CHAPTER XIX.

AT THE CHILD'S BEDSIDE.

The stars were already twinkling above the Griess, here and there one

looked as if impaled on a giant flagstaff, as they sparkled just above

the tops of the lofty firs or the sharp pinnacles of the crags.

Countless shooting stars glided hither and thither like loving glances

seeking one another.

The night was breathing in long regular inhalations. Every five minutes

her sleeping breath rustled the tree-tops.

Four horses drawing a small calash whose wheels were covered with

rubber glided across the Griess as noiselessly as a spectral equipage.

The animals knew the way, and their fiery spirit urged them forward

without the aid of shout or lash, though the mountain grew steeper and

steeper till the black walls of the hunting seat at last became visible

in the glimmering star-light.

Josepha was standing at the window of the little sitting-room upstairs:

"I think the countess is coming." At a table, by the lamp, bending over

a book, sat "the _steward_."

He evidently had not heard the words, for he did not look up from the

volume and it seemed as if the gloomy shadow above his eyes grew darker

still.

"Joseph, the countess is coming!" cried Josepha in a louder tone.

"You are deceiving yourself again, as usual," he replied in the

wonderful voice which gave special importance to the simplest words, as

when a large, musical bell is rung for some trivial cause.

"No, this time it really is she," Josepha insisted.

"I don't believe it."

Josepha shook her head. "You must receive her."

"She is not coming on my account, it is only to see the child."

"Then _I_ will go. Oh, Heaven, what a life!" sighed Josepha, going out

upon the green moss-covered steps of the half ruined stone stairs where

the carriage had just stopped.

"Is that you, Josepha?" asked the countess, in a disappointed tone,

"where--where is Freyer?"

"He is within, your Highness, he would not believe that your Highness

was really coming!"

The countess understood the bitter meaning of the words.

"I did not come to endure ill-temper!" she murmured. "Is the boy

asleep?"

"Yes, we have taken him into the sitting-room, he is coughing again and

his head is burning, so I wanted to have him in a warmer room."

"Isn't it warm here?"

"Since the funnel fell out, we cannot heat these rooms; Freyer tried to

fit it in, but it smokes constantly. I wrote to your Highness last

month asking what should be done. Freyer, too, reported a fortnight ago

that the stove ought to be repaired, and the child moved to other

apartments before the cold weather set in if Your Highness approved,

but--we have had no answer. Now the little boy is ill--it is beginning

to be very cold."

Madeleine von Waldenau bit her lips. Yes, it was true, the letters had

been written--and in the whirl of society and visits she had forgotten

them.

Now the child was ill--through her fault. She entered the sitting-room.

Freyer stood waiting for her in a half defiant, half submissive

attitude--half master, half servant.

The bearing was unlovely, like everything that comes from a false

position. It displeased the countess and injured Freyer, though she had

herself placed him in this situation. It made him appear awkward and

clownish.

When, with careless hand, we have damaged a work of art and perceive

that instead of improving we have marred it, we do not blame ourselves,

but the botched object, and the innocent object must suffer because we

have spoiled our own pleasure in it. It is the same with the work of

art of creation--a human being.

There are some natures which can never leave things undisturbed, but

seek to gain a creative share in everything by attempts at shaping and

when convinced that it would have been better had they left the work

untouched, they see in the imperfect essay, not their own want of

skill, but the inflexibility of the material, pronounce it not worth

the labor bestowed--and cast it aside.

The countess had one of these natures, so unconsciously cruel in their

artistic experiments, and her marred object was--Freyer.

Therefore his bearing did not, could not please her, and she allowed a

glance of annoyance to rest upon him, which did not escape his notice.

Passing him, she went to their son's bed.

There lay the "infant Christ," a boy six or seven years old with silken

curls and massive brows, beneath whose shadow the closed eyes were

concealed by dark-lashed lids. A single ray from the hanging lamp fell

upon the forehead of the little Raphael, and showed the soft brows knit

as if with unconscious pain.

The child was not happy--or not well--or both. He breathed heavily in

his sleep, and there was a slight nervous twitching about the

delicately moulded nostrils.

"He has evidently lost flesh since I was last here!" said the countess

anxiously.

Freyer remained silent.

"What do you think?" asked the mother.

"What can I think? You have not seen the boy for so _long_ that you can

judge whether he has altered far better than I."

"Joseph!" The beautiful woman drew herself up, and a look of genuine

sorrow rested upon the pale, irritated countenance of her husband.

