LETTER XXI.

I have remarked in the beginning of the foregoing letter that there is a

twofold condition of determinableness and a twofold condition of

determination. And now I can clear up this proposition.

The mind can be determined--is determinable--only in as far as it is not

determined; it is, however, determinable also, in as far as it is not

exclusively determined; that is, if it is not confined in its

determination. The former is only a want of determination--it is without

limits, because it is without reality; but the latter, the aesthetic

determinableness, has no limits, because it unites all reality.

The mind is determined, inasmuch as it is only limited; but it is also

determined because it limits itself of its own absolute capacity. It is

situated in the former position when it feels, in the second when it

thinks. Accordingly the aesthetic constitution is in relation to

determinableness what thought is in relation to determination. The

latter is a negative from internal and infinite completeness, the former

a limitation from internal infinite power. Feeling and thought come into

contact in one single point, the mind is determined in both conditions,

the man becomes something and exists--either as individual or person--by

exclusion; in other cases these two faculties stand infinitely apart.

Just in the same manner the aesthetic determinableness comes in contact

with the mere want of determination in a single point, by both excluding

every distinct determined existence, by thus being in all other points

nothing and all, and hence by being infinitely different. Therefore if

the latter, in the absence of determination from deficiency, is

represented as an empty infiniteness, the aesthetic freedom of

determination, which forms the proper counterpart to the former, can be

considered as a completed infiniteness; a representation which exactly

agrees with the teachings of the previous investigations.

Man is therefore nothing in the aesthetic state, if attention is given to

the single result, and not to the whole faculty, and if we regard only

the absence or want of every special determination. We must therefore do

justice to those who pronounce the beautiful, and the disposition in

which it places the mind, as entirely indifferent and unprofitable, in

relation to knowledge and feeling. They are perfectly right; for it is

certain that beauty gives no separate, single result, either for the

understanding or for the will; it does not carry out a single

intellectual or moral object; it discovers no truth, does not help us to

fulfil a single duty, and, in one word, is equally unfit to found the

character or to clear the head. Accordingly, the personal worth of a

man, or his dignity, as far as this can only depend on himself, remains

entirely undetermined by aesthetic culture, and nothing further is

attained than that, on the part of nature, it is made profitable for him

to make of himself what he will; that the freedom to be what he ought to

be is restored perfectly to him.

But by this something infinite is attained. But as soon as we remember

that freedom is taken from man by the one-sided compulsion of nature in

feeling, and by the exclusive legislation of the reason in thinking, we

must consider the capacity restored to him by the aesthetical

disposition, as the highest of all gifts, as the gift of humanity. I

admit that he possesses this capacity for humanity, before every definite

determination in which he may be placed. But, as a matter of fact, he

loses it with every determined condition into which he may come; and if

he is to pass over to an opposite condition, humanity must be in every

case restored to him by the aesthetic life.

It is therefore not only a poetical license, but also philosophically

correct, when beauty is named our second creator. Nor is this

inconsistent with the fact that she only makes it possible for us to

attain and realize humanity, leaving this to our free will. For in this

she acts in common with our original creator, nature, which has imparted

to us nothing further than this capacity for humanity, but leaves the use

of it to our own determination of will.

Aesthetical Essays of Friedrich Schiller · 第 33 / 57 题