a score on the desk in

front of him.

He nodded his thanks without taking his hands from the keys. Then,

transposing the key, he began to play the piece she had chosen. Leo

knew it well. It was a Mass by Scarlatti, which, in old days, Ulrich

had loved better than anything.

He himself had never been tired of girding at the antiquated fugues,

which he had called "pictures of the saints set to music," but now,

when he heard again, after years of wild wanderings, the old familiar

homely notes, his heart was stirred to warm emotion. Fighting down his

tears, he threw himself into an armchair which stood in a dark corner

nearest the door, enveloped himself in clouds of tobacco, and

meditated, dissolving thoughts, half formed, passing through his mind.

It was all over now, of course, with the plans he had made at his

home-coming. Johanna might triumph, and the old chaplain with her. But

what did that matter, after all? Ulrich's happiness was the main thing.

"And is he happy?" He asked the question with a momentary, horrid doubt

of himself, of her, and everything good.

Then he bent forward and looked through the door. He devoured with his

eyes the picture. If that was not happiness, no one was happy on this

earth.

She stood by Ulrich in all her loveliness, encircling his long, lean

neck tenderly with her arm, following the music with vigilant

eagerness, so that she might be ready to help at the right moment.

"The vox humana!" Ulrich begged, glancing up at her.

She seized one of the stops, which sprang out with a slight click, and

as Leo listened, there rose the trembling, plaintive sound of a human

voice, struggling with fervent, imploring notes towards heaven.

"Was it not human what I did?" the voice seemed to be asking. "Was not

the sin sweet for which I am now in sackcloth and ashes?"

Then there came into his head the old maxim.

"Repent nothing," roared from the depths of his being.

He pulled himself together defiantly.

No, in truth he repented nothing. He was not penitent. Now there would

be no more secrecy. Ulrich was happy. Lizzie, freed of her old fears,

was turning to her husband. _And the past was as if it had never been._

"Leo, are you satisfied with me?" murmured a melancholy, wistful voice

at this moment in his ear, and a strong perfume enveloped him.

He started. He was almost choked by anger, and was obliged to put the

utmost restraint on himself not to hurl some coarse epithet at the head

of her who bent over him with a resigned smile, as if she were a lamb

going to the slaughter.

"If you want to be praised, go to your husband," he said roughly; and

then he stood up to take his leave.

The Undying Past · 第 35 / 74 题