"Whenever I come, I find nothing save bitterness and cutting

words--open and secret reproaches. This is too much. Not even to-day,

when I find my child ill, do you spare the mother's anxious heart. This

is more than I can endure, it is ignoble, unchivalrous."

"Pardon me," replied her husband in a low tone, "I could not suppose

that a mother who deserts her child for months could possibly possess

so tender a nature that she would instantly grow anxious over a slight

illness or a change in his appearance. I am a plain man, and cannot

understand such contradictions!"

"Yes, from your standpoint you are right--in your eyes I must seem a

monster of heartlessness. I almost do in my own. Yet, precisely because

the reproach appears merited it cuts me so deeply, that is why it would

be generous and noble to spare me! Oh! Freyer, what has become of the

great divine love which once forgave my every fault?"

"It is where you have banished it, buried in the depths of my heart, as

I am buried among these lonely mountains, silent and forgotten."

The countess, shaking her head, gazed earnestly at him. "Joseph, you

see that I am suffering. You must see that it would be a solace to rest

in your love, and you are ungenerous enough to humble my bowed head

still more."

"I have no wish to humble you. But we can be generous only to those who

need it. I see in the haughty Countess Wildenau a person who can

exercise generosity, but not require it."

"Because you do not look into the depths of my heart, tortured with

agonies of unrest and self-accusation?" As she spoke tears sprang to

her eyes, and she involuntarily thought of the faithful, shrewd friend

at home whose delicate power of perception had that very day spared her

the utterance of a single word, and at one glance perceived all the

helplessness of her situation.

True, the _latter_ was a man of the world whom the tinsel and glitter

which surrounded her no longer had power to dazzle, and who was

therefore aware how poor and wretched one can be in the midst of

external magnificence.

The _former_--a man of humble birth, with the childish idea of the

value of material things current among the common people, could not

imagine that a person might be surrounded by splendor and luxury, play

a brilliant part in society, and yet be unhappy and need consideration.

But, however, she might apologize for him, the very excuses lowered him

still more in her eyes! Each of these conflicts seemed to widen the

gulf between them instead of bridging it.

Such scenes, which always reminded her afresh of his lowly origin, did

him more injury in her eyes than either of them suspected at the

moment. They were not mere ebullitions of anger, which yielded to

equally sudden reactions--they were not phases of passion, but the

result of cool deliberation from the standpoint of the educated woman,

which ended in hopeless disappointment.

The continual refrain: "You do not understand me!" with which the

countess closed such discussions expressed the utter hopelessness of

their mutual relations.

"You wonder that I come so rarely!" she said bitterly. "And yet it is

you alone who are to blame--nay, you have even kept me from the bedside

of my child."

"Indeed?" Freyer with difficulty suppressed his rising wrath. "This,

too!"

"Yes, how can you expect me to come gladly, when I always encounter

scenes like these? How often, when I could at last escape from the

thousand demands of society, and hurried hither with a soul thirsting

for love, have you repulsed me with your perpetual reproaches which you

make only because you have no idea of my relations and the claims of

the fashionable world. So, at last, when I longed to come here to my

husband and my child, dread of the unpleasant scenes which shadow your

image, held me back, and I preferred to conjure before me at home the

Freyer whom I once loved and always should love, if you did not

yourself destroy the noble image. With _that_ Freyer I have sweet

intercourse by my lonely fireside--with _him_ I obtain comfort and

peace, if I avoid _this_ Freyer with his petty sensitiveness, his

constant readiness to take umbrage." A mournful smile illumined her

face as she approached him; "You see that when I think of the Freyer of

whom I have just spoken--the Freyer of my imagination--my heart

overflows and my eyes grow dim! Do you no longer know that Freyer? Can

you not tell me where I shall find him again if I seek him very, _very_

earnestly?"

Freyer opened his arms and pointed to his heart: "Here, here, you can

find him, if you desire--come, my beloved, loved beyond all things

earthly, come to the heart which is only sick and sensitive from

longing for you."

In blissful forgetfulness she threw herself upon his breast, completely

overwhelmed by another wave of the old illusion, losing herself

entirely in his ardent embrace.

"Oh, my dear wife!" he murmured in her ear, "I know that I am irritable

and unjust! But you do not suspect the torment to which you condemn me.

Banished from your presence, far from my home, torn from my native

soil, and not yet rooted in yours. What life is this? My untrained

reason is not capable of creating a philosophy which could solve this

mystery. Why must these things be? I am married, yet not married. I am

your husband, yet you are not my wife. I have committed no crime, yet

am a prisoner, am not a dishonored man--yet am a despised one who must

conceal himself in order not to bring shame upon his wife!

"So the years passed and life flits by!" You come often, but--I might

almost say only to make me taste once more the joys of the heaven from

which I am banished.

"Ah, it is more cruel than all the tortures of bell, for the condemned

souls are not occasionally transferred to Heaven only to be again

thrust forth and suffer a thousandfold. Even the avenging God is not so

pitiless."

The countess, overwhelmed by this heavy charge, let her head sink upon

her husband's breast.

"See, my wife," he continued in a gentle, subdued tone, whose magic

filled her heart with that mournful pleasure with which we listen to a

beautiful dirge even beside the corpse of the object of our dearest

love. "In your circles people probably have sufficient self-control to

suppress a great sorrow. I know that I only weary and annoy you by my

constant complaints, and that you will at last prefer to avoid me

entirely rather than expose yourself to them!

"I know this--yet I cannot do otherwise. I was not trained to

dissimulation--self-control, as you call it--I cannot laugh when my

heart is bleeding or utter sweet words when my soul is full of

bitterness. I do not understand what compulsion could prevent you, a

free, rich woman, from coming to the husband whom you love, and I

cannot believe that you could not come if you longed to do so--that is

why I so often doubt your love.

"What should you love in me? I warned you that I cannot always move

about with the crown of thorns and sceptre of reeds as Ecce Homo, and

you now perceive that you were deceived in me, that I am only a poor,

ordinary man, your inferior in education and intellect! And so long as

I am not a real Ecce Homo--though that perhaps might happen--so long I

am not what you need. But however poor and insignificant I may be--I am

not without honor--and when I think that you only come occasionally,

out of compassion, to bring the beggar the crumbs which your fine

gentlemen have left me--then, I will speak frankly--then my pride

rebels and I would rather starve than accept alms."

"And therefore you thrust back the loving wife when, with an

overflowing heart, she stole away from the glittering circles of

society to hasten to your side, therefore you were cold and stern,

disdaining what the others _sought in vain_!--For, however distant you

may be, there has not been an hour of my life which you might not have

witnessed--however free and independent of you I may stand, there is

not a fibre in my heart which does not cling to you! Ah, if you could

only understand this deep, sacred tie which binds the freest spirit to

the husband, the father of my child. If I had wings to soar over every

land and sea--I should ever be drawn back to you and would return as

surely as 'the bird bound by the silken cord.' No one can part me from

you except _you yourself_. That you are not my equal in education, as

you assert, does not sever us, but inferiority of _character_ would do

so, for nothing but _greatness_ attracts me--to find you base would be

the death-knell of our love! Even the child would no longer be a bond

between us, for to intellectual natures like mine the ties of blood are

mere animal instincts, unless pervaded and transfigured by a loftier

idea. The greatest peril which threatens our love is that your narrow

views prevent your attaining the standpoint from which a woman like

myself must be judged. I have great faults which need great indulgence

and a superiority which is not alarmed by them. Unfortunately, my

friend, you lack both. I have a great love for you--but you measure it

by the contracted scales of your humdrum morality, and before this it

vanishes because its dimensions far transcend it.--Where, where, my

friend, is the grandeur, the freedom of the soul which I need?"

"Alas, your words are but too true," said Freyer, releasing her from

his embrace. "Every word is a death sentence. You ask a grandeur which

I do not possess and shall never obtain. I grew up in commonplace

ideas, I have never seen any other life than that in which the husband

and wife belonged together, the father and mother reared, tended, and

watched their children together, and love in this close, tender

companionship reached its highest goal. This idea of quiet domestic

happiness embodied to me all the earthly bliss allotted by God to

Christian husbands and wives. Of a love which is merely incidental,

something in common with all the other interests of life, and which

when it comes in conflict with them, must move aside and wait till it

is permitted to assert itself again, of such a love I had no

conception--at least, not in marriage! True, we know that in the dawn

of love it is kept secret as something which must be hidden. But this

is a state of restless torture, which we strive to end as soon as

possible by a marriage. That such a condition of affairs would be

possible in marriage would never have entered my mind, and say what you

will, a--marriage like ours is little better than an illegal relation."

The countess started--she had had the same thought that very day.

"And I "--Freyer inexorably continued--"am little more than your lover!

If you choose to be faithful to me, I shall be grateful, but do not ask

the 'grandeur' as you call it, of my believing it. Whoever regards

conjugal duties so lightly--whoever, like you, feels bound by no law

'which was only made for poor, ordinary people' will keep faith

only--so long as it is agreeable to do so."

The countess, gazing into vacancy, vainly strove to find a reply.

"This seems very narrow, very ridiculous from your lofty standpoint.

You see I shall always be rustic. It is a misfortune for you that

you came to me. Why did you not remain in your own aristocratic

circle--gentlemen of noble birth would have understood you far better

than a poor, plain man like me. I tell myself so daily--it is the worm

which gnaws at my life. Now you have the 'greatness' you desire, the

only 'greatness' I can offer--that of the perception of our misery."

Madeleine nodded hopelessly. "Yes, we are in an evil strait. I despair

more and more of restoring peace between us--for it would be possible

only in case I could succeed in making you comprehend the necessity of

the present certainly unnatural form of our marriage. Yet you cannot

and will not see that a woman like me cannot live in poverty, that

wealth, though it does not render me happy, is nevertheless

indispensable, not on account of the money, but because with it honor,

power, and distinction would be lost. You know that this would follow

an acknowledgement of our marriage, and I would die rather than resign

them. I was born to a station too lofty to be content in an humble

sphere. Do you expect the eagle to descend to a linnet's nest and dwell

there? It would die, for it can breathe only in the regions for which

it was created."

"But the eagle should never have stooped to the linnet," said Freyer,

gloomily.

"I believed that I should find in you a consort, aspiring enough to

follow me to my heights, for the wings of your genius rustled with

mighty strokes above me when you hung upon the cross. Oh, can one who,

like you, has reached the height of the cross, sink to the Philistine

narrowness of the ideas of the lower classes and thrust aside the

foaming elixir of love, because it is not proffered in the usual wooden

bowl of the daily performance of commonplace duties? It is incredible,

but true. And lastly you threaten that I shall make you an Ecce Homo!

If you were, it would be no fault of mine but because, even in daily

life, you could not cease to play the Christ."

The countess had spoken with cutting sharpness and bitterness; it

seemed as if the knife she turned against the man she loved must be

piercing her own heart.

Freyer's breath came heavily, but no sound betrayed the anguish of the

wound he had received. But the child, as if feeling, even in its sleep,

that its mother was about to sunder, with a fatal blow, the chord of

life uniting her to the father and itself, quivered in pain and flung

its little hands into the air, as though to protect the mysterious bond

whose filaments ran through its heart also.

"See, the child feels our strife and suffers from it!" said Freyer, and

the unutterable pain in the words swept away all hardness, all

defiance. The mother, with tearful eyes, sank down beside the bed of

the suffering child--languishing under the discord between her and its

father like a tender blossom beneath the warfare of the elements. "My

child!" she said in a choking voice, "how thin your little hands have

grown! What does this mean?"

She pressed the boy's transparent little hands to her lips and when she

looked up again two wonderful dark eyes were gazing at her from the

child's pale face. Yes, those were the eyes of the infant Redeemer of

the World in the picture of the Sistine Madonna, the eyes which mirror

the foreboding of the misery of a world. It was the expression of

Freyer's, but spiritualized, and as single sunbeams dance upon a dark

flood, it seemed as if golden rays from his mother's sparkling orbs had

leaped into his.

What a marvellous child! The mother's delicate beauty, blended with the

deep earnestness of the father, steeped in the loveliness and

transfiguration of Raphael. And she could wound the father of this boy

with cruel words? She could scorn the wonderful soul of Freyer, which

gazed at her in mute reproach from the eyes of the child, because the

woe of the Redeemer had impressed upon it indelible traces; disdain it

beside the bed of this boy, this pledge of a love whose supernatural

power transformed the man into a god, to rest for a moment in a divine

embrace? "Mother!" murmured the boy softly, as if in a waking dream;

but Madeleine von Wildenau felt with rapture that he meant _her_, not

Josepha. Then he closed his eyes again and slept on.

Kneeling at the son's bedside, she held out her hand to the father; it

seemed as if a trembling ray of light entered her soul, reflected from

the moment when he had formerly approached her in all the radiance of

his power and beauty.

"And _we_ should not love each other?" she said, while binning tears

flowed down her cheeks. Freyer drew her from, the child's couch,

clasping her in a close embrace. "My dove!" He could say no more, grief

and love stifled his voice.

She threw her arms around his neck, as she had done when she made her

penitent confession with such irresistible grace that he would have

pardoned every mortal sin. "Forgive me, Joseph," she said softly, in

order not to wake the boy who, even in sleep, turned his little head

toward his parents, as a flower sways toward the sun. "I am a poor,

weak woman; I myself suffer unutterably under the separation from you

and the child; if you knew how I often feel--a rock would pity me! It

is a miserable condition--nothing is mine, neither you, my son, nor my

wealth, unless I sacrifice one for the other, and that I cannot resolve

to do. Ah, have compassion, on my weakness. It is woman's way to bear

the most unendurable condition rather than form an energetic resolve

which might change it. I know that the right course would be for me to

find courage to renounce the world and say: 'I am married, I will

resign, as my husband's will requires, the Wildenau fortune; I will

retire from the stage as a beggar--I will starve and work for my daily

bread.' I often think how beautiful and noble this would be, and that

perhaps we might be happy so--happier than we are now--if it were only

_done_! But when I seriously face the thought, I feel that I cannot do

it."

"Yet you told me in Ammergau," cried Freyer, "that it was only on your

father's account that you could not acknowledge the marriage. Your

father is now a paralytic, half-foolish old man, who cannot live long,

then this reason will be removed."

"Yes, when we married it _was_ he who prevented me from announcing it;

I wished to do so, and it would have been easy. But if I state the fact

now, after having been secretly married eight years, during which I

have illegally retained the property, I shall stamp myself a cheat.

Take me to the summit of the Kofel and bid me leap down its thousand

feet of cliff--I cannot, were it to purchase my eternal salvation. Hurl

me down--I care not--but do not expect me voluntarily to take the

plunge, it is impossible. Unless God sends an angel to bear me over the

chasm on its wings, all pleading will be futile."

She pressed her cheek, burning with the fever of fear, tenderly against

his: "Have pity on my weakness, forgive me! Ah, I know I am always

talking about greatness--yet with me it exists only in the imagination.

I am too base to be capable of what is really noble."

"You see me now, as God Himself beholds me. He will judge me--but it is

the privilege of marital love to forgive. Will you not use this sweet

right? Perhaps God will show me some expedient. Perhaps I shall succeed

in making an agreement with the relatives or gaining the aid of the

king, but for all this I must live in the world--in order to secure

influence and scope for my plans. Will you have patience and

forbearance with me till there is a change?"

"That will never be, any more than during the past eight years.

But I will bear with you, poor wife; in spite of _everything_ I

will trust your love, I will try to repress my discontent when you

come and gratefully accept what you bestow, without remonstrance or

fault-finding. I will bear it as long as I can. Perhaps--it will wear

me out, then we shall both be released. I would have removed myself

from the world long ago--but that would be a sin, and would not have

benefited you. Your heart is too kind not to be wounded and the

suicide's bloody shade would not have permitted you to enjoy your

liberty."

"Oh, Heaven, what are you saying! My poor husband, is that your

condition?" cried the countess, deeply stirred by the tragedy of these

calmly uttered words. She shuddered at this glimpse of the dark depths

of his fathomless soul and what, in her opinion, he might lack in

broadness of view was now supplied by the extent of his suffering; at

this moment he again interested her. Throwing herself on his breast,

she overwhelmed him with caresses. She sought to console him, make him

forget the bitterness of his grief by the magic potion of her love. She

herself did not know that even now--carried away by a genuine emotion

of compassion--she was yielding to the demoniac charm of trying upon

his pain the power of her coquetry, which she had long since tested

sufficiently upon _human beings_. But where she would undoubtedly have

succeeded with men of cultivation, she failed with this child of

nature, who instinctively felt that this sweet display of tenderness

was not meant for him but was called forth by the struggle against a

hostile element which she desired to bribe or conquer. His grief

remained unchanged; it was too deeply rooted to be dispelled by the

love-raptures of a moment. Yet the poor husband, languishing for the

wife so ardently beloved, took the poisoned draught she offered, as the

thirsting traveller in the desert puts his burning lips to the tainted

pool whence he knows he is drinking death.

On the Cross: A Romance of the Passion Play at Oberammergau · 第 19 / 40 章